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English Department Dissertations Collection

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Dissertations from 2023 2023

In Search of Middle Paths: Buddhism, Fiction, and the Secular in Twentieth-Century South Asia , Crystal Baines, English

Save Our Children: Discourses of Queer Futurity in the United States and South Africa, 1977-2010 , Jude Hayward-Jansen, English

Epistemologies of the Unknowable in Nineteenth-Century U.S. Literature , Maria Ishikawa, English

Revenge of the Nerds: Tech Masculinity and Digital Hegemony , Benjamin M. Latini, English

The Diasporic Mindset and Narrative Intersections of British Identity in Transnational Fiction , Joseph A. Mason, English

A 19TH CENTURY ETHNOGRAPHIC EXHIBIT UN/CAGED: NARRATIVES OF INFORMAL EMPIRE, AFROLATINIDAD, AND CONTEMPORARY ARTISTIC (RE)FRAMINGS , Celine G. Nader, English

Dissertations from 2022 2022

Writing the Aftermath: Uncanny Spaces of the Postcolonial , Sohini Banerjee, English

Science Fiction’s Enactment of the Encouragement, Process, and End Result of Revolutionary Transformation , Katharine Blanchard, English

LITERARY NEGATION AND MATERIALISM IN CHAUCER , Michelle Brooks, English

TRANSNATIONAL POLITICAL AND LITERARY ENCOUNTERS: THE IDEA OF AMERÍKA IN ICELANDIC FICTION, 1920–1990 , Jodie Childers, English

When Choices Aren't Choices: Academic Literacy Normativities in the Age of Neoliberalism , Robin K. Garabedian, English

Redefining Gender Violence: Radical Feminist Visions in Contemporary Ethnic American Women’s Fiction and Women of Color Activism 1990-2010 , Hazel Gedikli, English

Stories Women Carry: Labor and Reproductive Imaginaries of South Asia and the Caribbean , Subhalakshmi Gooptu, English

The Critical Workshop: Writing Revision and Critical Pedagogy in the Middle School Classroom , Andrea R. Griswold, English

Racial Poetics: Early Modern Race and the Form of Comedy , Yunah Kae, English

At the Limits of Empathy: Political Conflict and its Aftermath in Postcolonial Fiction , Saumya Lal, English

The Burdens and Blessings of Responsibility: Duty and Community in Nineteenth- Century America , Leslie Leonard, English

No There There: New Jersey in Multiethnic Writing and Popular Culture Since 1990 , Shannon Mooney, English

Ownership and Writer Agency in Web 2.0 , Thomas Pickering, English

Combating Narratives: Soldiering in Twentieth-Century African American and Latinx Literature , Stacy Reardon, English

“IT DON’T ‘MEAN’ A THING”: TIME AND THE READER IN JAZZ FICTIONAL NARRATIVE , Damien C. Weaver, English

SATURNINE ECOLOGIES: ENVIRONMENTAL CATASTROPHE IN THE EARLY MODERN WORLD, 1542-1688 , John Yargo, English

Dissertations from 2021 2021

"On Neptunes Watry Realmes": Maritime Law and English Renaissance Literature , Hayley Cotter, English

Theater of Exchange: The Cosmopolitan Stage of Jacobean London , Liz Fox, English

“The Badge of All Our Tribe”: Contradictions of Jewish Representation on the English Renaissance Stage , Becky S. Friedman, English

On Being Dispersed: The Poetics of Dehiscence from "We the People" to Abolition , Sean A. Gordon, English

Echoing + Resistant Imagining: Filipino Student Writing Under American Colonial Rule , Florianne Jimenez, English

When Your Words Are Someone Else's Money: Rhetorical Circulation, Affect, and Late Capitalism , Kelin E. Loe, English

Indigenous Impositions in Contemporary Culture: Knotting Ontologies, Beading Aesthetics, and Braiding Temporalities , Darren Lone Fight, English

NEGRITUDE FEMINISMS: FRANCOPHONE BLACK WOMEN WRITERS AND ACTIVISTS IN FRANCE, MARTINIQUE, AND SENEGAL FROM THE 1920S TO THE 1980S , Korka Sall, English

Negotiating Space: Spatial Violation on the Early Modern Stage, 1587-1638 , Gregory W. Sargent, English

Stranger Compass of the Stage: Difference and Desire in Early Modern City Comedy , Catherine Tisdale, English

Dissertations from 2020 2020

AFFECTIVE HISTORIES OF SOUTHERN TRAUMA: SHAME, HEALING, AND VULNERABILITY IN US SOUTHERN WOMEN’S WRITING, 1975–2006 , Faune Albert, English

Materially Queer: Identity and Agency in Academic Writing , Joshua Barsczewski, English

ANGELS WHO STEPPED OUTSIDE THEIR HOUSES: “AMERICAN TRUE WOMANHOOD” AND NINETEENTH-CENTURY (TRANS)NATIONALISMS , Gayathri M. Hewagama, English

WRITING AGAINST HISTORY: FEMINIST BAROQUE NARRATIVES IN INTERWAR ATLANTIC MODERNISM , Annaliese Hoehling, English

Passing Literacies: Soviet Immigrant Elders and Intergenerational Language Practice , Jenny Krichevsky, English

Lisa Ben and Queer Rhetorical Reeducation in Post-war Los Angeles , Katelyn S. Litterer, English

Daring Depictions: An Analysis of Risks and Their Mediation in Representations of Black Suffering , Russell Nurick, English

From Page to Program: A Study of Stakeholders in Multimodal First-Year Composition Curriculum and Program Design , Rebecca Petitti, English

Forms of the Future: Indigeneity, Blackness, and the Visioning Work of Aesthetics in U.S. Poetry, 1822-1863 , Magdalena Zapędowska, English

Dissertations from 2019 2019

Black Men Who Betray Their Race: 20TH Century Literary Representations of the Black Male Race Traitor , Gregory Coleman, English

“The Worlding Game”: Queer Ecological Perspectives in Modern Fiction , Sarah D'Stair, English

Afrasian Imaginaries: Global Capitalism and Labor Migration in Indian Ocean Fictions, 1990 – 2015 , Neelofer Qadir, English

Divided Tongues: The Politics and Poetics of Food in Modern Anglophone Indian Fiction , Shakuntala Ray, English

Globalizing Nature on the Shakespearean Stage , William Steffen, English

Gilded Chains: Global Economies and Gendered Arts in US Fiction, 1865-1930 , Heather Wayne, English

“ÆTHELTHRYTH”: SHAPING A RELIGIOUS WOMAN IN TENTH-CENTURY WINCHESTER , Victoria Kent Worth, English

Dissertations from 2018 2018

Sex and Difference in the Jewish American Family: Incest Narratives in 1990s Literary and Pop Culture , Eli W. Bromberg, English

Rhetorical Investments: Writing, Technology, and the Emerging Logics of the Public Sphere , Dan Ehrenfeld, English

Kiskeyanas Valientes en Este Espacio: Dominican Women Writers and the Spaces of Contemporary American Literature , Isabel R. Espinal, English

“TO WEIGH THE WORLD ANEW”: POETICS, RHETORIC, AND SOCIAL STRUGGLE, FROM SIDNEY’S ARCADIA TO SHAKESPEARE’S THEATER , David Katz, English

CIVIC DOMESTICITY: RHETORIC, WOMEN, AND SPACE AT HULL HOUSE, 1889-1910 , Liane Malinowski, English

Charting the Terrain of Latina/o/x Theater in Chicago , Priscilla M. Page, English

The Politics of Feeling and the Work of Belonging in US Immigrant Fiction 1990 - 2015 , Lauren Silber, English

Turning Inside Out: Reading and Writing Godly Identity in Seventeenth-Century Narratives of Spiritual Experience , Meghan Conine Swavely, English

Dissertations from 2017 2017

Tragicomic Transpositions: The Influence of Spanish Prose Romance on the Development of Early Modern English Tragicomedy , Josefina Hardman, English

“The Blackness of Blackness”: Meta-Black Identity in 20th/21st Century African American Culture , Casey Hayman, English

Waiting for Now: Postcolonial Fiction and Colonial Time , Amanda Ruth Waugh Lagji, English

Latina Identities, Critical Literacies, and Academic Achievement in Community College , Morgan Lynn, English

Demanding Spaces: 1970s U.S. Women's Novels as Sites of Struggle , Kate Marantz, English

Novel Buildings: Architectural and Narrative Form in Victorian Fiction , Ashley R. Nadeau, English

CATCH FEELINGS: CLASS AFFECT AND PERFORMATIVITY IN TEACHING ASSOCIATES' NARRATIVES , Anna Rita Napoleone, English

Dialogue and "Dialect": Character Speech in American Fiction , Carly Overfelt, English

Materializing Transfer: Writing Dispositions in a Culture of Standardized Testing , Lisha Daniels Storey, English

Theatres of War: Performing Queer Nationalism in Modernist Narratives , Elise Swinford, English

Dissertations from 2016 2016

Multimodal Assessment in Action: What We Really Value in New Media Texts , Kathleen M. Baldwin, English

Addictive Reading: Nineteenth-Century Drug Literature's Possible Worlds , Adam Colman, English

"The Book Can't Teach You That": A Case Study of Place, Writing, and Tutors' Constructions of Writing Center Work , Christopher Joseph DiBiase, English

Protest Lyrics at Work: Labor Resistance Poetry of Depression-Era Autoworkers , Rebecca S. Griffin, English

From What Remains: The Politics of Aesthetic Mourning and the Poetics of Loss in Contemporary African American Culture , Kajsa K. Henry, English

Minor Subjects in America: Everyday Childhoods of the Long Nineteenth Century , Gina M. Ocasion, English

Enduring Affective Rhetorics: Transnational Feminist Action in Digital Spaces , Jessica Ouellette, English

The School Desk and the Writing Body , Marni M. Presnall, English

Sustainable Public Intellectualism: The Rhetorics of Student Scientist-Activists , Jesse Priest, English

Prosthetizing the Soul: Reading, Seeing, and Feeling in Seventeenth-Century Devotion , Katey E. Roden, English

Dissertations from 2015 2015

“As Child in Time”: Childhood, Temporality, and 19th Century U.S. Literary Imaginings of Democracy , Marissa Carrere, English

A National Style: A Critical Historiography of the Irish Short Story , Andrew Fox, English

Homosexuality is a Poem: How Gay Poets Remodeled the Lyric, Community and the Ideology of Sex to Theorize a Gay Poetic , Christopher M. Hennessy, English

Affecting Manhood: Masculinity, Effeminacy, and the Fop Figure in Early Modern English Drama , Jessica Landis, English

Who Do You Think You Are?: Recovering the Self in the Working Class Escape Narrative , Christine M. Maksimowicz, English

Metabolizing Capital: Writing, Information, and the Biophysical World , Christian J. Pulver, English

Audible Voice in Context , Airlie S. Rose, English

The Role of Online Reading and Writing in the Literacy Practices of First-Year Writing Students , Casey Burton Soto, English

Dissertations from 2014 2014

RESURRECTION: REPRESENTATIONS OF THE BLACK CHURCH IN CONTEMPORARY POPULAR CULTURE , Rachel J. Daniel, English

Seeing Blindness: The Visual and the Great War in Literary Modernism , Rachael Dworsky, English

HERE, THERE, AND IN BETWEEN: TRAVEL AS METAPHOR IN MIXED RACE NARRATIVES OF THE HARLEM RENAISSANCE , Colin Enriquez, English

Interactive Audience and the Internet , John R. Gallagher, English

Down from the Mountain and into the Mill: Literacy Sponsorship and Southern Appalachian Women in the New South , Emma M. Howes, English

Transnational Gestures: Rethinking Trauma in U.S. War Fiction , Ruth A.H. Lahti, English

"A More Natural Mother": Concepts of Maternity and Queenship in Early Modern England , Anne-Marie Kathleen Strohman, English

Dissertations from 2013 2013

Letters to a Dictionary: Competing Views of Language in the Reception of Webster's Third New International Dictionary , Anne Pence Bello, English

Staging the Depression: The Federal Theatre Project's Dramas of Poverty, 1935-1939 , Amy Brady, English

Our Story Has Not Been Told in any Moment: Radical Black Feminist Theatre From The Old Left to Black Power , Julie M Burrell, English

Writing for Social Action: Affect, Activism, and the Composition Classroom , Sarah Finn, English

Surviving Domestic Tensions: Existential Uncertainty in New World African Diasporic Women's Literature , Denia M Fraser, English

From Feathers to Fur: Theatrical Representations of Skin in the Medieval English Cycle Plays , Valerie Anne Gramling, English

The Reflexive Scaffold: Metatheatricality, Genre, and Cultural Performance in English Renaissance Drama , Nathaniel C. Leonard, English

The World Inscribed: Literary Form, Travel, and the Book in England, 1580-1660 , Philip S Palmer, English

Shakespearean Signifiers , Marie H Roche, English

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Dissertation Structure & Layout 101: How to structure your dissertation, thesis or research project.

By: Derek Jansen (MBA) Reviewed By: David Phair (PhD) | July 2019

So, you’ve got a decent understanding of what a dissertation is , you’ve chosen your topic and hopefully you’ve received approval for your research proposal . Awesome! Now its time to start the actual dissertation or thesis writing journey.

To craft a high-quality document, the very first thing you need to understand is dissertation structure . In this post, we’ll walk you through the generic dissertation structure and layout, step by step. We’ll start with the big picture, and then zoom into each chapter to briefly discuss the core contents. If you’re just starting out on your research journey, you should start with this post, which covers the big-picture process of how to write a dissertation or thesis .

*The Caveat *

In this post, we’ll be discussing a traditional dissertation/thesis structure and layout, which is generally used for social science research across universities, whether in the US, UK, Europe or Australia. However, some universities may have small variations on this structure (extra chapters, merged chapters, slightly different ordering, etc).

So, always check with your university if they have a prescribed structure or layout that they expect you to work with. If not, it’s safe to assume the structure we’ll discuss here is suitable. And even if they do have a prescribed structure, you’ll still get value from this post as we’ll explain the core contents of each section.  

Overview: S tructuring a dissertation or thesis

• Acknowledgements page
• Abstract (or executive summary)
• Table of contents , list of figures and tables
• Chapter 1: Introduction
• Chapter 2: Literature review
• Chapter 3: Methodology
• Chapter 4: Results
• Chapter 5: Discussion
• Chapter 6: Conclusion
• Reference list

As I mentioned, some universities will have slight variations on this structure. For example, they want an additional “personal reflection chapter”, or they might prefer the results and discussion chapter to be merged into one. Regardless, the overarching flow will always be the same, as this flow reflects the research process , which we discussed here – i.e.:

• The introduction chapter presents the core research question and aims .
• The literature review chapter assesses what the current research says about this question.
• The methodology, results and discussion chapters go about undertaking new research about this question.
• The conclusion chapter (attempts to) answer the core research question .

In other words, the dissertation structure and layout reflect the research process of asking a well-defined question(s), investigating, and then answering the question – see below.

To restate that – the structure and layout of a dissertation reflect the flow of the overall research process . This is essential to understand, as each chapter will make a lot more sense if you “get” this concept. If you’re not familiar with the research process, read this post before going further.

Right. Now that we’ve covered the big picture, let’s dive a little deeper into the details of each section and chapter. Oh and by the way, you can also grab our free dissertation/thesis template here to help speed things up.

The title page of your dissertation is the very first impression the marker will get of your work, so it pays to invest some time thinking about your title. But what makes for a good title? A strong title needs to be 3 things:

• Succinct (not overly lengthy or verbose)
• Specific (not vague or ambiguous)
• Representative of the research you’re undertaking (clearly linked to your research questions)

Typically, a good title includes mention of the following:

• The broader area of the research (i.e. the overarching topic)
• The specific focus of your research (i.e. your specific context)
• Indication of research design (e.g. quantitative , qualitative , or  mixed methods ).

For example:

A quantitative investigation [research design] into the antecedents of organisational trust [broader area] in the UK retail forex trading market [specific context/area of focus].

Again, some universities may have specific requirements regarding the format and structure of the title, so it’s worth double-checking expectations with your institution (if there’s no mention in the brief or study material).

Acknowledgements

This page provides you with an opportunity to say thank you to those who helped you along your research journey. Generally, it’s optional (and won’t count towards your marks), but it is academic best practice to include this.

So, who do you say thanks to? Well, there’s no prescribed requirements, but it’s common to mention the following people:

• Your dissertation supervisor or committee.
• Any professors, lecturers or academics that helped you understand the topic or methodologies.
• Any tutors, mentors or advisors.
• Your family and friends, especially spouse (for adult learners studying part-time).

There’s no need for lengthy rambling. Just state who you’re thankful to and for what (e.g. thank you to my supervisor, John Doe, for his endless patience and attentiveness) – be sincere. In terms of length, you should keep this to a page or less.

Abstract or executive summary

The dissertation abstract (or executive summary for some degrees) serves to provide the first-time reader (and marker or moderator) with a big-picture view of your research project. It should give them an understanding of the key insights and findings from the research, without them needing to read the rest of the report – in other words, it should be able to stand alone .

For it to stand alone, your abstract should cover the following key points (at a minimum):

• Your research questions and aims – what key question(s) did your research aim to answer?
• Your methodology – how did you go about investigating the topic and finding answers to your research question(s)?
• Your findings – following your own research, what did do you discover?
• Your conclusions – based on your findings, what conclusions did you draw? What answers did you find to your research question(s)?

So, in much the same way the dissertation structure mimics the research process, your abstract or executive summary should reflect the research process, from the initial stage of asking the original question to the final stage of answering that question.

In practical terms, it’s a good idea to write this section up last , once all your core chapters are complete. Otherwise, you’ll end up writing and rewriting this section multiple times (just wasting time). For a step by step guide on how to write a strong executive summary, check out this post .

Need a helping hand?

Table of contents

This section is straightforward. You’ll typically present your table of contents (TOC) first, followed by the two lists – figures and tables. I recommend that you use Microsoft Word’s automatic table of contents generator to generate your TOC. If you’re not familiar with this functionality, the video below explains it simply:

If you find that your table of contents is overly lengthy, consider removing one level of depth. Oftentimes, this can be done without detracting from the usefulness of the TOC.

Right, now that the “admin” sections are out of the way, its time to move on to your core chapters. These chapters are the heart of your dissertation and are where you’ll earn the marks. The first chapter is the introduction chapter – as you would expect, this is the time to introduce your research…

It’s important to understand that even though you’ve provided an overview of your research in your abstract, your introduction needs to be written as if the reader has not read that (remember, the abstract is essentially a standalone document). So, your introduction chapter needs to start from the very beginning, and should address the following questions:

• What will you be investigating (in plain-language, big picture-level)?
• Why is that worth investigating? How is it important to academia or business? How is it sufficiently original?
• What are your research aims and research question(s)? Note that the research questions can sometimes be presented at the end of the literature review (next chapter).
• What is the scope of your study? In other words, what will and won’t you cover ?
• How will you approach your research? In other words, what methodology will you adopt?
• How will you structure your dissertation? What are the core chapters and what will you do in each of them?

These are just the bare basic requirements for your intro chapter. Some universities will want additional bells and whistles in the intro chapter, so be sure to carefully read your brief or consult your research supervisor.

If done right, your introduction chapter will set a clear direction for the rest of your dissertation. Specifically, it will make it clear to the reader (and marker) exactly what you’ll be investigating, why that’s important, and how you’ll be going about the investigation. Conversely, if your introduction chapter leaves a first-time reader wondering what exactly you’ll be researching, you’ve still got some work to do.

Now that you’ve set a clear direction with your introduction chapter, the next step is the literature review . In this section, you will analyse the existing research (typically academic journal articles and high-quality industry publications), with a view to understanding the following questions:

• What does the literature currently say about the topic you’re investigating?
• Is the literature lacking or well established? Is it divided or in disagreement?
• How does your research fit into the bigger picture?
• How does your research contribute something original?
• How does the methodology of previous studies help you develop your own?

Depending on the nature of your study, you may also present a conceptual framework towards the end of your literature review, which you will then test in your actual research.

Again, some universities will want you to focus on some of these areas more than others, some will have additional or fewer requirements, and so on. Therefore, as always, its important to review your brief and/or discuss with your supervisor, so that you know exactly what’s expected of your literature review chapter.

Now that you’ve investigated the current state of knowledge in your literature review chapter and are familiar with the existing key theories, models and frameworks, its time to design your own research. Enter the methodology chapter – the most “science-ey” of the chapters…

In this chapter, you need to address two critical questions:

• Exactly HOW will you carry out your research (i.e. what is your intended research design)?
• Exactly WHY have you chosen to do things this way (i.e. how do you justify your design)?

Remember, the dissertation part of your degree is first and foremost about developing and demonstrating research skills . Therefore, the markers want to see that you know which methods to use, can clearly articulate why you’ve chosen then, and know how to deploy them effectively.

Importantly, this chapter requires detail – don’t hold back on the specifics. State exactly what you’ll be doing, with who, when, for how long, etc. Moreover, for every design choice you make, make sure you justify it.

In practice, you will likely end up coming back to this chapter once you’ve undertaken all your data collection and analysis, and revise it based on changes you made during the analysis phase. This is perfectly fine. Its natural for you to add an additional analysis technique, scrap an old one, etc based on where your data lead you. Of course, I’m talking about small changes here – not a fundamental switch from qualitative to quantitative, which will likely send your supervisor in a spin!

You’ve now collected your data and undertaken your analysis, whether qualitative, quantitative or mixed methods. In this chapter, you’ll present the raw results of your analysis . For example, in the case of a quant study, you’ll present the demographic data, descriptive statistics, inferential statistics , etc.

Typically, Chapter 4 is simply a presentation and description of the data, not a discussion of the meaning of the data. In other words, it’s descriptive, rather than analytical – the meaning is discussed in Chapter 5. However, some universities will want you to combine chapters 4 and 5, so that you both present and interpret the meaning of the data at the same time. Check with your institution what their preference is.

Now that you’ve presented the data analysis results, its time to interpret and analyse them. In other words, its time to discuss what they mean, especially in relation to your research question(s).

What you discuss here will depend largely on your chosen methodology. For example, if you’ve gone the quantitative route, you might discuss the relationships between variables . If you’ve gone the qualitative route, you might discuss key themes and the meanings thereof. It all depends on what your research design choices were.

Most importantly, you need to discuss your results in relation to your research questions and aims, as well as the existing literature. What do the results tell you about your research questions? Are they aligned with the existing research or at odds? If so, why might this be? Dig deep into your findings and explain what the findings suggest, in plain English.

The final chapter – you’ve made it! Now that you’ve discussed your interpretation of the results, its time to bring it back to the beginning with the conclusion chapter . In other words, its time to (attempt to) answer your original research question s (from way back in chapter 1). Clearly state what your conclusions are in terms of your research questions. This might feel a bit repetitive, as you would have touched on this in the previous chapter, but its important to bring the discussion full circle and explicitly state your answer(s) to the research question(s).

Next, you’ll typically discuss the implications of your findings? In other words, you’ve answered your research questions – but what does this mean for the real world (or even for academia)? What should now be done differently, given the new insight you’ve generated?

Lastly, you should discuss the limitations of your research, as well as what this means for future research in the area. No study is perfect, especially not a Masters-level. Discuss the shortcomings of your research. Perhaps your methodology was limited, perhaps your sample size was small or not representative, etc, etc. Don’t be afraid to critique your work – the markers want to see that you can identify the limitations of your work. This is a strength, not a weakness. Be brutal!

This marks the end of your core chapters – woohoo! From here on out, it’s pretty smooth sailing.

The reference list is straightforward. It should contain a list of all resources cited in your dissertation, in the required format, e.g. APA , Harvard, etc.

It’s essential that you use reference management software for your dissertation. Do NOT try handle your referencing manually – its far too error prone. On a reference list of multiple pages, you’re going to make mistake. To this end, I suggest considering either Mendeley or Zotero. Both are free and provide a very straightforward interface to ensure that your referencing is 100% on point. I’ve included a simple how-to video for the Mendeley software (my personal favourite) below:

Some universities may ask you to include a bibliography, as opposed to a reference list. These two things are not the same . A bibliography is similar to a reference list, except that it also includes resources which informed your thinking but were not directly cited in your dissertation. So, double-check your brief and make sure you use the right one.

The very last piece of the puzzle is the appendix or set of appendices. This is where you’ll include any supporting data and evidence. Importantly, supporting is the keyword here.

Your appendices should provide additional “nice to know”, depth-adding information, which is not critical to the core analysis. Appendices should not be used as a way to cut down word count (see this post which covers how to reduce word count ). In other words, don’t place content that is critical to the core analysis here, just to save word count. You will not earn marks on any content in the appendices, so don’t try to play the system!

Time to recap…

And there you have it – the traditional dissertation structure and layout, from A-Z. To recap, the core structure for a dissertation or thesis is (typically) as follows:

• Acknowledgments page

Most importantly, the core chapters should reflect the research process (asking, investigating and answering your research question). Moreover, the research question(s) should form the golden thread throughout your dissertation structure. Everything should revolve around the research questions, and as you’ve seen, they should form both the start point (i.e. introduction chapter) and the endpoint (i.e. conclusion chapter).

I hope this post has provided you with clarity about the traditional dissertation/thesis structure and layout. If you have any questions or comments, please leave a comment below, or feel free to get in touch with us. Also, be sure to check out the rest of the  Grad Coach Blog .

Psst... there’s more!

This post was based on one of our popular Research Bootcamps . If you're working on a research project, you'll definitely want to check this out ...

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36 Comments

many thanks i found it very useful

Glad to hear that, Arun. Good luck writing your dissertation.

Such clear practical logical advice. I very much needed to read this to keep me focused in stead of fretting.. Perfect now ready to start my research!

what about scientific fields like computer or engineering thesis what is the difference in the structure? thank you very much

Thanks so much this helped me a lot!

Very helpful and accessible. What I like most is how practical the advice is along with helpful tools/ links.

Thanks Ade!

Thank you so much sir.. It was really helpful..

You’re welcome!

Hi! How many words maximum should contain the abstract?

Thank you so much 😊 Find this at the right moment

You’re most welcome. Good luck with your dissertation.

best ever benefit i got on right time thank you

Many times Clarity and vision of destination of dissertation is what makes the difference between good ,average and great researchers the same way a great automobile driver is fast with clarity of address and Clear weather conditions .

I guess Great researcher = great ideas + knowledge + great and fast data collection and modeling + great writing + high clarity on all these

You have given immense clarity from start to end.

Morning. Where will I write the definitions of what I’m referring to in my report?

Thank you so much Derek, I was almost lost! Thanks a tonnnn! Have a great day!

Thanks ! so concise and valuable

This was very helpful. Clear and concise. I know exactly what to do now.

Thank you for allowing me to go through briefly. I hope to find time to continue.

Really useful to me. Thanks a thousand times

Very interesting! It will definitely set me and many more for success. highly recommended.

Thank you soo much sir, for the opportunity to express my skills

Usefull, thanks a lot. Really clear

Very nice and easy to understand. Thank you .

That was incredibly useful. Thanks Grad Coach Crew!

My stress level just dropped at least 15 points after watching this. Just starting my thesis for my grad program and I feel a lot more capable now! Thanks for such a clear and helpful video, Emma and the GradCoach team!

Do we need to mention the number of words the dissertation contains in the main document?

It depends on your university’s requirements, so it would be best to check with them 🙂

Such a helpful post to help me get started with structuring my masters dissertation, thank you!

Great video; I appreciate that helpful information

It is so necessary or avital course

This blog is very informative for my research. Thank you

Doctoral students are required to fill out the National Research Council’s Survey of Earned Doctorates

wow this is an amazing gain in my life

This is so good

How can i arrange my specific objectives in my dissertation?

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Digital Commons @ USF > College of Arts and Sciences > English > Theses and Dissertations

English Theses and Dissertations

Theses/dissertations from 2023 2023.

Of Mētis and Cuttlefish: Employing Collective Mētis as a Theoretical Framework for Marginalized Communities , Justiss Wilder Burry

What on earth are we doing (?): A Field-Wide Exploration of Design Courses in TPC , Jessica L. Griffith

Organizations Ensuring Resilience: A Case Study of Cortez, Florida , Karla Ariel Maddox

Theses/Dissertations from 2022 2022

Using Movie Clips to Understand Vivid-Phrasal Idioms’ Meanings , Rasha Salem S. Alghamdi

An Exercise in Exceptions: Personhood, Divergency, and Ableism in the STAR TREK Franchise , Jessica A. Blackman

Vulnerable Resistance in Victorian Women’s Writing , Stephanie A. Harper

Curricular Assemblages: Understanding Student Writing Knowledge (Re)circulation Across Genres , Adam Phillips

PAD Beyond the Classroom: Integrating PAD in the Scrum Workplace , Jade S. Weiss

Theses/Dissertations from 2021 2021

Social Cues in Animated Pedagogical Agents for Second Language Learners: the Application of The Embodiment Principle in Video Design , Sahar M. Alyahya

A Field-Wide Examination of Cross-Listed Courses in Technical Professional Communication , Carolyn M. Gubala

Labor-Based Grading Contracts in the Multilingual FYC Classroom: Unpacking the Variables , Kara Kristina Larson

Land Goddesses, Divine Pigs, and Royal Tricksters: Subversive Mythologies and Imperialist Land Ownership Dispossession in Twentieth Century Irish and American Literature , Elizabeth Ricketts

Oppression, Resistance, and Empowerment: The Power Dynamics of Naming and Un-naming in African American Literature, 1794 to 2019 , Melissa "Maggie" Romigh

Generic Expectations in First Year Writing: Teaching Metadiscoursal Reflection and Revision Strategies for Increased Generic Uptake of Academic Writing , Kaelah Rose Scheff

Reframing the Gothic: Race, Gender, & Disability in Multiethnic Literature , Ashely B. Tisdale

Intersections of Race and Place in Short Fiction by New Orleans Gens de Couleur Libres , Adrienne D. Vivian

Mental Illness Diagnosis and the Construction of Stigma , Katie Lynn Walkup

Theses/Dissertations from 2020 2020

Rhetorical Roundhouse Kicks: Tae Kwon Do Pumsae Practice and Non-Western Embodied Topoi , Spencer Todd Bennington

9/11 Then and Now: How the Performance of Memorial Rhetoric by Presidents Changes to Construct Heroes , Kristen M. Grafton

Kinesthetically Speaking: Human and Animal Communication in British Literature of the Long Eighteenth Century , Dana Jolene Laitinen

Exploring Refugee Students’ Second Language (L2) Motivational Selves through Digital Visual Representations , Nhu Le

Glamour in Contemporary American Cinema , Shauna A. Maragh

Instrumentalization Theory: An Analytical Heuristic for a Heightened Social Awareness of Machine Learning Algorithms in Social Media , Andrew R. Miller

Intercessory Power: A Literary Analysis of Ethics and Care in Toni Morrison’s Song of Solomon , Alice Walker’s Meridian , and Toni Cade Bambara’s Those Bones Are Not My Child , Kelly Mills

The Power of Non-Compliant Logos: A New Materialist Approach to Comic Studies , Stephanie N. Phillips

Female Identity and Sexuality in Contemporary Indonesian Novels , Zita Rarastesa

"The Fiery Furnaces of Hell": Rhetorical Dynamism in Youngstown, OH , Joshua M. Rea

“We developed solidarity”: Family, Race, Identity, and Space-Time in Recent Multiethnic U.S. American Fiction , Kimber L. Wiggs

Theses/Dissertations from 2019 2019

Remembrance of a Wound: Ethical Mourning in the Works of Ana Menéndez, Elías Miguel Muñoz, and Junot Díaz , José Aparicio

Taking an “Ecological Turn” in the Evaluation of Rhetorical Interventions , Peter Cannon

New GTA’s and the Pre-Semester Orientation: The Need for Informed Refinement , Jessica L. Griffith

Reading Rape and Answering with Empathy: A New Approach to Sexual Assault Education for College Students , Brianna Jerman

The Karoo , The Veld , and the Co-Op: The Farm as Microcosm and Place for Change in Schreiner, Lessing, and Head , Elana D. Karshmer

"The weak are meat, and the strong do eat"; Representations of the Slaughterhouse in Twentieth and Twenty-First Century Literature , Stephanie Lance

Language of Carnival: How Language and the Carnivalesque Challenge Hegemony , Yulia O. Nekrashevich

Queer Authority in Old and Middle English Literature , Elan J. Pavlinich

Because My Garmin Told Me To: A New Materialist Study of Agency and Wearable Technology , Michael Repici

No One Wants to Read What You Write: A Contextualized Analysis of Service Course Assignments , Tanya P. Zarlengo

Theses/Dissertations from 2018 2018

Beauty and the Beasts: Making Places with Literary Animals of Florida , Haili A. Alcorn

The Medievalizing Process: Religious Medievalism in Romantic and Victorian Literature , Timothy M. Curran

Seeing Trauma: The Known and the Hidden in Nineteenth-Century Literature , Alisa M. DeBorde

Analysis of User Interfaces in the Sharing Economy , Taylor B. Johnson

Border-Crossing Travels Across Literary Worlds: My Shamanic Conscientization , Scott Neumeister

The Spectacle of The Bomb: Rhetorical Analysis of Risk of The Nevada Test Site in Technical Communication, Popular Press, and Pop Culture , Tiffany Wilgar

Theses/Dissertations from 2017 2017

Traveling Women and Consuming Place in Eighteenth-Century Travel Letters and Journals , Cassie Patricia Childs

“The Nations of the Field and Wood”: The Uncertain Ontology of Animals in Eighteenth-Century British Literature , J. Kevin Jordan

Modern Mythologies: The Epic Imagination in Contemporary Indian Literature , Sucheta Kanjilal

Science in the Sun: How Science is Performed as a Spatial Practice , Natalie Kass

Body as Text: Physiognomy on the Early English Stage , Curtis Le Van

Tensions Between Democracy and Expertise in the Florida Keys , Elizabeth A. Loyer

Institutional Review Boards and Writing Studies Research: A Justice-Oriented Study , Johanna Phelps-Hillen

The Spirit of Friendship: Girlfriends in Contemporary African American Literature , Tangela La'Chelle Serls

Aphra Behn on the Contemporary Stage: Behn's Feminist Legacy and Woman-Directed Revivals of The Rover , Nicole Elizabeth Stodard

(Age)ncy in Composition Studies , Alaina Tackitt

Constructing Health Narratives: Patient Feedback in Online Communities , Katie Lynn Walkup

Theses/Dissertations from 2016 2016

Rupturing the World of Elite Athletics: A Feminist Critical Discourse Analysis of the Suspension of the 2011 IAAF Regulations on Hyperandrogenism , Ella Browning

Shaping Climate Citizenship: The Ethics of Inclusion in Climate Change Communication and Policy , Lauren E. Cagle

Drop, Cover, and Hold On: Analyzing FEMA's Risk Communication through Visual Rhetoric , Samantha Jo Cosgrove

Material Expertise: Applying Object-oriented Rhetoric in Marine Policy , Zachary Parke Dixon

The Non-Identical Anglophone Bildungsroman : From the Categorical to the De-Centering Literary Subject in the Black Atlantic , Jarad Heath Fennell

Instattack: Instagram and Visual Ad Hominem Political Arguments , Sophia Evangeline Gourgiotis

Hospitable Climates: Representations of the West Indies in Eighteenth-Century British Literature , Marisa Carmen Iglesias

Chosen Champions: Medieval and Early Modern Heroes as Postcolonial Reactions to Tensions between England and Europe , Jessica Trant Labossiere

Science, Policy, and Decision Making: A Case Study of Deliberative Rhetoric and Policymaking for Coastal Adaptation in Southeast Florida , Karen Patricia Langbehn

A New Materialist Approach to Visual Rhetoric in PhotoShopBattles , Jonathan Paul Ray

Tracing the Material: Spaces and Objects in British and Irish Modernist Novels , Mary Allison Wise

Theses/Dissertations from 2015 2015

Representations of Gatsby: Ninety Years of Retrospective , Christine Anne Auger

Robust, Low Power, Discrete Gate Sizing , Anthony Joseph Casagrande

Wrestling with Angels: Postsecular Contemporary American Poetry , Paul T. Corrigan

#networkedglobe: Making the Connection between Social Media and Intercultural Technical Communication , Laura Anne Ewing

Evidence of Things Not Seen: A Semi-Automated Descriptive Phrase and Frame Analysis of Texts about the Herbicide Agent Orange , Sarah Beth Hopton

'She Shall Not Be Moved': Black Women's Spiritual Practice in Toni Morrison's The Bluest Eye, Beloved, Paradise, and Home , Rondrea Danielle Mathis

Relational Agency, Networked Technology, and the Social Media Aftermath of the Boston Marathon Bombing , Megan M. Mcintyre

Now, We Hear Through a Voice Darkly: New Media and Narratology in Cinematic Art , James Anthony Ricci

Navigating Collective Activity Systems: An Approach Towards Rhetorical Inquiry , Katherine Jesse Royce

Women's Narratives of Confinement: Domestic Chores as Threads of Resistance and Healing , Jacqueline Marie Smith

Domestic Spaces in Transition: Modern Representations of Dwelling in the Texts of Elizabeth Bowen , Shannon Tivnan

Theses/Dissertations from 2014 2014

Paradise Always Already Lost: Myth, Memory, and Matter in English Literature , Elizabeth Stuart Angello

Overcoming the 5th-Century BCE Epistemological Tragedy: A Productive Reading of Protagoras of Abdera , Ryan Alan Blank

Acts of Rebellion: The Rhetoric of Rogue Cinema , Adam Breckenridge

Material and Textual Spaces in the Poetry of Montagu, Leapor, Barbauld, and Robinson , Jessica Lauren Cook

Decolonizing Shakespeare: Race, Gender, and Colonialism in Three Adaptations of Three Plays by William Shakespeare , Angela Eward-Mangione

Risk of Compliance: Tracing Safety and Efficacy in Mef-Lariam's Licensure , Julie Marie Gerdes

Beyond Performance: Rhetoric, Collective Memory, and the Motive of Imprinting Identity , Brenda M. Grau

Subversive Beauty - Victorian Bodies of Expression , Lisa Michelle Hoffman-Reyes

Integrating Reading and Writing For Florida's ESOL Program , George Douglas Mcarthur

Responsibility and Responsiveness in the Novels of Ann Radcliffe and Mary Shelley , Katherine Marie McGee

Ghosts, Orphans, and Outlaws: History, Family, and the Law in Toni Morrison's Fiction , Jessica Mckee

The "Defective" Generation: Disability in Modernist Literature , Deborah Susan Mcleod

Science Fiction/Fantasy and the Representation of Ethnic Futurity , Joy Ann Sanchez-Taylor

Hermes, Technical Communicator of the Gods: The Theory, Design, and Creation of a Persuasive Game for Technical Communication , Eric Walsh

Theses/Dissertations from 2013 2013

Rhetorical Spirits: Spirituality as Rhetorical Device in New Age Womanist of Color Texts , Ronisha Witlee Browdy

Disciplinarity, Crisis, and Opportunity in Technical Communication , Jason Robert Carabelli

The Terror of Possibility: A Re-evaluation and Reconception of the Sublime Aesthetic , Kurt Fawver

Unbearable Weight, Unbearable Witness: The (Im)possibility of Witnessing Eating Disorders in Cyberspace , Kristen Nicole Gay

the post- 9/11 aesthetic: repositioning the zombie film in the horror genre , Alan Edward Green, Jr.

An(other) Rhetoric: Rhetoric, Ethics, and the Rhetorical Tradition , Kathleen Sandell Hardesty

Mapping Dissertation Genre Ecology , Kate Lisbeth Pantelides

Dead Man's Switch: Disaster Rhetorics in a Posthuman Age , Daniel Patrick Richards

"Of That Transfigured World" : Realism and Fantasy in Victorian Literature , Benjamin Jude Wright

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Home > ARTSSCI > English > dissertations

English Dissertations and Theses

The English Department Dissertations and Theses Series is comprised of dissertations and thesis authored by Marquette University's English Department doctoral and master's students.

Theses/Dissertations from 2023 2023

Lifting the Postmodern Veil: Cosmopolitanism, Humanism, and Decolonization in Global Fictions of the 21st Century , Matthew Burchanoski

Gothic Transformations and Remediations in Cheap Nineteenth-Century Fiction , Wendy Fall

Milton’s Learning: Complementarity and Difference in Paradise Lost , Peter Spaulding

“The Development of the Conceptive Plot Through Early 19th-Century English Novels” , Jannea R. Thomason

Theses/Dissertations from 2022 2022

Gonzo Eternal , John Francis Brick

Intertextuality and Sociopolitical Engagement in Contemporary Anglophone Women’s Writing , Jackielee Derks

Innovation, Genre, and Authenticity in the Nineteenth-Century Irish Novel , David Aiden Kenney II

Reluctant Sons: The Irish Matrilineal Tradition of Oscar Wilde, James Joyce, and Flann O’Brien , Jessie Wirkus Haynes

Britain's Extraterrestrial Empire: Colonial Ambition, Anxiety, and Ambivalence in Early Modern Literature , Mark Edward Wisniewski

Theses/Dissertations from 2021 2021

Re-Reading the “Culture Clash”: Alternative Ways of Reading in Indian Horse , Hailey Whetten

Theses/Dissertations from 2020 2020

When the Foreign Became Familiar: Modernism, Expatriation, and Spatial Identities in the Twentieth Century , Danielle Kristene Clapham

Reforming Victorian Sense/Abilities: Disabilities in Elizabeth Gaskell’s Social Problem Novels , Hunter Nicole Duncan

Genre and Loss: The Impossibility of Restoration in 20th Century Detective Fiction , Kathryn Hendrickson

A Productive Failure: Existentialism in Fin de Siècle England , Maxwell Patchet

Inquiry and Provocation: The Use of Ambiguity in Sixteenth-Century English Political Satire , Jason James Zirbel

Theses/Dissertations from 2019 2019

No Home but the World: Forced Migration and Transnational Identity , Justice Hagan

The City As a Trap: 20th and 21st Century American Literature and the American Myth of Mobility , Andrew Joseph Hoffmann

The Fantastic and the First World War , Brian Kenna

Insane in the Brain, Blood, and Lungs: Gender-Specific Manifestations of Hysteria, Chlorosis, & Consumption in 19th-Century Literature , Anna P. Scanlon

Reading Multicultural Novels Melancholically: Racial Grief and Grievance in the Joy Luck Club, Beloved, and Anil's Ghost , Jennifer Arias Sweeney

Theses/Dissertations from 2018 2018

The Ethos of Dissent: Epideictic Rhetoric and the Democratic Function of American Protest and Countercultural Literature , Jeffrey Lorino Jr

Literary Cosmopolitanisms of Salman Rushdie, Amitav Ghosh, and Arundhati Roy , Sunil Samuel Macwan

The View from Here: Toward a Sissy Critique , Tyler Monson

The Forbidden Zone Writers: Femininity and Anglophone Women War Writers of the Great War , Sareene Proodian

Theatrical Weddings and Pious Frauds: Performance and Law in Victorian Marriage Plots , Adrianne A. Wojcik

Theses/Dissertations from 2016 2016

Changing the Victorian Habit Loop: The Body in the Poetry and Painting of Dante Gabriel Rossetti and William Morris , Bryan Gast

Gendering Scientific Discourse from 1790-1830: Erasmus Darwin, Thomas Beddoes, Maria Edgeworth, and Jane Marcet , Bridget E. Kapler

Discarding Dreams and Legends: The Short Fiction of Elizabeth Madox Roberts, Flannery O’Connor, Katherine Anne Porter, and Eudora Welty , Katy L. Leedy

Theses/Dissertations from 2015 2015

Saving the Grotesque: The Grotesque System of Liberation in British Modernism (1922-1932) , Matthew Henningsen

The Pulpit's Muse: Conversive Poetics in the American Renaissance , Michael William Keller

A Single Man of Good Fortune: Postmodern Identities and Consumerism in the New Novel of Manners , Bonnie McLean

Julian of Norwich: Voicing the Vernacular , Therese Elaine Novotny

Theses/Dissertations from 2014 2014

Homecomings: Victorian British Women Travel Writers And Revisions Of Domesticity , Emily Paige Blaser

From Pastorals to Paterson: Ecology in the Poetry and Poetics of William Carlos WIlliams , Daniel Edmund Burke

Argument in Poetry: (Re)Defining the Middle English Debate in Academic, Popular, and Physical Contexts , Kathleen R. Burt

Apocalyptic Mentalities in Late-Medieval England , Steven A. Hackbarth

The Creation of Heaven in the Middle Ages , William Storm

(re)making The Gentleman: Genteel Masculinities And The Country Estate In The Novels Of Charlotte Smith, Jane Austen, And Elizabeth Gaskell , Shaunna Kay Wilkinson

Theses/Dissertations from 2013 2013

Brides, Department Stores, Westerns, and Scrapbooks--The Everyday Lives of Teenage Girls in the 1940s , Carly Anger

Placed People: Rootedness in G. K. Chesterton, C. S. Lewis, and Wendell Berry , David Harden

Rhetorics Of Girlhood Trauma In Writing By Holly Goddard Jones, Joyce Carol Oates, Sandra Cisneros, And Jamaica Kincaid , Stephanie Marie Stella

Theses/Dissertations from 2012 2012

A Victorian Christmas in Hell: Yuletide Ghosts and Necessary Pleasures in the Age of Capital , Brandon Chitwood

"Be-Holde the First Acte of this Tragedy" : Generic Symbiosis and Cross-Pollination in Jacobean Drama and the Early Modern Prose Novella , Karen Ann Zyck Galbraith

Pamela: Or, Virtue Reworded: The Texts, Paratexts, and Revisions that Redefine Samuel Richardson's Pamela , Jarrod Hurlbert

Violence and Masculinity in American Fiction, 1950-1975 , Magdalen McKinley

Gender Politics in the Novels of Eliza Haywood , Susan Muse

Destabilizing Tradition: Gender, Sexuality, and Postnational Identity in Four Novels by Irish Women, 1960-2000 , Sarah Nestor

Truth Telling: Testimony and Evidence in the Novels of Elizabeth Gaskell , Rebecca Parker Fedewa

Spirit of the Psyche: Carl Jung's and Victor White's Influence on Flannery O'Connor's Fiction , Paul Wakeman

Theses/Dissertations from 2011 2011

Performing the Audience: Constructing Playgoing in Early Modern Drama , Eric Dunnum

Paule Marshall's Critique of Contemporary Neo-Imperialisms Through the Trope of Travel , Michelle Miesen Felix

Hermeneutics, Poetry, and Spenser: Augustinian Exegesis and the Renaissance Epic , Denna Iammarino-Falhamer

Encompassing the Intolerable: Laughter, Memory, and Inscription in the Fiction of John McGahern , John Keegan Malloy

Regional Consciousness in American Literature, 1860-1930 , Kelsey Louise Squire

The Ethics of Ekphrasis: The Turn to Responsible Rhetoric in Mid-Twentieth Century American Poetry , Joshua Scott Steffey

Theses/Dissertations from 2010 2010

Cognitive Architectures: Structures of Passion in Joanna Baillie's Dramas , Daniel James Bergen

On Trial: Restorative Justice in the Godwin-Wollstonecraft-Shelley Family Fictions , Colleen M. Fenno

Theses/Dissertations from 2009 2009

What's the point to eschatology : multiple religions and terminality in James Joyce's Finnegans wake , Martin R. Brick

Economizing Characters: Harriet Martineau and the Problems of Poverty in Victorian Literature, Culture and Law , Mary Colleen Willenbring

Submissions from 2008 2008

"An improbable fiction": The marriage of history and romance in Shakespeare's Henriad , Marcia Eppich-Harris

Bearing the Mark of the Social: Notes Towards a Cosmopolitan Bildungsroman , Megan M. Muthupandiyan

The Gothic Novel and the Invention of the Middle-Class Reader: Northanger Abbey As Case Study , Tenille Nowak

Not Just a Novel of Epic Proportions: Ralph Ellison's Invisible Man As Modern American Epic , Dana Edwards Prodoehl

Recovering the Radicals: Women Writers, Reform, and Nationalist Modes of Revolutionary Discourse , Mark J. Zunac

Theses/Dissertations from 2007 2007

"The Sweet and the Bitter": Death and Dying in J.R.R. Tolkien's The Lord of the Rings , Amy M. Amendt-Raduege

The Games Men Play: Madness and Masculinity in Post-World War II American Fiction, 1946-1964 , Thomas P. Durkin

Denise Levertov: Through An Ecofeminist Lens , Katherine A. Hanson

The Wit of Wrestling: Devotional-Aesthetic Tradition in Christina Rossetti's Poetry , Maria M.E. Keaton

Genderless Bodies: Stigma and the Myth of Womanhood , Ellen M. Letizia

Envy and Jealousy in the Novels of the Brontës: A Synoptic Discernment , Margaret Ann McCann

Technologies of the Late Medieval Self: Ineffability, Distance, and Subjectivity in the Book of Margery Kempe , Crystal L. Mueller

"Finding-- a Map-- to That Place Called Home": The Journey from Silence to Recovery in Patrick McCabe's Carn and Breakfast on Pluto , Valerie A. Murrenus Pilmaier

Emily Dickinson's Ecocentric Pastoralism , Moon-ju Shin

The American Jeremiad in Civil War Literature , Jacob Hadley Stratman

Theses/Dissertations from 2006 2006

Literary Art in Times of Crisis: The Proto-Totalitarian Anxiety of Melville, James, and Twain , Matthew J. Darling

(Re) Writing Genre: Narrative Conventions and Race in the Novels of Toni Morrison , Jennifer Lee Jordan Heinert

"Amsolookly Kersse": Clothing in Finnegan's Wake , Catherine Simpson Kalish

"Do Your Will": Shakespeare's Use of the Rhetoric of Seduction in Four Plays , Jason James Nado

Woman in Emblem: Locating Authority in the Work and Identity of Katherine Philips (1632-1664) , Susan L. Stafinbil

When the Bough Breaks: Poetry on Abortion , Wendy A. Weaver

Theses/Dissertations from 2005 2005

Heroic Destruction: Shame and Guilt Cultures in Medieval Heroic Poetry , Karl E. Boehler

Poe and Early (Un)American Drama , Amy C. Branam

Grammars of Assent: Constructing Poetic Authority in An Age of Science , William Myles Carroll III

This Place is Not a Place: The Constructed Scene in the Works of Sir Walter Scott , Colin J. Marlaire

Cognitive Narratology: A Practical Approach to the Reader-Writer Relationship , Debra Ann Ripley

Theses/Dissertations from 2004 2004

Defoe and the Pirates: Function of Genre Conventions in Raiding Narratives , William J. Dezoma

Creative Discourse in the Eighteenth-Century Courtship Novel , Michelle Ruggaber Dougherty

Exclusionary Politics: Mourning and Modernism in the Works of Elizabeth Barrett Browning, Amy Levy, and Charlotte Mew , Donna Decker Schuster

Theses/Dissertations from 2003 2003

Toward a Re-Formed Confession: Johann Gerhard's Sacred Meditations and "Repining Restlessnesse" in the Poetry of George Herbert , Erik P. Ankerberg

Idiographic Spaces: Representation, Ideology and Realism in the Postmodern British Novel , Gordon B. McConnell

Theses/Dissertations from 2002 2002

Reading into It: Wallace Stegner's Novelistic Sense of Time and Place , Colin C. Irvine

Brisbane and Beyond: Revising Social Capitalism in Mid-Nineteenth-Century America , Michael C. Mattek

Theses/Dissertations from 2001 2001

Christians and Mimics in W. B. Yeats' Collected Poems , Patrick Mulrooney

Renaissance Roles and the Process of Social Change , John Wieland

'Straunge Disguize': Allegory and Its Discontents in Spenser's Faerie Queene , Galina Ivanovna Yermolenko

Theses/Dissertations from 2000 2000

Reading American Women's Autobiography: Spheres of Identity, Spheres of Influence , Amy C. Getty

"Making Strange": The Art and Science of Selfhood in the Works of John Banville , Heather Maureen Moran

Writing Guadalupe: Mediacion and (mis)translation in borderland text(o)s , Jenny T Olin-Shanahan

Writing Guadalupe: Mediacion and (Mis)Translation in Borderland Text(o)s , Jenny T. Olin-Shanahan

Theses/Dissertations from 1999 1999

Setting the Word Against the Word: The Search for Self-Understanding in Richard II , Richard J. Erable

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Dissertations & projects: Literature-based projects

• Research questions
• The process of reviewing
• Project management
• Literature-based projects

On these pages:

“As a general rule, the introduction is usually around 5 to 10 per cent of the word limit; each chapter around 15 to 25 per cent; and the conclusion around 5 per cent.” Bryan Greetham, How to Write Your Undergraduate Dissertation

This page gives guidance on the structure of a literature-based project.   That is, a project where the data is found in existing literature rather than found through primary research. They may also include information from primary sources such as original documents or other sources.

How to structure a literature-based project

The structure of a literature-based dissertation is usually thematic, but make sure to check with your supervisor to make sure you are abiding by your department’s project specifications. A typical literature-based dissertation will be broken up into the following sections:

Abstract or summary

Acknowledgments, contents page, introduction, themed chapters.

• Bibliography/Reference list

Use this basic structure as your document plan . Remember that you do not need to write it in the order it will finally be written in. 

For more advice on managing the order of your project, see our section on Project Management.   

If you use the template provided on our Formatting page, you will see that it already has a title page included. You just need to fill in the appropriate boxes by typing or choosing from the drop-down-lists. The information you need to provide is: 

• Type of assignment (thesis, dissertation or independent project)
• Partial or full fulfilment information
• Subject area
• Your name (and previous qualifications if applicable)
• Month and year of submission

This may not always be required - check with your tutor.

• It is  independent  of the rest of the report - it is a mini-report, which needs to make sense completely on its own.
• References should  not  be included.
• Nothing should appear in the abstract that is not in the rest of the report.
• Usually between 200-300 words.
• Write as a  single  paragraph.

It is recommended that you write your abstract  after  your report.

If you choose not to use the template, then you will need to go through the document after it is written and create a list showing which heading is on which page of your document.

Purpose: To thank those who were directly involved in your work .

• Do not confuse the acknowledgements section with a dedication - this is not where you thank your friends and relatives unless they have helped you with your manuscript.
• Acknowledgments are about courtesy, where you thank those who were directly involved in your work, or were involved in supporting your work (technicians, tutors, other students, financial support etc).
• This section tends to be  very brief , a few lines at the most. Identify those who provided you with the most support, and thank them appropriately.
• At the very least, make sure you acknowledge your supervisor!!

Purpose: To state the research problem and give a brief introduction to the background literature, provide justification for your research questions and explain your methodology and main findings.

• Explain what the problem you will be addressing is, what your research questions are, and why they will help address the issue.
• Explain (and justify) your methodology - where you searched, what your keywords were, what your inclusion and exclusion criteria were,
• Define the scope of the dissertation, explaining any limitations.
• Lay out the structure of the dissertation, taking the reader through each section and providing any key definitions.
• Very briefly describe what your main findings are - but leave the detail for the sections below.

It is good practice to come back to the introduction after you have finished writing up the rest of the document to ensure it sets the appropriately scene for subsequent sections.

Should you have a separate literature review chapter?

Not usually , as your project is basically a big literature review, it isn't necessary to have a separate chapter. You would normally introduce background literature in your introduction instead.

However, if your supervisor suggests a separate chapter then it could go at this point, after the main introduction (which would then not include background literature). 

For more advice on writing a literature review see the Literature Review pages on this guide.

Purpose: To present the themes you have identified in your research and explain how they contribute to answering your research questions

You will typically have 3-5 themed chapters. Each one should contain:

• An introduction to the theme - what things it means and what it incorporates.
• How the theme was addressed within the literature - this should be analytical not just descriptive.
• A conclusion which shows how the theme relates to the research question(s).

Ensuring your themed chapters flow

Choosing the order of your theme chapters is an important part of the structure to your project. For example, if you study History and your project covers a topic that develops over a large time period, it may be best to order each chapter chronologically. Other subjects may have a natural narrative running through the themes. Think about how your reader will be able to follow along with your overall argument.

Although each chapter must be dedicated to a particular theme, it must link back to previous chapters and flow into the following chapter. You need to ensure they do not seem like they are unrelated to each other. There will be overlaps, mention these.

Some literature-based projects will focus on primary sources. If yours does, make sure primary sources are at the core of your paragraphs and chapters, and use secondary sources to expand and explore the theme further. 

Purpose: To present the conclusion that you have reached as a result of both the background literature review and the analysis in your thematic chapters

A conclusion summarises all the points you have previously made and it  should not  include any evidence or topics you have not included in your introduction or themed chapters. There should be no surprises.

It should be about 5-10% of your word limit so make sure you leave enough words to do it justice. There will be marks in the marking scheme specifically allocated to the strength of your conclusion which cannot be made up elsewhere.

Some conclusions will also include recommendations for practice or ideas for further research. Check with your supervisor to see if they are expecting either or both of these.

Reference list

It is good practice to develop a reference list whilst  writing the project, rather than leaving it until the end. This prevents a lot of searching around trying to remember where you accessed a particular source. If using primary sources, it also allows you to monitor the balance between primary and secondary sources included in the project. There is software available to help manage your references and the university officially supports RefWorks and EndNote. 

For more advice on reference management, see our Skills Guide: Referencing Software

• Transcriptions
• Correspondence
• Ethical approval forms

If you have information that you would like to include but are finding it disrupts the main body of text as its too cumbersome, or would distract from the main arguments of your dissertation, the information can be included in the appendix section. Each appendix should be focused on one item. 

Appendices  should not include any information that is key to your topic or overall argument. 

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Prize-Winning Thesis and Dissertation Examples

Published on 9 September 2022 by Tegan George . Revised on 6 April 2023.

It can be difficult to know where to start when writing your thesis or dissertation . One way to come up with some ideas or maybe even combat writer’s block is to check out previous work done by other students.

This article collects a list of undergraduate, master’s, and PhD theses and dissertations that have won prizes for their high-quality research.

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Table of contents

Award-winning undergraduate theses, award-winning master’s theses, award-winning ph.d. dissertations.

University : University of Pennsylvania Faculty : History Author : Suchait Kahlon Award : 2021 Hilary Conroy Prize for Best Honors Thesis in World History Title : “Abolition, Africans, and Abstraction: the Influence of the “Noble Savage” on British and French Antislavery Thought, 1787-1807”

University : Columbia University Faculty : History Author : Julien Saint Reiman Award : 2018 Charles A. Beard Senior Thesis Prize Title : “A Starving Man Helping Another Starving Man”: UNRRA, India, and the Genesis of Global Relief, 1943-1947

University: University College London Faculty: Geography Author: Anna Knowles-Smith Award:  2017 Royal Geographical Society Undergraduate Dissertation Prize Title:  Refugees and theatre: an exploration of the basis of self-representation

University: University of Washington Faculty:  Computer Science & Engineering Author: Nick J. Martindell Award: 2014 Best Senior Thesis Award Title:  DCDN: Distributed content delivery for the modern web

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University:  University of Edinburgh Faculty:  Informatics Author:  Christopher Sipola Award:  2018 Social Responsibility & Sustainability Dissertation Prize Title:  Summarizing electricity usage with a neural network

University:  University of Ottawa Faculty:  Education Author:  Matthew Brillinger Award:  2017 Commission on Graduate Studies in the Humanities Prize Title:  Educational Park Planning in Berkeley, California, 1965-1968

University:  University of Ottawa Faculty: Social Sciences Author:  Heather Martin Award:  2015 Joseph De Koninck Prize Title:  An Analysis of Sexual Assault Support Services for Women who have a Developmental Disability

University : University of Ottawa Faculty : Physics Author : Guillaume Thekkadath Award : 2017 Commission on Graduate Studies in the Sciences Prize Title : Joint measurements of complementary properties of quantum systems

University:  London School of Economics Faculty: International Development Author: Lajos Kossuth Award:  2016 Winner of the Prize for Best Overall Performance Title:  Shiny Happy People: A study of the effects income relative to a reference group exerts on life satisfaction

University : Stanford University Faculty : English Author : Nathan Wainstein Award : 2021 Alden Prize Title : “Unformed Art: Bad Writing in the Modernist Novel”

University : University of Massachusetts at Amherst Faculty : Molecular and Cellular Biology Author : Nils Pilotte Award : 2021 Byron Prize for Best Ph.D. Dissertation Title : “Improved Molecular Diagnostics for Soil-Transmitted Molecular Diagnostics for Soil-Transmitted Helminths”

University:  Utrecht University Faculty:  Linguistics Author:  Hans Rutger Bosker Award: 2014 AVT/Anéla Dissertation Prize Title:  The processing and evaluation of fluency in native and non-native speech

University: California Institute of Technology Faculty: Physics Author: Michael P. Mendenhall Award: 2015 Dissertation Award in Nuclear Physics Title: Measurement of the neutron beta decay asymmetry using ultracold neutrons

University:  Stanford University Faculty: Management Science and Engineering Author:  Shayan O. Gharan Award:  Doctoral Dissertation Award 2013 Title:   New Rounding Techniques for the Design and Analysis of Approximation Algorithms

University: University of Minnesota Faculty: Chemical Engineering Author: Eric A. Vandre Award:  2014 Andreas Acrivos Dissertation Award in Fluid Dynamics Title: Onset of Dynamics Wetting Failure: The Mechanics of High-speed Fluid Displacement

University: Erasmus University Rotterdam Faculty: Marketing Author: Ezgi Akpinar Award: McKinsey Marketing Dissertation Award 2014 Title: Consumer Information Sharing: Understanding Psychological Drivers of Social Transmission

University: University of Washington Faculty: Computer Science & Engineering Author: Keith N. Snavely Award:  2009 Doctoral Dissertation Award Title: Scene Reconstruction and Visualization from Internet Photo Collections

University:  University of Ottawa Faculty:  Social Work Author:  Susannah Taylor Award: 2018 Joseph De Koninck Prize Title:  Effacing and Obscuring Autonomy: the Effects of Structural Violence on the Transition to Adulthood of Street Involved Youth

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Skills for Learning : Dissertations & Literature Reviews

Dissertations  are extended projects in which you choose, research and write about a specific topic. They provide an opportunity to explore an aspect of your subject in detail. You are responsible for managing your dissertation, though you will be assigned a supervisor. Dissertations are typically empirical (based on your own research) or theoretical (based on others’ research/arguments).

The  Dissertation IT Kit  contains information about formatting your dissertation document in Word.

Look at the  Library Subject Guides  for your area. These have information on finding high quality resources for your dissertation. 

We run interactive workshops to help you prepare for your dissertation. Find out more on the  Skills for Learning Workshops  page.

We have online academic skills modules within MyBeckett for all levels of university study. These modules will help your academic development and support your success at LBU. You can work through the modules at your own pace, revisiting them as required. Find out more from our FAQ  What academic skills modules are available?  

Dissertation proposals

What are dissertation proposals.

A dissertation proposal is an outline of your proposed research project. It is what you imagine your dissertation might look like before you start. Consider it a temporary document which might change during the negotiation process between you and your dissertation supervisor.  The proposal can help you clarify exactly what you want to cover in your dissertation. It can also outline how you are going to approach it. Your dissertation plan and structure might change throughout this process as you develop your ideas. Your proposal is the first step towards your goal: a completed dissertation.

Structuring your dissertation proposal

The structure, content, and length of your dissertation proposal will depend on your course requirements. Some courses may require that your aims and objectives are separate from the main body of the proposal. You might be expected to write a literature review, and/or provide a detailed methodology. You might also be asked to include an extensive context for your proposed study. Consult your module handbook or assignment brief for the specific requirements of your course. 

Give each section of your proposal a heading You can also experiment with giving your proposed dissertation a title. Both of these approaches may help you focus and stay on topic. Most dissertation proposals will have a fairly standard structure, under the following headings:

Sections of a dissertation proposal

• Aims and objectives
• Rationale for your study
• Methodology
• Brief literature review
• Benefits of your research

Describe what you plan to investigate. You could write a statement of your topic, a research question(s), or a hypothesis.

• Explain why you want to do this research.
• Write a justification as to why the project is worth undertaking.
• Reasons might include: a gap in existing research; questioning or extending the findings of earlier research; replicating a piece of research to test its reliability.
• Describe and justify how you plan to do the research.
• You might be reviewing the work of others, which mainly involves secondary, or desk-based, research. Or you might plan to collect data yourself, which is primary research. It is common for undergraduate dissertations to involve a mixture of these.
• If you are doing secondary research, describe how you will select your sources. For primary research, describe how you will collect your data. This might include using questionnaires, interviews, archival research, or other methods. 
• Others will have researched this topic before, or something similar.
• The literature review allows you to outline what they have found and where your project fits in. For example, you could highlight disagreements or discrepancies in the existing research.

Outline who might potentially gain from your research and what you might find out or expand upon. For example, there could be implications for practice in a particular profession.

Dissertation style and language

A dissertation is a logical, structured, argument-based exploration of a topic. The style of your writing may vary slightly in each chapter. For example, your results chapter should display factual information, whereas your analysis chapter might be more argument-based. Make sure your language, tone and abbreviations are consistent within each section. Your language should be formal and contain terminology relevant to your subject area. Dissertations have a large word count. It is important to structure your work with headings and a contents page. Use signposting language to help your reader understand the flow of your writing. Charts, tables or images may help you communicate specific information. 

Top tip!  To signpost in your dissertation, use the ‘Signalling Transition’ section of the  Manchester Academic Phrasebank .

Download the Dissertation Project Checklist Worksheet to help with planning your dissertation work. 

• Dissertation Project Checklist Worksheet

The  Dissertation IT Kit  also contains information about formatting your dissertation document in Microsoft Word.

Past dissertations

Exploring past dissertations within your academic field can give you an idea as to how to structure your dissertation and find similar research methodologies. You can access dissertations and theses completed by students at Leeds Beckett and other universities. To find external dissertations, look at our FAQ answer ' Are there other dissertations I can look at?' . To find dissertations completed by Leeds Beckett students, use the FAQ answer ' Can I find copies of past dissertations in the Library? '

Sections of a dissertation

Not all dissertations will follow the same structure.  Your style can change depending on your school. Check your module handbook, assignment brief or speak with your course tutor for further guidance.

To decide what to include:

• Think about your project from an outsider’s perspective. What do they need to know and in what order? What is the most clear and logical way for you to present your research?  
• Discuss your project with your supervisor. Be open about ideas or concerns you have around the structure and content. 

Each section of a dissertation has a different purpose. Think about whether you're doing an empirical or theoretical dissertation and use the headings below to find out what you should be including.

You can also use the Leeds Beckett Dissertation Template to help you understand what your dissertation should look like. 

• Leeds Beckett Dissertation Template

Empirical (research-based)

• 1. Abstract
• 2. Contents Page
• 3. Introduction
• 4. Literature Review
• 5. Methodology
• 6. Findings / Results
• 7. Discussion
• 8. Conclusion
• 9. Reference List / Bibliography
• 10. Appendices

Abstract : provides a brief summary of your whole dissertation.

The abstract outlines the purpose of your research and your methodology (where necessary). You should summarise your main findings and conclusion.

Top tips! Give the reader a sense of why your project is interesting and valuable. Write in the past tense. Aim for about half a page.

Contents page : lists all the sections of your dissertation with the page numbers. Do this last by using the automatic function in Word.

Introduction: introduces the reader to your research project.

Provide context to the topic and define key terms. Ensure that the scope of your investigation is clear. Outline your aims and objectives, and provide a brief description of your research methods. Finally, give an indication of your conclusion/findings.

Top tips! Start broad (background information) and get more specific (your research aims and findings). Try writing the introduction after the literature review and methodology chapters. This way, you will have a better idea of your research aims.

Literature Review : positions your research in relation to what has come before it.

The literature review will summarise prior research on the topic, such as journal articles, books, government reports and data. You should introduce key themes, concepts, theories or methods that provide context for your own research. Analyse and evaluate the literature by drawing comparisons and highlighting strengths and weaknesses. Download the Critical Analysis Questions and Evidence Matrix Worksheets to help you with this process and for more information on literature searching see Finding Information .

• Critical Analysis Questions Worksheet
• Evidence Matrix Worksheet

The literature review should justify the need for your research and highlight areas for further investigation. Avoid introducing your own ideas at this point; instead, compare and comment on existing ideas.

Top tips! Your literature review is not a descriptive summary of various sources. You need to synthesise (bring together) and critically analyse prior research. Sophisticated use of reporting verbs is important for this process. Download our Reporting Verbs Worksheet to help you with this.

• Reporting Verbs Worksheet

Find out more about literature reviews elsewhere on this topic page.

Find out more about critical thinking.

Methodology : provides a succinct and accurate record of the methodology used and justifies your choice of methods.

In this section, you describe the qualitative and/or quantitative methods* used to carry out your research/experiment. You must justify your chosen research methodology and explain how it helps you answer your research question. Where appropriate, explain the rationale behind choices such as procedures, equipment, participants and sample size. You may need to reference specific guidelines that you have used, especially in subjects such as healthcare. If your research involves people, you may also need to demonstrate how it fulfils ethical guidelines.

Top tips! Your account should be sufficiently detailed so that someone else could replicate your research. Write in the passive voice. Remember, at this point you are not reporting any findings.

*Qualitative research is based on opinions and ideas, while quantitative research is based on numerical data.

Find out more about the research process.

Findings/Results : presents the data collected from your research in a suitable format.

Provide a summary of the results of your research/experiment. Consider the most effective methods for presenting your data, such as charts, graphs or tables. Present all your findings honestly. Do not change any data, even if it is not what you expected to find.

Top tips! Whilst you might acknowledge trends or themes in the data, at this stage, you won’t be analysing it closely. If you are conducting qualitative research, this section may be combined with the discussion section. Important additional documents, such as transcriptions or questionnaires, can be added to your appendices.

Discussion : addresses your research aims by analysing your findings.

In this chapter, you interpret and discuss your results and draw conclusions. Identify trends, themes or issues that arise from the findings and discuss their significance in detail. These themes can also provide the basis for the structure of this section. You can draw upon information and concepts from your literature review to help interpret your findings. For example, you can show how your findings build upon or contradict earlier research.

Top tips! Ensure that the points you make are backed up with evidence from your findings. Refer back to relevant information from your literature review to discuss and interpret your findings.

Conclusion : summarises your main points.

Provide an overview of your main findings and demonstrate how you have met your research objectives. Set your research into a wider context by showing how it contributes to current academic debates. Discuss the implications of your research and put forward any recommendations.

Top tips! Do not introduce any new information in this section. Your conclusion should mirror the content of your introduction but offer more conclusive answers.

Reference List / Bibliography : a complete list of all sources used.

List all the sources that you have consulted in the process of your research. Your Reference List or Bibliography must follow specific guidelines for your discipline (e.g. Harvard or OSCOLA). Look through your module handbook or speak to your supervisor for more information.

Find out more about referencing and academic integrity .

Appendix (single) or Appendices (plural):  presents raw data and/or transcripts that aren’t in the main body of your dissertation.

You may have to be selective in the data you present in your findings section. If this is the case, you may choose to present the raw data/extended version in an appendix. If you conduct qualitative research, such as interviews, you will include the transcripts in your appendix. Appendices are not usually included in the word count.

Top tips! Discuss with your supervisor whether you will need an appendix and what to include.

Theoretical (argument based)

• Contents page
• Introduction
• Literature Review
• Main body (divided into chapters)
• Reference list / Bibliography

Provides a brief summary of your whole dissertation.

The abstract outlines the purpose of your research and your methodology (where necessary). You should summarise your main findings and conclusion.

Top tip!  Give the reader a sense of why your project is interesting and valuable. Write in the past tense. Aim for about half a page.

Contents page : lists all the sections of your dissertation with the page numbers. Using the automatic table of contents feature in Microsoft Word can help you format this.

The  Dissertation IT kit provides guidance on how to use these tools. 

Introduces the reader to your research project.

Provide context to the topic and define key terms. Ensure that the scope of your investigation is clear. Outline your aims and objectives, and provide a brief description of your research methods. Introduce your argument and explain why your research topic is important. Finally, give an indication of your conclusion/findings.

Top tip!  Start broad (background information) and get more specific (your research aims and findings). Try writing the introduction after the literature review and methodology chapters. This way, you will have a better idea of your research aims.

Summarises prior research on the topic, such as journal articles, books, and other information sources. You should introduce key themes, concepts, theories or methods that provide context for your own research. You should also analyse and evaluate the literature by drawing comparisons and highlighting strengths and weaknesses. 

Many (although not all) theoretical dissertations will include a separate literature review. You may decide to include this as a separate chapter. Otherwise, you can integrate it into your introduction or first themed chapter.

Find out more about literature reviews on the  Literature Reviews  page.

Divide the main body of your research into chapters organised by chronology or themes. Each chapter should be like a mini-essay that helps you answer your research questions. Like an essay, each chapter should have an introduction, main body and conclusion. Develop your argument and demonstrate critical thinking by drawing on relevant sources. Compare and contrast ideas, and make suggestions or recommendations where relevant. Explain how each chapter helps answer your main research question.

Top tip! Divide each chapter into chunks and use subheadings where necessary to structure your work.

Find out more on the  Critical Thinking  pages. 

Top tip!  Do not introduce any new information in this section. Your conclusion should mirror the content of your introduction but offer more conclusive answers.

List all the sources that you have consulted in the process of your research. Your Reference List or Bibliography must follow specific guidelines for your discipline (Harvard, APA or OSCOLA). Look through your module handbook or speak to your supervisor for more information.

Find out more about  referencing and academic integrity .

Appendix (single) or Appendices (plural):  presents any data, such as images or tables, that aren’t in the main body of your dissertation.

You may have to be selective about the information you include in the main body of your dissertation. If this is the case, you may place data such as images or tables in the appendix. Appendices are not usually included in the word count.

Top tip!  Discuss with your supervisor whether you will need any appendices and what to include.

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Literary Criticism

• Introduction
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• thesis examples

SAMPLE THESIS STATEMENTS

These sample thesis statements are provided as guides, not as required forms or prescriptions.

______________________________________________________________________________________________________________

The thesis may focus on an analysis of one of the elements of fiction, drama, poetry or nonfiction as expressed in the work: character, plot, structure, idea, theme, symbol, style, imagery, tone, etc.

In “A Worn Path,” Eudora Welty creates a fictional character in Phoenix Jackson whose determination, faith, and cunning illustrate the indomitable human spirit.

Note that the work, author, and character to be analyzed are identified in this thesis statement. The thesis relies on a strong verb (creates). It also identifies the element of fiction that the writer will explore (character) and the characteristics the writer will analyze and discuss (determination, faith, cunning).

Further Examples:

The character of the Nurse in Romeo and Juliet serves as a foil to young Juliet, delights us with her warmth and earthy wit, and helps realize the tragic catastrophe.

The works of ecstatic love poets Rumi, Hafiz, and Kabir use symbols such as a lover’s longing and the Tavern of Ruin to illustrate the human soul’s desire to connect with God.

The thesis may focus on illustrating how a work reflects the particular genre’s forms, the characteristics of a philosophy of literature, or the ideas of a particular school of thought.

“The Third and Final Continent” exhibits characteristics recurrent in writings by immigrants: tradition, adaptation, and identity.

Note how the thesis statement classifies the form of the work (writings by immigrants) and identifies the characteristics of that form of writing (tradition, adaptation, and identity) that the essay will discuss.

Further examples:

Samuel Beckett’s Endgame reflects characteristics of Theatre of the Absurd in its minimalist stage setting, its seemingly meaningless dialogue, and its apocalyptic or nihilist vision.

A close look at many details in “The Story of an Hour” reveals how language, institutions, and expected demeanor suppress the natural desires and aspirations of women.

The thesis may draw parallels between some element in the work and real-life situations or subject matter: historical events, the author’s life, medical diagnoses, etc.

In Willa Cather’s short story, “Paul’s Case,” Paul exhibits suicidal behavior that a caring adult might have recognized and remedied had that adult had the scientific knowledge we have today.

This thesis suggests that the essay will identify characteristics of suicide that Paul exhibits in the story. The writer will have to research medical and psychology texts to determine the typical characteristics of suicidal behavior and to illustrate how Paul’s behavior mirrors those characteristics.

Through the experience of one man, the Narrative of the Life of Frederick Douglass, An American Slave, accurately depicts the historical record of slave life in its descriptions of the often brutal and quixotic relationship between master and slave and of the fragmentation of slave families.

In “I Stand Here Ironing,” one can draw parallels between the narrator’s situation and the author’s life experiences as a mother, writer, and feminist.

SAMPLE PATTERNS FOR THESES ON LITERARY WORKS

1. In (title of work), (author) (illustrates, shows) (aspect) (adjective). 

Example: In “Barn Burning,” William Faulkner shows the characters Sardie and Abner Snopes struggling for their identity.

2. In (title of work), (author) uses (one aspect) to (define, strengthen, illustrate) the (element of work).

Example: In “Youth,” Joseph Conrad uses foreshadowing to strengthen the plot.

3. In (title of work), (author) uses (an important part of work) as a unifying device for (one element), (another element), and (another element). The number of elements can vary from one to four.

Example: In “Youth,” Joseph Conrad uses the sea as a unifying device for setting, structure and theme.

4. (Author) develops the character of (character’s name) in (literary work) through what he/she does, what he/she says, what other people say to or about him/her.

Example: Langston Hughes develops the character of Semple in “Ways and Means”…

5. In (title of work), (author) uses (literary device) to (accomplish, develop, illustrate, strengthen) (element of work).

Example: In “The Masque of the Red Death,” Poe uses the symbolism of the stranger, the clock, and the seventh room to develop the theme of death.

6. (Author) (shows, develops, illustrates) the theme of __________ in the (play, poem, story).

Example: Flannery O’Connor illustrates the theme of the effect of the selfishness of the grandmother upon the family in “A Good Man is Hard to Find.”

7. (Author) develops his character(s) in (title of work) through his/her use of language.

Example: John Updike develops his characters in “A & P” through his use of figurative language.

Perimeter College, Georgia State University,  http://depts.gpc.edu/~gpcltc/handouts/communications/literarythesis.pdf

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Dissertation examples

Listed below are some of the best examples of research projects and dissertations from undergraduate and taught postgraduate students at the University of Leeds We have not been able to gather examples from all schools. The module requirements for research projects may have changed since these examples were written. Refer to your module guidelines to make sure that you address all of the current assessment criteria. Some of the examples below are only available to access on campus.

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Literature Review: Conducting & Writing

• Sample Literature Reviews
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• Finding "The Literature"
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Sample Lit Reviews from Communication Arts

Have an exemplary literature review.

• Literature Review Sample 1
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Have you written a stellar literature review you care to share for teaching purposes?

Are you an instructor who has received an exemplary literature review and have permission from the student to post?

Please contact Britt McGowan at [email protected] for inclusion in this guide. All disciplines welcome and encouraged.

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Literature Review

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Dissertation examples

Undergraduate dissertations are not available in the library. We are currently working on selecting and digitising a selection of USW undergraduate dissertations.

You will find our postgraduate dissertations in our research repository USW Pure.

Ask your supervisor if they have any good examples of past dissertations that you can have a look at.

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