assignment 1 6 write it up

Understanding Assignments

What this handout is about.

The first step in any successful college writing venture is reading the assignment. While this sounds like a simple task, it can be a tough one. This handout will help you unravel your assignment and begin to craft an effective response. Much of the following advice will involve translating typical assignment terms and practices into meaningful clues to the type of writing your instructor expects. See our short video for more tips.

Basic beginnings

Regardless of the assignment, department, or instructor, adopting these two habits will serve you well :

• Read the assignment carefully as soon as you receive it. Do not put this task off—reading the assignment at the beginning will save you time, stress, and problems later. An assignment can look pretty straightforward at first, particularly if the instructor has provided lots of information. That does not mean it will not take time and effort to complete; you may even have to learn a new skill to complete the assignment.
• Ask the instructor about anything you do not understand. Do not hesitate to approach your instructor. Instructors would prefer to set you straight before you hand the paper in. That’s also when you will find their feedback most useful.

Assignment formats

Many assignments follow a basic format. Assignments often begin with an overview of the topic, include a central verb or verbs that describe the task, and offer some additional suggestions, questions, or prompts to get you started.

An Overview of Some Kind

The instructor might set the stage with some general discussion of the subject of the assignment, introduce the topic, or remind you of something pertinent that you have discussed in class. For example:

“Throughout history, gerbils have played a key role in politics,” or “In the last few weeks of class, we have focused on the evening wear of the housefly …”

The Task of the Assignment

Pay attention; this part tells you what to do when you write the paper. Look for the key verb or verbs in the sentence. Words like analyze, summarize, or compare direct you to think about your topic in a certain way. Also pay attention to words such as how, what, when, where, and why; these words guide your attention toward specific information. (See the section in this handout titled “Key Terms” for more information.)

“Analyze the effect that gerbils had on the Russian Revolution”, or “Suggest an interpretation of housefly undergarments that differs from Darwin’s.”

Additional Material to Think about

Here you will find some questions to use as springboards as you begin to think about the topic. Instructors usually include these questions as suggestions rather than requirements. Do not feel compelled to answer every question unless the instructor asks you to do so. Pay attention to the order of the questions. Sometimes they suggest the thinking process your instructor imagines you will need to follow to begin thinking about the topic.

“You may wish to consider the differing views held by Communist gerbils vs. Monarchist gerbils, or Can there be such a thing as ‘the housefly garment industry’ or is it just a home-based craft?”

These are the instructor’s comments about writing expectations:

“Be concise”, “Write effectively”, or “Argue furiously.”

Technical Details

These instructions usually indicate format rules or guidelines.

“Your paper must be typed in Palatino font on gray paper and must not exceed 600 pages. It is due on the anniversary of Mao Tse-tung’s death.”

The assignment’s parts may not appear in exactly this order, and each part may be very long or really short. Nonetheless, being aware of this standard pattern can help you understand what your instructor wants you to do.

Interpreting the assignment

Ask yourself a few basic questions as you read and jot down the answers on the assignment sheet:

Why did your instructor ask you to do this particular task?

Who is your audience.

• What kind of evidence do you need to support your ideas?

What kind of writing style is acceptable?

• What are the absolute rules of the paper?

Try to look at the question from the point of view of the instructor. Recognize that your instructor has a reason for giving you this assignment and for giving it to you at a particular point in the semester. In every assignment, the instructor has a challenge for you. This challenge could be anything from demonstrating an ability to think clearly to demonstrating an ability to use the library. See the assignment not as a vague suggestion of what to do but as an opportunity to show that you can handle the course material as directed. Paper assignments give you more than a topic to discuss—they ask you to do something with the topic. Keep reminding yourself of that. Be careful to avoid the other extreme as well: do not read more into the assignment than what is there.

Of course, your instructor has given you an assignment so that they will be able to assess your understanding of the course material and give you an appropriate grade. But there is more to it than that. Your instructor has tried to design a learning experience of some kind. Your instructor wants you to think about something in a particular way for a particular reason. If you read the course description at the beginning of your syllabus, review the assigned readings, and consider the assignment itself, you may begin to see the plan, purpose, or approach to the subject matter that your instructor has created for you. If you still aren’t sure of the assignment’s goals, try asking the instructor. For help with this, see our handout on getting feedback .

Given your instructor’s efforts, it helps to answer the question: What is my purpose in completing this assignment? Is it to gather research from a variety of outside sources and present a coherent picture? Is it to take material I have been learning in class and apply it to a new situation? Is it to prove a point one way or another? Key words from the assignment can help you figure this out. Look for key terms in the form of active verbs that tell you what to do.

Key Terms: Finding Those Active Verbs

Here are some common key words and definitions to help you think about assignment terms:

Information words Ask you to demonstrate what you know about the subject, such as who, what, when, where, how, and why.

• define —give the subject’s meaning (according to someone or something). Sometimes you have to give more than one view on the subject’s meaning
• describe —provide details about the subject by answering question words (such as who, what, when, where, how, and why); you might also give details related to the five senses (what you see, hear, feel, taste, and smell)
• explain —give reasons why or examples of how something happened
• illustrate —give descriptive examples of the subject and show how each is connected with the subject
• summarize —briefly list the important ideas you learned about the subject
• trace —outline how something has changed or developed from an earlier time to its current form
• research —gather material from outside sources about the subject, often with the implication or requirement that you will analyze what you have found

Relation words Ask you to demonstrate how things are connected.

• compare —show how two or more things are similar (and, sometimes, different)
• contrast —show how two or more things are dissimilar
• apply—use details that you’ve been given to demonstrate how an idea, theory, or concept works in a particular situation
• cause —show how one event or series of events made something else happen
• relate —show or describe the connections between things

Interpretation words Ask you to defend ideas of your own about the subject. Do not see these words as requesting opinion alone (unless the assignment specifically says so), but as requiring opinion that is supported by concrete evidence. Remember examples, principles, definitions, or concepts from class or research and use them in your interpretation.

• assess —summarize your opinion of the subject and measure it against something
• prove, justify —give reasons or examples to demonstrate how or why something is the truth
• evaluate, respond —state your opinion of the subject as good, bad, or some combination of the two, with examples and reasons
• support —give reasons or evidence for something you believe (be sure to state clearly what it is that you believe)
• synthesize —put two or more things together that have not been put together in class or in your readings before; do not just summarize one and then the other and say that they are similar or different—you must provide a reason for putting them together that runs all the way through the paper
• analyze —determine how individual parts create or relate to the whole, figure out how something works, what it might mean, or why it is important
• argue —take a side and defend it with evidence against the other side

More Clues to Your Purpose As you read the assignment, think about what the teacher does in class:

• What kinds of textbooks or coursepack did your instructor choose for the course—ones that provide background information, explain theories or perspectives, or argue a point of view?
• In lecture, does your instructor ask your opinion, try to prove their point of view, or use keywords that show up again in the assignment?
• What kinds of assignments are typical in this discipline? Social science classes often expect more research. Humanities classes thrive on interpretation and analysis.
• How do the assignments, readings, and lectures work together in the course? Instructors spend time designing courses, sometimes even arguing with their peers about the most effective course materials. Figuring out the overall design to the course will help you understand what each assignment is meant to achieve.

Now, what about your reader? Most undergraduates think of their audience as the instructor. True, your instructor is a good person to keep in mind as you write. But for the purposes of a good paper, think of your audience as someone like your roommate: smart enough to understand a clear, logical argument, but not someone who already knows exactly what is going on in your particular paper. Remember, even if the instructor knows everything there is to know about your paper topic, they still have to read your paper and assess your understanding. In other words, teach the material to your reader.

Aiming a paper at your audience happens in two ways: you make decisions about the tone and the level of information you want to convey.

• Tone means the “voice” of your paper. Should you be chatty, formal, or objective? Usually you will find some happy medium—you do not want to alienate your reader by sounding condescending or superior, but you do not want to, um, like, totally wig on the man, you know? Eschew ostentatious erudition: some students think the way to sound academic is to use big words. Be careful—you can sound ridiculous, especially if you use the wrong big words.
• The level of information you use depends on who you think your audience is. If you imagine your audience as your instructor and they already know everything you have to say, you may find yourself leaving out key information that can cause your argument to be unconvincing and illogical. But you do not have to explain every single word or issue. If you are telling your roommate what happened on your favorite science fiction TV show last night, you do not say, “First a dark-haired white man of average height, wearing a suit and carrying a flashlight, walked into the room. Then a purple alien with fifteen arms and at least three eyes turned around. Then the man smiled slightly. In the background, you could hear a clock ticking. The room was fairly dark and had at least two windows that I saw.” You also do not say, “This guy found some aliens. The end.” Find some balance of useful details that support your main point.

You’ll find a much more detailed discussion of these concepts in our handout on audience .

The Grim Truth

With a few exceptions (including some lab and ethnography reports), you are probably being asked to make an argument. You must convince your audience. It is easy to forget this aim when you are researching and writing; as you become involved in your subject matter, you may become enmeshed in the details and focus on learning or simply telling the information you have found. You need to do more than just repeat what you have read. Your writing should have a point, and you should be able to say it in a sentence. Sometimes instructors call this sentence a “thesis” or a “claim.”

So, if your instructor tells you to write about some aspect of oral hygiene, you do not want to just list: “First, you brush your teeth with a soft brush and some peanut butter. Then, you floss with unwaxed, bologna-flavored string. Finally, gargle with bourbon.” Instead, you could say, “Of all the oral cleaning methods, sandblasting removes the most plaque. Therefore it should be recommended by the American Dental Association.” Or, “From an aesthetic perspective, moldy teeth can be quite charming. However, their joys are short-lived.”

Convincing the reader of your argument is the goal of academic writing. It doesn’t have to say “argument” anywhere in the assignment for you to need one. Look at the assignment and think about what kind of argument you could make about it instead of just seeing it as a checklist of information you have to present. For help with understanding the role of argument in academic writing, see our handout on argument .

What kind of evidence do you need?

There are many kinds of evidence, and what type of evidence will work for your assignment can depend on several factors–the discipline, the parameters of the assignment, and your instructor’s preference. Should you use statistics? Historical examples? Do you need to conduct your own experiment? Can you rely on personal experience? See our handout on evidence for suggestions on how to use evidence appropriately.

Make sure you are clear about this part of the assignment, because your use of evidence will be crucial in writing a successful paper. You are not just learning how to argue; you are learning how to argue with specific types of materials and ideas. Ask your instructor what counts as acceptable evidence. You can also ask a librarian for help. No matter what kind of evidence you use, be sure to cite it correctly—see the UNC Libraries citation tutorial .

You cannot always tell from the assignment just what sort of writing style your instructor expects. The instructor may be really laid back in class but still expect you to sound formal in writing. Or the instructor may be fairly formal in class and ask you to write a reflection paper where you need to use “I” and speak from your own experience.

Try to avoid false associations of a particular field with a style (“art historians like wacky creativity,” or “political scientists are boring and just give facts”) and look instead to the types of readings you have been given in class. No one expects you to write like Plato—just use the readings as a guide for what is standard or preferable to your instructor. When in doubt, ask your instructor about the level of formality they expect.

No matter what field you are writing for or what facts you are including, if you do not write so that your reader can understand your main idea, you have wasted your time. So make clarity your main goal. For specific help with style, see our handout on style .

Technical details about the assignment

The technical information you are given in an assignment always seems like the easy part. This section can actually give you lots of little hints about approaching the task. Find out if elements such as page length and citation format (see the UNC Libraries citation tutorial ) are negotiable. Some professors do not have strong preferences as long as you are consistent and fully answer the assignment. Some professors are very specific and will deduct big points for deviations.

Usually, the page length tells you something important: The instructor thinks the size of the paper is appropriate to the assignment’s parameters. In plain English, your instructor is telling you how many pages it should take for you to answer the question as fully as you are expected to. So if an assignment is two pages long, you cannot pad your paper with examples or reword your main idea several times. Hit your one point early, defend it with the clearest example, and finish quickly. If an assignment is ten pages long, you can be more complex in your main points and examples—and if you can only produce five pages for that assignment, you need to see someone for help—as soon as possible.

Tricks that don’t work

Your instructors are not fooled when you:

• spend more time on the cover page than the essay —graphics, cool binders, and cute titles are no replacement for a well-written paper.
• use huge fonts, wide margins, or extra spacing to pad the page length —these tricks are immediately obvious to the eye. Most instructors use the same word processor you do. They know what’s possible. Such tactics are especially damning when the instructor has a stack of 60 papers to grade and yours is the only one that low-flying airplane pilots could read.
• use a paper from another class that covered “sort of similar” material . Again, the instructor has a particular task for you to fulfill in the assignment that usually relates to course material and lectures. Your other paper may not cover this material, and turning in the same paper for more than one course may constitute an Honor Code violation . Ask the instructor—it can’t hurt.
• get all wacky and “creative” before you answer the question . Showing that you are able to think beyond the boundaries of a simple assignment can be good, but you must do what the assignment calls for first. Again, check with your instructor. A humorous tone can be refreshing for someone grading a stack of papers, but it will not get you a good grade if you have not fulfilled the task.

Critical reading of assignments leads to skills in other types of reading and writing. If you get good at figuring out what the real goals of assignments are, you are going to be better at understanding the goals of all of your classes and fields of study.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

Make a Gift

Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

Understanding Writing Assignments

Welcome to the Purdue OWL

This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice.

Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use.

How to Decipher the Paper Assignment

Many instructors write their assignment prompts differently. By following a few steps, you can better understand the requirements for the assignment. The best way, as always, is to ask the instructor about anything confusing.

• Read the prompt the entire way through once. This gives you an overall view of what is going on.
• Underline or circle the portions that you absolutely must know. This information may include due date, research (source) requirements, page length, and format (MLA, APA, CMS).
• Underline or circle important phrases. You should know your instructor at least a little by now - what phrases do they use in class? Does he repeatedly say a specific word? If these are in the prompt, you know the instructor wants you to use them in the assignment.
• Think about how you will address the prompt. The prompt contains clues on how to write the assignment. Your instructor will often describe the ideas they want discussed either in questions, in bullet points, or in the text of the prompt. Think about each of these sentences and number them so that you can write a paragraph or section of your essay on that portion if necessary.
• Rank ideas in descending order, from most important to least important. Instructors may include more questions or talking points than you can cover in your assignment, so rank them in the order you think is more important. One area of the prompt may be more interesting to you than another.
• Ask your instructor questions if you have any.

After you are finished with these steps, ask yourself the following:

• What is the purpose of this assignment? Is my purpose to provide information without forming an argument, to construct an argument based on research, or analyze a poem and discuss its imagery?
• Who is my audience? Is my instructor my only audience? Who else might read this? Will it be posted online? What are my readers' needs and expectations?
• What resources do I need to begin work? Do I need to conduct literature (hermeneutic or historical) research, or do I need to review important literature on the topic and then conduct empirical research, such as a survey or an observation? How many sources are required?
• Who - beyond my instructor - can I contact to help me if I have questions? Do you have a writing lab or student service center that offers tutorials in writing?

(Notes on prompts made in blue )

Poster or Song Analysis: Poster or Song? Poster!

Goals : To systematically consider the rhetorical choices made in either a poster or a song. She says that all the time.

Things to Consider: ah- talking points

• how the poster addresses its audience and is affected by context I'll do this first - 1.
• general layout, use of color, contours of light and shade, etc.
• use of contrast, alignment, repetition, and proximity C.A.R.P. They say that, too. I'll do this third - 3.
• the point of view the viewer is invited to take, poses of figures in the poster, etc. any text that may be present
• possible cultural ramifications or social issues that have bearing I'll cover this second - 2.
• ethical implications
• how the poster affects us emotionally, or what mood it evokes
• the poster's implicit argument and its effectiveness said that was important in class, so I'll discuss this last - 4.
• how the song addresses its audience
• lyrics: how they rhyme, repeat, what they say
• use of music, tempo, different instruments
• possible cultural ramifications or social issues that have bearing
• emotional effects
• the implicit argument and its effectiveness

These thinking points are not a step-by-step guideline on how to write your paper; instead, they are various means through which you can approach the subject. I do expect to see at least a few of them addressed, and there are other aspects that may be pertinent to your choice that have not been included in these lists. You will want to find a central idea and base your argument around that. Additionally, you must include a copy of the poster or song that you are working with. Really important!

I will be your audience. This is a formal paper, and you should use academic conventions throughout.

Length: 4 pages Format: Typed, double-spaced, 10-12 point Times New Roman, 1 inch margins I need to remember the format stuff. I messed this up last time =(

Academic Argument Essay

5-7 pages, Times New Roman 12 pt. font, 1 inch margins.

Minimum of five cited sources: 3 must be from academic journals or books

• Design Plan due: Thurs. 10/19
• Rough Draft due: Monday 10/30
• Final Draft due: Thurs. 11/9

Remember this! I missed the deadline last time

The design plan is simply a statement of purpose, as described on pages 40-41 of the book, and an outline. The outline may be formal, as we discussed in class, or a printout of an Open Mind project. It must be a minimum of 1 page typed information, plus 1 page outline.

This project is an expansion of your opinion editorial. While you should avoid repeating any of your exact phrases from Project 2, you may reuse some of the same ideas. Your topic should be similar. You must use research to support your position, and you must also demonstrate a fairly thorough knowledge of any opposing position(s). 2 things to do - my position and the opposite.

Your essay should begin with an introduction that encapsulates your topic and indicates 1 the general trajectory of your argument. You need to have a discernable thesis that appears early in your paper. Your conclusion should restate the thesis in different words, 2 and then draw some additional meaningful analysis out of the developments of your argument. Think of this as a "so what" factor. What are some implications for the future, relating to your topic? What does all this (what you have argued) mean for society, or for the section of it to which your argument pertains? A good conclusion moves outside the topic in the paper and deals with a larger issue.

You should spend at least one paragraph acknowledging and describing the opposing position in a manner that is respectful and honestly representative of the opposition’s 3 views. The counterargument does not need to occur in a certain area, but generally begins or ends your argument. Asserting and attempting to prove each aspect of your argument’s structure should comprise the majority of your paper. Ask yourself what your argument assumes and what must be proven in order to validate your claims. Then go step-by-step, paragraph-by-paragraph, addressing each facet of your position. Most important part!

Finally, pay attention to readability . Just because this is a research paper does not mean that it has to be boring. Use examples and allow your opinion to show through word choice and tone. Proofread before you turn in the paper. Your audience is generally the academic community and specifically me, as a representative of that community. Ok, They want this to be easy to read, to contain examples I find, and they want it to be grammatically correct. I can visit the tutoring center if I get stuck, or I can email the OWL Email Tutors short questions if I have any more problems.

Module 4: Writing in College

Writing assignments, learning objectives.

• Describe common types and expectations of writing tasks given in a college class

Figure 1 . All college classes require some form of writing. Investing some time in refining your writing skills so that you are a more confident, skilled, and efficient writer will pay dividends in the long run.

What to Do With Writing Assignments

Writing assignments can be as varied as the instructors who assign them. Some assignments are explicit about what exactly you’ll need to do, in what order, and how it will be graded. Others are more open-ended, leaving you to determine the best path toward completing the project. Most fall somewhere in the middle, containing details about some aspects but leaving other assumptions unstated. It’s important to remember that your first resource for getting clarification about an assignment is your instructor—they will be very willing to talk out ideas with you, to be sure you’re prepared at each step to do well with the writing.

Writing in college is usually a response to class materials—an assigned reading, a discussion in class, an experiment in a lab. Generally speaking, these writing tasks can be divided into three broad categories: summary assignments, defined-topic assignments, and undefined-topic assignments.

Link to Learning

Empire State College offers an  Assignment Calculator  to help you plan ahead for your writing assignment. Just plug in the date you plan to get started and the date it is due, and the calculator will help break it down into manageable chunks.

Summary Assignments

Being asked to summarize a source is a common task in many types of writing. It can also seem like a straightforward task: simply restate, in shorter form, what the source says. A lot of advanced skills are hidden in this seemingly simple assignment, however.

An effective summary does the following:

• reflects your accurate understanding of a source’s thesis or purpose
• differentiates between major and minor ideas in a source
• demonstrates your ability to identify key phrases to quote
• shows your ability to effectively paraphrase most of the source’s ideas
• captures the tone, style, and distinguishing features of a source
• does not reflect your personal opinion about the source

That last point is often the most challenging: we are opinionated creatures, by nature, and it can be very difficult to keep our opinions from creeping into a summary. A summary is meant to be completely neutral.

In college-level writing, assignments that are only summary are rare. That said, many types of writing tasks contain at least some element of summary, from a biology report that explains what happened during a chemical process, to an analysis essay that requires you to explain what several prominent positions about gun control are, as a component of comparing them against one another.

Writing Effective Summaries

Start with a clear identification of the work.

This automatically lets your readers know your intentions and that you’re covering the work of another author.

• In the featured article “Five Kinds of Learning,” the author, Holland Oates, justifies his opinion on the hot topic of learning styles — and adds a few himself.

Summarize the Piece as a Whole

Omit nothing important and strive for overall coherence through appropriate transitions. Write using “summarizing language.” Your reader needs to be reminded that this is not your own work. Use phrases like the article claims, the author suggests, etc.

• Present the material in a neutral fashion. Your opinions, ideas, and interpretations should be left in your brain — don’t put them into your summary. Be conscious of choosing your words. Only include what was in the original work.
• Be concise. This is a summary — it should be much shorter than the original piece. If you’re working on an article, give yourself a target length of 1/4 the original article.

Conclude with a Final Statement

This is not a statement of your own point of view, however; it should reflect the significance of the book or article from the author’s standpoint.

• Without rewriting the article, summarize what the author wanted to get across. Be careful not to evaluate in the conclusion or insert any of your own assumptions or opinions.

Understanding the Assignment and Getting Started

Figure 2 . Many writing assignments will have a specific prompt that sends you first to your textbook, and then to outside resources to gather information.

Often, the handout or other written text explaining the assignment—what professors call the assignment prompt —will explain the purpose of the assignment and the required parameters (length, number and type of sources, referencing style, etc.).

Also, don’t forget to check the rubric, if there is one, to understand how your writing will be assessed. After analyzing the prompt and the rubric, you should have a better sense of what kind of writing you are expected to produce.

Sometimes, though—especially when you are new to a field—you will encounter the baffling situation in which you comprehend every single sentence in the prompt but still have absolutely no idea how to approach the assignment! In a situation like that, consider the following tips:

• Focus on the verbs . Look for verbs like compare, explain, justify, reflect , or the all-purpose analyze . You’re not just producing a paper as an artifact; you’re conveying, in written communication, some intellectual work you have done. So the question is, what kind of thinking are you supposed to do to deepen your learning?
• Put the assignment in context . Many professors think in terms of assignment sequences. For example, a social science professor may ask you to write about a controversial issue three times: first, arguing for one side of the debate; second, arguing for another; and finally, from a more comprehensive and nuanced perspective, incorporating text produced in the first two assignments. A sequence like that is designed to help you think through a complex issue. If the assignment isn’t part of a sequence, think about where it falls in the span of the course (early, midterm, or toward the end), and how it relates to readings and other assignments. For example, if you see that a paper comes at the end of a three-week unit on the role of the Internet in organizational behavior, then your professor likely wants you to synthesize that material.
• Try a free-write . A free-write is when you just write, without stopping, for a set period of time. That doesn’t sound very “free”; it actually sounds kind of coerced, right? The “free” part is what you write—it can be whatever comes to mind.  Professional writers use free-writing to get started on a challenging (or distasteful) writing task or to overcome writer’s block or a powerful urge to procrastinate. The idea is that if you just make yourself write, you can’t help but produce some kind of useful nugget. Thus, even if the first eight sentences of your free write are all variations on “I don’t understand this” or “I’d really rather be doing something else,” eventually you’ll write something like “I guess the main point of this is…,” and—booyah!—you’re off and running.
• Ask for clarification . Even the most carefully crafted assignments may need some verbal clarification, especially if you’re new to a course or field. Professors generally love questions, so don’t be afraid to ask. Try to convey to your instructor that you want to learn and you’re ready to work, and not just looking for advice on how to get an A.

Defined-Topic Assignments

Many writing tasks will ask you to address a particular topic or a narrow set of topic options. Defined-topic writing assignments are used primarily to identify your familiarity with the subject matter. (Discuss the use of dialect in  Their Eyes Were Watching God , for example.)

Remember, even when you’re asked to “show how” or “illustrate,” you’re still being asked to make an argument. You must shape and focus your discussion or analysis so that it supports a claim that you discovered and formulated and that all of your discussion and explanation develops and supports. 

Undefined-Topic Assignments

Another writing assignment you’ll potentially encounter is one in which the topic may be only broadly identified (“water conservation” in an ecology course, for instance, or “the Dust Bowl” in a U.S. History course), or even completely open (“compose an argumentative research essay on a subject of your choice”).

Figure 3 . For open-ended assignments, it’s best to pick something that interests you personally.

Where defined-topic essays demonstrate your knowledge of the content , undefined-topic assignments are used to demonstrate your skills— your ability to perform academic research, to synthesize ideas, and to apply the various stages of the writing process.

The first hurdle with this type of task is to find a focus that interests you. Don’t just pick something you feel will be “easy to write about” or that you think you already know a lot about —those almost always turn out to be false assumptions. Instead, you’ll get the most value out of, and find it easier to work on, a topic that intrigues you personally or a topic about which you have a genuine curiosity.

The same getting-started ideas described for defined-topic assignments will help with these kinds of projects, too. You can also try talking with your instructor or a writing tutor (at your college’s writing center) to help brainstorm ideas and make sure you’re on track.

Getting Started in the Writing Process

Writing is not a linear process, so writing your essay, researching, rewriting, and adjusting are all part of the process. Below are some tips to keep in mind as you approach and manage your assignment.

Figure 4 . Writing is a recursive process that begins with examining the topic and prewriting.

Write down topic ideas. If you have been assigned a particular topic or focus, it still might be possible to narrow it down or personalize it to your own interests. 

If you have been given an open-ended essay assignment,  the topic should be something that allows you to enjoy working with the writing process. Select a topic that you’ll want to think about, read about, and write about for several weeks, without getting bored. 

Figure 5 . Just getting started is sometimes the most difficult part of writing. Freewriting and planning to write multiple drafts can help you dive in.

If you’re writing about a subject you’re not an expert on and want to make sure you are presenting the topic or information realistically, look up the information or seek out an expert to ask questions.

• Note: Be cautious about information you retrieve online, especially if you are writing a research paper or an article that relies on factual information. A quick Google search may turn up unreliable, misleading sources. Be sure you consider the credibility of the sources you consult (we’ll talk more about that later in the course). And keep in mind that published books and works found in scholarly journals have to undergo a thorough vetting process before they reach publication and are therefore safer to use as sources.
• Check out a library. Yes, believe it or not, there is still information to be found in a library that hasn’t made its way to the Web. For an even greater breadth of resources, try a college or university library. Even better, research librarians can often be consulted in person, by phone, or even by email. And they love helping students. Don’t be afraid to reach out with questions!

Write a Rough Draft

It doesn’t matter how many spelling errors or weak adjectives you have in it. Your draft can be very rough! Jot down those random uncategorized thoughts. Write down anything you think of that you want included in your writing and worry about organizing and polishing everything later.

If You’re Having Trouble, Try F reewriting

Set a timer and write continuously until that time is up. Don’t worry about what you write, just keeping moving your pencil on the page or typing something (anything!) into the computer.

• Outcome: Writing in College. Provided by : Lumen Learning. License : CC BY-NC-SA: Attribution-NonCommercial-ShareAlike
• Writing in College: From Competence to Excellence. Authored by : Amy Guptill. Provided by : SUNY Open Textbooks. Located at : http://textbooks.opensuny.org/writing-in-college-from-competence-to-excellence/ . License : CC BY-NC-SA: Attribution-NonCommercial-ShareAlike
• Image of man writing. Authored by : Matt Zhang. Located at : https://flic.kr/p/pAg6t9 . License : CC BY-NC-ND: Attribution-NonCommercial-NoDerivatives
• Writing Strategies. Provided by : Lumen Learning. Located at : https://courses.lumenlearning.com/lumencollegesuccess/chapter/writing-strategies/ . License : CC BY-NC-SA: Attribution-NonCommercial-ShareAlike
• Image of woman reading. Authored by : Aaron Osborne. Located at : https://flic.kr/p/dPLmVV . License : CC BY: Attribution
• Image of sketches of magnifying glass. Authored by : Matt Cornock. Located at : https://flic.kr/p/eBSLmg . License : CC BY-NC: Attribution-NonCommercial
• How to Write a Summary. Authored by : WikiHow. Located at : http://www.wikihow.com/Write-a-Summary . License : CC BY-NC-SA: Attribution-NonCommercial-ShareAlike
• How to Write. Provided by : WikiHow. License : CC BY-NC-SA: Attribution-NonCommercial-ShareAlike
• Image of typing. Authored by : Kiran Foster. Located at : https://flic.kr/p/9M2WW4 . License : CC BY: Attribution

Get the Reddit app

A place for prospective, current, and former students to ask questions, share resources and experiences, and discuss Southern New Hampshire University.

ENG 122: 1-6 WRITING NOTES

For the writing notes assignment for Eng Comp 1, when we are writing our paper, do we write as we would with a short answer in APA or MLA format? Or would we have to write is as if it were a list of questions, we'd have to answer like a template?

Assignment 1: Project Proposal

Due: Tuesday, April 23rd, 2024 at 7PM

This quarter, you're going to reimplement an open-source research system in Rust, trying to achieve similar performance on one or more key metrics. You'll explore and come to understand what makes this easy or hard, and report on your experiences. The overall goal of this assignment is to help start to answer the question:

“What are the most important open research challenges for software systems written in Rust?”

There are three major milestones to your project:

Propose a team and project

Submit a midterm report in Week 6

Write up and submit your results

When you're done with this assignment, you should have

formed a team,

agreed on a system you will re-implement in Rust,

decided on 2-3 key performance metrics you will try to match.

1 Forming a Team

Your team should be 2-4 people, of which at least one, if possible, should have significant prior Rust experience. You can expect that this team member (or members) will spend a good deal of time helping the other team members as they become more familiar with the language. This is an important responsibility, and absolutely a valued intellectual goal of the class; one adage is that the best way to learn something is to teach it, as you need to not only understand it but also be able to explain that understanding.

Your team should explicitly select who will take on two different roles in the project. These people are responsible for this aspect of your project and should have the final say. Having a consistent approach to each is important. Plus by placing this responsibility in one person, they know to keep track of the issues in play and spend some of their time and thought on it. The two roles are:

Software architect : This is the person who will decide how to decompose your project into modules and what the interfaces to those modules are. In Rust terminology, this is means deciding on the structs, enums, and traits, especially the public ones. Of course these will evolve as the project progresses. But the software architect has the design in their head and knows how it comes together. Two people working on different modules that interact through a trait can suggest changes to the architect (e.g., to support a piece of functionality), but it's ultimately up to the architect to sign off on a change.

Project manager : This is the person who decides who works on what and when. They are the person who is ultimately responsible for the system working at the end of the quarter. If development is falling behind, the project manager is the person who decides when to ask one person to stop working on one module, or set a partial completion point, before they shift to work on another. Put anothjer way, the project manager decides how to allocate the programming time of the team.

These two roles should have a single owner because, for both of them, having a consistency in approach is often more important than optimizing the exact approach taken. There are many good software architectures to solve a problem: it's more important that you pick one and stick with it than exactly which (of the good ones) you pick. Similarly, there are many good ways to allocate people to complete a project: what's important is that you pick one strategy and stick with it.

Setting Expectations

As you form your team, you should meet in person and answer the following questions:

What are your goals for the class? Please have each member discuss individually.

What is your Rust background? What parts of it do you find harder or easier?

What are some computer systems research papers you've read that you liked?

How do you like to work? Do you prefer to work solo and occasionally sync up? Do you like pair programming?

Find a Time to Meet

Compare your schedules to find two time blocks of at least one hour each week when you all can meet. Commit to meeting at these times each week and working together. If something comes up and someone can't make it, be sure to schedule another time for that week. The purpose of these meetings is to keep everyone in regular, scheduled communication on progress, discuss each other's code, etc.

Be sure to set up a Slack channel (or any other communication medium you prefer) for lower-latency, low-bandwidth communication and coordination.

Set up a repository on GitLab

Go to Stanford's GitLab and set up a repository for your project. Add all of your team memebrs and the course staff as contributors. Write a README that describes your team and the project.

2 Choosing a System and Metrics

Pick an open-source research system that is open source and not written in Rust. This system should be something that you can run and reimplement without requiring specialized hardware: you'll need to be able to run both the open source and your version. We can probably get access to small amounts of cloud compute (e.g., if you want to run on high-core processors), but not 100-node clusters. Note that you do not need to recreate the evaluation setups in papers on the system. E.g., if you are re-implementing a transaction processing system that was evaluated on a server with 52 cores and 1TB of RAM, you can evaluate it on your laptop and gather meaningful results.

Your goal will be to reimplement the system – or at least part of it – in Rust, and compare the performance of your Rust implementation with the published one. You should pick 2-3 key performance results (e.g., latency under increasing load, throughput under increasing parallelism, etc.). Your goal will be to meet or exceed the results on these metrics. Writing slow code is easy: the challenges often come into play when you are forced to take particular approaches in order to minimize overheads (e.g., don't just Copy everything).

The system in question should be large and complex enough to be a substantial challenge. You have source code to refer to, which will help a good deal. A rough rule of thumb is it should be at least 1,000 lines of code per team member.

Many research systems are too complex and nuanced to implement in a quarter, even with source code available. It's OK to reimplement part of the system, or one piece of it (e.g., the server, but not the client). If the project builds on libraries, you are welcome to reuse those libraries.

The goal of the project isn't the replication of the system itself. Rather, it's about forcing you to deal with programming challenges in building a real system that performs well. We're encouraging research systems not because they're research but because they have clear performance metrics to compare against. Furthermore, ACM replication badges provide the experimental setting for these measurements.

If you find an open source system or library that has a good benchmark setup with it, that is fine too. In that case, you can choose a benchmark rather than a result in the paper. Note that choosing the right benchmarks might allow you to implement only a small subset of the system.

In general, systems that are computationally bound (i.e., can you write a tight loop) are less interesting than I/O, in part due the complexities of memory management, concurrency, and the challenging things about Rust. Systems that have one or more of the following properties are a plus:

High computational parallelism with shared state

High network parallelism (requests per second, multi RTT exchanges)

Complex, interlocking data structures

The Rust async metanarrative has some good examples of things that are difficult with asynchronous Rust code.

You should generally plan on > 1,000 lines of code per group member. Scope your project (e.g., which parts of the system you will reimplement) accordingly.

3 Some possible projects

S3FIFO : note it’s a simulator, so the evaluation will be the simulator itself, not the result

Trio : reimplement libfs

Tiptoe : use the existing crypto

Cuckoo Trie

Coeus : pick one of the 3 steps

FlexSpace, FlexTree, FlexDB

PashJIT : core part is the execution engine for shell scripts

Pocket : just run on one machine

Black Box NUMA

4 Handing In

Your proposal should be a 1 page document that states:

Who is in your team, and their Rust experience

Who your software architect and project manager is

Your GitLab repository

What system you will re-implement

A link to the open source for the system you will re-implement

Which performance metrics you will try to match; reference the paper and include the table, stated result, or a high-quality images of the figures.

Send an email to [email protected], with the subject “Team <NAME>”, attaching your proposal as a PDF. Your team name should be the system you are re-implementing.

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

Examining Sample Assignment 1: Summary and Analysis

In this chapter and in the next three, I walk through example assignments and how you might analyze them to better understand your task.

This assignment comes from one of my first-year writing classes. It’s a fairly typical early assignment in my first-year writing classes, one that asks students to read a text and engage with it in some way. In this case, the readings include the same one I use as a model in the first section of this book , though the actual assignment differs a bit.

The ability to read critically and summarize accurately is a crucial academic skill. The ability to use ideas from one text to guide understanding in another text is similarly crucial. This assignment helps you practice both of these skills.

Your summary will need to explain the key concepts in Mitchell’s article and to explain the main points in the article that you choose to work with. In class, we will work specifically on critical reading strategies to understand how authors make claims and connect those claims to one another. We will also work on techniques for writing strong summaries that accurately represent an author’s work.

Your summaries of these texts should be between 300 and 400 words of your final paper.

In this part of your paper, you will make connections between Mitchell’s concepts and the specific situation described in the article you have chosen. Specifically, you must try to explain the situation in your article using the terms “segregated coexistence” and “living in community” as Mitchell explains them. Think about questions like the following:

• Does the article you have chosen describe a situation that could be considered “segregated coexistence”? If so, what is that situation and how well does it align with “segregated coexistence” as Mitchell describes it?
• Similarly, does the article you have chosen describe a situation that could be considered “living in community”? If so, what is that situation and how well does it align with “living in community” as Mitchell describes it?
• Are there ways in which Mitchell’s terms don’t apply or don’t cover the issue well enough? How so?

Note that this part of your paper should be between 400 and 500 words long, longer than your summaries. While accurately summarizing is important, readers at the college level are more interested in seeing your thinking, so this part should be longer than your summary.

When I comment on your summary and analysis, I will be looking to see how well you have met the goals of the assignment. That is, I will be looking for how accurately and thoroughly you have summarized the articles and how well you have explained and provided support for your analysis. If you only provide summaries of the articles without analysis, your project will not be successful. Instead, your project should demonstrate your critical reading and thinking skills.

Your summary and analysis will also need to meet the standard expectations of good college-level academic writing, which we will be working on during the term. Your purpose and focus will need to be clear and well explained. You will need to provide your reader with sufficient detail in your summary and your response so that your explanations are clear and thorough. You will also need to provide structural cues that enable your reader to follow the logic of your thinking. And your prose will need to be well written both stylistically and grammatically.

Examining the Verbs in Key Sentences

When I read this assignment, I find three key sentences that tell us what we’re supposed to do in this assignment.

Before going on, try to find the key sentences in the Summary and Analysis assignment. Then, read on to see if you agree with my choices.

Let’s look at them.

First Sentence for Examination

To start, there is a sentence summarizing the assignment at the top. Sentences pulled out like this are often important:

Summarize the ideas of “segregated coexistence” and “living in community” from Mitchell’s essay and analyze how those ideas apply to the situation described in an additional article (see sources below).

The verbs here are pretty direct: summarize and analyze.

• What are you summarizing? Mitchell’s ideas
• What are you analyzing? How those ideas apply to the situation in the second article you have chosen

Second Sentence for Examination

There’s another key sentence at the beginning of the “Summaries” section:

Your summary will need to explain the key concepts in Mitchell’s article and to explain the main points in the article that you choose to work with.

The verbs here are less helpful, at least until we look at the words around them.

When someone tells you that you “will need” to do something, you know that they mean that you “must” do it. If we substitute “must” for “will need,” we get a bit more help:

Your summary must explain the key concepts in Mitchell’s article and must explain the main points in the article that you choose to work with.

“Choose” is not terribly important for our purposes because it’s just identifying the second source that we are working with. “Explain,” however, seems to be very important.

Here we get a focus for our summary work:

• Explain the key concepts in Mitchell’s article (which have been identified in the first sentence we analyzed)
• Explain the main points in the article we’ve chosen

In this sentence, we have more detail about what “summarizing” looks like for this assignment.

Third Sentence for Examination

To understand the “analyzing” part of the assignment, we have a couple of sentences at the beginning of the “Analysis” section. I’m including two sentences since the second sentence begins with “specifically,” which indicates that it’s providing more detail about the first:

In this part of your paper, you will make connections between Mitchell’s concepts and the specific situation described in the article you have chosen . Specifically, you must try to explain the situation in your article using the terms “segregated coexistence” and “living in community” as Mitchell explains them.

These verbs require a bit of adjustment before our task will be clear. “Will make” doesn’t tell us much without the following word “connections,” without which we don’t know what we are making. However, “will make connections” can also be understood as simply “connect.” Here’s the sentence with this adjustment (eliminating a few more words to make the sentence grammatically correct:

In this part of your paper, you will connect Mitchell’s concepts and the specific situation described in the article you have chosen . Specifically, you must try to explain the situation in your article using the terms “segregated coexistence” and “living in community” as Mitchell explains them.

Similarly, “must try” doesn’t help us until we look at the words that tell us what we are trying to do. In this case, “must try to explain” is the idea we need to focus on. “Must try” in this sentence is an indication that our professor wants us to make effort, but explaining is really the work here:

In this part of your paper, you will connect Mitchell’s concepts and the specific situation described in the article you have chosen . Specifically, you must explain the situation in your article using the terms “segregated coexistence” and “living in community” as Mitchell explains them.

As with the sentence earlier, “have chosen” just indicates our second article, which is why I skipped that one.

The last “explains” is worth looking at in a bit more detail. In this case, the verb is not about your doing the explaining, but rather the fact that Mitchell has done some. From this sentence, we know that we must use the two identified terms in the same way that Mitchell does.

So, in the analysis part of our paper, we need to do the following:

• Connect Mitchell’s concepts, which we summarized in the summary section of the paper, to the situation in our second article.
• To do this effectively, we need to use Mitchell’s terms.

Applying Bloom

Having done this analysis, we now have a better sense of the intellectual work of this assignment:

• Summary Part 1: Explain Mitchell’s key ideas
• Summary Part 2: Explain the main points in our second article
• Analysis: Use Mitchell’s ideas to explain the situation in our second article.

Before jumping into the next section, take what you know about the task in the sample assignment and see which types of knowledge and which cognitive processes you believe the assignment is looking for.

After you read the rest of this chapter, decide whether or not you agree with my analysis.

Kinds of Cognitive Processes

First, the verbs.

The summary section of the assignment focused on explaining the key ideas in both articles. It can be helpful to move “up” the pyramid or the side of the grid with the cognitive processes to help us figure this out.

We aren’t being asked to remember, since we can look up the information, but we are being asked to understand both Mitchell’s concepts and the main points from the second article. Notice that on the grid version, summarizing appears at the intersection of factual knowledge and the cognitive process of understanding.

When we look at connections, though, “understanding” doesn’t seem to be enough. Yes, we have to understand, but we’re trying to make those connections (remember the original wording?), and “understanding” seems to be more about making sense of ideas that others have already put together.

The next step is “ applying .” If we look only at the grid, applying doesn’t seem to work, but the pyramids explain this one a bit differently. If applying means to “use information in new situations” or “use information in a new (but similar) form,” the term seems to work, right? The assignment asks us to use Mitchell’s terms to explain the situation in the second article. That sounds like an application to me!

But what about “analysis” in the title of the assignment? Look at the explanation of analyzing on the grid: “Break material into constituent parts and determine how parts relate to one another and to an overall structure of purpose.” Similarly, the pyramids describe analyzing as making connections and exploring relationships.

We aren’t doing this kind of work if we look only at Mitchell’s article; there, we are simply explaining what Mitchell means (i.e., summarizing). But when we get to the second article, we have to do more than just apply Mitchell’s terms. We have to divide up the ideas in that article into ideas that are connected to “segregated coexistence” and ideas that are connected to “living in community.”

To do this successfully, we need to explain how these connections work. This means that it’s not enough to identify specific ideas as either one or the other. We also need to make those connections clear to our reader. Those explanations are kinds of analysis .

The verbs in the assignment do not ask us to make arguments or critique ideas, so Bloom’s “evaluate” doesn’t apply in this assignment. Similarly, we aren’t really “creating” something new, beyond the vague idea that what we write should be in our own words for the most part. These two cognitive processes don’t apply much, if at all, here.

To summarize, looking at the verbs and assignment, we seem to be working in the cognitive realms of understanding, applying, and analyzing.

Kinds of Knowledge

While the verbs tell us about the cognitive processes that we are being asked to use, the examination of those key sentences can also help us focus on the information that we will need to complete the task. While much of this was obvious as we explored the verbs, I’ll break it down a bit here to complete the example.

In this case, we will need to know/understand the following:

• Mitchell’s key terms (“segregated coexistence” and “living in community”)
• The main ideas in our second article
• The connections between Mitchell’s concepts and the ideas in our second article

The first two would be factual knowledge, according to Bloom’s Taxonomy. We should be able to go to the article and find those ideas. We aren’t developing those terms or ideas; we are simply recording them. To do that, we have to understand them, but that’s a cognitive process, and we’ll come back to that in a minute.

The connections, however, aren’t factual. Our chosen article doesn’t use Mitchell’s terms directly, so we have to create those connections ourselves. If you look at the descriptions, you’ll see that this type of knowledge is called “ conceptual ,” which specifically is about organizing factual knowledge.

I don’t see anything here that is asking us to work with procedural (how to) knowledge or metacognition (thinking about thinking), so we are just working with the first two types of information.

Putting It Together

In this assignment, we are being asked to use factual and conceptual knowledge to understand, apply, and analyze.

The assignment comes in two parts. The first part is focused on summarizing Mitchell’s two key concepts and the main points from the second article. This part, then, stays firmly in the factual realm. We’re not supposed to talk about our opinions of any of these ideas or start making connections between them in this section. If we fail to present the factual information (e.g., we are missing one summary or the other; or we misread the article so our summary isn’t accurate), we will not succeed at this part. Also, because this is the more basic part of the assignment (lower on the pyramids and grid), if we don’t do this part accurately, odds are good that our analysis part won’t be as successful as we would like.

The second part, what the assignment calls “analysis,” is really a combination of applying and analyzing. We have to understand the main points, too, but mostly, we would do that in the first part of the assignment. In the “analysis,” we need to explain how the ideas in the second article can be categorized using Mitchell’s terms. We’re applying Mitchell, but we also have to explain if our assignment is going to be successful.

At this point, I have beaten this assignment into submission, but I’m hoping you can see the value in taking an assignment apart like this.

Reading and Writing Successfully in College: A Guide for Students Copyright © 2023 by Patricia Lynne is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License , except where otherwise noted.

Share This Book

• school Campus Bookshelves
• menu_book Bookshelves
• perm_media Learning Objects
• login Login
• how_to_reg Request Instructor Account
• hub Instructor Commons

Margin Size

• Download Page (PDF)
• Download Full Book (PDF)
• Periodic Table
• Physics Constants
• Scientific Calculator
• Reference & Cite
• Tools expand_more
• Readability

selected template will load here

This action is not available.

6.7: Sample Writing Assignments

• Last updated
• Save as PDF
• Page ID 250458

\( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

\( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)

\( \newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\)

( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\)

\( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)

\( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\)

\( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)

\( \newcommand{\Span}{\mathrm{span}}\)

\( \newcommand{\id}{\mathrm{id}}\)

\( \newcommand{\kernel}{\mathrm{null}\,}\)

\( \newcommand{\range}{\mathrm{range}\,}\)

\( \newcommand{\RealPart}{\mathrm{Re}}\)

\( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)

\( \newcommand{\Argument}{\mathrm{Arg}}\)

\( \newcommand{\norm}[1]{\| #1 \|}\)

\( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\AA}{\unicode[.8,0]{x212B}}\)

\( \newcommand{\vectorA}[1]{\vec{#1}}      % arrow\)

\( \newcommand{\vectorAt}[1]{\vec{\text{#1}}}      % arrow\)

\( \newcommand{\vectorB}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

\( \newcommand{\vectorC}[1]{\textbf{#1}} \)

\( \newcommand{\vectorD}[1]{\overrightarrow{#1}} \)

\( \newcommand{\vectorDt}[1]{\overrightarrow{\text{#1}}} \)

\( \newcommand{\vectE}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash{\mathbf {#1}}}} \)

Rhetorical Analysis

Assignment borrowed from: https://canvas.santarosa.edu/courses/15110/pages/rhetorical-analysis-essay-prompt

Write a 4-page rhetorical analysis (analysis of the argument) of the assigned text. You will need to complete two different tasks: (1) summarize the text’s argument and (2) explain how the text’s argument is put together.

In the summary section, you will need to first introduce the text you will be analyzing. Then you will summarize what the text argues, noting the central claims and key evidence.

The analysis section of the paper should take up the majority of the 4 pages. Here you are trying to analyze and explain how the argument was put together (which rhetorical strategies it uses). How are those strategies meant to impact the reader? In other words, how do the strategies attempt to influence the reader’s thoughts and feelings? How do the strategies relate to and support the overall argument?

You will need a thesis that identifies the argumentative strategies you will discuss. Here is a sample thesis: “Author X’s argument is mainly dependent on emotional appeals, and he uses detailed description and narration to support those emotional appeals.” For this thesis, you would then need to go on and explain and give examples of different emotional appeals that use description and narration from the text.

You need to decide which aspects of the argumentative strategy you want to focus on. It would be impossible for you to explain all of the argumentative features of a text in 2-3 pages, so focus on the strategies that are most interesting or obvious to you, or that you think are most important to the success of the argument. You could explain the author’s use of any one of the following rhetorical strategies and concepts we’ve discussed so far in class:

• The types of argumentative modes being used: description, narrative, comparison and contrast, definition, evaluation, and so on
• The author’s use of emotional appeals (pathos)
• How the author establishes his or her credibility (ethos)
• The how the text’s logic (logos) works (is the logic dependent upon a definition or fact? is it dependent on a cause/effect relationship? a comparison and contrast? how does the logical reasoning work?)
• How the author uses kairos

Again, rather than trying to address everything on the list above, which would be impossible, discuss what you think the text’s most important or notable rhetorical features are.

Textual Analysis

Assignment borrowed from: https://gcccd.instructure.com/course...read-carefully

Introduction

We began our journey with “language” this semester with a couple short articles about Growth Mindset and a writing assignment targeting core academic literacy skills. College-level reading and writing can be intimidating for students because it is seen as difficult, an exclusive club to which not many people are invited. However, I would argue that once students understand the “moves,” or common practices, in academic writing, they can be successful scholars.

With this assignment, we introduce the foundational idea that academic writing is a “conversation” between scholars. In other words, intellectual writing is almost always produced in response to other texts, and does not exist as personal responses to random topics. Writing is a social, ongoing, and conversational act.

The purpose of this assignment is to:

• Read and respond to a college-level text.
• Compose college-level writing.
• Produce an academic summary of an article.
• Respond to a topic with an original argument.

1. Use active/critical reading strategies to produce accurate, concise summaries of college level/academic texts.

2. Synthesize researched material from multiple texts to create and support an argument in response to a prompt. Draw direct evidence from texts in support of claims and analyze how that evidence supports the claim.

3. Utilize the various phases in the writing process—prewriting, writing revision, and proofreading—to produce clear, articulate, well-supported, well-organized essays.

4. Avoid plagiarism by properly citing quoted, summarized, and paraphrased material using MLA format.

• Dweck, Carol. “Brainology.” National Association of Independent Schools.
• Hilton, Adriel. “Scholar Calls Growth Mindset a ‘Cancerous’ Idea, In Isolation.” Nov 16, 2017.
• Kohn, Alfie. “The Perils of ‘Growth Mindset’ Education: Why we’re trying to fix our kids when we should be fixing the system.” 16 August 2015.

Compose an essay, between 900-1200 words in length (about 4 pages NOT counting the Works Cited page), which answers the following question:

Is the idea of growth mindset the most effective/important way to improve our education system and student success?

More Specifically:

• “The idea of growth mindset is the most important aspect of improving our education system because….(3 reasons you think so). OR
• “The idea of growth mindset is not the most important aspect of improving our education system because we need to consider….. (think of what you find more important, probably from the Hilton and Kohn articles).
• You are required to cite both personal experience and the texts we discussed. When citing the texts, make sure to follow the Incorporating Quotes in Research handout.
• Your body paragraphs should be formatted as PIEIE paragraphs. Your P should be a topic sentence (reason) in your own words, your I should be personal examples or quotes from the articles and your E should be explanations/analysis that connect back to the thesis.
• NOTE: Since you are citing the article, and possibly your own sources, don’t forget your Works Cited page.

Literary Analysis

Assignments borrowed from: https://www.voorhees.k12.nj.us/cms/lib/NJ01000237/Centricity/Domain/2766/WW-V—Novel-Packet.pdf and Copyrighted by Holt, Rinehart, and Winston

Choose your own issue for your literary analysis of a novel, or use one of the following prompts:

Think of a novel in which the main character’s profession is integral to the story. What is the author trying to tell you about the character through the character’s profession? How would the story change if you put the character in another, very different profession? Write a literary analysis explaining what the character’s work says about him or her. Present your analysis to a group of career-minded students.

Select a novel that centers around events at a school. Write a literary analysis explaining how the setting affects the tone and the point of view of the story. Share your analysis with fellow students.

Select a character such as Huck Finn, Reverend Dimmesdale from The Scarlet Letter , or another character from a novel you know. List in chronological order the actions of the character. What do the actions reveal about the character? Do the character’s actions fit together, or do they contradict each other? Write an analysis of the character; be sure to include paraphrases or quotations from the text to support your analysis. Present your findings to a group of students interested in psychology.

Physicists think of time as a fourth dimension, coloring how we perceive the world around us. Similarly, the way time is manipulated in novels affects our perceptions of the present moment of the story. Think of a novel in which time is manipulated: Scenes may be rushed or elongated (for example, an entire novel that takes place over the course of a few hours or a battle scene that seems to flash by in mere moments), or the writer may use flashbacks to take us back in time. Write a literary analysis about how time is manipulated in a novel. Present your findings to a group of students interested in science.

Most novels are set in specific places and historical periods that are central to the theme of the novel—for example, The Red Badge of Courage , The Grapes of Wrath , and countless others. Select a novel that is set in a historical period familiar to you. Identify the important historical details that the writer includes to bring the novel to life, and write a literary analysis explaining how those details relate to the theme. Present your analysis to group of students interested in history.

Image/Visual Analysis

Assignment borrowed from: https://phpmysql.howardcc.edu/Instructors/ENGL121/2017/08/visual-analysis-assignment-idea-jeff-moore/

In this essay, you will choose a movie poster to analyze rhetorically, arguing for at least two of the rhetorical strategies outlined in the rhetorical triangle (ethos, logos, and pathos) used in the poster, and at least two additional visual rhetorical strategies. Put another way, you will be using two of the rhetorical strategies to discuss at least three visual elements from the poster of your choice. While you are free to choose a movie poster you feel would be interesting to discuss, you’ll also want to be certain that there is enough content to write about, and that you can identify at least two rhetorical features within it. For example, the movie poster from Titanic , seen below, can be said to rely heavily on pathos, but there are other rhetorical strategies at play (this is followed by an example of how to cite a movie poster on your Works Cited page):

Keeping the Titanic poster in mind, think about what this assignment is asking you to do. In addition to describing the rhetorical forces at play in your poster, you will have to choose at least two other specific criteria you believe contribute and connect to the specific rhetorical strategies. For example, in the movie poster for Titanic, you can talk about the use of color and how it demonstrates the pathos in the image, or how the lettering in the word Titanic resembles steel, and what this says about ethos. In creating this essay, you will want to make sure to:

• Describe in detail the way your image uses at least three visual elements (fonts, colors, framing, etc. – we will be discussing these in more detail in class, so don’t worry if these are unfamiliar concepts to you right now).
• Choose at least two of the three rhetorical strategies (ethos, logos, pathos) you believe are vital to your interpretation of the image: What does the image mean to you? What visual elements back up this claim? How information is this image trying to communicate to you?
• Support your argument with concrete details from the image, explaining them to specifically point out features of the image that are vital to your interpretation.
• Properly cite your image, and include it in your document (you can either copy the image at the end of your Works Cited page, or provide a link to the image).

What do you mean by “Visual Elements”?

A visual element is any way the movie poster engages with you in a way that you can see. Look at your image more than once. Notice what catches your eye both immediately and after some time spent gazing. What stands out to you, and why? Here are some examples:

• Camera Angle

When writing your essay, it may help to think of yourself as being in my shoes. Imagine you are trying to explain this image to a room full of people. How would you get them to see the image the same way you do? Your essay should make the point that, without analyzing these details, readers won’t know exactly what choices were made to make the image “work” rhetorically. You will be pointing out the connection between rhetorical elements and visual elements.

Questions to help you plan/think about your draft:

• Who is the intended audience for the image?
• What does the image mean to me personally?
• What other interpretations of the image could arise?
• What does my audience know about the context of the image, or other images it refers to or relies on?
• What are some visual elements used in it?

Organization:

Intro : Situate your reader to movie poster analysis; introduce the chosen movie and accompanying poster. Briefly describe what the poster looks like and its visual/rhetorical appeal. (Please note: I DO NOT WANT A PLOT SUMMARY! In theory, your audience – and you, for that matter – does not need to see the movie in order to understand how the movie poster functions as a rhetorical text, so the details of the movie are not needed here).

Thesis : Including at least two rhetorical elements and three visual elements. Here is an example of what an effective thesis statement for this kind of essay looks like:

“The Titanic movie poster from 1997 uses pathos and logos through the use of color, facial expressions/body language, and lettering made to resemble riveted steel to make a statement about elicit love among social classes in the early 1900s.”

3-4 Body Paragraphs: Each of these paragraphs should contain at least one visual criteria connected to at least one rhetorical criteria to help present your own analysis of the movie poster. If I’m talking about the use of pathos and facial expression/body language, I might talk about how the placement of the actors’ faces contributes to a sense of both longing and separation. Maybe I will talk about the strength of love, symbolized by the riveted steel lettering in Titanic, or that the actual ship is used to provide a sense of authenticity. These are the kinds of issues you can explore in your body paragraphs.

Conclusion – Reinforce your “reading” of the image –How do specific visual elements connect with specific rhetorical elements to communicate with the target audience? How is the historical context represented through the poster and what does that mean for your analysis? Are the visual/rhetorical appeals effective for the target audience?

Film Analysis

Assignment borrowed from: http://earl-brooks.com/assignment-1-rhetorical-analysis-of-a-filmdocumentary

Purpose: A rhetorical analysis examines and explains how an author attempts to influence an audience. That is, rhetorical analyses use specific evidence from the text to establish a generalization (thesis) about the text’s rhetoric (in short, how it persuades its audience by employing the rhetorical appeals , using good reasons , constituting a fitting response , and using the available means to reach an audience). As you plan and draft your analysis, think of a specific publication that your analysis could be featured in—but in any event, have in mind a particular way of reaching your audience as you write.

Directions : Find a documentary/film that you deem to be interesting and that features issues related to the economy, poverty, gender and income distribution, class, or any other issue that you believe relates to American or global economic issues and policies in an important way. By “interesting,” I mean that the film in question should have some sophistication about it: it should be tantalizing and potentially effective at reaching its audience. (There is no point in analyzing the obvious; pick something that makes an interesting argument that viewers might be resistant to.) No two students can choose the same film. Your analysis should not simply paraphrase or summarize the film. Assume you are writing for an audience that has already seen the film. Your purpose is to provide a way of understanding how the film persuades its audience. There are a number of ways to approach writing this essay, however I recommend that you watch the whole film and then choose a scene (or a few) that you feel captures the most important aspects of the film. Remember, due to the length restrictions of the paper, you don’t have time to discuss everything so must be strategically selective about which parts you choose to write about. No matter what you choose, you will have to have your choice approved along with your proposal for this essay. So….

Step 1. Choose a film. You will submit your top four choices (ranked) in a proposal where you will briefly describe your working thesis and how you might approach analyzing the film. I will then either approve your proposal or provide you with recommendations to improve it.

Step 2. Introduce the film and identify its basic claim/thesis.

Step 3. Then write an analysis that will help your readers understand how the film works to persuade its audience. Consider what type of argument it presents and how it goes about creating that argument (Rhetorical theory!!) How does the film utilize music, set design, camera angles, etc. as tools to further develop a claim/thesis.

Step 4. Arrange the body of your paper so that the readers move through it in an orderly way.

Step 5. Throughout the body of your paper, use specific examples from your chosen film to support your claims.

Step 6. Conclude by making a judgment about the film’s rhetorical effectiveness. Invention : These questions may help you as you plan and draft your analysis: 1. Describe the circumstance – the historical situation, the issues at stake, the purpose of the argument – that make this memorable. 2. Who is the target/intended audience? 3. Pathos: What emotion does this argument generate? How does that emotion work to persuade you? 4. Ethos: Does the writer have the authority to write on the subject? Are all claims qualified reasonably? Is evidence presented in full, not tailored to his/her own agenda? Are objections acknowledged? Are sources documented? 5. Logos: What credible evidence is used to support this argument?

These questions are not meant to provide an outline for the paper; rather, they simply help you to think about the rhetorical aspects of the film.

Length: A well-developed rhetorical analysis will be between five and six, doubled-spaced pages.

Cause and Effect

Assignment borrowed from: https://courses.lumenlearning.com/suny-fmcc-englishcomp-1/chapter/cause-and-effect-essay-writing-prompt/

Choose one of the following questions, and answer it in an essay developed by analyzing causes or effects. The question you decide on should concern a topic you care about so that the examples are a means of communicating an idea; not an end in themselves.

PEOPLE AND THEIR BEHAVIOR

• Why do people root for the underdog?
• How does a person’s alcohol or drug dependency affect others in his or her family?

ART AND ENTERTAINMENT

• Why do teenagers like rock music?
• Why is a particular television show so popular?

CONTEMPORARY ISSUES

• Why is a college education important?
• Why do marriages between teenagers fail more often than marriages between people in other age groups?
• The best courses are the difficult ones.
• Students at schools with enforced dress codes behave better than students at schools without such codes.

POLITICS AND SOCIAL ISSUES

• Drug and alcohol addiction does not happen just to “bad” people.

MEDIA AND CULTURE

• The Internet divides people instead of connecting them.
• Good art can be ugly.
• A craze or fad reveals something about the culture it arises in.
• The best rock musicians treat social and political issues in their songs.

RULES FOR LIVING

• Lying may be justified by the circumstances.
• Friends are people you can’t always trust.

Writing Your Cause and Effect Essay

Remember that “story starters” are everywhere. Think about it—status updates on social media websites can be a good place to start. You may have already started a “note”on Facebook, and now is your chance to develop that idea into a full narrative. If you keep a journal or diary, a simple event may unfold into a narrative. Simply said, your stories may be closer than you think!

When drafting your essay:

• Develop an enticing title.
• Use the introduction to pull the reader into your thesis with a singular experience.
• Develop an essay developed by analyzing causes or effects or the prompt
• Decide on something you care about so that the narration is a means of communicating an idea
• Avoid addressing the assignment directly. (Don’t write “I am going to write about the causes and effects of ____…” – this takes the fun out of reading the work!)
• Think of things said at the moment your perspective on the topic became clear. Perhaps use a quote, or an interesting part of the experience that will grab the reader.
• Let the story reflect your own voice. Is your voice serious? Humorous? Matter-of-fact?
• Organize the essay in a way that may capture the reader, but don’t string the reader along too much with “next, next, next.”
• To avoid just telling what happens, make sure you take time to show significant details and reflect on why topic – and your experience with it – is significant.

Develop a draft of 4 typed, double-spaced pages, using MLA formatting

Media Analysis

By Abby Wolford, licensed CC BY NC 4.0

Due Dates: (include your own)

Length: 5-7 pages, plus an MLA Works Cited page

Assignment:

Write an analysis of the evolution and presentation of a news story over time and around the globe. You may either track one story as it was reported around the globe within the same 24-hour period, or you may track the way a story evolved over the course of approximately a week. Use online news resources to track and evaluate how a fairly current story has been reported by five different media outlets, at least one of which is from outside the United States. Your thesis should assert a claim about the quality and consistency or inconsistency of the coverage.

Source Requirement:

• You must use at least five articles/stories covering the same story as it evolves over a week or as it is presented within the first 24 hours of the event’s occurrence. All of the articles must have been published in the last 12 months.
• At least one of your articles must be from a source outside the U.S., written in English. (To find English language newspapers from around the globe, go to Arts and Letters Daily ( www.aldaily.com ) and click on Newspapers on the upper lefthand column.
• One of the five texts you evaluate may be a television news broadcast or a radio news broadcast.
• One of the five texts you evaluate may be an opinion piece/commentary. Focus your analysis for this type of article primarily on how the opinion piece presents facts within the context of expressing an opinion or making an argument.
• The articles must be written in English and readily accessible via either the Internet or a library database.

Media Analysis Evaluation Sheet

90-100 (A):

• author’s discussion is sophisticated, carefully detailed, and well organized
• thorough thesis carefully reflects the assignment
• inclusive topic sentences and cohesive body paragraphs
• minimal sentence, grammatical, or syntax errors
• sources are incorporated in a sophisticated way to strengthen the author’s argument
• sources are cited correctly within the paper
• Works Cited page is done correctly
• author’s discussion is clear and detailed
• adequate thesis reflects the assignment
• generally sound body paragraphs and focused topic sentences
• some sentence, grammatical, or syntax errors
• sources are incorporated correctly for the most part and are used to strengthen the author’s argument
• sources are cited with a few errors
• Works Cited page has a few errors but is overall in the correct format
• author’s discussion is sometimes unclear
• thesis is misplaced or only minimally reflects the assignment
• topic sentences are too general and support is sometimes nearly off topic
• sources are not incorporated in a way that strengthens the author’s argument
• repetitive sentence, grammatical, or syntax errors
• sources are cited in the paper but incorrectly
• Works Cited page has many errors and the writer needs to spend some time with MLA

69 or below (F):

• essay is not the minimum page length
• author’s discussion is unclear or there is not a discussion
• thesis is not evident or does not reflect the assignment
• topic sentences are too general and support is often off topic
• sources are not used at all
• the sources are not cited at all or are cited with so many errors that it is hard to figure out where the information came from
• no Works Cited page or the writer has made minimal effort in doing a Works Cited page to go along with the essay
• extensive problems with basic writing conventions

“Media Analysis” by Abby Wolford, College of Western Idaho, is licensed CC 4.0 BY NC SA.

The High Price of Multitasking: Understanding the Dangers

Mobile Menu Overlay

The White House 1600 Pennsylvania Ave NW Washington, DC 20500

FACT SHEET: President   Biden Announces New Actions to Keep Families   Together

Since his first day in office, President Biden has called on Congress to secure our border and address our broken immigration system. As Congressional Republicans have continued to put partisan politics ahead of national security – twice voting against the toughest and fairest set of reforms in decades – the President and his Administration have taken actions to secure the border, including:

• Implementing executive actions to bar migrants who cross our Southern border unlawfully from receiving asylum when encounters are high;
• Deploying record numbers of law enforcement personnel, infrastructure, and technology to the Southern border;
• Seizing record amounts of fentanyl at our ports of entry;
• Revoking the visas of CEOs and government officials outside the U.S. who profit from migrants coming to the U.S. unlawfully; and
• Expanding efforts to dismantle human smuggling networks and prosecuting individuals who violate immigration laws.

President Biden believes that securing the border is essential. He also believes in expanding lawful pathways and keeping families together, and that immigrants who have been in the United States for decades, paying taxes and contributing to their communities, are part of the social fabric of our country. The Day One immigration reform plan that the President sent to Congress reflects both the need for a secure border and protections for the long-term undocumented. While Congress has failed to act on these reforms, the Biden-Harris Administration has worked to strengthen our lawful immigration system. In addition to vigorously defending the DACA (Deferred Action for Childhood arrivals) policy, the Administration has extended Affordable Care Act coverage to DACA recipients and streamlined, expanded, and instituted new reunification programs so that families can stay together while they complete the immigration process.  Still, there is more that we can do to bring peace of mind and stability to Americans living in mixed-status families as well as young people educated in this country, including Dreamers. That is why today, President Biden announced new actions for people who have been here many years to keep American families together and allow more young people to contribute to our economy.   Keeping American Families Together

• Today, President Biden is announcing that the Department of Homeland Security will take action to ensure that U.S. citizens with noncitizen spouses and children can keep their families together.
• This new process will help certain noncitizen spouses and children apply for lawful permanent residence – status that they are already eligible for – without leaving the country.
• These actions will promote family unity and strengthen our economy, providing a significant benefit to the country and helping U.S. citizens and their noncitizen family members stay together.
• In order to be eligible, noncitizens must – as of June 17, 2024 – have resided in the United States for 10 or more years and be legally married to a U.S. citizen, while satisfying all applicable legal requirements. On average, those who are eligible for this process have resided in the U.S. for 23 years.
• Those who are approved after DHS’s case-by-case assessment of their application will be afforded a three-year period to apply for permanent residency. They will be allowed to remain with their families in the United States and be eligible for work authorization for up to three years. This will apply to all married couples who are eligible.  
• This action will protect approximately half a million spouses of U.S. citizens, and approximately 50,000 noncitizen children under the age of 21 whose parent is married to a U.S. citizen.

Easing the Visa Process for U.S. College Graduates, Including Dreamers

• President Obama and then-Vice President Biden established the DACA policy to allow young people who were brought here as children to come out of the shadows and contribute to our country in significant ways. Twelve years later, DACA recipients who started as high school and college students are now building successful careers and establishing families of their own.
• Today’s announcement will allow individuals, including DACA recipients and other Dreamers, who have earned a degree at an accredited U.S. institution of higher education in the United States, and who have received an offer of employment from a U.S. employer in a field related to their degree, to more quickly receive work visas.
• Recognizing that it is in our national interest to ensure that individuals who are educated in the U.S. are able to use their skills and education to benefit our country, the Administration is taking action to facilitate the employment visa process for those who have graduated from college and have a high-skilled job offer, including DACA recipients and other Dreamers. 

Stay Connected

We'll be in touch with the latest information on how President Biden and his administration are working for the American people, as well as ways you can get involved and help our country build back better.

Opt in to send and receive text messages from President Biden.

English 11, CVOLC, Online, 21-22

Assignment 1.6: Write it Up

1. learning targets.

iOS 18 makes iPhone more personal, capable, and intelligent than ever

New Levels of Customization and Capability

Photos Gets a Unified View, New Collections, and Customization

Powerful Ways to Stay Connected in Messages

Enhancements to Mail

Big Updates to Safari

Introducing the Passwords App

New Privacy Features Designed to Empower Users

Apple Intelligence Transforms the iPhone Experience

• In Apple Maps , users can browse thousands of hikes across national parks in the United States and easily create their own custom walking routes, which they can access offline. Maps users can also save their favorite national park hikes, custom walking routes, and locations to an all-new Places Library and add personal notes about each spot.
• Game Mode enhances the gaming experience with more consistent frame rates, especially during long play sessions, and makes wireless accessories like AirPods and game controllers incredibly responsive.
• Users get new ways to pay with Apple Pay , including the ability to redeem rewards and access installments from their eligible credit or debit cards. 5 With Tap to Cash, users can send and receive Apple Cash by simply holding two iPhone devices together. 6 Tickets in Apple Wallet bring a richer experience for fans, putting key event information like stadium details, recommended Apple Music playlists, and more at their fingertips. 7
• SharePlay with Apple Music allows even more users to share control of music playing from HomePod, Apple TV, or any Bluetooth-enabled speaker, making listening together more fun and engaging.
• The AirPods experience gets even more personal, private, and convenient with Siri Interactions, allowing AirPods Pro (2nd generation) users to simply nod their head yes or gently shake their head no to respond to Siri announcements. For even clearer call quality, Voice Isolation comes to AirPods Pro, ensuring the caller’s voice is heard in loud or windy environments. AirPods updates also provide the best wireless audio latency Apple has ever delivered for mobile gaming, and add Personalized Spatial Audio for even more immersive gameplay.
• In the Notes app , formulas and equations entered while typing are solved instantly with Math Notes. New collapsible sections and highlighting make it easier to emphasize what’s important.
• In Journal , an all-new insights view helps users keep track of their journaling goals, and the ability to search and sort entries makes it easy to enjoy past memories. Time spent journaling can be saved as mindful minutes in the Health app, and users can log their state of mind right in Journal. A Journal widget is now available for users to quickly start an entry from the Home Screen or Lock Screen, audio recordings are automatically transcribed, and users can export and print journal entries.
• Calendar becomes even more helpful by showing both events and tasks from Reminders . Users can create, edit, and complete reminders right from Calendar, and the updated month view provides an overview of events and tasks at a glance.
• In the Health app , Medical ID has been redesigned to make it even easier for first responders to find the most important information in an emergency. The Health app can help users better understand their data during pregnancy by making adjustments and recommendations to reflect changes in their physical and mental health.
• Emergency SOS Live Video allows users to share context through streaming video and recorded media. In the middle of an emergency call, participating emergency dispatchers can send a request for a user to share live video or media from the user’s camera roll over a secure connection, making it easier and faster to get help.
• The Home app introduces guest access, providing users with easy ways to grant guests control of select smart home accessories, set schedules for when guests can access the home, and more. For an effortless home entry experience, hands-free unlock with home keys leverages Ultra Wideband technology to allow users to instantly open supported entry locks as soon as they are six feet away from their door. With convenient updates to the Energy category, the Home app makes it easier for eligible users to access, understand, and make more informed decisions about their home electricity use.
• Accessibility updates include Eye Tracking, a built-in option for navigating iPhone with just eyes; Music Haptics, a new way for users who are deaf or hard of hearing to experience music using the Taptic Engine in iPhone; and Vocal Shortcuts that enable users to perform tasks by making a custom sound.

Text of this article

June 10, 2024

PRESS RELEASE

The release introduces all-new customization options, the biggest-ever redesign of Photos, powerful updates for staying connected, and Apple Intelligence, the personal intelligence system

CUPERTINO, CALIFORNIA  Apple today previewed iOS 18 , a major release that features more customization options, the biggest redesign ever of the Photos app, new ways for users to manage their inbox in Mail, Messages over satellite, and so much more. Users will be able to arrange apps and widgets in any open space on the Home Screen, customize the buttons at the bottom of the Lock Screen, and quickly access more controls in Control Center. Photo libraries are automatically organized in a new single view in Photos, and helpful new collections keep favorites easily accessible. Mail simplifies the inbox by sorting email into categories using on-device intelligence, and all-new text effects come to iMessage. Powered by the same groundbreaking technology as existing iPhone satellite capabilities, users can now communicate over satellite in the Messages app when a cellular or Wi-Fi connection isn’t available. 1

iOS 18 also introduces Apple Intelligence , the personal intelligence system for iPhone, iPad, and Mac that combines the power of generative models with personal context to deliver intelligence that’s incredibly useful and relevant. 2 Built with privacy from the ground up, Apple Intelligence is deeply integrated into iOS 18, iPadOS 18, and macOS Sequoia. It harnesses the power of Apple silicon to understand and create language and images, take action across apps, and draw from personal context, to simplify and accelerate everyday tasks.

“We are thrilled to introduce iOS 18. It is a huge release with incredible features, including new levels of customization and capability, a redesigned Photos app, and powerful ways to stay connected with Messages. There are so many benefits for everyone,” said Craig Federighi, Apple’s senior vice president of Software Engineering. “This release also marks the beginning of a tremendously exciting new era of personal intelligence with Apple Intelligence delivering intuitive, powerful, and instantly useful experiences that will transform the iPhone experience, all with privacy at the core. We can’t wait for users to experience it.”

iPhone users have new ways to customize the Home Screen, Lock Screen, and Control Center. Users can now arrange apps and widgets in any open space on the Home Screen, including placing them right above the dock for easy access or perfectly framing a wallpaper. App icons and widgets can take on a new look with a dark or tinted effect, and users can make them appear larger to create the experience that is perfect for them.

Control Center has been redesigned to provide easier access to many of the things users do every day, and it gets new levels of customization and flexibility. The redesign delivers quick access to new groups of a user’s most-utilized controls, such as media playback, Home controls, and connectivity, as well as the ability to easily swipe between each. Users can now add controls from supported third-party apps into Control Center to quickly unlock a vehicle or jump right into capturing content for social media — all from one place. The new controls gallery displays the full set of available options, and users can customize how the controls are laid out, including adjusting them to the ideal size and creating entirely new groups.

For the first time, users can now switch the controls at the bottom of the Lock Screen, including choosing from options available in the controls gallery or removing them entirely. With the Action button available on iPhone 15 Pro and iPhone 15 Pro Max, users can quickly invoke controls available in the gallery.

Photos receives its biggest-ever redesign to help users easily find and relive special moments. A simplified, single view displays a familiar grid, and new collections help users browse by themes without having to organize content into albums. Plus, collections can be pinned to keep favorites easily accessible. A new carousel view presents highlights that update each day and feature favorite people, pets, places, and more. Autoplaying content throughout the app brings libraries to life, so past moments can be enjoyed while browsing. Because each user’s photo library is unique, the app is customizable, so users can organize collections, pin collections to access frequently, and include what’s most important to them in the carousel view.

iMessage receives all-new text effects that bring conversations to life by amplifying any letter, word, phrase, or emoji with dynamic, animated appearances. Users can better express tone by adding formatting like bold, underline, italics, and strikethrough. Tapbacks expand to include any emoji or sticker, and now users can compose a message and schedule to send it at a later time.

When messaging contacts who do not have an Apple device, the Messages app now supports RCS for richer media and more reliable group messaging compared to SMS and MMS.

iOS 18 introduces Messages via satellite for the times when cellular and Wi-Fi connections aren’t available. Powered by the same groundbreaking technology as existing iPhone satellite capabilities, Messages via satellite automatically prompts users to connect to their nearest satellite right from the Messages app to send and receive texts, emoji, and Tapbacks over iMessage and SMS. 3 With Dynamic Island, users always know when they are connected to a satellite. Because iMessage was built to protect user privacy, iMessages sent via satellite are end-to-end encrypted.

Later this year, Mail will introduce new ways for users to manage their inbox and stay up to date. On-device categorization organizes and sorts incoming email into Primary for personal and time-sensitive emails, Transactions for confirmations and receipts, Updates for news and social notifications, and Promotions for marketing emails and coupons. Mail also features a new digest view that pulls together all of the relevant emails from a business, allowing users to quickly scan for what’s important in the moment.

Safari, the world’s fastest browser, 4 now offers an even easier way to discover information on the web with Highlights and a redesigned Reader experience. Using machine learning, Safari can surface key information about a webpage. For example, users can review a summary to get the gist of an article; quickly see the location of a restaurant, hotel, or landmark; or listen to an artist’s track right from an article about the song or album. Reader has been redesigned to offer even more ways to enjoy articles without distraction, with a summary and table of contents included for longer articles.

Building on the foundation of Keychain, which was first introduced more than 25 years ago, the new Passwords app makes it easy for users to access their passwords, passkeys, Wi-Fi passwords, and verification codes. The app also includes alerts for users regarding common weaknesses, such as passwords that are easily guessed or used multiple times and those that appear in known data leaks.

iOS 18 gives users even more control with tools to manage who can see their apps, how contacts are shared, and how their iPhone connects to accessories.

Locked and hidden apps offer users peace of mind that information they want to keep private, such as app notifications and content, will not inadvertently be seen by others. Users can now lock an app; and for additional privacy, they can hide an app, moving it to a locked, hidden apps folder. When an app is locked or hidden, content like messages or emails inside the app are hidden from search, notifications, and other places across the system.

iOS 18 puts users in control by letting them choose to share only specific contacts with an app. In addition, developers now have a way to seamlessly connect third-party accessories with iPhone without letting an app see all the other devices on a user’s network, keeping a user’s devices private and making pairing seamless.

Deeply integrated into iOS 18 and built with privacy from the ground up, Apple Intelligence unlocks new ways for users to enhance their writing and communicate more effectively. With brand-new systemwide Writing Tools built into iOS 18, users can rewrite, proofread, and summarize text nearly everywhere they write, including Mail, Notes, Pages, and third-party apps.

New image capabilities make communication and self-expression even more fun. With Image Playground, users can create playful images in seconds, choosing from three styles: Animation, Illustration, or Sketch. Image Playground is easy to use, built right into apps like Messages, and also available in a dedicated app.

Memories in Photos lets users create the stories they want to see just by typing a description. Apple Intelligence will pick out the best photos and videos based on the description, craft a storyline with chapters based on themes identified from the photos, and arrange them into a movie with its own narrative arc. In addition, a new Clean Up tool can identify and remove distracting objects in the background of a photo — without accidentally altering the subject.

With the power of Apple Intelligence, Siri takes a major step forward, becoming even more natural, contextually relevant, and personal. Users can type to Siri, and switch between text and voice to communicate with Siri in whatever way feels right for the moment.

With Private Cloud Compute, Apple sets a new standard for privacy in AI, with the ability to flex and scale computational capacity between on-device processing, and larger, server-based models that run on dedicated Apple silicon servers. When requests are routed to Private Cloud Compute, data is not stored or made accessible to Apple and is only used to fulfill the user’s requests, and independent experts can verify this privacy.

Additionally, access to ChatGPT is integrated into Siri and systemwide Writing Tools across Apple’s platforms, allowing users to access its expertise — as well as its image- and document-understanding capabilities — without needing to jump between tools.

Additional features in iOS 18 include: 

Availability

The developer beta of iOS 18 is available through the Apple Developer Program at developer.apple.com starting today, and a public beta will be available through the Apple Beta Software Program next month at beta.apple.com . iOS 18 will be available this fall as a free software update for iPhone Xs and later. Apple Intelligence will be available in beta on iPhone 15 Pro, iPhone 15 Pro Max, and iPad and Mac with M1 and later, with Siri and device language set to U.S. English, as part of iOS 18, iPadOS 18, and macOS Sequoia this fall. For more information, visit apple.com/ios/ios-18-preview and apple.com/apple-intelligence . Features are subject to change. Some features are not available in all regions, all languages, or on all devices. For more information about availability, visit apple.com .

• Messages via satellite will be available in iOS 18 along with Apple’s existing satellite features in the U.S. on iPhone 14 and later.
• Users with an eligible iPhone, iPad, or Mac, and Siri and device language set to English (U.S.) can sign up this fall to access the Apple Intelligence beta.
• SMS availability will depend on carrier. Carrier fees may apply. Users should check with their carrier for details.
• Testing was conducted by Apple in May 2023. See apple.com/safari  for more information.
• The new Apple Pay features are available on cards from participating banks and card providers in certain markets. Subject to eligibility and approval.
• Apple Cash services are provided by Green Dot Bank, Member FDIC, and only available in the U.S. on eligible devices. Learn more about the terms and conditions . To send and receive money with an Apple Cash account, users must be 18 and a U.S. resident, or if under 18, part of an Apple Cash Family account. Tap to Cash transaction limits are subject to change, including lowering limits, at any time during the developer or public betas without notice.
• Ticket enhancements in Apple Wallet are available for events from participating ticket issuers.

Press Contacts

Nadine Haija

[email protected]

Tania Olkhovaya

[email protected]

Apple Media Helpline

[email protected]

Images in this article

European Championship

Advertisement

How England were frustrated by Denmark in 1-1 Euro 2024 draw

The Briefing: Kane scores but struggles, England drop deep, Hjulmand’s wonder goal

It was a familiar story for Gareth Southgate’s England in their second game at Euro 2024, as they took the lead against Denmark before dropping deep and allowing their opponents back into the game.

The result means England are top of Group C going into the final round of matches, when they Slovenia. Denmark are second with two points, and play Serbia.

Our own Jack Pitt-Brooke , Mark Carey , Dan Sheldon and James McNicholas analyse the key talking points from Frankfurt.

England 1 Denmark 1: Kane scores but struggles, England drop deep, Hjulmand wonder goal

Russell backing England, or at least he was

Getty Images

Of course, it’s not just footballers who are English sports stars (obviously). There are also a few elsewhere — like in Formula One .

Our F1 correspondent and all-round good guy Luke Smith spoke to Mercedes driver George Russell in Barcelona today ahead of the Spanish Grand Prix this weekend, about Euro 2024. This is what Russell said:

💬 “I think England can win it, for sure! Watching the games and what those guys go through is incredible.

“It's pretty tough when you have a championship like the Euros, every single game counts and in that sport, anybody can get a victory on their best day.

“I think we have a really great squad at the moment and Gareth (Southgate) is a great coach. They seem to be headed in a really great direction, so fingers crossed they go out there and do their best.”

The caveat being, these quotes are from before that England performance today. Give Luke a follow and you might find out if Russell has since changed his mind…

Eriksen: 'It was supposed to be us'

Speaking of the Denmark forward, here’s how Christian Eriksen he viewed their draw with England — again, speaking to BBC Sport :

💬 “I do think if a team was to win today, it was supposed to be us. We didn’t get it, but it was better than our last game.

“We know England have exceptional players but we hurt them with our chances and should’ve won.

“I don’t think they dropped deep. It was just the same game before. It was even, they lost the ball a few times and we tried to hurt them on the counter. They did the same against us.

“We still have a game to go. We need a win against Serbia; there’s nothing else for us. This was good progress but we have to take the belief from this into that and get the three points.”

Like a fine wine...

Ah yes, Christian Eriksen . Not only is he 32 years and 127 days old today. He also created four chances against England — as many as he did in the opening game against Slovenia.

Put it all together and you have the oldest player with at least four chances created in consecutive European Championship games, since a 33-year-old Andrea Pirlo in 2012.

Great work from Opta there.

'That was the decision we took'

So what did England boss Gareth Southgate say after the game about Trent Alexander-Arnold’s role and Harry Kane’s situation? Here’s what he told BBC Sport just now — starting with the former:

💬 “We wanted to get Conor (Gallagher) on. We needed some energy and to press better. Conor obviously does that very well.

“Trent has had some moments where he’s delivered what we thought he would. We know it is an experiment and we know we don’t have a natural replacement for Kalvin Phillips, so we're trying some different things and at the moment we're not flowing as we’d like, that’s for sure.”

As for his thoughts on Harry Kane…

💬 “We needed energy. We’ve had two games in a short turnaround and we needed fresh legs to press. At that stage, I think Harry’s only had one 90 minutes in over a month, and that was the decision we took.”

How do you solve a problem like Trent?

What a conundrum the situation is with Trent Alexander-Arnold .

Today felt like further evidence — bar the odd promising moment — that playing the Liverpool star in a midfield role isn’t working.

The fact Gareth Southgate continues to call it an experiment is revealing in itself. Should you be experimenting in your first two group games of a tournament you hope and expect to reach the latter stages?

And on the other side of the coin, today he played more chances for England than anyone else and also played the most line-breaking passes in the final third. All despite being withdrawn after 54 minutes.

The experiment continues. Probably.

'We're not sure how to get the pressure on'

Harry Kane wasn’t asked about his own fitness by BBC Sport immediately after the game, but he did address some of the accusations over England deliberately dropping to protect their lead — rather than continuing to look for goals:

💬 “We're struggling with and without the ball, so we have to go away and look at it back. The pressure in both games hasn't been quite right, and also with the ball we haven't been good enough. Everyone dropping below their level a bit in retaining the ball and playing under pressure.

“We are starting games well. I think in general when teams are dropping a few players deeper, we're not sure how to get the pressure on and who's the one supposed to be going.

“Second half, we tried to change it with me and Jude (Bellingham) playing in front of their two midfielders and then trying to get up, but it was difficult.”

Make it make sense...

The theory of this England team makes no sense.

Three attackers who want to be the No 10, one(ish) runner in behind, a right-back at right-back who can’t attack, a right-back at left-back who needs to cut inside, and a right-back in defensive midfield whose strength is hitting all those wide and long runners you don’t have... 🤦🏻‍♂️

Southgate's Kane logic

One more regarding Harry Kane . Gareth Southgate has learned about trying to protect Kane during a tournament, making sure he doesn't always play 90 minutes in the group games to keep him sharp for the knock-outs.

He actually studied how France protected Griezmann during the 2018 World Cup.

So at the following World Cup, Kane was hooked on 76 minutes against Iran and then 58 minutes versus Wales, both times for Callum Wilson.

Then in Euro 2020, Kane came off against Croatia after 82 minutes (for Jude Bellingham), and 74 minutes versus Scotland (for Marcus Rashford).

Full-time stats zone

Well, the angst runs deep for England supporters after that, while Denmark will feel it’s a missed opportunity. Here are the numbers from the 90 minutes…

FT: Denmark 1-1 England

• Possession: 51% — 49%
• Shots: 16 — 12
• On target: 7 — 4
• XG: 0.82 — 0.85
• Big chances: 1 — 2
• Blocked shots: 5 — 1
• Duels won: 45 — 47
• Dispossessed: 6 — 8

Again, it was pretty tight and even looking at all that. Maybe this time, the numbers are slightly soothing compared to the actual action.

'Sometimes you have to manage the game'

Kyle Walker was the first to speak after that England draw, immediately on the pitch to BBC Sport — and it’s fair to say he was keeping it light:

💬 “It’s tournament football. This is a good Denmark team, we’re top of the group, so let’s a positive from the game. We didn’t lose. We concede a great strike from outside the box and sometimes you have to take your hat off to good goals.

“The manager has expressed he wants us to play free attacking football. Sometimes in tournaments you have to manage the game. It’s why it’s so hard to win them.

“We know we can do better. As individuals, as a team, we know we’ve got another gear. Everyone wants us to steamroll teams but that’s not football these days. We’ve got a point and we’ll move on.”

Honours for Hojbjerg

The official player of the match? That’s been handed to Tottenham and Denmark midfielder, Pierre-Emile Højbjerg .

Great shout, that. Hojbjerg was secure defensively, often keen to step up in attack — and took more shots (5) than anyone else on the pitch.

Great work, Pierre.

The final games

Group C will be resolved on Sunday night (in Europe), with this pair of matches:

• England vs Slovenia (Cologne)
• Denmark vs Serbia (Munich)

The two games will kick-off simultaneously too — and of course, we will have live coverage of it all here on The Athletic .

How that draw leaves Group C

So, England are top of the group with four points from two games. In fact, you look at the table and Denmark should see it as a real missed opportunity.

Game on for the three teams below England for qualification.

Falling well short

The stats suggest Denmark shaded that but it felt much more one-sided in the stadium — and not just because Denmark's fans massively out-sang England's, despite being outnumbered three to one.

The Danes are all still here too, and their team is on the pitch. England's players are chasing England's fans to exits.

A couple of stats do jump out, though. England dribbled the ball 18 times, Denmark six.

And the Danes won twice as many tackles.

One more. Because the last two non-league efforts are still fresh in the memory: England had 17 free-kicks to Denmark's five.

Worst yet from a Southgate side

Agree that the result is survivable but the performance is as bad as we've seen from a Southgate England team in a major tournament.

So many big questions: Kane's role, the defence dropping deep, the lack of control in midfield. Don't think Alexander-Arnold is the answer, not sure Gallagher is either.

Flat and lethargic

There were some boos from the England fans here at full-time.

The result is far from disastrous, but again the performance was troubling from an England perspective. There were things that just didn't look right from a technical/tactical perspective.

But my biggest concern with that performance is how lethargic and flat so many of the players looked. A number of them looked dead on their feet at the final whistle.

Did Denmark deserve more?

On the flipside, that was an excellent performance after a tricky opening 20 minutes from Denmark.

And yet, they couldn’t force the issue enough to win it and now they’re stuck with a couple of draws.

Arguably, this result will get better for England the longer they get to sleep on it (and forget about the actual performance).

Far from alright from England

That England performance was significantly short of their opening win over Serbia — and given the narrative surrounding that effort, England will be in for a bit of criticism after that.

Must admit, I’m struggling to think of one good individual performance in a white shirt.

And that is it. Another draw for Denmark.

The start of another inquest into England.