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Creative writing : four genres in brief

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Creative Writing: Four Genres in Brief PDF

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Cover Title Page Copyright PREFACE: A Few Words to Instructors A Few Things You Should Know about Creative Writing A Few Words about Revision 1 Writing Poetry The elements of poetry The short poem: Three models Gail White, My Personal Recollections of Not Being Asked to the Prom Ruth Stone, Winter Rae Armantrout, Duration Lines and stanzas Meter and rhythm The music of poetry Images, symbols, and figurative language Diction, syntax, and the language of poetry Poetic forms Sonnet Villanelle Rondeau Rondelet Triolet Sestina Cinquain Haiku Pantoum Cento Ghazal Prose poem Getting started writing poetry KICK-STARTS Beginning your poems An Anthology of Short Poems Elizabeth Alexander, House Party Sonnet: ‘66 Sherman Alexie, Basketball Agha Shahid Ali, Postcard from Kashmir Lucie Brock-Broido, Posthumous Seduction Lorna Dee Cervantes, Poem for the Young White Man Who Asked Me How I, an Intelligent, Well-Read Person, Could Believe in the War between Races Billy Collins, Nostalgia Elaine Equi, A Quiet Poem Joy Harjo, It’s Raining in Honolulu Brenda Hillman, Shadows in Snow Juan Felipe Herrera, K’s Mother Speaks of Her Years in Kuwait Allison Joseph, On Being Told I Don’t Speak Like a Black Person Joan Naviyuk Kane, Akkumin Qanituq/Swift Descent Jane Kenyon, The Blue Bowl Ted Kooser, Barn Swallows Sarah Lindsay, Origin Teresa Leo, My Friend Asks What I’ve Been Doing Lately, and by This She Means Men Jane Munro, Sonoma Hoa Nguyen, They Sell You What Disappears Naomi Shihab Nye, I Feel Sorry for Jesus Mary Oliver, Crossing the Swamp Deborah Parédez, Bustillo Drive Grocery Molly Peacock, Instead of Her Own Patricia Smith, Listening at the Door Gary Snyder, I Went into the Maverick Bar Charles Simic, My Guardian Angel … James Tate, Teaching the Ape to Write Poems Gloria Vando, new shoes and an old flame David Wojahn, The Assassination of John Lennon as Depicted by the Madame Tussaud Wax Museum, Niagara Falls, Ontario, 1987 Kevin Young, Rosetta 2 Writing the Short-Short Story The elements of fiction The short-short story: Three models Isaac Babel, Crossing the River Zbrucz Donald Barthelme, The Baby Bonnie Jo Campbell, Rhyme Game Structure and design Creating characters Writing dialogue Setting the scene Deciding on point of view, developing tone and style First-person point of view First-person plural point of view Second-person point of view Third-person limited point of view Third-person omniscient point of view Tense Tone and style Getting started writing the short-short story KICK-STARTS Beginning your story An Anthology of Short-Short Stories Margaret Atwood, An Angel Aimee Bender, Loser T. Coraghessan Boyle, The Hit Man Ron Carlson, A Kind of Flying Raymond Carver, Popular Mechanics John Cheever, Reunion Lydia Davis, The Strangers Dagoberto Gilb, His Birthday Jamaica Kincaid, Girl Lorrie Moore, Referential Joyce Carol Oates, Wolf’s Head Lake Jayne Anne Philips, Solo Dance Ron Rash, The Harvest 3 Writing Short Creative Nonfiction The elements of creative nonfiction Short creative nonfiction: Three models Rebecca McClanahan, Liferower Brian Doyle, Joyas Voladoras David Sedaris, Jesus Shaves Organizing creative nonfiction Telling the truth Creative nonfiction as narrative Character Dialogue Scene setting The poetry of creative nonfiction Imagery and figurative language Diction Sound and rhythm Writing yourself into creative nonfiction Ethics and edicts Getting started writing short creative nonfiction KICK-STARTS Beginning your creative nonfiction An Anthology of Short Creative Nonfiction Diane Ackerman, The Mute Sense James Brown, My Papa’s Waltz Edwidge Danticat, Westbury Court Joan Didion, In Bed Barry Lopez, The Raven Dinty W. Moore, El Toro Rojo Aimee Nezhukumatathil, The Witching Hour John T. Price, The Burnt Plane Gary Soto, First Love Alice Walker, Dreads 4 Writing the Ten-Minute Play The elements of playwriting The ten-minute play: Three models David Ives, Sure Thing Tina Howe, The Divine Fallacy A. Rey Pamatmat, Some Other Kid Structuring the ten-minute play Creating believable characters Writing convincing dialogue Crafting a theme Onstage: The elements of production Stage Sets Props, costumes, and effects Lights Sounds Actors Audience Getting started writing the ten-minute play KICK-STARTS Beginning your play Playscript Format: A Model An Anthology of Ten-Minute Plays Dan Dietz, Trash Anthem Kristina Halvorson, Now We’re Really Getting Somewhere Adam Kraar, Love on the B-Line K. Alexa Mavromatis, Bone China Tracey Scott Wilson, Fairy Tale A Few Words about Getting Your Work Published and Produced A Few Words about Hybrid Creative Writing Sabrina Orah Mark, It’s Dark in There: Confessions of a Prose Poem A Few Words of Farewell GLOSSARY ACKNOWLEDGMENTS INDEX

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Creative Writing: Four Genres in Brief

Psychology in Everyday Life

Fourth edition | ©2022 david starkey.

ISBN:9781319406530

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ISBN:9781319215965

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A lively, practical approach to writing in four creative genres.

How can students with widely varied levels of literary experience learn to write poetry, fiction, creative nonfiction, and drama — over the course of only one semester? In Creative Writing: Four Genres in Brief , David Starkey offers solutions to the challenges of teaching the introductory creative writing course: (1) concise, accessible instruction in the basics of writing poetry, fiction, creative nonfiction, and drama; (2) short models of literature to analyze, admire and emulate; (3) inventive and imaginative assignments that inspire and motivate. For the fourth edition, in response to reviewer requests, the literature and writing prompts have been significantly refreshed and David Starkey has added "Write Before You Read," prompts at the beginning of each chapter, brief author biographies and dates of publication following works in the anthologies, new guidelines on conducting genre-specific workshops both in-person and online, and a new section on writing for social change.

New to This Edition

“Starkeys Creative Writing: Four Genres in Brief  is one of the most comprehensive introductory texts currently being published. The writing on craft fundamentals provide a strong foundation for beginning writers and the diverse examples in the anthology feature some of the best contemporary authors. Ive been using this text since the first edition and feedback from students is always excellent.” —Thomas Maltman, Normandale CC “My favorite part of the text is Starkeys clear, succinct chapters explaining the conventions of each genre. He provides students with enough information to begin writing in an unfamiliar genre without completely overwhelming them.” —Yelizaveta Renfro, Saint Mary’s College “A top-notch textbook on creative writing that dissects poetry, prose and drama for beginners.” —Robert Moreira, The University of Texas, Rio Grande Valley “ Creative Writing is a fantastic book that deftly engages early writers in the craft. Starkeys focus on shorter forms cleverly balances the 21st-century drive for concision with the eternal elements of good writing: inspiration, practice, and revision.” —Christopher Cartright, Georgia Southern University

Fourth Edition | ©2022

David Starkey

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Fourth Edition | 2022

Table of Contents

David Starkey is Professor of English, Director of the Creative Writing Program, and former Director of the Composition Program at Santa Barbara City College. A frequent collaborator with the late Wendy Bishop, Starkey helped develop a pedagogy focused on the cross-pollination of composition and creative writing. In addition to his work with Bishop, which includes the co-authored Keywords in Creative Writing (2006), he is the editor of two collections of essays on pedagogy, Teaching Writing Creatively (1998) and Genre by Example: Writing What We Teach (2001), and a special issue of Teaching English in the Two-Year College (Dec. 2014). Starkey is a poet ( Dance, You Monster, to My Soft Song, 2021; What Just Happened, 2021), a writer of fiction and creative nonfiction (published in American Literary Review, in Cimarron Review, in Living Blue in the Red States, and elsewhere), and a playwright whose plays have been produced across the U.S. Starkey is also a committed practitioner, and his writing on corequisite composition is informed by his participation in SBCC’s Express to Success program, an early-adopter of the ALP/corequisite model. His conference presentations in recent years have emphasized his pedagogy and passion for working with a broad range of student writers. He is currently editing a collection of essays on teaching corequisite composition.

Fourth Edition | 2022

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Creative Writing: Four Genres in Brief

Fourth  edition | ©2022  david starkey.

ISBN:9781319406530

Take notes, add highlights, and download our mobile-friendly e-books.

ISBN:9781319215965

Read and study old-school with our bound texts.

Includes eBook Trial Access

Digital Options

Learning to write poetry and fiction and nonfiction and drama in a single creative writing course is a real challenge, but David Starkey’s Creative Writing, Four Genres in Brief is the ideal way to meet it. By mapping out the basics of composing and crafting each genre, providing only very short models of literature for you to read and emulate, and providing inspiration with writing prompts and projects that will capture your imagination, Creative Writing will help you learn quickly and find a path into writing creatively.

Read online (or offline) with all the highlighting and notetaking tools you need to be successful in this course.

Table of Contents

David Starkey

David Starkey is Professor of English, Director of the Creative Writing Program, and former Director of the Composition Program at Santa Barbara City College. A frequent collaborator with the late Wendy Bishop, Starkey helped develop a pedagogy focused on the cross-pollination of composition and creative writing. In addition to his work with Bishop, which includes the co-authored Keywords in Creative Writing (2006), he is the editor of two collections of essays on pedagogy, Teaching Writing Creatively (1998) and Genre by Example: Writing What We Teach (2001), and a special issue of Teaching English in the Two-Year College (Dec. 2014). Starkey is a poet ( Dance, You Monster, to My Soft Song, 2021; What Just Happened, 2021), a writer of fiction and creative nonfiction (published in American Literary Review, in Cimarron Review, in Living Blue in the Red States, and elsewhere), and a playwright whose plays have been produced across the U.S. Starkey is also a committed practitioner, and his writing on corequisite composition is informed by his participation in SBCC’s Express to Success program, an early-adopter of the ALP/corequisite model. His conference presentations in recent years have emphasized his pedagogy and passion for working with a broad range of student writers. He is currently editing a collection of essays on teaching corequisite composition.

A lively, practical approach to writing in four creative genres.

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Poet, Educator & Editor

Creative Writing: Four Genres in Brief

How can students with widely varied levels of literary experience learn to write poetry, fiction, creative nonfiction, and drama — over the course of only one semester? In  Creative Writing: Four Genres in Brief,  David Starkey offers some solutions to the challenges of teaching the introductory creative writing course: (1) concise, accessible instruction in the basics of writing poetry, fiction, creative nonfiction, and drama; (2) short models of literature to analyze, admire and emulate; (3) inventive and imaginative assignments that inspire and motivate.

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Creative Writing: Four Genres in Brief Fourth Edition

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• ISBN-10 1319215963
• ISBN-13 978-1319215965
• Edition Fourth
• Publisher Bedford/St. Martin's
• Publication date August 16, 2021
• Language English
• Dimensions 6.39 x 0.48 x 9.12 inches
• Print length 400 pages
• See all details

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Product details

• Publisher ‏ : ‎ Bedford/St. Martin's; Fourth edition (August 16, 2021)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 400 pages
• ISBN-10 ‏ : ‎ 1319215963
• ISBN-13 ‏ : ‎ 978-1319215965
• Item Weight ‏ : ‎ 1.1 pounds
• Dimensions ‏ : ‎ 6.39 x 0.48 x 9.12 inches
• #55 in Creative Writing & Composition
• #712 in Fiction Writing Reference (Books)
• #6,390 in Unknown

About the author

David starkey.

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About the author  (2008), bibliographic information.

Elements of Creative Writing

J.D. Schraffenberger, University of Northern Iowa

Rachel Morgan, University of Northern Iowa

Grant Tracey, University of Northern Iowa

Copyright Year: 2023

ISBN 13: 9780915996179

Publisher: University of Northern Iowa

Language: English

Formats Available

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Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more

Comprehensiveness rating: 4 see less

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.

Content Accuracy rating: 5

As far as I can tell, content is accurate, error free and unbiased.

Relevance/Longevity rating: 5

The book is relevant and up-to-date.

Clarity rating: 5

The text is clear and easy to understand.

Consistency rating: 5

I would agree that the text is consistent in terms of terminology and framework.

Modularity rating: 5

Text is modular, yes, but I would like to see the addition of a section on dramatic writing.

Organization/Structure/Flow rating: 5

Topics are presented in logical, clear fashion.

Interface rating: 5

Navigation is good.

Grammatical Errors rating: 5

No grammatical issues that I could see.

Cultural Relevance rating: 3

I'd like to see more diverse creative writing examples.

As I stated above, textbook is good except that it does not include a section on dramatic writing.

Table of Contents

• Introduction
• Chapter One: One Great Way to Write a Short Story
• Chapter Two: Plotting
• Chapter Three: Counterpointed Plotting
• Chapter Four: Show and Tell
• Chapter Five: Characterization and Method Writing
• Chapter Six: Character and Dialouge
• Chapter Seven: Setting, Stillness, and Voice
• Chapter Eight: Point of View
• Chapter Nine: Learning the Unwritten Rules
• Chapter One: A Poetry State of Mind
• Chapter Two: The Architecture of a Poem
• Chapter Three: Sound
• Chapter Four: Inspiration and Risk
• Chapter Five: Endings and Beginnings
• Chapter Six: Figurative Language
• Chapter Seven: Forms, Forms, Forms
• Chapter Eight: Go to the Image
• Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings

Creative Nonfiction

• Chapter One: Creative Nonfiction and the Essay
• Chapter Two: Truth and Memory, Truth in Memory
• Chapter Three: Research and History
• Chapter Four: Writing Environments
• Chapter Five: Notes on Style
• Chapter Seven: Imagery and the Senses
• Chapter Eight: Writing the Body
• Chapter Nine: Forms

Back Matter

• Contributors
• North American Review Staff

Ancillary Material

• University of Northern Iowa

About the Book

This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.

About the Contributors

J.D. Schraffenberger  is a professor of English at the University of Northern Iowa. He is the author of two books of poems,  Saint Joe's Passion  and  The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of  The Necessary Poetics of Atheism . His other work has appeared in  Best of Brevity ,  Best Creative Nonfiction ,  Notre Dame Review ,  Poetry East ,  Prairie Schooner , and elsewhere.

Rachel Morgan   is an instructor of English at the University of Northern Iowa. She is the author of the chapbook  Honey & Blood , Blood & Honey . Her work is included in the anthology  Fracture: Essays, Poems, and Stories on Fracking in American  and has appeared in the  Journal of American Medical Association ,  Boulevard ,  Prairie Schooner , and elsewhere.

Grant Tracey   author of three novels in the Hayden Fuller Mysteries ; the chapbook  Winsome  featuring cab driver Eddie Sands; and the story collection  Final Stanzas , is fiction editor of the  North American Review  and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.

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