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The best books to improve your essay writing skills.

Are you looking to enhance your essay writing abilities? Whether you are a student, professional writer, or simply striving to improve your writing skills, investing in the best books on essay writing can make a significant difference.

Discover expert tips, strategies, and techniques to craft compelling and impactful essays in various genres and styles. From mastering the art of brainstorming to refining your thesis statements, these recommended books will inspire and guide you on your writing journey.

Unlock your full potential as a writer with the help of these invaluable resources.

Explore the Best Books

Ready to take your essay writing skills to the next level? Dive into our curated selection of the best books for essay writing. These invaluable resources cover a wide range of topics and techniques to help you become a masterful essay writer.

• The Elements of Style by William Strunk Jr. and E.B. White : A timeless classic that provides practical guidance on grammar, style, and composition.
• On Writing Well by William Zinsser : Learn how to craft compelling essays with clarity and precision.
• They Say / I Say: The Moves That Matter in Academic Writing by Gerald Graff and Cathy Birkenstein : Master the art of engaging with academic sources and constructing persuasive arguments.
• Bird by Bird: Some Instructions on Writing and Life by Anne Lamott : Gain insights on the creative process and overcome writer’s block.
• Writing Down the Bones by Natalie Goldberg : Unleash your creativity and develop a daily writing practice to refine your skills.

Explore these essential books to enhance your essay writing abilities and stand out as a confident and articulate writer. Happy reading and happy writing!

Discover Top Writers

Looking to be inspired by some of the best writers in the world? Our collection of top writers includes renowned authors like J.K. Rowling, George Orwell, Jane Austen, and more. Dive into their works to explore different writing styles, techniques, and storytelling methods.

Find your favorite authors and study their essays to learn how they captivate readers with their words. Whether you’re a novice writer or seasoned professional, exploring the works of top writers can help enhance your own writing skills and ignite your creativity.

Discover the magic of storytelling through the eyes of these esteemed writers and unlock the secrets to crafting compelling essays. With the guidance of top writers, you’ll be able to elevate your writing to new heights and create essays that leave a lasting impact on your readers.

Enhance Your Skills

Are you looking to take your essay writing skills to the next level? Our selection of the best books for essay writing will help you enhance your writing techniques and improve your overall writing proficiency. Whether you are a student looking to boost your academic performance or a professional seeking to refine your communication skills, these books offer valuable insights and practical tips to help you become a more effective writer.

Develop Your Style: Discover how to develop a unique writing style that reflects your personality and engages your readers. Learn how to effectively use language, tone, and structure to make your writing stand out.

Master Essay Structures: Explore different essay structures and formats to enhance the organization and clarity of your writing. From persuasive essays to analytical pieces, these books provide guidelines to help you structure your arguments effectively.

Refine Your Research Skills: Improve your research skills and learn how to gather, analyze, and incorporate evidence into your essays. Enhance the credibility and depth of your writing by conducting thorough research and citing reputable sources.

Invest in your writing skills today with the best books for essay writing and see a significant improvement in your writing proficiency!

Master Your Techniques

Deep Dive into Essay Writing

Essay writing is an essential skill that can greatly enhance your academic and professional success. By mastering the art of essay writing, you can effectively communicate your ideas, opinions, and arguments in a clear and concise manner.

Here are some key tips to help you excel in essay writing:

By implementing these strategies and practicing regularly, you can enhance your essay writing skills and become a more effective communicator. Explore the best books for essay writing to further refine your techniques and unlock your full potential.

Unlock Your Creativity

Unleash your imagination and expand your creative horizons with the best books for essay writing. Dive into a world of inspiration and learn how to express your thoughts and ideas in new and innovative ways.

Discover the power of storytelling and the art of persuasion as you explore the depths of your creativity. With the guidance of expert writers and teachers, you will develop your unique voice and style that will set you apart from the rest.

• Explore different writing techniques to enhance your essays
• Learn how to structure your ideas effectively
• Find inspiration in classic and contemporary works
• Master the art of critical thinking and analysis

Whether you are a student looking to improve your academic writing or a professional seeking to enhance your communication skills, these books will help you unlock your creativity and become a more confident and persuasive writer.

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10 Best Books on Essay Writing (You Should Read Today)

“I hate writing, I love having written.” – Dorothy Parker

Here are 10 Books That Will Help You With Essay Writing:

1. a professor’s guide to writing essays: the no-nonsense plan for better writing by dr. jacob neumann.

This is the highest-rated book on the subject available on the market right now. It’s written for students at any level of education. The author uses an unorthodox approach, claiming that breaking essays down into different formats is unnecessary. It doesn’t matter if it’s a persuasive or a narrative essay – the difference is not in how you write, but rather in how you build your case . Length: 118 pages Published: 2016

2. College Essay Essentials: A Step-by-Step Guide to Writing a Successful College Admissions Essay – by Ethan Sawyer

3. the only grammar book you’ll ever need: a one-stop source for every writing assignment by susan thurman.

The institution of a grammar school is defunct, but it doesn’t mean you can ignore the basic rules that govern your language. If you’re writing an essay or a college paper , you better keep your grammar tight. Otherwise, your grades will drop dramatically because professors abhor simple grammar mistakes. By reading this little book , you’ll make sure your writing is pristine. Length: 192 pages Published: 2003

4. Escape Essay Hell!: A Step-by-Step Guide to Writing Narrative College Application Essays by Janine W. Robinson

A well-written essay has immense power. Not only that, it is the prerequisite to getting admitted to colleges and universities, but you also have to tackle a few essay questions in most, if not all exams you will ever take for career or academic advancement. For instance, when taking the LSAT to qualify for law school , the MCAT to get into med school , the DAT to pursue a degree in dentistry, or even the GRE or GMAT as the first step in earning a master’s degree. That is why this book is highly recommended to anyone navigating through the sea of higher learning. In this amusing book, Janine Robinson focuses mostly on writing narrative essays . She’s been helping college-bound students to tell unique stories for over a decade and you’ll benefit from her expert advice. The book contains 10 easy steps that you can follow as a blueprint for writing the best “slice of life” story ever told. Length: 76 pages Published: 2013

5. The Art of the Personal Essay: An Anthology from the Classical Era to the Present by Phillip Lopate

This large volume is a necessary diversion from the subject of formal, highly constrained types of writing. It focuses only on the genre of the personal essay which is much more free-spirited, creative, and tongue-and-cheek-like. Phillip Lopate, himself an acclaimed essayist, gathers seventy of the best essays of this type and lets you draw timeless lessons from them. Length: 777 pages Published: 1995

6. The Best American Essays of the Century by Joyce Carol Oates

7. on writing well: the classic guide to writing nonfiction by william zinsser.

On Writing Well is a classic writing guide that will open your eyes to the art of producing clear-cut copy. Zinsser approached the subject of writing with a warm, cheerful attitude that seeps through the pages of his masterpiece. Whether you want to describe places, communicate with editors, self-edit your copy, or avoid verbosity, this book will have the right answer for you. Length: 336 pages Published: 2016 (reprint edition)

8. How To Write Any High School Essay: The Essential Guide by Jesse Liebman

The previous titles I mentioned were mostly for “grown-up” writers, but the list wouldn’t be complete without a book for ambitious high-school students. Its length is appropriate, making it possible even for the most ADHD among us to get through it. It contains expert advice, easy-to-implement essay outlines , and tips on finding the best topics and supporting them with strong arguments. Length: 124 pages Published: 2017

9. Essential Writing Skills for College and Beyond by C.M. Gill

On average, after finishing high school or college, Americans read only around twelve books per year. This is a pity because books contain a wealth of information. People at the top of the socio-economic ladder read between forty and sixty books per year – and you should too! But reading is just one skill that gets neglected after college. Writing is the other one. By reading the “Essential Writing Skills” you’ll be able to crush all of your college writing assignments and use them throughout your life to sharpen your prose. Length: 250 Published: 2014

10. The Hidden Machinery: Essays on Writing by Margot Livesey

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18 of the Best Books on Writing (Updated for 2023)

Table of contents

Ashley R. Cummings

The need for writers isn’t going away. The U.S. Bureau of Labor Statistics projects the employment of writers and authors will continue to grow by 4% from 2021 to 2031 . And it’s projected that there will be an average of 15,000 job openings for writers and authors each year.

While there’s a huge need for writers, it’s also projected future writers will invest anywhere from $7000 to $40,000 to learn the craft. Gasp!

But there’s good news. You don’t necessarily need to invest $40K into a degree to learn how to write. There are countless books that will help you become the writer you’ve always dreamed of becoming and will help you earn money straight out of the gate.

Here’s a list of the top eighteen books that will prepare you for your writing career. ‍

“Read, read, read. Read everything  —  trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not, throw it out of the window.” — William Faulkner

Best books on writing for business and marketing

Marketing is so important the U.S. spent more than $17 billion in 2021 on marketing data. A large part of marketing is knowing how to write marketing materials that engage audiences. Marketing is also one of the most lucrative freelance writing niches.

When marketing and selling anything, the words you choose to represent your products and brand are critical—these books will help you find the right ones.

1. Lost and Founder by Rand Fishkin

Best for : Entrepreneurs and marketers in the SaaS space

In his book Lost and Founder, Fishkin walks readers through the process of creating a startup. He’s very transparent and doesn’t leave anything out—the roses and the warts are on full display. Lost and Founder is a wealth of first-hand experience that any new startup can learn from.

Most of this book is about all the steps involved in creating a startup, but he also goes through how to write pitches and marketing strategies that worked for him.

Furthermore, if you want to write for startups, it’s important to understand everything that goes into creating a startup. This will help you meet the writing needs of a startup, regardless of what stage it may be in.

2. Killing Marketing by Joe Pulizzi & Robert Rose

Best for : Modern marketing strategies/techniques

Joe Pulizzi and Robert Rose are founders and partners who love content marketing. In their book Killing Marketing, they say content isn’t just marketing; it’s an essential business strategy. 

This book focuses mostly on modern digital marketing techniques. It addresses how marketing has gone from creating ‘sale’ posters to being an essential part of adding value to a brand or company. Pulizzi and Rose use anecdotes and data from their own experiences to illustrate content writing and marketing techniques.

3. Predictably Irrational by Dan Ariely

Best for : Experienced marketers looking to fine-tune writing/strategies

Predictably Irrational isn’t so much a book about writing as a book that can help writers understand what motivates us humans—which is essential for any great writer to understand.

Dan Ariely is an expert in behavioral economics, which studies how people behave when they perform any sort of action (e.g.,. shop, get married, apply for jobs, etc.).

Ariely and his team used experiments to see how suggestion, context, and even subliminal messaging can affect people’s behavior. To illustrate this point, Ariely uses an example where his team created a test that was easy to cheat on. 

Then, his team had respondents take the test again, but reminded them of any sort of moral code (like the ten commandments or even a fake ‘honor code’) right before taking the test to see if people cheated less after the reminder. You’ll have to read to find out the results, but I bet you can guess what happened.

This book is most beneficial for experienced writers and marketers looking to understand their audience on a deeper level.

Best books for copywriting

The biggest issue for copywriting (especially digital copywriting) is people don’t really read things all the way through anymore. 

According to a 20+ year study done by the Nielsen Norman Group , eye tracking research confirms that most internet users only skim and skip around a webpage for relevant info. That means copywriters must understand how to capture the attention of these skimmers and skippers. Here are books that will teach you the ins and outs of successful copywriting.

4. Ogilvy on Advertising by David Ogilvy

Best for : Learning the fundamentals of advertising

Ogilvy on Advertising is admittedly an older book that was first published in 1983. But it’s still considered one of the foremost texts for beginner copywriters and even marketers. It goes over all the fundamentals of advertising and how to write compelling copy.

If you’re new to copywriting and marketing in general, this book uses real life examples to illustrate advertising concepts. And although some of the advice about getting jobs and how to market in foreign markets may be out of date, Ogilvy’s lessons on things like research and brand image are still relevant today.

5. Hey Whipple, Squeeze This by Luke Sullivan

Best for : Creating visual stories

Luke Sullivan has been a successful advertiser for over 30 years. He’s worked at elite agencies, taught, consulted and trained. His book, Hey Whipple, Squeeze This , uses real life examples like Charmin’s advertising campaign of the 1960s and 1970’s (the namesake of the book) to illustrate all aspects of advertising. 

Sullivan goes through everything from how to protect your work to how to write for social media. The book is snarky and witty and gives you a glimpse of what it feels like to work in the creative department at an ad agency. 

6. Finding the Right Message by Jennifer Havice

Best for : How to research your audience

Finding the Right Message is all about delving deeper into understanding what makes your customers tick. It offers step-by-step guides on things like:

• How to craft customer-centric messages
• The types of questions to ask when conducting interviews and surveys
• How to research your customers and the market

Havice offers insight into how to study your audience. She then goes through how you can create messages that will pique your audience’s interest. Using her expertise as a messaging strategist and copywriter, she goes over all the things a copywriter needs to reach their audience.

Best books for longform writing

The average time spent on any webpage is 54 seconds. So, it’s important for longform articles to really engage readers in order to keep them reading for more than 54 seconds. Learning how to write engaging longform articles and books may not come naturally, but here are some books to lead you in the right direction.

7. Writing Feature Stories by Matthew Ricketson & Caroline Graham

Best fo r: Comprehensive writing fundamentals

Matthew Ricketson and Caroline Graham go over the fundamentals of writing engaging and informative longform writing in their book, Writing Feature Stories . They help both journalists and blog writers go beyond the basic who, why, what, where, and when. 

This book will help you generate new ideas, teach you how to do research for your stories, how to edit your work, and how to find the best platform for your work. Using all the information Ricketson and Graham provide, it’ll also help you get over any fear of longform writing.

8. Stein on Writing: A Master Editor of Some of the Most Successful Writers of Our Century Shares His Craft Techniques and Strategies by Sol Stein

Best for : Novelists

Sol Stein is a well known editor and teacher that uses practical and his own real-world experiences to help writers write better. Stein on Writing gives writers practical ways to improve their writing instead of relying on theory. 

A lot of this book is focused on helping novelists with creating more interesting characters, more realistic dialogue, and structure. But it also goes over things like how to trim the fat away from your writing and more efficient ways to edit and revise your drafts.

9. How to Write a Lot by Paul Silvia

Best for : Motivation and practical strategies

The title says it all. Paul Silvia uses his book, How to Write a Lot to help you become a more efficient and effective longform writer. He uses practical strategies that even go through how to make a schedule, how to get over writer’s block, and ultimately how to write like a professional.

Best books for essay writing and academic writing

Whether you’re trying to write OpEds for the New Yorker or just finishing your term paper, you can use these books to learn how to write effective essays for the world of academia.

10. A Professor’s Guide to Writing Essays: The No-Nonsense Plan for Better Writing by Dr. Jacob Newman

Best for : Straightforward and practical writing

If you feel intimidated by academic writing, A Professor’s Guide to Writing Essays is a great book to help you overcome that. Dr. Jacob Newman has been a professor for a long time and uses his experiences to help writers navigate the world of academia. 

Giving useful tips and real world examples, Dr. Newman helps to dispel the idea that academic writing is any different from other kinds of writing. His book is straightforward and practical and focuses on helping students, professors, and anyone else looking to conquer writing academic papers.

11. Stylish Academic Writing by Helen Sword

Best for : Analysis of real articles and essays

Helen Sword believes that data deserves to be presented in an elegant way. Her book Stylish Academic Writing , presents her analyses of over a thousand peer-reviewed articles (on all subjects) that show how important it is for academic writers to know how to write well.

She shows readers the skills they can learn through the examples in her book. Sword will make you a believer that compelling data should be presented with compelling writing. Slapping data onto a page just isn’t good enough anymore. 

12. Simple and Direct: A Rhetoric for Writers by Jacques Barzun

Best for : Exercises that help readers learn concepts

Jacques Barzun was a noted teacher, historian and author. His book Simple & Direct, is just that. He uses a no-nonsense style to help writers improve their technique.

Simple & Direct may have been published in the 70s, but the writing exercises, model passages, and examples provided in the book are a treasure trove for any writer looking to better their craft.

Books that relate to writing in 2022

If you’ve ever watched an episode of Mad Men, you know that advertising must change with the times. Not only does the medium change (e.g., newspapers, radio, TV, internet, etc.) but so does your audience. 

For example, Baby Boomers were concerned with security, Gen Xers were concerned with buying things, millennials cared about buying experiences, and Gen Zers care about supporting companies that have the same beliefs as them. 

So while you can keep the same foundational concepts, there are things writers must learn as they write for the 21st century.

13. The Sense of Style: The Thinking Person’s Guide to Writing in the 21st Century by Steven Pinker

Best for : Relating to all types of writing

Steven Pinker is a Harvard psychology professor who has used his own research and experience to write, The Sense of Style . In this book, writers will learn writing techniques to create compelling prose and Pinker gives real-world examples to help illustrate his points.

If you’re looking to infuse more style into your writing and interested in making your writing stand out in today’s day and age, then this is the book for you.

14. You Are a Writer (So Start Acting Like One) by Jeff Goins

Best for : Bloggers, content creators, indie authors

“Dress for the job you want” and “fake it ‘till you make it.” The idea that you should start acting like the writer you want to be is exactly what Jeff Goins addresses in his book, You are a Writer .

This book is a guide that will help writers in their craft, work ethic, and in marketing their material. It’s perfect for bloggers, content creators, and anyone who has been waiting to fulfill their dream of becoming a full-time writer.

15. The End of Marketing : Humanizing Your Brand in the Age of Social Media and AI by Carlos Gil

Best for : focus on engagement

Carlos Gil breaks down the science of modern marketing in his book The End of Marketing . He breaks down essential topics like:

• What modern audiences want
• Storytelling
• How to get attention on social media and how to use social media as feedback
• How to be genuine
• How to find your customers

The End of Marketing unravels the mysteries of influencers, social media algorithms, and staying on trend. It’s a must read for any writer today.

Books on writing for social media

There are over 4.7 billion active social media users worldwide. In a global survey done by Statista in 2022, 61% of marketers said they would increase their usage of Instagram and 37% said they’re increasing usage of TikTok advertising. Social media isn’t going away, and it always needs content, which means, it needs good writers.

16. Everybody Writes : Your Go-To Guide to Creating Ridiculously Good Content by Ann Handley

Best for : Bloggers and content creators

Everybody Writes teaches readers not only how to write, but also how to engage audiences with truthful storytelling. She offers practical how-tos for writing technique, publishing, and even how to find content ideas. 

Ann Handley’s Everybody Writes is one of the most highly rated overall writing books, and is especially helpful for those looking to write for social media. She also recently released an updated version with new examples.

17. Brand Storytelling: Put Customers at the Heart of Your Brand Story by: Miri Rodriguez

Best for : Step-by-step guide on how to build a brand story

Miri Rodriguez is an award winning storyteller and creative journalist at Microsoft. In her book Brand Storytelling she shows readers the importance of creating an emotional connection with your audience.

She uses case studies and interviews to show readers how, in this world of digital screens and AI, human connection will always win out. 

18. Faster, Smarter, Louder: Master Attention in a Noisy Digital Market by Aaron Agius and Gián Clancey

Best for : How to grow business from start to multimillion global company

Aaron Agius and Gián Clancey are the founders of the successful global marketing firm Louder.online. But they weren’t always successful, they actually first went into business together in 2008, but that business didn’t work out and forced them to move back home to Australia. But their experiences made them write Faster, Smarter, [and] Louder. 

This book gives writers technical and practical tips on how to gain credibility, increase online traffic, and engage with audiences. 

Read to become a better writer!

This list is just a start. If you want to be a writer, you don’t have to spend a lot of money, all you need is a library card or a connection to the internet.

In fact, even if you don't have time to learn how to write, that’s no longer an obstacle either. There are several AI and editing tools that will write content for you and help you fine-tune your sentences to stand out from other writers. There are also blogs that will give you all the resources and info you need to become a stellar writer. 

So stop sitting around thinking “one day” you’ll be a writer. As Stephen King said in On Writing , “You can, you should, and if you’re brave enough to start, you will.”

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100 Must-Read, Best Books On Writing And The Writer’s Life

Nikki VanRy

Nikki VanRy is a proud resident of Arizona, where she gets to indulge her love of tacos, desert storms, and tank tops. She also writes for the Tucson Festival of Books, loves anything sci-fi/fantasy/historical, drinks too much chai, and will spend all day in bed reading thankyouverymuch. Follow her on Instagram @nikki.vanry .

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If you’re a working or aspiring writer, y ou already likely know about the classic best books on writing–King’s  On Writing,  Strunk and White’s Elements of Style– but for a craft as varied and personal as writing, you’ll always benefit from learning from more voices, with more techniques. 

That’s why this list is full of writers not only talking about the bare-bones craft of writing (and there’s plenty of fantastic advice there), but also how becoming a writer changed their lives and what role they believe writers play in an ever-changing world. From craft to writer’s lives, get ready to dig into 100 of the must-read, best books on writing for improving your own work. 

“Written with her trademark lyricism, in these signature pieces the acclaimed author of The House on Mango Street shares her transformative memories and reveals her artistic and intellectual influences. Poignant, honest, and deeply moving, A House of My Own is an exuberant celebration of a life lived to the fullest, from one of our most beloved writers.”

2.  A Little Book on Form    by Robert Hass

“Brilliantly synthesizes Hass’s formidable gifts as both a poet and a critic and reflects his profound education in the art of poetry. Starting with the exploration of a single line as the basic gesture of a poem, and moving into an examination of the essential expressive gestures that exist inside forms, Hass goes beyond approaching form as a set of traditional rules that precede composition, and instead offers penetrating insight into the true openness and instinctiveness of formal creation.”

3. A Personal Anthology by Jorge Luis Borges

“After almost a half a century of scrupulous devotion to his art, Jorge Luis Borges personally compiled this anthology of his work—short stories, essays, poems, and brief mordant ‘sketches,’ which, in Borges’s hands, take on the dimensions of a genre unique in modern letters. In this anthology, the author has put together those pieces on which he would like his reputation to rest; they are not arranged chronologically, but with an eye to their ‘sympathies and differences.'”

4.  A Room of One’s Own by Virginia Woolf

“Virginia Woolf imagines that Shakespeare had a sister—a sister equal to Shakespeare in talent, and equal in genius, but whose legacy is radically different. In this classic essay, she takes on the establishment, using her gift of language to dissect the world around her and give voice to those who are without. Her message is a simple one: women must have a fixed income and a room of their own in order to have the freedom to create.”

“Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?), Delany also examines the condition of the contemporary creative writer and how it differs from that of the writer in the years of Hemingway, Fitzgerald, and the high Modernists. Like a private writing tutorial, About Writing treats each topic with clarity and insight.”

6. The Anatomy of Story: 22 Steps to Becoming a Master Storyteller by John Truby

“Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby’s own unique approach to building an effective, multifaceted narrative.”

7.  Art & Fear: Observations on the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland

“Explores the way art gets made, the reasons it often doesn’t get made, and the nature of the difficulties that cause so many artists to give up along the way. The book’s co-authors, David Bayles and Ted Orland, are themselves both working artists, grappling daily with the problems of making art in the real world. Their insights and observations, drawn from personal experience, provide an incisive view into the world of art as it is experienced by artmakers themselves.”

8.  The Art of Death by Edwidge Danticat

“At once a personal account of her mother dying from cancer and a deeply considered reckoning with the ways that other writers have approached death in their own work.”

9. The Art of Fiction: Notes on Craft for Young Writers by John Gardner

“Gardner’s lessons, exemplified with detailed excerpts from classic works of literature, sweep across a complete range of topics—from the nature of aesthetics to the shape of a refined sentence. Written with passion, precision, and a deep respect for the art of writing, Gardner’s book serves by turns as a critic, mentor, and friend. Anyone who has ever thought of taking the step from reader to writer should begin here.”

“Karr synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and ‘black belt sinner,’ providing a unique window into the mechanics and art of the form that is as irreverent, insightful, and entertaining as her own work in the genre.”

11. The Artist’s Way: A Spiritual Path to Higher Creativity by Julia Cameron

“The seminal book on the subject of creativity. An international bestseller, millions of readers have found it to be an invaluable guide to living the artist’s life. Still as vital today—or perhaps even more so—than it was when it was first published twenty five years ago, it is a powerfully provocative and inspiring work.”

12. Big Magic: Creative Living Beyond Fear by Elizabeth Gilbert

“With profound empathy and radiant generosity, Gilbert offers potent insights into the mysterious nature of inspiration. She asks us to embrace our curiosity and let go of needless suffering. She shows us how to tackle what we most love, and how to face down what we most fear. She discusses the attitudes, approaches, and habits we need in order to live our most creative lives.”

13. Bird by Bird: Some Instructions on Writing and Life by Anne Lamott

“Lamott’s miscellany of guidance and reflection should appeal to writers struggling with demons large and slight. Among the pearls she offers is to start small, as their father once advised her 10-year-old brother, who was agonizing over a book report on birds: ‘Just take it bird by bird.’ Lamott’s suggestion on the craft of fiction is down-to-earth: worry about the characters, not the plot. “

14. Black Milk: On the Conflicting Demands of Writing, Creativity, and Motherhood by Elif Shafak

“She intersperses her own experience with the lives of prominent authors such as Sylvia Plath, Virginia Woolf, Alice Walker, Ayn Rand, and Zelda Fitzgerald, Shafak looks for a solution to the inherent conflict between artistic creation and responsible parenting. With searing emotional honesty and an incisive examination of cultural mores within patriarchal societies, Shafak has rendered an important work about literature, motherhood, and spiritual well-being.”

“Erdrich takes us on an illuminating tour through the terrain her ancestors have inhabited for centuries: the lakes and islands of southern Ontario. Summoning to life the Ojibwe’s sacred spirits and songs, their language and sorrows, she considers the many ways in which her tribe—whose name derives from the word ozhibii’ige, ‘to write'”—have influenced her. Her journey links ancient stone paintings with a magical island where a bookish recluse built an extraordinary library, and she reveals how both have transformed her.”

16. Bryson’s Dictionary of Troublesome Words: A Writer’s Guide to Getting It Right by Bill Bryson

“An essential guide to the wonderfully disordered thing that is the English language. With some one thousand entries that feature real-world examples of questionable usage from an international array of publications, and with a helpful glossary and guide to pronunciation, this precise, prescriptive, and–because it is written by Bill Bryson–often witty book belongs on the desk of every person who cares enough about the language not to maul or misuse or distort it.”

17. Bullies, Bastards and Bitches: How to Write the Bad Guys of Fiction by Jessica Morrell 

“A truly memorable antagonist is not a one-dimensional super villain bent on world domination for no particular reason. Realistic, credible bad guys create essential story complications, personalize conflict, add immediacy to a story line, and force the protagonist to evolve.”

18. Crazy Brave: A Memoir by Joy Harjo

“In this transcendent memoir, grounded in tribal myth and ancestry, music and poetry, Joy Harjo, one of our leading Native American voices, details her journey to becoming a poet. Narrating the complexities of betrayal and love, Crazy Brave is a memoir about family and the breaking apart necessary in finding a voice.”

19. Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation by Lynne Truss

“Former editor Lynne Truss, gravely concerned about our current grammatical state, boldly defends proper punctuation. She proclaims, in her delightfully urbane, witty, and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are.”

“You know the authors’ names. You recognize the title. You’ve probably used this book yourself. This is The Elements of Style , the classic style manual. This book’s unique tone, wit and charm have conveyed the principles of English style to millions of readers. Use the fourth edition of ‘the little book’ to make a big impact with writing.”

21. The Emotional Craft of Fiction: How to Write the Story Beneath the Surface by Donald Maass

“Veteran literary agent and expert fiction instructor Donald Maass shows you how to use story to provoke a visceral and emotional experience in readers. Readers can simply read a novel…or they can experience it. The Emotional Craft of Fiction shows you how to make that happen.”

22. Everybody Writes: Your Go-To Guide to Creating Ridiculously Good Content by Ann Handley

“A  go-to guide to attracting and retaining customers through stellar online communication, because in our content-driven world, every one of us is, in fact, a writer. If you have a web site, you are a publisher. If you are on social media, you are in marketing. And that means that we are all relying on our words to carry our marketing messages. We are all writers.”

23. The First Five Pages: A Writer’s Guide to Staying Out of the Rejection Pile by Noah Lukeman

“With exercises at the end of each chapter, this invaluable reference will allow novelists, journalists, poets and screenwriters alike to improve their technique as they learn to eliminate even the most subtle mistakes that are cause for rejection. The First Five Pages will help writers at every stage take their art to a higher — and more successful — level.”

24. The Forest for the Trees: An Editor’s Advice to Writers by Betsy Lerner

“From blank page to first glowing (or gutting) review, Betsy Lerner is a knowing and sympathetic coach who helps writers discover how they can be more productive in the creative process and how they can better their odds of not only getting published, but getting published well.”

“ Free Within Ourselves is is meant to be a song of encouragement for African-American artists and visionaries. A step-by-step introduction to fictional technique, exploring story ideas, and charting one’s progress, as well as a resource guide for publishing fiction.”

26. Getting Into Character: Seven Secrets a Novelist Can Learn From Actors by Brandilyn Collins 

“Want to bring characters to life on the page as vividly as fine actors do on the stage or screen? Getting Into Character will give you a whole new way of thinking about your writing. Drawing on the Method Acting theory that theater professionals have used for decades, this in-depth guide explains seven characterization techniques and adapts them for the novelist’s use.”

27. The Heart of a Woman by Maya Angelou

“In The Heart of a Woman , Maya Angelou leaves California with her son, Guy, to move to New York. There she enters the society and world of black artists and writers, reads her work at the Harlem Writers Guild, and begins to take part in the struggle of black Americans for their rightful place in the world.”

28. If You Want to Write by Brenda Ueland

“In this book, Ueland shares her philosophies on writing and life in general. She stresses the idea that ‘Everyone is talented, original, and has something important to say.’ Drawing heavily on the work and influence of William Blake, she suggests that writers should ‘Try to discover your true, honest, un-theoretical self.’ She sums up her book with 12 points to keep in mind while writing. Carl Sandburg called If You Want to Write the best book ever written on how to write.”

29. Immersion: A Writer’s Guide to Going Deep by Ted Conover

“Conover distills decades of knowledge into an accessible resource aimed at writers of all levels. He covers how to “get into” a community, how to conduct oneself once inside, and how to shape and structure the stories that emerge. Conover is also forthright about the ethics and consequences of immersion reporting, preparing writers for the surprises that often surface when their piece becomes public.”

“On a post-college visit to Florence, Pulitzer Prize-winning author Jhumpa Lahiri fell in love with the Italian language. Twenty years later, seeking total immersion, she and her family relocated to Rome, where she began to read and write solely in her adopted tongue. A startling act of self-reflection, In Other Words is Lahiri’s meditation on the process of learning to express herself in another language—and the stunning journey of a writer seeking a new voice.”

31. In Search of Our Mothers’ Gardens: Womanist Prose by Alice Walker 

“Alice Walker speaks out as a black woman, writer, mother, and feminist, in thirty-six pieces ranging from the personal to the political. Here are essays about Walker’s own work and that of other writers, accounts of the civil rights movement of the 1960s and the antinuclear movement of the 1980s, and a vivid, courageous memoir of a scarring childhood injury.”

32. It Was the Best of Sentences, It Was the Worst of Sentences: A Writer’s Guide to Crafting Killer Sentences by June Casagrande

“Great writing isn’t born, it’s built—sentence by sentence. But too many writers—and writing guides—overlook this most important unit. The result? Manuscripts that will never be published and writing careers that will never begin. So roll up your sleeves and prepare to craft one bold, effective sentence after another. Your readers will thank you.”

33. The Kick-Ass Writer: 1001 Ways to Write Great Fiction, Get Published, and Earn Your Audience by Chuck Wendig

“The journey to become a successful writer is long, fraught with peril, and filled with difficult questions: How do I write dialogue? How do I build suspense? What should I know about query letters? Where do I start? The best way to answer these questions is to ditch your uncertainty and transform yourself into a KICK-ASS writer.”

34. The Language of Fiction: A Writer’s Stylebook by Brian Shawver

“Grand themes and complex plots are just the beginning of a great piece of fiction. Mastering the nuts and bolts of grammar and prose mechanics is also an essential part of becoming a literary artist. This indispensable guide, created just for writers of fiction, will show you how to take your writing to the next level by exploring the finer points of language.”

“Finally, a truly creative―and hilarious―guide to creative writing, full of encouragement and sound advice. Provocative and reassuring, nurturing and wise, The Lie That Tells a Truth is essential to writers in general, fiction writers in particular, beginning writers, serious writers, and anyone facing a blank page.”

36. The Magic Words: Writing Great Books for Children and Young Adults by Cheryl Klein

“Editor Cheryl B. Klein guides writers on an enjoyable and practical-minded voyage of their own, from developing a saleable premise for a novel to finding a dream agent. She delves deep into the major elements of fiction―intention, character, plot, and voice―while addressing important topics like diversity, world-building, and the differences between middle-grade and YA novels.”

37. Making a Good Script Great by Linda Seger 

“Making a good script great is more than just a matter of putting a good idea on paper. It requires the working and reworking of that idea. This book takes you through the whole screenwriting process – from initial concept through final rewrite – providing specific methods that will help you craft tighter, stronger, and more saleable scripts.”

38. Memoirs   by Pablo Neruda

“In his uniquely expressive prose, Neruda not only explains his views on poetry and describes the circumstances that inspired many of his poems, but he creates a revealing record of his life as a poet, a patriot, and one of the twentieth century’s true men of conscience.”

39. The Modern Library Writer’s Workshop: A Guide to the Craft of Fiction by Stephen Koch

“Stephen Koch, former chair of Columbia University’s graduate creative writing program, presents a unique guide to the craft of fiction. Along with his own lucid observations and commonsense techniques, he weaves together wisdom, advice, and inspiring commentary from some of our greatest writers.”

“Packed with insights and advice both practical (‘writing workshops you pay for are the best–it’s too easy to quit when you’ve made no investment’) and irreverent (‘apply Part A [butt] to Part B [chair]’). Naked, Drunk, and Writing is a must-have if you are an aspiring columnist, essayist, or memoirist—or just a writer who needs a bit of help in getting your story told.”

41. Negotiating with the Dead: A Writer on Writing by Margaret Atwood

“In this wise and irresistibly quotable book, one of the most intelligent writers working in English addresses the riddle of her art: why people pursue it, how they view their calling, and what bargains they make with their audience, both real and imagined. To these fascinating issues Booker Prize-winner Margaret Atwood brings a candid appraisal of her own experience as well as a breadth of reading that encompasses everything from Dante to Elmore Leonard.”

42. On Writing by Eudora Welty 

“Eudora Welty was one of the twentieth century’s greatest literary figures. For as long as students have been studying her fiction as literature, writers have been looking to her to answer the profound questions of what makes a story good, a novel successful, a writer an artist.”

43. On Writing: A Memoir of the Craft by Stephen King

“Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the trade every writer must have.”

44. On Writing Well: The Classic Guide to Writing Nonfiction by William Zinsser

“Whether you want to write about people or places, science and technology, business, sports, the arts or about yourself in the increasingly popular memoir genre, On Writing Well offers you fundamental principles as well as the insights of a distinguished writer and teacher.”

“Based on the Zen philosophy that we learn more from our failures than from our successes, One Continuous Mistake teaches a refreshing new method for writing as spiritual practice. Here she introduces a method of discipline that applies specific Zen practices to enhance and clarify creative work. She also discusses bodily postures that support writing, how to set up the appropriate writing regimen, and how to discover one’s own ‘learning personality.'”

46. Outlining Your Novel: Map Your Way to Success by K.M. Weiland

“Writers often look upon outlines with fear and trembling. But when properly understood and correctly wielded, the outline is one of the most powerful weapons in a writer’s arsenal.”

47. The Paris Review Interviews, Vols. 1-4 by The Paris Review

“For more than half a century, The Paris Review has conducted in-depth interviews with our leading novelists, poets, and playwrights. These revealing, revelatory self-portraits have come to be recognized as themselves classic works of literature, and an essential and definitive record of the writing life.”

48. The Poet’s Companion: A Guide to the Pleasures of Writing Poetry by Kim Addonizio and Dorianne Laux

“Presents brief essays on the elements of poetry, technique, and suggested subjects for writing, each followed by distinctive writing exercises. The ups and downs of writing life―including self-doubt and writer’s block―are here, along with tips about getting published and writing in the electronic age.”

49. The Poetry Home Repair Manual: Practical Advice for Beginning Poets by Ted Kooser

“Using examples from his own rich literary oeuvre and from the work of a number of successful contemporary poets, the author schools us in the critical relationship between poet and reader, which is fundamental to what Kooser believes is poetry’s ultimate purpose: to reach other people and touch their hearts.”

“Have you always wanted to get an MFA, but couldn’t because of the cost, time commitment, or admission requirements? Well now you can fulfill that dream without having to devote tons of money or time. The Portable MFA gives you all of the essential information you would learn in the MFA program in one book.”

51. Paula: A Memoir by Isabel Allende

“Irony and marvelous flights of fantasy mix with the icy reality of Paula’s deathly illness as Allende sketches childhood scenes in Chile and Lebanon; her uncle Salvatore Allende’s reign and ruin as Chilean president; her struggles to shake off or find love; and her metamorphosis into a writer.”

52. Pen on Fire: A Busy Woman’s Guide to Igniting the Writer Within by Barbara DeMarco-Barrett

“In her fifteen years of teaching, Barbara DeMarco-Barrett has found that the biggest stumbling block for aspiring writers (especially women) is not fear of the blank page but frustration with the lack of time. What woman doesn’t have too much to do and too little time? Finding an hour free of work, children, or obligations can seem impossible.”

53. Pixar Storytelling: Rules for Effective Storytelling Based on Pixar’s Greatest Films   by Dean Movshovitz

“ Pixar Storytelling is about effective storytelling rules based on Pixar’s greatest films. The book consists of ten chapters, each of which explores an aspect of storytelling that Pixar excels at. Learn what Pixar’s core story ideas all have in common, how they create compelling, moving conflict and what makes their films’ resolutions so emotionally satisfying.”

54. Plot & Structure: Techniques and Exercises for Crafting a Plot That Grips Readers from Start to Finish by James Scott Bell 

“How does plot influence story structure? What’s the difference between plotting for commercial and literary fiction? How do you revise a plot or structure that’s gone off course? With Write Great Fiction: Plot & Structure , you’ll discover the answers to these questions and more. Award-winning author James Scott Bell offers clear, concise information that will help you create a believable and memorable plot.”

“In this essay of literary autobiography, V. S. Naipaul sifts through memories of his childhood in Trinidad, his university days in England, and his earliest attempts at writing, seeking the experiences of life and reading that shaped his imagination and his growth as a writer.”

56. Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them by Francine Prose

“Long before there were creative-writing workshops and degrees, how did aspiring writers learn to write? By reading the work of their predecessors and contemporaries, says Francine Prose. In Reading Like a Writer , Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters.”

57. Romancing the Beat: Story Structure for Romance Novels (How to Write Kissing Books) by Gwen Hayes

“ Romancing the Beat is a recipe, not a rigid system. The beats don’t care if you plot or outline before you write, or if you pants your way through the drafts and do a ‘beat check’ when you’re revising. Pantsers and plotters are both welcome. So sit down, grab a cuppa, and let’s talk about kissing books.”

58. Save the Cat! The Last Book on Screenwriting You’ll Ever Need by Blake Snyder

“This ultimate insider’s guide reveals the secrets that none dare admit, told by a show biz veteran who’s proven that you can sell your script if you can save the cat!”

59. Scratch: Writers, Money, and the Art of Making a Living by Manjula Martin 

“In the literary world, the debate around writing and commerce often begs us to take sides: either writers should be paid for everything they do or writers should just pay their dues and count themselves lucky to be published. It’s an endless, confusing, and often controversial conversation that, despite our bare-it-all culture, still remains taboo. In Scratch , Manjula Martin has gathered interviews and essays from established and rising authors to confront the age-old question: how do creative people make money?”

“From concept to character, from opening scene to finished script, here are easily understood guidelines to help aspiring screenwriters—from novices to practiced writers—hone their craft.”

61. Singing School: Learning to Write (And Read) Poetry by Studying with the Masters by Robert Pinsky

“Quick, joyful, and playfully astringent, with surprising comparisons and examples, this collection takes an unconventional approach to the art of poetry. Instead of rules, theories, or recipes, Singing School emphasizes ways to learn from great work: studying magnificent, monumentally enduring poems and how they are made— in terms borrowed from the ‘singing school’ of William Butler Yeats’s ‘Sailing to Byzantium.'”

62. The Situation and the Story: The Art of Personal Narrative by Vivian Gornick

“Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.”

63. Slay the Dragon: Writing Great Video Games by Robert Denton Bryant and Keith Giglio

“Writing for the multibillion-dollar video-game industry is unlike writing for any other medium. Slay the Dragon will help you understand the challenges and offer creative solutions to writing for a medium where the audience not only demands a great story, but to be a driving force within it.”

64. Something to Declare by Julia Alvarez

“From the internationally acclaimed author of the bestselling novels In the Time of the Butterflies and How the García Girls Lost Their Accents comes a rich and revealing work of nonfiction capturing the life and mind of an artist as she knits together the dual themes of coming to America and becoming a writer.”

“This handbook is a short, deceptively simple guide to the craft of writing. Le Guin lays out ten chapters that address the most fundamental components of narrative, from the sound of language to sentence construction to point of view.”

66. Stein On Writing: A Master Editor of Some of the Most Successful Writers of Our Century Shares His Craft Techniques and Strategies by Sol Stein 

“With examples from bestsellers as well as from students’ drafts, Stein offers detailed sections on characterization, dialogue, pacing, flashbacks, trimming away flabby wording, the so-called ‘triage’ method of revision, using the techniques of fiction to enliven nonfiction, and more.”

67. Story Genius: How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel by Lisa Cron

“Takes you, step-by-step, through the creation of a novel from the first glimmer of an idea, to a complete multilayered blueprint—including fully realized scenes—that evolves into a first draft with the authority, richness, and command of a riveting sixth or seventh draft.”

68. Story Trumps Structure: How to Write Unforgettable Fiction by Breaking the Rules by Steven James

“All too often, following the ‘rules’ of writing can constrict rather than inspire you. With Story Trumps Structure , you can shed those rules – about three-act structure, rising action, outlining, and more – to craft your most powerful, emotional, and gripping stories.”

69. The Storytelling Animal: How Stories Make Us Human by Jonathan Gottschall

“Humans live in landscapes of make-believe. We spin fantasies. We devour novels, films, and plays. Even sporting events and criminal trials unfold as narratives. Yet the world of story has long remained an undiscovered and unmapped country. Now Jonathan Gottschall offers the first unified theory of storytelling. He argues that stories help us navigate life’s complex social problems–just as flight simulators prepare pilots for difficult situations. Storytelling has evolved, like other behaviors, to ensure our survival.”

“When it comes to writing books, are you a ‘plotter’ or a ‘pantser’? Is one method really better than the other? In this instructional book, author Libbie Hawker explains the benefits and technique of planning a story before you begin to write.”

71. TED Talks Storytelling: 23 Storytelling Techniques from the Best TED Talks by Akash Karia

“Essentially, the best speakers on the TED stage were the ones who had mastered the art of storytelling. They had mastered how to craft and present their stories in a way that allowed them to share their message with the world without seeming like they were lecturing their audience.”

72. This Is The Story of a Happy Marriage by Ann Patchett

“Blending literature and memoir, Ann Patchett, author of State of Wonder, Run, and Bel Canto , examines her deepest commitments—to writing, family, friends, dogs, books, and her husband—creating a resonant portrait of a life in This is the Story of a Happy Marriage. “

73. This Year You Write Your Novel by Walter Mosley

“No more excuses. ‘Let the lawn get shaggy and the paint peel from the walls,’ bestselling novelist Walter Mosley advises. Anyone can write a novel now, and in this essential book of tips, practical advice, and wisdom, Walter Mosley promises that the writer-in-waiting can finish it in one year.”

74. Thrill Me: Essays on Fiction by Benjamin Percy

“In fifteen essays on the craft of fiction, Percy looks to disparate sources such as Jaws , Blood Meridian, and The Girl with the Dragon Tattoo to discover how contemporary writers engage issues of plot, suspense, momentum, and the speculative, as well as character, setting, and dialogue. An urgent and entertaining missive on craft, Thrill Me brims with Percy’s distinctive blend of anecdotes, advice, and close reading, all in the service of one dictum: Thrill the reader.”

“Combining more than forty years of lessons from his storied career as a writer and professor, Lopate brings us this highly anticipated nuts-and-bolts guide to writing literary nonfiction. A phenomenal master class shaped by Lopate’s informative, accessible tone and immense gift for storytelling, To Show and To Tell reads like a long walk with a favorite professor—refreshing, insightful, and encouraging in often unexpected ways.”

76. The Tough Guide to Fantasyland: The Essential Guide to Fantasy Travel by Diana Wynne Jones

“Imagine that all fantasy novels—the ones featuring dragons, knights, wizards, and magic—are set in the same place. That place is called Fantasyland. The Tough Guide to Fantasyland is your travel guide, a handbook to everything you might find: Evil, the Dark Lord, Stew, Boots (but not Socks), and what passes for Economics and Ecology. Both a hilarious send-up of the cliches of the genre and an indispensable guide for writers.”

77. Unless It Moves the Human Heart: The Craft and Art of Writing by Roger Rosenblatt

“The revered novelist, essayist, playwright, and respected writing teacher offers a guidebook for aspiring authors, a memoir, and an impassioned argument for the necessity of writing in our world.”

78. Upstream by Mary Oliver

“Throughout this collection, Oliver positions not just herself upstream but us as well as she encourages us all to keep moving, to lose ourselves in the awe of the unknown, and to give power and time to the creative and whimsical urges that live within us.”

79. Video Game Storytelling: What Every Developer Needs to Know about Narrative Techniques by Evan Skolnick 

“Game writer and producer Evan Skolnick provides a comprehensive yet easy-to-follow guide to storytelling basics and how they can be applied at every stage of the development process—by all members of the team.”

“In this classic book, Madeleine L’Engle addresses the questions, What makes art Christian? What does it mean to be a Christian artist? What is the relationship between faith and art? Through L’Engle’s beautiful and insightful essay, readers will find themselves called to what the author views as the prime tasks of an artist: to listen, to remain aware, and to respond to creation through one’s own art.”

81. The Way of the Writer: Reflections on the Art and Craft of Storytelling by Charles Johnson

“Johnson shares his lessons and exercises from the classroom, starting with word choice, sentence structure, and narrative voice, and delving into the mechanics of scene, dialogue, plot and storytelling before exploring the larger questions at stake for the serious writer. What separates literature from industrial fiction? What lies at the heart of the creative impulse? How does one navigate the literary world? And how are philosophy and fiction concomitant?”

82. What I Talk About When I Talk About Running by Haruki Murakami

“While simply training for New York City Marathon would be enough for most people, Haruki Murakami’s decided to write about it as well. The result is a beautiful memoir about his intertwined obsessions with running and writing, full of vivid memories and insights, including the eureka moment when he decided to become a writer.”

83. What Moves at the Margin by Toni Morrison

“Collects three decades of Toni Morrison’s writings about her work, her life, literature, and American society. The works included in this volume range from 1971, when Morrison was a new editor at Random House and a beginning novelist, to 2002 when she was a professor at Princeton University and Nobel Laureate. These works provide a unique glimpse into Morrison’s viewpoint as an observer of the world, the arts, and the changing landscape of American culture.”

84. Where the Past Begins: A Writer’s Memoir by Amy Tan 

“By delving into vivid memories of her traumatic childhood, confessions of self-doubt in her journals, and heartbreaking letters to and from her mother, she gives evidence to all that made it both unlikely and inevitable that she would become a writer. Through spontaneous storytelling, she shows how a fluid fictional state of mind unleashed near-forgotten memories that became the emotional nucleus of her novels.”

“This all-new definitive guide to writing imaginative fiction takes a completely novel approach and fully exploits the visual nature of fantasy through original drawings, maps, renderings, and exercises to create a spectacularly beautiful and inspiring object.”

86. Woolgathering by Patti Smith

“A great book about becoming an artist, Woolgathering tells of a youngster finding herself as she learns the noble vocation of woolgathering, ‘a worthy calling that seemed a good job for me.’ She discovers―often at night, often in nature―the pleasures of rescuing ‘a fleeting thought.’ Deeply moving, Woolgathering calls up our own memories, as the child ‘glimpses and gleans, piecing together a crazy quilt of truths.'”

87. Words for Pictures: The Art and Business of Writing Comics and Graphic Novels by Brian Michael Bendis

“One of the most popular writers in modern comics, Brian Michael Bendis reveals the tools and techniques he and other top creators use to create some of the most popular comic book and graphic novel stories of all time.”

88. Write Naked: A Bestseller’s Secrets to Writing Romance & Navigating the Path to Success by Jennifer Probst

“Learn how to transform your passion for writing into a career. New York Times best-selling author Jennifer Probst reveals her pathway to success, from struggling as a new writer to signing a seven-figure deal. Write Naked intermingles personal essays on craft with down-to-earth advice on writing romance in the digital age.”

89. Write Your Novel in a Month: How to Complete a First Draft in 30 Days and What to Do Next by Jeff Gerke

“Author and instructor Jeff Gerke has created the perfect tool to show you how to prepare yourself to write your first draft in as little as 30 days. With Jeff’s help, you will learn how to organize your ideas, create dynamic stories, develop believable characters, and flesh out the idea narrative for your novel–and not just for the rapid-fire first draft.”

“Explores the powerful relationship between mythology and storytelling in a clear, concise style that’s made it required reading for movie executives, screenwriters, playwrights, scholars, and fans of pop culture all over the world.”

91. Writer’s Market 2018: The Most Trusted Guide to Getting Published by Robert Lee Brewer

“Want to get published and paid for your writing? Let Writer’s Market guide you through the process with thousands of publishing opportunities for writers, including listings for book publishers, consumer and trade magazines, contests and awards, and literary agents. These listings feature contact and submission information to help writers get their work published.”

92. Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg

“For more than thirty years Natalie Goldberg has been challenging and cheering on writers with her books and workshops. In her groundbreaking first book, she brings together Zen meditation and writing in a new way. Writing practice, as she calls it, is no different from other forms of Zen practice—’it is backed by two thousand years of studying the mind.'”

93. Writing Hard Stories: Celebrated Memoirists Who Shaped Art from Trauma by Melanie Brooks

“What does it take to write an honest memoir? And what happens to us when we embark on that journey? Melanie Brooks sought guidance from the memoirists who most moved her to answer these questions. Called an essential book for creative writers by Poets & Writers, Writing Hard Stories is a unique compilation of authentic stories about the death of a partner, parent, or child; about violence and shunning; and about the process of writing.”

94. The Writing Life by Annie Dillard

“Slender though it is, The Writing Life richly conveys the torturous, tortuous, and in rare moments, transcendent existence of the writer. Amid moving accounts of her own writing (and life) experiences, Dillard also manages to impart wisdom to other writers, wisdom having to do with passion and commitment and taking the work seriously.”

“Culled from ten years of the distinguished Washington Post column of the same name, The Writing Life highlights an eclectic group of luminaries who have wildly varied stories to tell, but who share this singularly beguiling career. Here are their pleasures as well as their peeves; revelations of their deepest fears; dramas of triumphs and failures; insights into the demands and rewards.”

96. Writing Magic: Creating Stories That Fly by Gail Caron Levine

“Gail Carson Levine shows how you can get terrific ideas for stories, invent great beginnings and endings, write sparkling dialogue, develop memorable characters—and much, much more. She advises you about what to do when you feel stuck—and how to use helpful criticism. Best of all, she offers writing exercises that will set your imagination on fire.”

97. Writing Tools: 55 Essential Strategies for Every Writer by Roy Peter Clark 

“Ten years ago, Roy Peter Clark, America’s most influential writing teacher, whittled down almost thirty years of experience in journalism, writing, and teaching into a series of fifty short essays on different aspects of writing. In the past decade, Writing Tools has become a classic guidebook for novices and experts alike and remains one of the best loved books on writing available.”

98. Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person by Shonda Rhimes

“This poignant, intimate, and hilarious memoir explores Shonda’s life before her Year of Yes —from her nerdy, book-loving childhood to her devotion to creating television characters who reflected the world she saw around her. The book chronicles her life after her Year of Yes had begun—when Shonda forced herself out of the house and onto the stage; when she learned to explore, empower, applaud, and love her truest self. Yes.”

99. Your Creative Writing Masterclass by Jergen Wolff

“If you dream of being a writer, why not learn from the best? In Your Creative Writing Masterclass you’ll find ideas, techniques and encouragement from the most admired and respected contemporary and classic authors, including Charles Dickens, Jane Austen and Anton Chekhov.”

“Part memoir, part philosophical guide, the essays in this book teach the joy of writing. Rather than focusing on the mechanics of putting words on paper, Bradbury’s zen is found in the celebration of storytelling that drove him to write every day. Imparting lessons he has learned over the course of his exuberant career, Bradbury inspires with his infectious enthusiasm.”

Writing is a big messy topic, so obviously I’ll have missed some of your favorite and best books on writing. Make sure to hit the comments to talk about your favorite books about the writing life and craft. Find more of our posts on the writing life here .

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A Professor's Guide to Writing Essays: The No-Nonsense Plan for Better Writing Paperback – November 3, 2016

• Print length 118 pages
• Language English
• Publication date November 3, 2016
• Dimensions 6 x 0.3 x 9 inches
• ISBN-10 0692822526
• ISBN-13 978-0692822524
• See all details

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Product details

• Publisher ‏ : ‎ Jacob Neumann; Standard Edition (November 3, 2016)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 118 pages
• ISBN-10 ‏ : ‎ 0692822526
• ISBN-13 ‏ : ‎ 978-0692822524
• Item Weight ‏ : ‎ 7.2 ounces
• Dimensions ‏ : ‎ 6 x 0.3 x 9 inches
• #16 in Study Skills (Books)
• #221 in Education Theory (Books)

About the author

Jacob neumann.

Jacob Neumann has been teaching since 1996. He has taught at all levels, from early childhood to the university. He currently works as an associate professor at The University of Texas Rio Grande Valley, where he teaches teacher education classes. He also publishes research on effective teaching methods, teacher knowledge, and educational theory. One of the main goals in his work is to help people become better writers and better teachers.

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Writing a strong essay can make a huge difference in job and college applications. Here are 15 online classes and books to learn how to do it.

When you buy through our links, Business Insider may earn an affiliate commission. Learn more

• Communicating ideas in a clear way is a crucial life skill no matter which field you work in.
• Writing personal essays can help perfect your storytelling and presentation skills.
• Below are 15 online classes, books, podcasts, and resources to start with.

Everyone has a story, but not everyone knows how to tell their story. One place to start is finding the perfect container for your experiences and insights. Enter: the personal essay. 

Well-crafted essays mark the difference between a meandering group of paragraphs and a clear, resonant idea. Almost every occupation can benefit from stronger communication, research, and persuasion skills — all of which can be sharpened from essay writing classes.

Think about the application prompts you've muddled through or the chances for publication you've felt too intimidated to attempt. The confidence to explore a topic, land on a perspective, and express it effectively is universally valuable, whether you're writing a personal statement for college, crafting a cover letter for a new job, or giving a presentation at work. 

The essay writing resources below range from 200-page books to eight-week online courses. Some require submitting original work to receive feedback, while others are prompts meant to inspire new ideas. 

15 essay writing online courses, workshops, and books to strengthen your storytelling skills: 

For the basics.

How to Write a Personal Essay (CreativeLive)

Joyce Maynard is a celebrated memoirist and personal essayist who knows what it takes to get an essay noticed for publication. In five hours of video instruction, students will learn how to identify ideas that could become pieces, how to build an outline, create an interesting character, and even end an essay to emphasize the final discovery. With a review rating of 100% from former students, this course is the perfect place to start your next essay. 

How to Write an Essay (edX)

This UC Berkeley class hones in on the hidden mechanisms of essays. The five-week course is more academic than creative, but ideal for those hoping to write with immaculate grammar and rigorous self-editing habits. The course (which is free to audit) provides both instructional videos and readings, and students will produce one essay as a takeaway from the class. 

Memoir and Personal Essay: Write About Yourself Specialization (Coursera)

Presented by Wesleyan University, this four-month specialization is instructed by four published essayists and memoirists. Through 16 writing assignments across four courses, students develop an approach to their own storytelling skills. And for those looking to take their writing out of the classroom, this course leaves you with a portfolio of work upon completion. 

"The Situation and The Story" by Vivian Gornick

Drawing on her experience from teaching MFA programs, Vivian Gornick challenges the writer to step back and evaluate their role in relation to the work. Are they the same person as the narrator? What details matter to the story? It's an invitation to look below the surface of life as it unfolds and ask questions of larger significance. The book is short, but explores diverse greats of the genre, from Joan Didion to Oscar Wilde. 

For coming up with ideas

Creative Writing for All: A 10-Day Journaling Challenge (Skillshare)

Seasoned journalist, novelist, and publisher Emily Gould only wants ten minutes of your time a day. In a 10-day course described as "perfect for writers and enthusiasts eager to rekindle creativity in a personal and artful way," she packs in countless creative prompts and revision tricks. It's great for writers who are crunched for time and looking to discover a new topic right under their nose.

The New York Times' Writing Prompts

This archive of questions inspired by the NYT's own stories is a perfect place to start, since jumping in can often feel like the hardest part. The Learning Network is targeted towards students, but the conversations following each prompt can be helpful for writers of all ages. After all, many essays begin as questions. Why not borrow some from the Times? 

Personal Essay Independent Study: Generating Fresh Ideas for the Personal Essay (Catapult)

Writing from life can make it difficult to be objective. What's interesting? What could become a full length essay? Led by essayist and editor Lilly Dancyger , this independent study is the perfect place to start coming up with fresh ideas. Self-guided, with three separate lessons ranging in topics from perspective to conversation, is an ideal fit for new writers looking to demystify the craft of storytelling via essays.  

"Writing Down the Bones" by Natalie Goldberg

The best writers are always avid readers and this book is a great start. With over one million copies sold and translations in 12 languages, it's hard to deny the creative jumpstart writers find from "Writing Down the Bones." The tone of the book is conversational and approachable, and it's full of compelling personal narratives and prompts. Goldberg integrates tenets of Zen meditation with writing in order to create what she coins a "Writing Practice." The practice includes self-interrogation, creating a specific space, and carving out time to read. 

For developing style

Creative Writing: Crafting Personal Essays with Impact (Skillshare)

Let The New York Times bestselling author and revered professor Roxane Gay inspire your writing to ask questions of deep resonance. Her one-hour masterclass is an insightful lesson on transforming your personal essay with cultural context. Learn how to take yourself (and your essay) seriously by expanding your story and connecting with the audience you want to reach. The class comes with a downloadable worksheet and links to additional resources. 

David Sedaris Teaches Humor and Storytelling (MasterClass)

No one writes humor like David Sedaris . With 10 bestselling essay collections under his belt, there's hardly a more qualified teacher. In his MasterClass, he explores how to pull meaning out of the mundane, how humor helps us move through the dark subjects of our stories, and how everything depends on an attention-grabbing opening. Prepare to learn, laugh, and be charmed for over three hours of his beautifully shot video lessons.

Begin with the Body (Skillshare)

Chelsea Hodson's essays have been described as, " anchors for the themes  —  identity, sexuality, loss  —  we so often see reflected back at us ." In under 45 minutes, you'll be inspired to examine a strong starting point for any essay — your own body. Plus, Hodson's demonstration of her editing process in real time and analysis of other creative works leaves you with no excuse but to, as she says, "write without expectation." She also occasionally offers feedback on essays submitted through the class.

For practice and feedback

8-Week Personal Essay & Memoir Writing (Sackett Street Writers)

For writers with some experience or an essay ready to be workshopped, writing workshops like Sackett Street 's are an excellent option. This particular class is taught by published author Anna Qu , exploring the responsibility of nonfiction writing while learning literary techniques to create a compelling story. On top of Qu's guidance, the comradery with fellow students, even online, can lead to new perspectives and creative inspiration through in-class writing prompts.

"Bird by Bird: Some Instructions on Writing and Life" by Anne Lamott

Few books reign supreme when it comes to authors' favorites "books on books" like "Bird by Bird." Lamott's down-to-earth, homespun advice on life and writing has sold over a million copies. Simultaneously practical and profound, the book leans on the basic tenet that the most important practice is sitting down every day and simply writing. As Lamott writes: "One of the gifts of being a writer is that it gives you an excuse to do things, to go places and explore. Another is that writing motivates you to look closely at life, at life as it lurches by and tramps around."

Memoir Monday (Substack)

Every Monday, a collection of the best essays published the previous week on sites like Granta, Longreads, and Literary Hub are mailed directly to your inbox. A monthly reading series, plus interviews with notable authors provide a dose of inspiration and a curated look at up and coming work. 

WMFA Podcast hosted by Courtney Balestier

" Writing can be lonely work ," and this podcast sees conversation as a combatant to that problem. Writers across all genres and walks of life are interviewed by writer Courtney Balestier , and talks range from craft practices to book recommendations. There's also a minisode (around five minutes) on a single topic, like paying attention or restraint, released every other week. The conversation continues in a monthly newsletter featuring links, news, and recommendations. 

• Main content

Writing to Learn: How to Write--And Think--Clearly about Any Subject at All

William zinsser.

272 pages, Paperback

First published January 1, 1988

About the author

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Humor is the most perilous of writing forms, full of risk; to make a vocation of brightening the reader’s day is an act of continuing gallantry.

Why, then, would anyone in his right mind want to be a writing teacher? The answer is that writing teachers aren’t altogether in their right mind. They are in one of the caring professions, no more sane in the allotment of their time and energy than the social worker or the day care worker or the nurse.

I never stopped to ask, “Who is the typical Yale alumnus? Who am I editing for?” One of my principles is that there is no typical anybody; every reader is different. I edit for myself and I write for myself. I assume that if I consider something interesting or funny, a certain number of other people will too. . . . Meanwhile I draw on two sources of energy that I commend to anyone trying to survive in this vulnerable craft: confidence and ego. If you don’t have confidence in what you’re doing you might as well not do it. (25) Whenever I embark on a story so overloaded with good material I despair of ever getting to the end—of covering the ground I know I’ll need to cover to tell the story right. In my gloom it helps me to remember two things. One is that writing is linear and sequential. If sentence B logically follows sentence A, and if sentence C logically follows sentence B, I’ll eventually get to sentence Z. I also try to remember that the reader should be given only as much information as he needs and not one word more. Anything else is a self-indulgence. (33–34) Achieving a decent piece of writing is such a difficult task that it often strikes the reader as having been just that: a task. It accomplishes its purpose, and perhaps we shouldn’t ask for anything more. But we do. We wish the writer had had a better time—or at least had given us that impression. . . . Writing is a craft, and a writer is someone who goes to work every day with his tools, like the carpenter or the television repairman, no matter how he feels, and if one of the things he wants to produce by 6 p.m. is a sense of enjoyment in his writing, he must generate it by an act of will. Nobody else is going to do it for him. (73, 75)

Such self-pity would have been despised by Mr. Spicer; emotions have no place in mathematics. He was one of those people who have “a head for figures,” instantly certain that twelve times nine is—well, whatever it is. Confronted with a student who was unable to produce the right answer, he would begin to turn red, a man betrayed by his vascular system, until his round face and bald head were crimson with disbelief that such dim-wittedness was at large in the next generation. (150)

I asked Thomas Gover how to get to Gustavus Adolphus. He said that if I flew to Minneapolis he would meet me at the airport. I said I’d see him there.

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• Knowledge Base

The Beginner's Guide to Writing an Essay | Steps & Examples

An academic essay is a focused piece of writing that develops an idea or argument using evidence, analysis, and interpretation.

There are many types of essays you might write as a student. The content and length of an essay depends on your level, subject of study, and course requirements. However, most essays at university level are argumentative — they aim to persuade the reader of a particular position or perspective on a topic.

The essay writing process consists of three main stages:

• Preparation: Decide on your topic, do your research, and create an essay outline.
• Writing : Set out your argument in the introduction, develop it with evidence in the main body, and wrap it up with a conclusion.
• Revision:  Check your essay on the content, organization, grammar, spelling, and formatting of your essay.

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Table of contents

Essay writing process, preparation for writing an essay, writing the introduction, writing the main body, writing the conclusion, essay checklist, lecture slides, frequently asked questions about writing an essay.

The writing process of preparation, writing, and revisions applies to every essay or paper, but the time and effort spent on each stage depends on the type of essay .

For example, if you’ve been assigned a five-paragraph expository essay for a high school class, you’ll probably spend the most time on the writing stage; for a college-level argumentative essay , on the other hand, you’ll need to spend more time researching your topic and developing an original argument before you start writing.

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Before you start writing, you should make sure you have a clear idea of what you want to say and how you’re going to say it. There are a few key steps you can follow to make sure you’re prepared:

• Understand your assignment: What is the goal of this essay? What is the length and deadline of the assignment? Is there anything you need to clarify with your teacher or professor?
• Define a topic: If you’re allowed to choose your own topic , try to pick something that you already know a bit about and that will hold your interest.
• Do your research: Read  primary and secondary sources and take notes to help you work out your position and angle on the topic. You’ll use these as evidence for your points.
• Come up with a thesis:  The thesis is the central point or argument that you want to make. A clear thesis is essential for a focused essay—you should keep referring back to it as you write.
• Create an outline: Map out the rough structure of your essay in an outline . This makes it easier to start writing and keeps you on track as you go.

Once you’ve got a clear idea of what you want to discuss, in what order, and what evidence you’ll use, you’re ready to start writing.

The introduction sets the tone for your essay. It should grab the reader’s interest and inform them of what to expect. The introduction generally comprises 10–20% of the text.

1. Hook your reader

The first sentence of the introduction should pique your reader’s interest and curiosity. This sentence is sometimes called the hook. It might be an intriguing question, a surprising fact, or a bold statement emphasizing the relevance of the topic.

Let’s say we’re writing an essay about the development of Braille (the raised-dot reading and writing system used by visually impaired people). Our hook can make a strong statement about the topic:

The invention of Braille was a major turning point in the history of disability.

2. Provide background on your topic

Next, it’s important to give context that will help your reader understand your argument. This might involve providing background information, giving an overview of important academic work or debates on the topic, and explaining difficult terms. Don’t provide too much detail in the introduction—you can elaborate in the body of your essay.

3. Present the thesis statement

Next, you should formulate your thesis statement— the central argument you’re going to make. The thesis statement provides focus and signals your position on the topic. It is usually one or two sentences long. The thesis statement for our essay on Braille could look like this:

As the first writing system designed for blind people’s needs, Braille was a groundbreaking new accessibility tool. It not only provided practical benefits, but also helped change the cultural status of blindness.

4. Map the structure

In longer essays, you can end the introduction by briefly describing what will be covered in each part of the essay. This guides the reader through your structure and gives a preview of how your argument will develop.

The invention of Braille marked a major turning point in the history of disability. The writing system of raised dots used by blind and visually impaired people was developed by Louis Braille in nineteenth-century France. In a society that did not value disabled people in general, blindness was particularly stigmatized, and lack of access to reading and writing was a significant barrier to social participation. The idea of tactile reading was not entirely new, but existing methods based on sighted systems were difficult to learn and use. As the first writing system designed for blind people’s needs, Braille was a groundbreaking new accessibility tool. It not only provided practical benefits, but also helped change the cultural status of blindness. This essay begins by discussing the situation of blind people in nineteenth-century Europe. It then describes the invention of Braille and the gradual process of its acceptance within blind education. Subsequently, it explores the wide-ranging effects of this invention on blind people’s social and cultural lives.

Write your essay introduction

The body of your essay is where you make arguments supporting your thesis, provide evidence, and develop your ideas. Its purpose is to present, interpret, and analyze the information and sources you have gathered to support your argument.

Length of the body text

The length of the body depends on the type of essay. On average, the body comprises 60–80% of your essay. For a high school essay, this could be just three paragraphs, but for a graduate school essay of 6,000 words, the body could take up 8–10 pages.

Paragraph structure

To give your essay a clear structure , it is important to organize it into paragraphs . Each paragraph should be centered around one main point or idea.

That idea is introduced in a  topic sentence . The topic sentence should generally lead on from the previous paragraph and introduce the point to be made in this paragraph. Transition words can be used to create clear connections between sentences.

After the topic sentence, present evidence such as data, examples, or quotes from relevant sources. Be sure to interpret and explain the evidence, and show how it helps develop your overall argument.

Lack of access to reading and writing put blind people at a serious disadvantage in nineteenth-century society. Text was one of the primary methods through which people engaged with culture, communicated with others, and accessed information; without a well-developed reading system that did not rely on sight, blind people were excluded from social participation (Weygand, 2009). While disabled people in general suffered from discrimination, blindness was widely viewed as the worst disability, and it was commonly believed that blind people were incapable of pursuing a profession or improving themselves through culture (Weygand, 2009). This demonstrates the importance of reading and writing to social status at the time: without access to text, it was considered impossible to fully participate in society. Blind people were excluded from the sighted world, but also entirely dependent on sighted people for information and education.

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The conclusion is the final paragraph of an essay. It should generally take up no more than 10–15% of the text . A strong essay conclusion :

• Returns to your thesis
• Ties together your main points
• Shows why your argument matters

A great conclusion should finish with a memorable or impactful sentence that leaves the reader with a strong final impression.

What not to include in a conclusion

To make your essay’s conclusion as strong as possible, there are a few things you should avoid. The most common mistakes are:

• Including new arguments or evidence
• Undermining your arguments (e.g. “This is just one approach of many”)
• Using concluding phrases like “To sum up…” or “In conclusion…”

Braille paved the way for dramatic cultural changes in the way blind people were treated and the opportunities available to them. Louis Braille’s innovation was to reimagine existing reading systems from a blind perspective, and the success of this invention required sighted teachers to adapt to their students’ reality instead of the other way around. In this sense, Braille helped drive broader social changes in the status of blindness. New accessibility tools provide practical advantages to those who need them, but they can also change the perspectives and attitudes of those who do not.

Write your essay conclusion

Checklist: Essay

My essay follows the requirements of the assignment (topic and length ).

My introduction sparks the reader’s interest and provides any necessary background information on the topic.

My introduction contains a thesis statement that states the focus and position of the essay.

I use paragraphs to structure the essay.

I use topic sentences to introduce each paragraph.

Each paragraph has a single focus and a clear connection to the thesis statement.

I make clear transitions between paragraphs and ideas.

My conclusion doesn’t just repeat my points, but draws connections between arguments.

I don’t introduce new arguments or evidence in the conclusion.

I have given an in-text citation for every quote or piece of information I got from another source.

I have included a reference page at the end of my essay, listing full details of all my sources.

My citations and references are correctly formatted according to the required citation style .

My essay has an interesting and informative title.

I have followed all formatting guidelines (e.g. font, page numbers, line spacing).

Your essay meets all the most important requirements. Our editors can give it a final check to help you submit with confidence.

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An essay is a focused piece of writing that explains, argues, describes, or narrates.

In high school, you may have to write many different types of essays to develop your writing skills.

Academic essays at college level are usually argumentative : you develop a clear thesis about your topic and make a case for your position using evidence, analysis and interpretation.

The structure of an essay is divided into an introduction that presents your topic and thesis statement , a body containing your in-depth analysis and arguments, and a conclusion wrapping up your ideas.

The structure of the body is flexible, but you should always spend some time thinking about how you can organize your essay to best serve your ideas.

Your essay introduction should include three main things, in this order:

• An opening hook to catch the reader’s attention.
• Relevant background information that the reader needs to know.
• A thesis statement that presents your main point or argument.

The length of each part depends on the length and complexity of your essay .

A thesis statement is a sentence that sums up the central point of your paper or essay . Everything else you write should relate to this key idea.

The thesis statement is essential in any academic essay or research paper for two main reasons:

• It gives your writing direction and focus.
• It gives the reader a concise summary of your main point.

Without a clear thesis statement, an essay can end up rambling and unfocused, leaving your reader unsure of exactly what you want to say.

A topic sentence is a sentence that expresses the main point of a paragraph . Everything else in the paragraph should relate to the topic sentence.

At college level, you must properly cite your sources in all essays , research papers , and other academic texts (except exams and in-class exercises).

Add a citation whenever you quote , paraphrase , or summarize information or ideas from a source. You should also give full source details in a bibliography or reference list at the end of your text.

The exact format of your citations depends on which citation style you are instructed to use. The most common styles are APA , MLA , and Chicago .

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Writers on Writing: 20 Best Essays on Writing from Famous Authors

By Jason Boyd

Updated August 7, 2021

What better way to learn about writing novels, short stories, or any creative work than from essays on writing from legendary writers.

Whether you’re gearing up for your first run at a novel ( NaNoWriMo approaches) or looking for a tune-up before embarking on your umpteenth creative writing project, you need inspiration.

May as well be inspired by the best. And maybe be taught a thing or two along the way!

Books vs Essays on Writing Fiction

Why did we choose essays?

Firstly, we certainly may write an article in the future on books from writers on writing. So, there’s no harm in leaving that topic to the side.

But chiefly, our concern is wanting to lend a hand that can be used right now. Right away. With speed.

An essay can be read in a sitting or on the way from one thing to the next, but a book is a time investment. We wanted the delivery to be quick.

Not only do we live in a fast paced world, it can be a bit of a waste to read an entire book about writing a book. Most writers would likely say you’re better off reading a great novel. Or writing one.

Not that we discourage books or any written work on the subject of writing. We don’t . But we wanted a solution for the busy working class person looking to learn the craft.

Someone with limited time but boundless spirit.

This is for you.

20 Essays from Famous Writers on Writing Fiction

We chose to not repeat authors, although quite a few writers that made this list penned multiple essays worth reading.

We picked our favorite and tried to mention the other noteworthy reads somewhere in their entry.

So, without further ado, let’s take a look at our selection of essays from writers on writing.

20) Quick Cuts: The Novel Follows Film Into a World of Fewer Words by E.L. Doctorow

E.L. Doctorow , noted essayist and author of Ragtime , is no stranger to Hollywood.

With many adaptations under his belt, including Ragtime and Billy Bathgate , Doctorow is well suited to discuss the differences between film and literature.

This essay, published in The New York Times , opines on the changes in literature since the advent of the motion picture.

Notable differences include quickening of pace, shortening of exposition, and more personal narratives.

It’s an especially fine read for anyone looking to find distinction between the disciplines of screenwriting and prose.

Brief Excerpt, “Quick Cuts: The Novel Follows Film Into a World of Fewer Words”

“Beyond that, the rise of film art is coincident with the tendency of novelists to conceive of compositions less symphonic and more solo voiced, intimate personalist work expressive of the operating consciousness. A case could be made that the novel’s steady retreat from realism is as much a result of film’s expansive record of the way the world looks as it is of the increasing sophistications of literature itself.” E.L. Doctorow

19) The Ecstasy of Influence by Jonathan Lethem

Jonathan Lethem , author of Motherless Brooklyn , is known for his blending of multiple genres.

It only makes sense that he should write so eloquently on the power and responsibility of using influences in original work.

This essay, published originally in Harper’s Magazine , explores the challenges artists face when composing something that pays homage or outright borrows from older works. 

Where does one draw the line between plagiarism and inspiration?

Brief Excerpt, “The Ecstasy of Influence”

“Blues and jazz musicians have long been enabled by a kind of ‘open source’ culture, in which pre-existing melodic fragments and larger musical frameworks are freely reworked. Technology has only multiplied the possibilities; musicians have gained the power to duplicate sounds literally rather than simply approximate them through allusion. In Seventies Jamaica, King Tubby and Lee ‘Scratch’ Perry deconstructed recorded music, using astonishingly primitive pre-digital hardware, creating what they called ‘versions.’ The recombinant nature of their means of production quickly spread to DJs in New York and London. Today an endless, gloriously impure, and fundamentally social process generates countless hours of music.” Jonathan Lethem

18) Tradition and the Individual Talent by T.S. Eliot

Pulitzer Prize-winning poet T.S. Eliot , writer of The Waste Land and Four Quartets , is as known for his literary criticism and influence as an editor than for his original work.

Thus, it makes sense to include his essay on writing in a vacuum, or rather, the impossibility of such a feat. The literary equivalent of Sir Isaac Newton ‘s phrase “ standing upon the shoulders of giants ,” Eliot’s essay actually caused quite a stir at the time. 

Much like everything in the life of T.S. Eliot.

This essay, hosted now by the Poetry Foundation and originally collected in The Sacred Wood: Essays on Poetry and Criticism , nearly creates an ouroboros effect. 

A “writers on writing” essay from a writer talking about writers writing on the heels of other writers.

Sorry, we couldn’t resist.

Brief Excerpt, “Tradition and the Individual Talent”

“No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead. I mean this as a principle of aesthetic, not merely historical, criticism. The necessity that he shall conform, that he shall cohere, is not onesided; what happens when a new work of art is created is something that happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves, which is modified by the introduction of the new (the really new) work of art among them.” T.S. Eliot

17) On Style by Susan Sontag

Legendary essayist and activist Susan Sontag , author of In America , exudes a confident personal style.

Sontag is a bit of a Renaissance woman: professor of philosophy, journalist, novelist, playwright, photographer, and much more. To boot, she did this during divisive times, starting in the early 1960s.

It makes sense that we should pay attention to her thoughts on style, especially as she argues for its close juxtaposition to artistic norms. 

In “ On Style ,” published in Against Interpretation and Other Essays , Sontag attempts to differentiate style from content.

Perhaps too academic for some beginners, this essay nonetheless helps to shake up preconceptions on the purpose of style in modern writing.

Brief Excerpt, “On Style”

“This means that the notion of style, generically considered, has a specific, historical meaning. It is not only that styles belong to a time and a place; and that our perception of the style of a given work of art is always charged with an awareness of the work’s historicity, its place in a chronology. Further: the visibility of styles is itself a product of historical consciousness. Were it not for departures from, or experimentation with, previous artistic norms which are known to us, we could never recognize the profile of a new style.” Susan Sontag

16) Reflections on Writing by Henry Miller

Author of the infamously banned Tropic of Cancer , Henry Miller blurs the line between autobiography and fiction.

“Miller’s revolution, though, was not a political one,” writes Ralph B. Sipper in the Los Angeles Times’ Miller’s Tale: Henry Hits 100 . “It was the wedding of his life and his art. Actual and imagined experiences became indistinguishable from each other.”

This aspect of the legend’s style lends itself well to Henry Miller’s overarching essay, a true reflection , about a life spent writing.

Brief Excerpt, “Reflections on Writing”

“I believe that one has to pass beyond the sphere and influence of art. Art is only a means to life, to the life more abundant. It is not in itself the life more abundant. It merely points the way, something which is overlooked not only by the public, but very often by the artist himself. In becoming an end it defeats itself. Most artists are defeating life by their very attempt to grapple with it. They have split the egg in two. All art, I firmly believe, will one day disappear. But the artist will remain, and life itself will become not ‘an art,’ but art, i.e., will definitely and for all time usurp the field. In any true sense we are certainly not yet alive.” Henry Miller

15) Fairy Tale Is Form, Form Is Fairy Tale by Kate Bernheimer

Writer, editor, and critic Kate Bernheimer knows a thing or two about fairy tales.

She’s the founder and editor of the journal Fairy Tale Review , editor of numerous collections on the subject, and an author of fairy tales herself.

So, when Kate Bernheimer talks about fairy tales, you listen. Her essay “ Fairy Tale is Form, Form is Fairy Tale ” explores the underlying structure of fairy tales and its prevalence in much more than old Brothers Grimm stories. 

Brief Excerpt, “Fairy Tale Is Form, Form Is Fairy Tale”

“Perhaps if we recognize the pleasure in form that can be derived from fairy tales, we might be able to move beyond a discussion of who has more of a claim to the ‘realistic’ or the classical in contemporary letters. An increased appreciation of the techniques in fairy tales not only forges a mutual appreciation between writers from so-called mainstream and avant-garde traditions but also, I would argue, connects all of us in the act of living.” Kate Bernheimer

14) Uncanny the Singing That Comes from Certain Husks by Joy Williams

Author of State of Grace and Pulitzer-prize finalist The Quick and the Dead , novelist, essayist, and short story writer Joy Williams could certainly be considered a writer’s writer.

It makes her especially suited to answer the age old question: why do writers write?

In her essay meditating upon the impetus to write, “ Uncanny the Singing That Comes from Certain Husks ,” collected first in the anthology Why I Write: Thoughts on the Craft of Fiction , Williams offers several perspectives.

While there are no clear, definitive answers, burgeoning writers may find solace in the seemingly ubiquitous search for meaning.

Brief Excerpt, “Uncanny the Singing That Comes from Certain Husks” by Joy Williams

“The writer doesn’t trust his enemies, of course, who are wrong about his writing, but he doesn’t trust his friends, either, who he hopes are right. The writer trusts nothing he writes—it should be too reckless and alive for that, it should be beautiful and menacing and slightly out of his control. It should want to live itself somehow. The writer dies—he can die before he dies, it happens all the time, he dies as a writer—but the work wants to live.” Joy Williams

13) The Fringe Benefits of Failure, and the Importance of Imagination by J.K. Rowling

You might say J.K. Rowling knows a thing or two about imagination.

What some casual readers–or even fans–of the Harry Potter author might not know is that Rowling faced poverty and abject failure before finding publishing success.

This combination made for the perfect 2008 commencement speech at Harvard University . Although not an essay at first, the speech became a smash hit, garnering the most views of all Harvard commencement addresses . 

And, appropriately so, it was later printed as an essay/e-book titled Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination .

Sure to inspire, and possibly soothe or reassure, the speech and resulting transcription should be read by any aspiring writer.

Brief Excerpt, “The Fringe Benefits of Failure, and the Importance of Imagination”

“So why do I talk about the benefits of failure? Simply because failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one arena I believed I truly belonged. I was set free, because my greatest fear had been realised, and I was still alive, and I still had a daughter whom I adored, and I had an old typewriter and a big idea. And so rock bottom became the solid foundation on which I rebuilt my life.” J.K. Rowling

12) Write Till You Drop by Annie Dillard

Poet, essayist, memoirist, novelist, and critic Annie Dillard has a Pulitzer Prize for General Nonfiction to her name as well as finalist honors for the PEN/Faulkner Award for Fiction .

Add to this a bevy of published work, “ Write Till You Drop ” is certainly a motto Annie Dillard lives by. 

In her essay, the author of Pilgim at Tinker Creek offers up directives of great relevance for every writer. That’s because the essay’s crux, made plain in the title, is an urging to write. 

Yet, the nuance of the advice is what makes this essay especially motivating and highly recommended for any writing aspirant.

Brief Excerpt, “Write Till You Drop”

“Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case. What would you begin writing if you knew you would die soon? What could you say to a dying person that would not enrage by its triviality?” Annie Dillard

11) Why I Write by Joan Didion

National Book Award for Nonfiction winner and finalist for the Pulitzer Prize for Biography/Autobiography Joan Didion is a legend.

The author of The Year of Magical Thinking and Slouching Towards Bethlehem , Didion has been described as belonging to the school of New Journalism, which places an emphasis on narrative storytelling and literary techniques in order to communicate its facts.

As such an accomplished and versatile writer, Didion makes a singular subject for the age-old question of why do writers write . 

Just like any essay on the subject, Joan Didion’s take is irreplaceably useful for writers. If for no other reason than it frames the writing pursuit as a shared experience resplendent in multiple shades and colors. 

The effect being that of a warm and communal embrace.  

Brief Excerpt, “Why I Write”

“When I talk about pictures in my mind I am talking, quite specifically, about images that shimmer around the edges. There used to be an illustration in every elementary psychology book showing a cat drawn by a patient in varying stages of schizophrenia. This cat had a shimmer around it. You could see the molecular structure breaking down at the very edges of the cat: the cat became the background and the background the cat, everything interacting, exchanging ions. People on hallucinogens describe the same perception of objects. I’m not a schizophrenic, nor do I take hallucinogens, but certain images do shimmer for me.” Joan Didion

10) That Crafty Feeling by Zadie Smith

Author Zadie Smith bears nearly too many awards to count.

Beginning with White Teeth , her debut novel that took the critical world by storm, Zadie Smith established herself as one of the most noteworthy writers of the modern generation.

How appropriate then, that she spoke to the craft of writing in “ That Crafty Feeling ,” her lecture for students of the Columbia University writing program in March 2008. Smith later collected the speech in essay form in her book Changing My Mind: Occasional Essays .

In her essay, Smith explores many aspects of the writing process, making it a must-read for the sheer fact of learning the variances writers take to arrive at the written word.

Brief Excerpt, “That Crafty Feeling”

“Some writers won’t read a word of any novel while they’re writing their own. Not one word. They don’t even want to see the cover of a novel. As they write, the world of fiction dies: no one has ever written, no one is writing, no one will ever write again. Try to recommend a good novel to a writer of this type while he’s writing and he’ll give you a look like you just stabbed him in the heart with a kitchen knife. It’s a matter of temperament. Some writers are the kind of solo violinists who need complete silence to tune their instruments. Others want to hear every member of the orchestra—they’ll take a cue from a clarinet, from an oboe, even. I am one of those. My writing desk is covered in open novels.” Zadie Smith

9) The Poetic Principle by Edgar Allan Poe

Legendary American poet, critic, editor, and author Edgar Allan Poe knows how to move you.

In “ The Poetic Principle ,” the author of The Raven and The Fall of the House of Usher breaks down exactly how he achieves this feat.

The essay is a must-read for writers not because one should necessarily follow Edgar Allan Poe’s prescription as a kind of formula. 

Instead, it should serve as an example that artistic work doesn’t have to be of a purely ecstatic origin. 

Writing can be a calculated affair, in part, aimed toward achieving a desired effect.

Brief Excerpt, “The Poetic Principle”

“Thus, although in a very cursory and imperfect manner, I have endeavored to convey to you my conception of the Poetic Principle. It has been my purpose to suggest that, while this Principle itself is , strictly and simply, the Human Aspiration for Supernal Beauty , the manifestation of the Principle is always found in an elevating excitement of the Soul — quite independent of that passion which is the intoxication of the Heart — or of that Truth which is the satisfaction of the Reason.” Edgar Allan Poe

8) Fenimore Cooper’s Literary Offenses by Mark Twain

One might call Mark Twain something of an authority on the craft of writing.

American writer, humorist, entrepreneur, publisher, and lecturer Samuel Langhorne Clemens , better known by his pen name of Mark Twain , earned the honorific of “father of American literature” by William Faulkner himself.

This all contributes to the fact that no one has ever been as thoroughly dragged through the mud and put on a mocking display as Fenimore Cooper.  

The deed was done by Mark Twain’s own hand in the Adventures of Huckleberry Finn author’s critical essay “ Fenimore Cooper’s Literary Offenses .”

In what amounts to a public tar and feathering, Twain deconstructs Cooper’s writing down to the level of individual word choice.

The essay illustrates many do’s via its adamant don’ts. Not to mention the tiny bit of schadenfreude contained in Cooper’s literary trial. 

Brief Excerpt, “Fenimore Cooper’s Literary Offenses”

“Cooper’s word-sense was singularly dull. When a person has a poor ear for music he will flat and sharp right along without knowing it. He keeps near the tune, but is not the tune. When a person has a poor ear for words, the result is a literary flatting and sharping; you perceive what he is intending to say, but you also perceive that he does not say it. This is Cooper. He was not a word-musician. His ear was satisfied with the approximate words. I will furnish some circumstantial evidence in support of this charge.” Mark Twain

7) Everything You Need to Know About Writing Successfully – in Ten Minutes by Stephen King

Whether you’re a fan or not, there are two undeniable facts about Stephen King . He can write like a whirlwind, and he’s successful at it.

Stephen King has penned more than 60 books, including The Stand and The Dark Tower series, and created his very own multiverse . Among other accolades, he’s received the National Medal of Arts from the U.S. National Endowment for the Arts, and the National Book Foundation awarded him the Medal for Distinguished Contribution to American Letters. 

Oh, and his net worth is estimated to reside somewhere around $400 million . Plus, he’s sold more than 350 million copies of his books worldwide. A success, we’d say, even if some critics dislike him .

In addition to writing one of the most-sought books on the writing life and process, On Writing: A Memoir of the Craft , he’s written numerous essays. In the field of writers on writing, he’s nearly overqualified.

Seems he’s well qualified for the essay “ Everything You Need to Know About Writing Successfully – in Ten Minutes ,” which out of all the essays on our list wins the prize for most enticing title.

As fans of Stephen King, we recommend you gobble up anything he has to say on the profession. But regardless, like the title says, it’s only 10 minutes long.

Brief Excerpt, “Everything You Need to Know About Writing Successfully – in Ten Minutes”

“You want to write a story? Fine. Put away your dictionary, your encyclopedias, your World Almanac, and your thesaurus. Better yet, throw your thesaurus into the wastebasket. The only things creepier than a thesaurus are those little paperbacks college students too lazy to read the assigned novels buy around exam time. Any word you have to hunt for in a thesaurus is the wrong word. There are no exceptions to this rule.” Stephen King

6) Why I Write by George Orwell

Legendary author Eric Arthur Blair , better known by his pen name George Orwell , stands firmly in the great pantheon of 20th century writers.

Author of 1984 and Animal Farm , one might think Orwell’s reason for writing is solely to correct societal wrongs or fight injustices.

First printed in Gangrel (Summer 1946) and later collected in Such, Such Were the Joys , Orwell’s essay “ Why I Write ” details his motivations to write. 

Written at first as a response to an editor’s query, the essay serves as both a personal one and an objective observation of the impetus to create.

“I had the lonely child’s habit of making up stories and holding conversations with imaginary persons, and I think from the very start my literary ambitions were mixed up with the feeling of being isolated and undervalued. I knew that I had a facility with words and a power of facing unpleasant facts, and I felt that this created a sort of private world in which I could get my own back for my failure in everyday life. Nevertheless the volume of serious — i.e. seriously intended — writing which I produced all through my childhood and boyhood would not amount to half a dozen pages.” George Orwell

5) Where Do You Get Your Ideas? by Neil Gaiman

When one of today’s greatest originators of fresh concepts tells you that ideas are just one “small component” of writing, you listen.

Neil Gaiman , author of American Gods , The Sandman , Stardust , Coraline , and more, holds a mountain of awards. Among them, the Hugo, Nebula, and Bram Stoker awards. Not to mention a Newbery and Carnegie medal. 

And Book of the Year in the British National Book Awards for The Ocean at the End of the Lane .

Written on his own blog, Neil Gaiman’s essay on where he gets his ideas answers the age-old, and somewhat frustrating, question that every writer inevitably gets.

There are no glib answers (okay, maybe a few). He shares his process with sincerity, and packages it partly in a little story, because that’s just what good writers do.

Brief Excerpt, “Where Do You Get Your Ideas?”

“The Ideas aren’t the hard bit. They’re a small component of the whole. Creating believable people who do more or less what you tell them to is much harder. And hardest by far is the process of simply sitting down and putting one word after another to construct whatever it is you’re trying to build: making it interesting, making it new.” Neil Gaiman

4) Despite Tough Guys, Life Is Not the Only School for Real Novelists by Kurt Vonnegut Jr.

If ever there was a writer’s writer, it’s Kurt Vonnegut Jr. When he gives advice, you listen.

The legendary literary and science fiction author, writer of Slaughterhouse-Five , Vonnegut taught at the esteemed University of Iowa’s writer’s workshop in addition to The City College of New York and Harvard University. 

It was in defense of creative writing programs and teachers everywhere that he wrote his essay, “ Despite Tough Guys, Life Is Not the Only School for Real Novelists .”

Not to disparage the school of hard knocks. Quite the opposite. 

Kurt Vonnegut instead shows another way of looking at creative writing instructors. 

As an extension of a writer’s best friend–a good editor.

Brief Excerpt, “Despite Tough Guys, Life Is Not the Only School for Real Novelists”

“Much is known about how to tell a story, rules for sociability, for how to be a friend to a reader so the reader won’t stop reading, how to be a good date on a blind date with a total stranger.” Kurt Vonnegut Jr.

3) Thoughts on Writing by Elizabeth Gilbert

Elizabeth Gilbert knows writing.

Author of numerous works and amazing TED Talks presenter, Gilbert is everything a writer could want to be. 

She writes fiction, non-fiction, books about writing, globe trots while freelancing for magazines, and is a journalist. As of late, she’s transformed into a teacher of sorts, sharing her knowledge far and wide, and one of the leaders in the topic of writers on writing.

Her published material includes Pilgrims (Pushcart Prize winner and finalist for the PEN/Hemingway Award), Eat, Pray, Love: One Woman’s Search for Everything Across Italy, India and Indonesia (199 weeks on The New York Times Bestseller List and turned into a movie starring Julia Roberts ), and Big Magic: Creative Living Beyond Fear (where she shares the wealth).

To say her essay, “ Thoughts on Writing ,” published on her own blog, is worth the time of any aspiring writer–of any form, medium, or genre–is a drastic understatement.

Brief Excerpt, “Thoughts on Writing”

“As for discipline – it’s important, but sort of over-rated. The more important virtue for a writer, I believe, is self-forgiveness. Because your writing will always disappoint you. Your laziness will always disappoint you.” Elizabeth Gilbert

2) The Nature of the Fun by David Foster Wallace

A literary giant in the making cut short by suicidal depression, David Foster Wallace is counted among many of today’s brilliant creative minds.

Author of Infinite Jest , a novel that every intelligentsia claims to have read, although few have managed to conquer its substantial length, Wallace talked extensively about the subject of craft. As a teacher and pundit, he’s let his thoughts be known. 

And for writers on writing, he’s often considered a preeminent expert on the topic.

However, “ The Nature of the Fun ” answers that basic question posed to nearly every writer throughout history–why do you write? 

For Wallace, the answer is in surprisingly stark contrast to everything else in the tragic writer’s life.

Brief Excerpt, “The Nature of the Fun”

“In the beginning, when you first start out trying to write fiction, the whole endeavor’s about fun. You don’t expect anybody else to read it. You’re writing almost wholly to get yourself off. To enable your own fantasies and deviant logics and to escape or transform parts of yourself you don’t like. And it works – and it’s terrific fun. Then, if you have good luck and people seem to like what you do, and you actually start to get paid for it, and get to see your stuff professionally typeset and bound and blurbed and reviewed and even (once) being read on the a.m. subway by a pretty girl you don’t even know it seems to make it even more fun.” David Foster Wallace

1) Not Knowing by Donald Barthelme

Donald Barthelme is almost certainly not a name you know.

Although there are exceptions, even the most devout of readers overlook the absurdist and surrealist stylings of the postmodern short story writer and teacher. 

Funny, considering such eye catching titles as Sixty Stories and Forty Stories .

However, Barthelme was a regular on the pages of The New Yorker , as well as other literary magazines of his time. He even founded one– Fiction .

But don’t fret that you don’t know him. As Barthelme indicates in “ Not Knowing ,” his essay on the creative process, lack of knowledge can lead to invention. 

That’s just one reason we recommend this for your reading list, which includes our sincere hope that you also pick up some of Barthelme’s fiction.

Brief Excerpt, “Not Knowing”

“The not-knowing is crucial to art, is what permits art to be made. Without the scanning process engendered by not-knowing, without the possibility of having the mind move in unanticipated directions, there would be no invention.” Donald Barthelme

Writers on writing and essays on writing are almost a sub-genre in itself.

For writers out there, be careful that you don’t get sucked into the habit of consuming one diatribe after another, hoping to find eternal wisdom, without actually writing yourself. 

It can be alluring, to soak in the soup of published authors, to feel like you’re holding conversations with the greatest minds. Afterall, for some aspiring writers, it’s the end goal of getting published. However, one must start with the actual writing itself, so don’t dawdle too long.

Of course, we hope that these relatively short essays won’t keep you for long. And they’re just meaty enough to be satiating.

Now, get to writing! (including dropping into the comments to share your own writing advice)

Jason Boyd is a science fiction author, geek enthusiast, and former cubicle owner. When not working on his MA in Creative Writing, he's trying to figure out how magnets work.

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Blog • Perfecting your Craft

Posted on Feb 11, 2021

How to Become a Better Writer: 20 Hacks and Tips

Practically speaking, writing is just about putting one word after another. But as anyone who’s struggled with the question of how to become a better writer will tell you, there are sometimes entire worlds of frustration compressed in the seconds between setting each word down. If that sounds familiar, or you’re simply trying to improve your craft without the existential writerly despair, we’ve got 20 essential tips to share with you.

In this post, we’ll be sharing writing advice for everyone, but you can head to our more specific guides on starting from scratch, writing novels, nonfiction, and children’s books if that’s what you’re after:

• How to Start Creative Writing: 7 Ways to Fast-Track Your Writing
• Reedsy's guide to novel writing
• How to Write a Nonfiction Book in 6 Steps  
• How to Write a Children's Book in 7 Surprisingly Simple Steps  

1. Start by spending more time writing

• You’ll get to know your own writing habits better, e.g. the time of day when you’re most productive, or the location where you’re most inspired to write;
• You’ll develop writerly discipline (an essential skill if you ever hope to write a book or another long form project); 💪
• You'll work out what you really like to write, whether that's literary fiction or epic fantasy;
• You’ll stick around long enough for new ideas to occur to you (especially helpful if you’re a pantser, not a plotter ).

2. Practice reading books by other authors

On the level of vocabulary, sentence structure, and rhythm, the “ease and intimacy” King talks about occurs subliminally, beneath the surface of your consciousness, quietly sharpening your perceptive skills. On the level of plot or structure, you actively discover the creative strategies of other writers. Now aware of what others are doing with their words, you become a native to that “country of the writer”. 

Ultimately, the more wonderful things you feed your brain, the richer the pool of knowledge your creativity will be able to draw from.

📚 If you need recommendations, we’ve compiled reading lists for every taste here:

• 25 Creative Writing Examples to Inspire You Today
• The 115 Best Books of All Time
• The 60 Best Nonfiction Books of the 21st Century
• The 125 Best Children’s Books of All Time
• The 30 Best Memoirs of the Last Century
• The Best Short Stories and Collections Everyone Should Read

3. Pick up writing skills from other texts

Okay, enough with the subconscious magical learning — you also need to put in serious, active effort. That means taking apart passages that impress or move you and dissecting another writer’s methodology. 

This will be most helpful if you focus on texts in your genre or form: read respected newspapers or magazines if you’re hoping to submit to such publications, poetic collections if you long to publish poetry , academic papers by reputable academics if you’re a budding scholar. 

Read each sentence carefully, asking yourself how you would have gone about writing it. Notice the differences between each version: look closely at how the other writer avoids repetition and regulates sentence length, and become aware of all the words that could’ve gone into the sentence, but were trimmed out. If you remember the lessons you draw from this exercise, you’ll be on your way to becoming a better writer. 

If you struggle to write consistently, sign up for our How to Write a Novel course to finish a novel in just 3 months.  

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How to Write a Novel

Enroll in our course and become an author in three months.

4. Study examples of writing theory

Time for some homework: aside from picking up other writers’ tricks by reading their work, you can also study up on basic writing theories . Learning about structure within stories and the different models that dramatists and fiction writers rely on, like Freytag’s pyramid or the classic structure divided into three acts , is valuable for any aspiring writer. These models are guides to centuries of storytelling tradition: demonstrations of how you might apply a structure onto a story.

When it comes to expressing yourself, brushing up on your literary and rhetorical devices is also helpful. After all, as much as people like to pretend writing is a mystical art, divinely bestowed upon one by magical inspiration, a lot of it comes down to active effort on the writer’s part.

Head to these guides to literary and rhetorical devices if you’re ready for school:

💡 45+ Literary Devices and Terms Every Writer Should Know

💡 30+ Rhetorical Devices Everyone Must Know

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Literary Devices Cheatsheet

Master these 40+ devices to level up your writing skills.

5. Create your own voice

Some people’s advice for learning improving your writing skills is to stick to templates. These can be wonderful if you’re writing something meant to be plain, like a legal document or a freelance proposal . (If this is the case, all you need to do to become a better writer is be accurate, precise, and grammatically correct.) For everything else, by all means inform yourself about things like story structure, but never adhere to templates to the point where your personality is extinguished.

If you’ve got a sense of humor, interests, opinions, or possess literally any other quality unique to human beings (as opposed to bots), you can channel that personality into your writing, and lift mundane subjects up with the buoyancy of your voice.

💡 Need an example? Check out this post on the best reading chairs written by Savannah, one of Reedsy’s writers. You might not have a passion for chairs, but you’ll stay for the engaging tone of her writing voice. 

6. Experiment with your writing style

Hit a plateau? If you don’t feel like you’re improving, it’s time to switch things up. Try writing something completely different to cleanse your palate with the literary equivalent of pickled ginger in a sushi restaurant. Experimentation seems to be working for George R.R. Martin, who has for decades been writing short stories , novellas and even reference books between instalments of his novel series A Song of Ice and Fire — evidently, switching between different forms has helped this author of epic fantasy stay inspired and motivated. 

We’ve got over 1,000 creative writing prompts you can browse for inspiration, as well as an interactive plot generator if you need someone to establish plot parameters for you. We know writers struggle to set themselves deadlines, so you could even join our weekly writing contest — we’re happy to provide you with some external pressure, and $250 if you manage to win!

7. Outline your book 

Openings and endings don’t just matter in fiction. Inherent in all good writing is story: a narrative with a full-fledged arc that must start and end in places that make sense and add value to the entire text.

Writing students commonly struggle with slow or delayed story openings — where the writer takes too long to clear their throat. They can fill two or three paragraphs, several pages, or even an entire chapter before they get to something interesting. 

To sharpen your beginning, try deleting parts of it to get a feel of your work without them. You may find a later passage is more gripping to your reader — you’ll then know you’ve found your true opening.

Endings are similarly crucial. As editor and former publisher Jasmin Kirkbride points out, “Every subplot and all the different strands of your main plot should reach satisfying, clear conclusions. If they are meant to be left ambiguously, ensure your reader knows this, and create something out of that uncertainty.”

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8. Write with a clear vocabulary

As you edit your work , you’ll be thinking of what you intended to say at the time of writing. For that reason, you’ll need to maintain a level of mental alertness that enables you to evaluate whether or not what you ended up writing actually does convey what you wanted to say. This is particularly important if you’re writing nonfiction. 

9. Self-edit for errors in your prose

While we’re discussing lazy, unmemorable writing, this is a reminder that fillers are another literary ‘bad habit’ to actively resist. Cluttering up your prose, these short words sneakily crawl into your writing and distract your reader from the essence of your point. 

In her free Reedsy course on self-editing, Lisa Lepki identifies the most common words in the English language as the culprits of literary clutter. Lisa advises writers to avoid “meandering around [their sentences’] meaning”, and offers this sentence as a wordy example:

“Andy went over to the far end of the playground to see if there was a rake that he could use to tidy up all of the leaves that had fallen down in the night.”

Lisa offers this distilled alternative:

“Mountains of leaves had fallen overnight, so Andy checked the playground for a rake. ”

Sign up to take the rest of this free course here:

Free course: How to self-edit like a pro

Rid your manuscript of the most common writing mistakes with this 10-day online course. Get started now.

10. Cut the repetitive sentences

One practical way to become a better writer is by consciously analyzing your writing to identify repetitive patterns. This is hard to do during the drafting process, especially if you write your first draft quickly , but it’s mercifully simple in retrospect. So dig out some past writing samples ( creative nonfiction , poems, short stories — anything will do), grab some coloring pencils or highlighters, and mark every instance of repetitive language.

Study your words on multiple levels:

• The lexical level, i.e. specific verbs, adverbs or adjectives you might be repeating (are your characters constantly grinning?);
• The sentence structure level, like if all your examples come in threes;
• The narrative structure level, like if you unwittingly but consistently lapse into new flashbacks.

The point of this exercise is to identify your personal linguistic reflexes — known in linguistics as your “idiolect”. In terms of language use, it’s your fingerprint, and familiarizing yourself with it can help you identify repetition and edit it out of your writing.

💡 If you want to learn more about idiolects, check out this post by one of Reedsy’s writers.

11. Avoid clichéd language  

Clichés are every writer’s stumbling block, ever an uphill battle — though the battle has its ups and its downs, and what matters most is not the destination, but the friends we made along the way. You get our point, hopefully: clichés are lazy, overly familiar, platitudinous, and often boring. Every time you use a cliché, you’re wasting an opportunity to be original and authentic. 

Primarily, our issue with clichés is no moral qualm about authenticity. It’s the simple fact that they completely drain your writing of its ability to be memorable. Lifeless, it falls to the ground, faceless and forgotten.

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12. Understand the ideas behind your work

You’ve already taken the first step toward seeing the bigger picture by honing your opening and ending. Now it’s time to look at all the extraneous stuff outside your text: in other words, situate your writing within a wider framework of similar work. 

13. Respect your reader’s attention 

Don’t lose sight of the fact that there’s a person on the other end of the line. Be a compassionate writer by imagining yourself as the reader: is that fourth paragraph detailing the history of a secondary character’s nomadic tribe really necessary? It’s certainly great world-building , but if it puts your reader to sleep, it’s got to go. 

Similarly, do not manipulate your reader. Pointless plot twists or clickbait will erode your readers’ trust, and hollow hot takes will impress no one. Stick to substance, and skip the paratextual circus act.

14. Get feedback from an editor

Nobody writes flawlessly. Most published writing undergoes significant editing both by its author and professional editors. For example, Raymond Carver’s classic short story collection What We Talk About When We Talk About Love is known to have been extensively shaped by Carver’s editor, Gordon Lish. 

No matter what you’re writing, give your work time to cool before stepping back into it with the fresh eyes of an editor. Assess the clarity of your meaning, expressions, overall structure, your tone, and the mood of the piece, and compare these to the vision you had when you were writing.

Any writing intended for publication should also be professionally edited — and lucky for you, you can hire some of the most experienced fiction or nonfiction editors in the publishing world, right here on Reedsy.

Give your book the help it deserves

The best editors are on Reedsy. Sign up for free and meet them.

Learn how Reedsy can help you craft a beautiful book.

15. Be open to constructive criticism

Becoming a writer means releasing your work into the world, and with that comes both praise and criticism. But neither will help you become a better writer if you shut all feedback out. Though some of the criticism you’ll receive may not be helpful, some of it will be, and you’ll struggle to improve your writing if you refuse to see that. Open your heart up to constructive criticism, and you’ll see your writing flourish.

16. Invest in your career with a writing course

While we’re on the topic of learning: there’s plenty of classes and courses you can take, if you’d rather study in a more structured way. If you’re serious about becoming a better writer, whether that’s an author, journalist, ghostwriter , or freelancer , a class can give you access to the wisdom of more experienced professionals — and a real-life class also means meeting mentors and kindred spirits. 

You can check out writing courses online — we’ve got a bunch of completely free courses you can take:

FREE COURSE

Author and ghostwriter Tom Bromley will guide you from page 1 to the finish line.

👩‍🎓 How to Write a Business Book —  taught by business coach Alison Jones

👩‍🎓 The Non-Sexy Business of Non-Fiction — taught by author coach Azul Terronez

Still hungry? Consider pursuing a writing degree. These aren’t just for people looking for creative writing classes — MFAs also focus on nonfiction, so if that’s what you see yourself writing, there are plenty of options. Only you know which program and school would be the best fit for you, and the Internet will be your friend as you work the answer out.

17. Keep company with other writers

Everything’s better with company. Whether your choice is to join a local writing group, critique circle , or an online Facebook group, having friends who are writers means you’ll have someone to bounce ideas off, someone to support you if you feel insecure about your writing, someone to inspire you to work harder, and someone to offer you advice and opinions about your project. All important aspects of improving your skills! ✊

18. Write content consistently

Writing takes a lot of determination and discipline, especially when you’re working on a longer work like a book or a series . Sometimes things won’t work out, and you’ll be frustrated, impatient, demotivated, and temporarily hopeless. All of this is fine, and an entirely normal part of the process. When you get to this stage, be gentle with yourself, but do not give up. 

Writers are often the most stubborn of people: so go ahead and keep writing in spite of yourself, in spite of your insecurities or personal failures, and in spite of what anyone else might think. If that doesn’t earn you the ‘badge’ of a writer, we don’t know what does.

19. Don’t give up on your words

Your ideas will be exciting, but they won’t always be masterpieces. Some you can fix with a zealous edit. Others, not so much. Accept this as a reality and let them float down the river of oblivion. 

We know this sounds contradictory to our last bit of advice, but trust your intuition to decide whether it’s worth persevering with a particular project. For example, there’s no point in trying to resurrect the passion you had for a project you started long ago, if the inspiration has long since left you. There is also little point in pursuing something you began simply because you felt it was what you were supposed to be writing. If it doesn’t speak to you anymore and you see no way to revive the spark, cut your losses and move on. 

20. Embrace failure to become a better writer

Finally, just as you’ll have to handle criticism, you’ll also undoubtedly face rejection and failure. Whether you’re rejected by literary agents , fail to get a publishing deal, or have your stories, pitches, or poems rejected by literary publications, you must remember that failure is an inescapable and inevitable fact of life, and does not determine your worth as a writer. 

Be assured that others fail, too, even if they only fail in private. One of our favorite reminders of how common failure is is the famous CV of failures published by Princeton professor Johannes Haushofer , where he lists every program, award, and position he was rejected from, as a reminder that everyone experiences failure. And if you need a writer-specific example of success despite failure, remember that Douglas Stuart’s novel Shuggie Bain , winner of the 2020 Booker Prize, was rejected 32 times before it received a publisher’s offer.

You don’t need anybody to officially ordain you as a writer — you’re a writer if you believe you’re a writer and write anyway. 

We hope these tips help you figure out how to become a better writer. Your quest is noble, and we believe in you! 

Continue reading

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Reading and Writing Successfully in College: A Guide for Students

(4 reviews)

Patricia Lynne, Framingham State University

Copyright Year: 2023

Publisher: ROTEL

Language: English

Formats Available

Conditions of use.

Learn more about reviews.

Reviewed by Carol Lambert, Adjunct instructor, Worcester State University on 6/15/24

The book is easy to read and organized so that students can understand the logic and intention of the assignments, rather than confuse them with technical information and terms. read more

Comprehensiveness rating: 5 see less

The book is easy to read and organized so that students can understand the logic and intention of the assignments, rather than confuse them with technical information and terms.

Content Accuracy rating: 5

Simplistic language and straightforward instruction is used and clear approaches to college writing are demonstrated. It does not seem to have any bias and the content seems to be error-free.

Relevance/Longevity rating: 5

I have been teaching College Writing and research techniques for many years, and the content aligns with my methods. I foresee this material and approaches suggested to continue for successful outcomes for students for much time to come.

Clarity rating: 5

The text is very clear and comprehensible for students of most, if not all, English language abilities. Second Language learners should be able to follow the suggestions and terminology that is used throughout the material.

Consistency rating: 5

If the students stay with the readings and follow the author's suggestions, I see no reason for them not to be able to frame and complete a reasonably decent composition. The instructions are clear and concise, and if the instructor clearly backs up the material, I can foresee the students being very engaged in the assignments.

Modularity rating: 5

The organization of the material is broken down in easily readable and logical components that students should be able to manage without feeling overwhelmed.

Organization/Structure/Flow rating: 5

There is an easy flow to the material, one that is almost as if the author is speaking to each person individually. It should make the students want to read on for successful information in completing writing assignments as well as take some of the anxiety out of writing them in a timely and accurate fashion.

Interface rating: 4

Not all students have the technical expertise that is required when entering first year writing, and the material is clear and easy to follow. The explanation of the issues is quite clear and concise. It may be that some of the students (and faculty, at times) will need further assistance with these issues. This is usually solved with IT assistance from the university.

Grammatical Errors rating: 5

I did not see any errors, but nobody's perfect, even AI!

Cultural Relevance rating: 5

This a difficult one to answer, but there seems to be no evidence of cultural improprieties in the text.

I was quite excited to see that the material quite closely aligns with my own teaching style. The text spells it out in clear and concise language. I will definitely be using this text to enhance my classes in the fall semester.

Reviewed by Zana Combiths, Instructor, Radford University on 10/23/23

The Writing Process is covered well. I would like more on grammar and practice with common grammar problems and punctuation errors. I would also like to see more on argument strategies in the main text (without so much clicking around). read more

Comprehensiveness rating: 4 see less

The Writing Process is covered well. I would like more on grammar and practice with common grammar problems and punctuation errors. I would also like to see more on argument strategies in the main text (without so much clicking around).

Content Accuracy rating: 4

As far as I can tell, the author is unbiased.

Relevance/Longevity rating: 4

The publishers seem to invite others to add to the text. I don't think I would take my time to do that.

Clarity rating: 3

I found too much jargon that would be above the grasp of my typical students in introductory composition courses. For example, the "cognitive process" and coverage of Bloom's Taxonomy would be out of reach for my students.

Consistency rating: 3

The textbook is consistent; however, some sections seem out of place in order of importance.

Modularity rating: 4

Yes, I believe some sections would be useful at times during the courses and could be easily found by using the contents bar. I found that the text is somewhat overly self-referential, and students would most likely not be reading for that much time.

Organization/Structure/Flow rating: 3

I think students are not interested in Bloom's Taxonomy in my courses. Shorter versions of how we read and comprehend would suit my needs better. The order works for the most part.

The use of the highlighted activities and key points in boxes works well. Sometimes, I believe I would recommend to students that they pay special attention to those boxes. I had no problem navigating once I had the entire publication uploaded. The navigation bars at the bottom of the pages were particularly helpful to me.

I did not see any errors in grammar. I would prefer if an author of a textbook stayed out of the text. For example, leave out "I" when explaining.

Cultural Relevance rating: 4

I did not see any cultural references at all, but I am not sure that the readings and the commentary throughout would be accessible to my students. The level of information and wording is often above their backgrounds in education.

I am interested in the Open Education access to books on Composition, but I would like to see less text - my students do not read! More examples and activities would be useful. The activities that you do have would work for my students sometimes.

Reviewed by Rhonda Italiano, Professor, North Hennepin Community College on 5/31/23

The text covers all areas of reading strategies from pre-reading to annotation and note-taking. That information is then tied to writing strategies and how they will help students become better writers. read more

The text covers all areas of reading strategies from pre-reading to annotation and note-taking. That information is then tied to writing strategies and how they will help students become better writers.

Content was very accurate. All references were noted. It would be difficult, if not impossible, for a teacher to write a completely unbiased text.

Examples were relevant and timely, yet not so specific that they will need to be revised every year or two.

Well done. The Zone of Proximal Development is explained in the beginning of the text and broken down for the reader. That trend continues throughout the text.

Author used terms and examples consistently throughout the entire text.

The author definitely took their own advice here. Chunking was well done. Sections were broken into concise sections.

I appreciated the topics and the logic that was used to arrange them in the text.

Interface rating: 5

Charts were well placed. No navigational issues noted.

Grammatical Errors rating: 4

There were a few typos in the beginning of the text.

Well done. I especially appreciated the attention paid to Indigenous Peoples and the land acknowledgement at the beginning of the text.

I was impressed that the author had her text tested by colleagues and former students. All angles were covered. The text included words of advice to students and invitations to pause and react to the material they were reading. This will be a great resource to college reading and writing instructors everywhere.

Reviewed by Angelica Rivera, Director, Northeastern Illinois University on 5/4/23

The textbook entitled "Reading and Writing Successfully in College: A Guide for Students" is comprehensive in nature and is well organized. It is divided into 3 Parts: I. Successful College Reading: Reading effectively, creating an optimal setting... read more

The textbook entitled "Reading and Writing Successfully in College: A Guide for Students" is comprehensive in nature and is well organized. It is divided into 3 Parts: I. Successful College Reading: Reading effectively, creating an optimal setting for reading, examining a sample assignment, using pre-reading strategies, annotating and note taking II. Doing Intellectual work: Understanding Bloom’s Taxonomy, understanding writing assignments as intellectual work, examining sample assignments and III. Writing Process in College, which consists of Thinking about the Writing Process, Pre-writing and Drafting and getting feedback and IV. Writing with Sources: Understanding source types, Finding and Evaluating sources, paraphrasing and quoting, and citing sources.

The “Reading and Writing Successfully in College: A Guide for Students" textbook is well-researched and provides accurate details on how to read, write, revise, and cite.

The content is relevant to college writing, shows that writing is a process, and is a skill that all students can learn if they focus on how to read, write and revise. This book can be updated to include changing trends and current information.

The textbook is well-written and easy to use. The material is accessible for students, and the Table of Contents and book is well organized and detailed. Students have great visuals, such as pictures and graphics, to keep the reader interested.

The structure of the book is easy to follow, the chapters are brief and to the point and are consistent with the Table of Contents.

The textbook is broken into sections that are easy to read with student profiles, examples, charts/graphics and pictures. The author does this consistently throughout the book.

The topics and chapters are well organized throughout the book. Once again, the Table of Contents does an excellent job of outlining the sections and topics. The information is clearly written, logical, and flows throughout the book. The end of the book provides detailed information on how to cite sources correctly and give authors their due credit.

The textbook is well done and easy to navigate. It has no issues with the interface and is accessible and easy to use.

The textbook entitled, “Reading and Writing Successfully in College: A Guide for Students" textbook is well written and I did not identify any visible grammatical errors.

This book is culturally relevant as it includes a Land Acknowledgement, which includes the Native tribe that resides in this region and has students from diverse backgrounds who have provided feedback on assignments. It makes students from different backgrounds feel seen and included.

Given the accessible nature of this book and how intentional the author of this book has been in sharing and revising their best writing practices, I feel compelled to use this book during the Fall semester for the Academic Seminar that I teach. I would also like my students to use it as a reference and guide as they transition from high school to college.

Table of Contents

• Chapter 1 - Successful College Reading
• Chapter 2 - Doing Intellectual Work
• Chapter 3 - Writing Process in College
• Chapter 4 - Writing with Sources
• Works Cited
• Grant Information

Ancillary Material

About the book.

This textbook provides students with guidelines for understanding writing tasks as intellectual work using Bloom’s Taxonomy and for treating the writing process as a set of variable activities that move along a trajectory from idea or assignment to a finished product. The book also includes chapters on strengthening reading strategies and on finding, evaluating, and using sources effectively.

About the Contributors

Patricia Lynne , Framingham State University

Contribute to this Page

Essays About Reading: 5 Examples And Topic Ideas

As a writer, you love to read and talk to others about reading books. Check out some examples of essays about reading and topic ideas for your essay .

Many people fall in love with good books at an early age, as experiencing the joy of reading can help transport a child’s imagination to new places. Reading isn’t just for fun, of course—the importance of reading has been shown time and again in educational research studies.

If you love to sit down with a good book, you likely want to share your love of reading with others. Reading can offer a new perspective and transport readers to different worlds, whether you’re into autobiographies, books about positive thinking, or stories that share life lessons.

When explaining your love of reading to others, it’s important to let your passion shine through in your writing. Try not to take a negative view of people who don’t enjoy reading, as reading and writing skills are tougher for some people than others.

Talk about the positive effects of reading and how it’s positively benefitted your life. Offer helpful tips on how people can learn to enjoy reading, even if it’s something that they’ve struggled with for a long time. Remember, your goal when writing essays about reading is to make others interested in exploring the world of books as a source of knowledge and entertainment.

Now, let’s explore some popular essays on reading to help get you inspired and some topics that you can use as a starting point for your essay about how books have positively impacted your life.

For help with your essays, check out our round-up of the best essay checkers

Examples Of Essays About Reading

• 1. The Book That Changed My Life By The New York Times
• 2. I Read 150+ Books in 2 Years. Here’s How It Changed My Life By Anangsha Alammyan
• 3. How My Diagnosis Improved My College Experience By Blair Kenney

4. How ‘The Phantom Tollbooth’ Saved Me By Isaac Fitzgerald

5. catcher in the rye: that time a banned book changed my life by pat kelly, topic ideas for essays about reading, 1. how can a high school student improve their reading skills, 2. what’s the best piece of literature ever written, 3. how reading books from authors of varied backgrounds can provide a different perspective, 4. challenging your point of view: how reading essays you disagree with can provide a new perspective.

1.  The Book That Changed My Life  By  The New York Times

“My error the first time around was to read “Middlemarch” as one would a typical novel. But “Middlemarch” isn’t really about plot and dialogue. It’s all about character, as mediated through the wise and compassionate (but sharply astute) voice of the omniscient narrator. The book shows us that we cannot live without other people and that we cannot live with other people unless we recognize their flaws and foibles in ourselves.”  The New York Times

In this collection of reader essays, people share the books that have shaped how they see the world and live their lives. Talking about a life-changing piece of literature can offer a new perspective to people who tend to shy away from reading and can encourage others to pick up your favorite book.

2.  I Read 150+ Books in 2 Years. Here’s How It Changed My Life  By Anangsha Alammyan

“Consistent reading helps you develop your  analytical thinking skills  over time. It stimulates your brain and allows you to think in new ways. When you are  actively engaged  in what you’re reading, you would be able to ask better questions, look at things from a different perspective, identify patterns and make connections.” Anangsha Alammyan

Alammyan shares how she got away from habits that weren’t serving her life (such as scrolling on social media) and instead turned her attention to focus on reading. She shares how she changed her schedule and time management processes to allow herself to devote more time to reading, and she also shares the many ways that she benefited from spending more time on her Kindle and less time on her phone.

3.  How My Diagnosis Improved My College Experience  By Blair Kenney

“When my learning specialist convinced me that I was an intelligent person with a reading disorder, I gradually stopped hiding from what I was most afraid of—the belief that I was a person of mediocre intelligence with overambitious goals for herself. As I slowly let go of this fear, I became much more aware of my learning issues. For the first time, I felt that I could dig below the surface of my unhappiness in school without being ashamed of what I might find.” Blair Kenney

Reading does not come easily to everyone, and dyslexia can make it especially difficult for a person to process words. In this essay , Kenney shares her experience of being diagnosed with dyslexia during her sophomore year of college at Yale. She gave herself more patience, grew in her confidence, and developed techniques that worked to improve her reading and processing skills .

“I took that book home to finish reading it. I’d sit somewhat uncomfortably in a tree or against a stone wall or, more often than not, in my sparsely decorated bedroom with the door closed as my mother had hushed arguments with my father on the phone. There were many things in the book that went over my head during my first time reading it. But a land left with neither Rhyme nor Reason, as I listened to my parents fight, that I understood.” Isaac Fitzgerald

Books can transport a reader to another world. In this essay , Fitzgerald explains how Norton Juster’s novel allowed him to escape a difficult time in his childhood through the magic of his imagination. Writing about a book that had a significant impact on your childhood can help you form an instant connection with your reader, as many people hold a childhood literature favorite near and dear to their hearts.

“From the first paragraph my mind was blown wide open. It not only changed my whole perspective on what literature could be, it changed the way I looked at myself in relation to the world. This was heavy stuff. Of the countless books I had read up to this point, even the ones written in first person, none of them felt like they were speaking directly to me. Not really anyway.” Pat Kelly

Many readers have had the experience of feeling like a book was written specifically for them, and in this essay , Kelly shares that experience with J.D. Salinger’s classic American novel. Writing about a book that felt like it was written specifically for you can give you the chance to share what was happening in your life when you read the book and the lasting impact that the book had on you as a person.

There are several topic options to choose from when you’re writing about reading. You may want to write about how literature you love has changed your life or how others can develop their reading skills to derive similar pleasure from reading.

Middle and high school students who struggle with reading can feel discouraged when, despite their best efforts, their skills do not improve. Research the latest educational techniques for boosting reading skills in high school students (the research often changes) and offer concrete tips (such as using active reading skills ) to help students grow.

It’s an excellent persuasive essay topic; it’s fun to write about the piece of literature you believe to be the greatest of all time. Of course, much of this topic is a matter of opinion, and it’s impossible to prove that one piece of literature is “better” than another. Write your essay about how the piece of literature you consider the best positive affected your life and discuss how it’s impacted the world of literature in general.

The world is full of many perspectives and points of view, and it can be hard to imagine the world through someone else’s eyes. Reading books by authors of different gender, race, or socioeconomic status can help open your eyes to the challenges and issues others face. Explain how reading books by authors with different backgrounds has changed your worldview in your essay .

It’s fun to read the information that reinforces viewpoints that you already have, but doing so doesn’t contribute to expanding your mind and helping you see the world from a different perspective. Explain how pushing oneself to see a different point of view can help you better understand your perspective and help open your eyes to ideas you may not have considered.

Tip: If writing an essay sounds like a lot of work, simplify it. Write a simple 5 paragraph essay instead.

If you’re stuck picking your next essay topic, check out our round-up of essay topics about education .

• Good Writing Habits
• Inspiration
• Writing Groups, Tools, & Software
• Writing Tips
• Book Design & Formatting
• Book Distribution
• Printed Books 101
• Publishing Industry News
• Self-Publishing
• Book Launch
• Book Promotion & Publicity
• Online Book Marketing
• BookBaby.com
• Publish My Book
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Deciding to write a book is a goal that can be equally exciting and overwhelming — particularly when you have no experience. However, the beauty of storytelling and writing is that it’s accessible to anyone with a story to tell or knowledge to share. Whether you are driven by a creative vision, a unique insight, or a personal story, your voice deserves to be heard. Here, we’ve created a step-by-step guide designed to help you navigate how to write with no experience and publish your first book. Let’s dive in!

Table of Contents: • 10 Steps to writing a book with no experience • Common mistakes to avoid as a new writer • The next steps: publishing and distribution • How BookBaby can help

10 Steps to writing a book with no experience

Writing and publishing your first book is an experience unlike any other, turning your ideas into impactful words for others to read. For a freelance writer without prior experience, the process might seem daunting, but with a structured approach, anyone can get over the hurdles of getting their work out into the world. Here’s how you can start bringing your visions to life.

1. Understanding your why

Identifying why you want to write a book is the first step in your freelance writing journey — and a vital one, at that. Think about your core motivation to write and publish a book. Is it a desire to share knowledge? Tell a personal story? Bring a fictional world you’ve created to life? Understanding your ‘why’ provides direction and persistence, fueling your writing through the challenging times, with the published work serving as an even greater reward.

2. Setting realistic goals

One way to lessen the overwhelm of book writing is to set achievable goals. Define clear objectives such as daily word counts, chapter completion targets, and overall timelines. Breaking your project into manageable, bite-size pieces makes the task less overwhelming and helps maintain a steady progression towards meeting your goals and finishing your work.

3. Finding your book’s unique angle

It’s no secret that the publishing world is abundant with new books and authors. That means your book needs to stand out. By identifying a unique angle or a fresh perspective, you can differentiate your book from others in the same genre. This could be a new approach to a common topic, an unusual setting, or a distinctive narrative voice. Pinpointing what makes your book unique is essential for capturing and keeping the interest of future readers.

4. Researching your topic

Whether you’re writing fiction or non-fiction, research is fundamental to add depth and authenticity to your work. Utilize a variety of sources, from interviews and primary documents, to scholarly articles and other relevant literature. Effective research supports your narrative and creates an overall experience for the reader.

5. Just start writing

The biggest obstacle for many aspiring authors is to just simply start writing. Don’t worry about everything being perfect on the first try . Just focus on getting your ideas down on paper. To combat writer’s block , set small, daily content writing goals and put them somewhere you’ll see everyday. Remember that all first drafts are revised — the key is to keep moving forward.

6. Building a writing routine

The best way to stay productive in most endeavors is to stay consistent — and that includes writing your book. Find your best writing times and create a conducive environment. You’ll start to train your brain to know that when you’re in this environment, you’re writing. Consistency turns writing into a habit, helping you manage procrastination and maintain momentum throughout the writing process.

7. The revision process

Revising is where you begin to polish and refine your creative writing. During the revision process , approach your draft critically, looking for ways to improve clarity, structure, and flow. Ask trusted peers for feedback and be open to making substantial changes. Remember, great writing is rewriting.

8. Seeking professional editing

Even the most experienced and successful freelance writers benefit from professional editing . Editors provide invaluable perspectives on your work, from big-picture analysis to detailed grammatical corrections. Hiring professional editors can elevate the quality of your manuscript, ensuring that it’s coherent and appealing to readers.

9. Designing your book

When you’re looking for a new book to read at the bookstore, the first thing you see is the cover. We know from our own experience that the visual presentation of your book plays a critical role in attracting readers. Investing in professional design for your cover, layout, and typography, and creating a well-designed book not only looks more appealing but also enhances readability and overall reader experience.

10. Formatting your book

Proper formatting helps to ensure your book meets the professional standards required by publishers and distribution platforms. Whether you’re preparing print books, ebooks, or audiobooks, understanding formatting nuances is crucial. You can use a variety of available tools and services to help you format your manuscript appropriately for each medium.

Common mistakes to avoid as a new writer

As with all things, a writing career comes with a unique set of challenges, especially for new writers. Having an awareness of how to write a book while avoiding some of the common pitfalls you might encounter can help to improve your writing experience and the quality of your final manuscript. Here’s a rundown of typical mistakes made during each phase of the writing process and tips on how to avoid them.

Starting without a plan

Many new writers begin writing without a clear plan or outline, leading to potential plot inconsistencies and structural problems later on. Avoid this by spending a significant amount of time creating a detailed outline before you start writing. This roadmap will guide your narrative, ultimately helping you to maintain focus and consistency throughout your story.

Overlooking research

Even fictional works require some level of research to ensure authenticity and believability. Failing to research can result in inaccuracies that distract readers or take them out of the story. Avoid this by conducting purposeful, thorough research on any topics, settings, or historical elements that are featured in your book to enhance your story’s credibility and depth.

Ignoring your target audience

Writing without a clear understanding of your target audience can lead to a book that resonates with few readers or misses the mark entirely. Avoid this by defining your target audience early in the process and tailoring your content, language, and style to meet their preferences and expectations.

Skipping revisions

It’s tempting to consider your first draft as the final product, but doing so can lead to a book that’s just subpar. Avoid this by looking at the revision process as an essential part of writing. Use multiple drafts to refine and enhance your storytelling.

Skipping the editing process

Poor grammar, punctuation, and spelling mistakes can undermine your book’s professionalism and readability, and again, take the reader out of the story. Avoid this by investing in professional editing services to ensure your manuscript is thoroughly polished. BookBaby offers copy editing , line editing , and proofreading for your manuscript.

The next steps: publishing and distribution

Once you’ve completed the rigorous-yet-rewarding process of writing and revising a manuscript, you’ll be faced with the crucial decision of how to publish and distribute your work. The choice between self-publishing and traditional publishing routes can significantly impact the control you have over your work, how you market it, and your potential earnings.

Deciding between self-publishing and traditional publishing

Self-publishing:

• Complete control : Authors maintain control over every aspect of their book, from the content and cover design to the pricing and marketing strategies.
• Higher royalties : Without a traditional publisher, authors can keep a larger portion of their sales, which can be particularly lucrative if the book sells well.
• Speed to market : Self-publishing typically allows for a quicker publication process, enabling authors to get their book to readers faster than traditional routes.
• Upfront costs : Authors bear the cost of editing, design, marketing, and distribution, which can be substantial depending on which self-publishing route they choose.
• Marketing responsibilities : Marketing and promotional activities can solely fall on the author when they choose to learn how to self-publish a book .

Traditional Publishing:

• Marketing and distribution : Established publishers have extensive distribution networks and marketing expertise, which can enhance the book’s reach and visibility.
• Credibility : Having a book published by a recognized publisher can lend credibility and prestige, which can be beneficial for an author’s career.
• Less creative control : Authors often have limited or no control over the book’s final appearance, and sometimes its content as well.
• Lower royalties : Traditional publishing involves lower royalties per book sold due to the higher costs associated with the publishing process.
• Slow process : The timeline from manuscript acceptance to book release can be lengthy, often taking a year or more.

How BookBaby can help

For authors leaning towards self-publishing, BookBaby offers a comprehensive suite of services designed to simplify the process from manuscript to publication. BookBaby acts as a one-stop-shop for self-publishing authors, providing professional services including:

• Book printing services : Providing fast turnaround times, affordable pricing, and high-quality printing at our in-house printing facility.
• Book editing services : Ensuring your manuscript is polished and free of errors.
• Cover design and formatting : Creating a professional look and feel for your book, tailored to your personal style and genre.
• Worldwide distribution : Offering access to major retailers like Amazon, Barnes & Noble, and Apple Books, as well as print-on-demand services that eliminate the need for large upfront print runs.
• Marketing services : Providing tools and services to help promote your book effectively, including promotional materials, social media advertising services, and more.

At BookBaby, our goal is to empower authors by providing them with the tools they need to successfully publish and distribute their work while retaining complete creative and financial control. By choosing BookBaby, you can navigate the self-publishing landscape with confidence, supported by expert advice and professional services every step of the way. Contact us to get started today!

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Julia Phillips on the Writing Lessons of Fairy Tales

"close the circle—even if your characters suffer, your readers will remember it.".

This first appeared in Lit Hub’s  Craft of Writing  newsletter— sign up here .

We all know where a fairy tale will wind up: “And they lived happily ever after.” That classic phrase was taught to us in childhood and repeated through our lifetimes. It’s clean, it’s romantic, it’s reliable. We can count on a fairy-tale ending to deliver happiness.

Except not all fairy tales actually conclude this way. In my go-to collection of Brothers Grimm stories, sure, some tales have it, but many end on a last line with a decidedly different tenor:

“All of them were executed as payment for their villainy.”

“That was how Hans lost his bride.”

“And since nobody could get out, they were all burned to death.”

“The duplicity of the stepmother and her daughter was now clear as day, and they were cast into the forest to be devoured by wild animals.”

“Watch out!”

These actual fairy-tale endings aren’t exactly pleasant; they’re punitive, violent, or moralistic. They focus not on whether the maiden lands her prince but whether the villain lands in a barrel of boiling oil (which, the Grimms are eager to assure you, she does). And in the gap between the endings we imagine and the endings that exist, we can find a lesson or two on craft.

The chief concern of these stories is not characters’ happiness but readers’ enjoyment. The stories lay out, right at the top, their hero, what bind that hero finds themself in, and who is standing in the way of their success. By the time the story finishes, all those elements are resolved: the hero is victorious, the villain is punished, and everyone who witnessed the situation learns a life lesson. Everything that was first introduced is, in the end, resolved. No narrative thread is dropped.

I’m paraphrasing a brilliant writer and teacher, Christine Schutt, when I say that this way of structuring a story, returning in the end to the elements that were put in play at the start, is what gives the reader satisfaction. In a summer workshop that took place nearly ten years ago, Christine held up her two hands, thumb meeting thumb, index finger to index finger, and said, “A story is a circle.” I’ve held tight to this picture of her. What your beginning contains is what you conclude with. An image, a phrase, a relationship, an idea… whatever. Anything. All of it. When, after the story has unfolded, you land in a place that incorporates those same things, your reader gets that delicious feeling of completion.

Fairy tales do that for us. The narratives they draw are round, clear, perfect. The heroes live happily ever after, while the villains are devoured by wild animals. As brutal as the latter may sound in isolation, it reads in the context of the story as pleasurable, because it resolves what elements we started with. It’s what we needed to make the circle close.

And so—here’s the writing lesson, made as explicit as the Brothers Grimm might do (“watch out!”)—the straightforward enjoyment we remember from fairy tales comes in fact from that experience of closure, no matter how bloody or shocking the closure might be. You can write a brutal ending to your story. I’ve written a couple in my time, believe me. It’ll work, in fairy tale terms, as long as it returns to, and resolves, the elements the story kicked off with. Close the circle—even if your characters suffer, your readers will remember it, ever after, happily.

________________________________________

Bear   by Julia Phillips is available now via Hogarth. 

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‘Costco, Don’t Give Up on America As a Nation of Readers’: The Week 1 Winner of Our Summer Reading Contest

Read the work of the winning writer, Daphne Nguyen, 16 — and take a look at three favorite video responses, too.

By The Learning Network

For 15 years, our Summer Reading Contest has been inviting teenagers around the world to tell us what New York Times pieces get their attention and why. Up until now, students could only enter by posting short written comments, but this year we’re also allowing 90-second video responses.

That’s why this week , the first of our 10-week challenge, we’re featuring both the winning essay by Daphne Nguyen as well as our three favorite videos. Though the vast majority of the 509 submissions this time around were written, we hope to encourage more students to experiment with video.

Scroll down to see this work, along with a list of runners-up and honorable mentions. As you go, note the variety of topics that caught the eyes of these teens, including pieces about A.I., Alzheimer’s, Asian grocery chains, gardening, cockroaches, rom-coms and the saga of J. Lo and Ben Affleck.

You can read the work of all of our winners since 2017 in this column . And remember that you can participate any or every week this summer until Aug. 16. Just check the top of our contest announcement to find the right place to submit your response.

Daphne Nguyen, 16, from San Jose, Calif., responded to a June news item, “ Costco Plans to Stop Selling Books Year-Round ,” by writing:

I like books, and I also like Costco. Like many of us, I spend time with both of them regularly. I carry a paperback so I can stop looking at my phone, even during our weekly Costco run. So I was genuinely disconcerted to read that “Costco Plans to Stop Selling Books Year-Round” and offer them only during the holiday season. I guess books are a nice gift for someone else, but not something you’d want for yourself? Or for your children? In fact, the Costco book section is thoughtfully curated for the entire shopping family. There are “My Busy Book” play sets, special C.S. Lewis box sets, and best sellers like “Fourth Wing” by Rebecca Yaros. The aisle feels fun and inviting, not dated or out of place. Costco says that books are inconvenient to sell because they have to be specially unpacked off the pallet and changed out weekly for new releases. That seems like the “it’s not you, it’s me” break-up routine. And it seems like a cop-out. They’ve got plenty of people buzzing around doing all kinds of things — what about the staffers constantly refolding clothes? Costco’s ingenuity shines with the $6 rotisserie chicken. Why not get creative with books? Put Oprah’s top picks at the check-out lines! Surprise us with cookbooks around the food aisles! What Costco stocks is what America buys. So Costco, don’t give up on America as a nation of readers, educated citizens of a democracy. And please don’t give up on books.

Three Favorite Video Responses

Andrew Han on “ Don’t Call It an ‘Ethnic’ Grocery Store ”

Chrisel Roche on “ How 3 Texas Teenagers Grew Up to Be Broadway Stars (and Stayed Friends) ”

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Microsoft 365 Life Hacks > Writing > What is anthropomorphism?

What is anthropomorphism?

As a media consumer or reader, you’ve likely come across narratives where animals display human characteristics. This phenomenon is known as anthropomorphism, a well-established and widely used literary device found in fables, mythology, fairy tales, and contemporary literature and media. Understand the definition, history, and examples of anthropomorphism to recognize and use this literary technique in your writing.

What is the definition of anthropomorphism?

Anthropomorphism is a literary and artistic device where non-human entities, typically animals or inanimate objects, are attributed to human characteristics, behaviors, or emotions. These animals or entities possess human-like qualities such as speech, rational thought, or emotions. They can also resemble humans, making four-legged animals bi-pedal, wear clothes, or have other physical features. This technique has been in use across various cultures and historical periods. It has been used in Greek and Egyptian mythology and other cultures, serving diverse purposes ranging from moral instruction in ancient fables and myths to entertainment in modern literature and media. By anthropomorphizing animals or objects, storytellers and creators make them more relatable to human audiences, often facilitating the exploration of complex themes and ideas.

Anthropomorphism can also serve as an allegory , allowing for commentary on human behavior and society through fictionalized characters. By depicting characters as animals, it can make a message more digestible and palatable for audiences, through indirectly commenting on human behavior or society.

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What are some anthropomorphism examples?

With anthropomorphism existing across several time periods, cultures, and art forms, there are a myriad of examples. These include:

• Anubis: In ancient Egyptian mythology, Anubis, the god of embalming and the afterlife has the body of a man and the head of a jackal. This anthropomorphic representation symbolizes his role in guiding souls to the underworld.
• Watership Down: Richard Adams’ novel Watership Down features rabbits who exhibit human-like behaviors and emotions. Through their adventures and struggles, the rabbits grapple with themes of courage, leadership, and friendship, making them relatable to human readers despite their animal nature.
• The Lion King: In Disney’s The Lion King, lions and other animals in the African savannah are anthropomorphized, possessing human-like personalities and emotions. Simba, a young lion, mourns the loss of his father; Scar, the younger brother of King Mufasa, crafts a plot to murder his brother and usurp the throne; Timon, a meerkat, and Pumbaa, a warthog, have a musical number where they harmonize, singing about how they have no worries.
• Winnie the Pooh: A.A. Milne’s beloved children’s book series stars anthropomorphic animals like Winnie the Pooh, Piglet, and Eeyore, who embark on adventures in the Hundred Acre Wood. Their close friendships and unique traits serve as a vehicle to teach life lessons to young readers.
• Frog and Toad: Arnold Lobel’s Frog and Toad series features the charming friendship between anthropomorphic amphibians, Frog and Toad. Frog and Toad navigate adult preoccupations in a pastoral world, sharing tea, spending time together in a cottage home, and exploring the joys of companionship.

Anthropomorphism, a literary device that attributes human-like qualities to animals, has contributed to the creation of many beloved novels, fables, and movies. As readers or film-watchers, we find ourselves drawn to and empathizing with animals facing struggles and joys that are universal to our complex, human experiences. To understand the techniques of storytelling, literary devices, and figurative language and breathe life into your writing or novel , learn more writing tips .

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Chance the Rapper Talks Writing Personal “Buried Alive” Track Two Years Ago, Says Project is “83 Percent Done”

We talked to Chance the Rapper at Meta's "Super Fan" event about the progress of his next project, writing "Buried Alive" two years ago, and why he feels so confident right now.

The last time we spoke to Chance the Rapper in person, we were at his second home, House of Kicks, in Chicago. It was the fall of 2022, and at the time he was thinking ahead. After a tough couple of years, he was ready to turn the page and map out how he was going to push his artistry to the next level. Now, two years later, we’re seeing the fruits of that labor. 

He has spent much of 2024 putting out new music and prepping his sophomore album, Star Line . So far his new songs—which include “ Buried Alive, ” “Together” with DJ Premier, and “Stars Out”—have expanded his lyrical palette, as he goes into detail about the turbulence he’s faced over the last couple of years. These are deeply personal stories and Chance had to overcome some nerves before releasing them on wax. 

“It felt really scary when I was getting ready to drop [‘Buried Alive’],” Chance the Rapper told Complex at the NeueHouse in New York City. The rapper had just wrapped a fireside chat with college basketball star Juju Watkins centered around Meta AI and how the tool can be used to benefit creatives and the WNBA. “What’s funny is that it got so much love. [People were like] ‘Damn, it’s good that this is what he’s on now…And that [song] is a two-year-old track. I made it at a time but wasn’t ready to release it, and something just came to me. I shot that video six months before it came out [too].” 

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Chance dropped “Buried Alive” back in April. On the track, he references his divorce from his wife, Kirsten Corley; the separation f rom his former manager, Pat Corcoran; and commentary about losing his “hype” since releasing his debut album The Big Day in 2019. There’s a lot riding on Star Line, which he describes as “83 percent done,” but the positive reception of the music he’s released thus far has given Chance confidence.

“There is an immense amount of pressure when you’re a famous rapper,” he said. “I represent a lot of people. I represent my family and I represent friends, and whatever I say on wax, especially in this digital age, it’ll be around forever. And depending on how the internet reacts to it and presents it later, it can be regurgitated as a completely different thing than what I meant. I have to be careful with what I write, what I say, and definitely what I put out. But I love that right now, I’m so confident and so good that it really feels like a great opportunity every time I drop.”

The world of rap has been far from quiet over the past few months with diss tracks flying everywhere. But Chance is fully in the present with this new album.

“We’re living in the project right now,” Chance said. “No one has the attention span for what the conversation needs to be, so I’m piecing it together and I’m living in it with my fans, with the new artists I come in contact with, and every moment so far has been huge.”

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