a brief biography of charles dickens

Charles Dickens

Charles Dickens was a British author who penned the beloved classics Oliver Twist , A Christmas Carol , David Copperfield , and Great Expectations .

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Who Was Charles Dickens?

Charles Dickens was a British author, journalist, editor, illustrator, and social commentator who wrote the beloved classics Oliver Twist , A Christmas Carol , and Great Expectations . His books were first published in monthly serial installments, which became a lucrative source of income following a childhood of abject poverty. Dickens wrote 15 novels in total, including Nicholas Nickleby , David Copperfield , and A Tale of Two Cities . His writing provided a stark portrait of poor and working class people in the Victorian era that helped to bring about social change. Dickens died in June 1870 at age 58 and is remembered as one of the most important and influential writers of the 19 th century.

Quick Facts

Early life and education, life as a journalist, editor, and illustrator, personal life: wife and children, charles dickens’ books: 'oliver twist,' 'great expectations,' and more, travels to the united states, 'a christmas carol' and other works, pop culture adaptations.

FULL NAME: Charles John Huffam Dickens BORN: February 7, 1812 DIED: June 9, 1870 BIRTHPLACE: Portsmouth, England SPOUSE: Catherine Thomson Hogarth (1836-1870) CHILDREN: Charles Jr., Mary, Kate, Walter, Francis, Alfred, Sydney, Henry, Dora, and Edward ASTROLOGICAL SIGN: Aquarius

Charles John Huffam Dickens was born on February 7, 1812, in Portsmouth on the southern coast of England. He was the second of eight children born to John Dickens, a naval clerk who dreamed of striking it rich, and Elizabeth Barrow, who aspired to be a teacher and school director. Despite his parents’ best efforts, the family remained poor but nevertheless happy in the early days.

In 1816, they moved to Chatham, Kent, where young Dickens and his siblings were free to roam the countryside and explore the old castle at Rochester. Dickens was a sickly child and prone to spasms, which prevented him from playing sports. He compensated by reading avidly, including such books as Robinson Crusoe, Tom Jones , Peregrine Pickle , and The Arabian Nights , according to The World of Charles Dickens by Fido Martin.

In 1822, the Dickens family moved to Camden Town, a poor neighborhood in London. By then, the family’s financial situation had grown dire, as Charles’ father had a dangerous habit of living beyond the family’s means. Eventually, John was sent to prison for debt in 1824, when Charles was just 12 years old. He boarded with a sympathetic family friend named Elizabeth Roylance, who later inspired the character Mrs. Pipchin in Dickens’ 1847 novel Dombey and Son , according to Dickens: A Biography by Fred Kaplan.

Following his father’s imprisonment, Dickens was forced to leave school to work at a boot-blacking factory alongside the River Thames. At the run-down, rodent-ridden factory, Dickens earned 6 shillings a week labeling pots of “blacking,” a substance used to clean fireplaces. It was the best he could do to help support his family, and the strenuous working conditions heavily influenced his future writing and his views on treatment of the poor and working class.

Much to his relief, Dickens was permitted to go back to school when his father received a family inheritance and used it to pay off his debts. He attended the Wellington House Academy in Camden Town, where he encountered what he called “haphazard, desultory teaching [and] poor discipline,” according to The World of Charles Dickens by Angus Wilson. The school’s sadistic headmaster was later the inspiration for the character Mr. Creakle in Dickens’ semi-autobiographical novel David Copperfield .

When Dickens was 15, his education was pulled out from under him once again. In 1827, he had to drop out of school and work as an office boy to contribute to his family’s income. However, as it turned out, the job became a launching point for his writing career. Within a year of being hired, Dickens began freelance reporting at the law courts of London. Just a few years later, he was reporting for two major London newspapers.

In 1833, he began submitting sketches to various magazines and newspapers under the pseudonym “Boz,” which was a family nickname. His first published story was “A Dinner at Poplar Walk,” which ran in London’s Monthly Magazine in 1833. Seeing his writing in print made his eyes “overflow with joy and pride,” according to Dickens: A Biography . In 1836, his clippings were published in his first book, Sketches by Boz.

Dickens later edited magazines including Household Words and All the Year Round , the latter of which he founded. In both, he promoted and originally published some of his own work such as Oliver Twist and A Tale of Two Cities .

Dickens married Catherine Hogarth in 1836, soon after the publication of his first book, Sketches by Boz . She was the daughter of George Hogarth, the editor of the Evening Chronicle . Dickens and Hogarth went on to have 10 children between 1837 and 1852, according to biographer Fred Kaplan. Among them were magazine editor Charles Dickens Jr., painter Kate Dickens Perugini, barrister Henry Fielding Dickens, and Edward Dickens, who entered into politics after immigrating to the Australia.

In 1851, Dickens suffered two devastating losses: the deaths of his infant daughter, Dora, and his father, John. He also separated from his wife in 1858. Dickens slandered Catherine publicly and struck up an intimate relationship with a young actor named Ellen “Nelly” Ternan. Sources differ on whether the two started seeing each other before or after Dickens’ marital separation. It is also believed that he went to great lengths to erase any documentation alluding to Ternan’s presence in his life. These major losses and challenges seeped into Dickens’ writing in his “dark novel” period.

Best known for his fiction writing, Dickens wrote a total of 15 novels between 1836 and 1870. His first was The Posthumous Papers of the Pickwick Club , and his last was The Mystery of Edwin Drood , which went unfinished due to his death.

Dickens’ books were originally published in monthly serial installments that sold for 1 shilling each. The affordable price meant everyday citizens could follow along, though wealthier readers, such as Queen Victoria , were also among Dickens’ fans. Once complete, the stories were published again in novel form.

Dickens’ books provided a stark portrait of poor and working class people in the Victorian era that helped to bring about social change. In the 1850s, following the death of his father and infant daughter, as well as his separation from his wife, Dickens’ novels began to express a darkened worldview. His so-called dark novels are Bleak House (1853), Hard Times (1854), and Little Dorrit (1857). They feature more complicated, thematically grim plots and more complex characters, though Dickens didn’t stray from his typical societal commentary.

Read more about each of Charles Dickens’ novels below:

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Serial Publication: April 1836 to November 1837 Novel Publication: 1837

In 1836, the same year his first book of illustrations released, Dickens started publishing The Posthumous Papers of the Pickwick Club . His series, originally written as captions for artist Robert Seymour’s humorous sports-themed illustrations, took the form of monthly serial installments. It was wildly popular with readers, and Dickens’ captions proved even more popular than the illustrations they were meant to accompany.

Oliver Twist

Serial Publication: February 1837 to March 1839 Novel Publication: November 1838

While still working on The Posthumous Papers of the Pickwick Club , Dickens began Oliver Twist, or The Parish Boy’s Progress , which would prove to be one of his most popular novels. The book follows the life of an orphan living in the streets of London, where he must get by on his wits and falls in with a gang of juvenile pickpockets led by the dastardly Fagin.

Oliver Twist unromantically portrayed the mistreatment of London orphans, and the slums and poverty described in the novel made for biting social satire. Although very different from the humorous tone of the Pickwick Papers , Oliver Twist was extremely well-received in both England and America, and dedicated readers eagerly anticipated each next monthly installment, according to the biography Charles Dickens by Harold & Miriam Maltz. Even the young Queen Victoria was an avid reader of  Oliver Twist , describing it as “excessively interesting.”

Nicholas Nickleby

Serial Publication: April 1838 to October 1839 Novel Publication: 1839

As Dickens was still finishing Oliver Twist , he again began writing his follow-up work in The Life and Adventures of Nicholas Nickleby . It tells the story of the title character, who must support his mother and sister following the loss of their comfortable lifestyle when his father dies and the family loses all of their money.

The Old Curiosity Shop

Serial Publication: April 1840 to February 1841 Novel Publication: 1841

Taking a few months between projects this time, Dickens’ next serial was The Old Curiosity Shop . Protagonist Nell Trent lives with her grandfather, whose gambling costs them the titular shop. The pair struggles to survive after into hiding to avoid a money lender.

Barnaby Rudge

Serial Publication: February to November 1841 Novel Publication: 1841

Right on the heels of The Old Curiosity Shop came Barnaby Rudge . The historical fiction novel, Dickens’ first, follows Barnaby and depicts the chaos of mob violence. The author originated the idea years prior but is thought to have temporarily abandoned it due to a dispute with his publisher.

Martin Chuzzlewit

Serial Publication: January 1843 to July 1844 Novel Publication: 1844

After his first American tour, Dickens wrote The Life and Adventures of Martin Chuzzlewit . The story is about a man’s struggle to survive on the ruthless American frontier.

Dombey and Son

Serial Publication: October 1846 to April 1848 Novel Publication: 1848

After an uncharacteristic break, Dickens returned with Dombey and Son , which centers on the theme of how business tactics affect a family’s personal finances. Published as a novel in 1848, it takes a dark view of England and is considered pivotal to Dickens’ body of work in that it set the tone for his future novels.

David Copperfield

Serial Publication: May 1849 to November 1850 Novel Publication: November 1850

Dickens wrote his most autobiographical novel to date with David Copperfield by tapping into his own personal experiences in his difficult childhood and his work as a journalist. The book follows the life of its title character from his impoverished childhood to his maturity and success as a novelist. It was the first work of its kind: No one had ever written a novel that simply followed a character through his everyday life.

David Copperfield is considered one of Dickens’ masterpieces, and it was his personal favorite of his works; he wrote in the book’s preface, “Like many fond parents, I have in my heart of hearts a favourite child. And his name is David Copperfield.” It also helped define the public’s expectations of a Dickensian novel. In The Life of Charles Dickens , biographer John Forster wrote “Dickens never stood so high in reputation as at the completion of Copperfield ,” and biographer Fred Kaplan called the novel “an exploration of himself through his art more direct, more honest, more resolute than in his earlier fiction.”

Bleak House

Serial Publication: 1852 to 1853 Novel Publication: 1853

His next work, Bleak House , dealt with the hypocrisy of British society. The first of his “dark novels,” it was considered his most complex novel yet. Drawing upon his brief experiences as a law clerk and court reporter, the novel is built around a long-running legal case involving several conflicting wills and was described by biographer Fido Martin as “England’s greatest satire on the law’s incompetence and delays.” Dickens’ satire was so effective that it  helped support  a successful movement toward legal reform in the 1870s.

Serial Publication: April to August 1854 Novel Publication: 1854

Dickens followed Bleak House with Hard Times , which takes place in an industrial town at the peak of economic expansion. Hard Times focuses on the shortcomings of employers as well as those who seek change.

Little Dorrit

Serial Publication: December 1855 and June 1857 Novel Publication: 1857

Another novel from Dickens’ darker period is Little Dorrit , a fictional study of how human values conflict with the world’s brutality.

A Tale of Two Cities

Serial Publication: April to November 1959 Novel Publication: 1859

Coming out of his “dark novel” period, Dickens published A Tale of Two Cities in the periodical he founded, All the Year Round . The historical novel takes place during the French Revolution in Paris and London. Its themes focus on the need for sacrifice, the struggle between the evils inherent in oppression and revolution, and the possibility of resurrection and rebirth.

A Tale of Two Cities was a tremendous success and remains Dickens’ best-known work of historical fiction. Biographer Fido Martin called the novel “pure Dickens, but essentially a Dickens we have never seen before. This is a Dickens who has at last captured in prose fiction the stage heroics he adored.”

Great Expectations

Serial Publication: December 1860 to August 1861 Novel Publication: October 1861

Many people consider Great Expectations Dickens’ greatest literary accomplishment. The story—Dickens’ second that’s narrated in the first person—focuses on the lifelong journey of moral development for the novel’s protagonist, an orphan named Pip. With extreme imagery and colorful characters, the well-received novel touches on wealth and poverty, love and rejection, and good versus evil. The novel was a financial success and received nearly universal acclaim, with readers responding positively to the novel’s themes of love, morality, social mobility, and the eventual triumph of good over evil.

Our Mutual Friend

Serial Publication: May 1864 to November 1865 Novel Publication: 1865

In June 1865, Dickens was a passenger on a train that plunged off a bridge in Kent, according to biographer Fred Kaplan. He tended to the wounded and even saved the lives of some passengers before assistance arrived, and he was able to retrieve his unfinished manuscript for his next novel, Our Mutual Friend , from the wreckage. That book, a satire about wealth and the Victorian working class, wasn’t received as well as Dickens’ other works, with some finding the plot too complex and disorganized.

The Mystery of Edwin Drood

Serial Publication: April 1870 Novel Publication: 1870

Dickins’ final novel, The Mystery of Edwin Drood , began its monthly serialized publication in April 1870. However, Dickens died less than two months later, leaving the novel unfinished. Only six of a planned 12 installments of his final work were completed at the time of his death, according to biographer Fido Martin.

In 1842, Dickens and his wife, Catherine, embarked on a five-month lecture tour of the United States. Dickens spoke of his opposition to slavery and expressed his support for additional reform. His lectures, which began in Virginia and ended in Missouri, were so widely attended that ticket scalpers gathered outside his events. Biographer J.B. Priestley wrote that during the tour, Dickens enjoyed “the greatest welcome that probably any visitor to America has ever had.”

“They flock around me as if I were an idol,” bragged Dickens, a known show-off. Although he enjoyed the attention at first, he eventually resented the invasion of privacy. He was also annoyed by what he viewed as Americans’ gregariousness and crude habits, as he later expressed in American Notes for General Circulation (1842). The sarcastic travelogue, which Dickens’ penned upon his return to England, criticized American culture and materialism.

After his criticism of the American people during his first tour, Dickens later launched a second U.S. tour from 1867 to 1868, where he hoped to set things right with the public and made charismatic speeches promising to praise the United States in reprints of American Notes for General Circulation and Martin Chuzzlewit , his 1844 novel set in the American frontier.

On December 19, 1843, Dickens published A Christmas Carol , one of his most timeless and beloved works. The book features the famous protagonist Ebenezer Scrooge, a curmudgeonly old miser who—with the help of the Ghosts of Christmas Past, Present, and Yet to Come—finds the holiday spirit. Dickens penned the book in just six weeks, beginning in October and finishing just in time for Christmas celebrations. Like his earlier works, it was intended as a social criticism, to bring attention to the hardships faced by England’s poorer classes.

The book was a roaring success, selling more than 6,000 copies upon publication. Readers in England and America were touched by the book’s empathetic emotional depth; one American entrepreneur reportedly gave his employees an extra day’s holiday after reading it. Despite its incredible success, the high production costs and Dickens’ disagreements with the publisher meant he received relatively few profits for A Christmas Carol , according to Kaplan, which were further reduced when Dickens was forced to take legal action against the publishers for making illegal copies.

A Christmas Carol was Dickens’ most popular book in the United States, selling more than two million copies in the century after its first publication there, according to Charles Dickens: A Life by Claire Tomalin. It is also one of Dickens’ most adapted works, and Ebenezer Scrooge has been portrayed by such actors as Michael Caine, Albert Finney, Patrick Stewart, Tim Curry, and Jim Carrey .

Dickens published several other Christmas novellas following A Christmas Carol , including The Chimes (1844) The Cricket on the Hearth (1845), The Battle of Life (1846), and The Haunted Man and the Ghost ’s Bargain (1848). In 1867, he wrote a stage play titled No Thoroughfare .

On June 8, 1870, Dickens had a stroke at his home in Kent, England, after a day of writing The Mystery of Edwin Drood . He died the next day at age 58.

At the time, Edwin Drood had begun its serial publication; it was never finished. Only half of the planned installments of his final novel were completed at the time of Dickens’ death, according to Fido.

Dickens was buried in Poet’s Corner at Westminster Abbey , with thousands of mourners gathering at the beloved author’s gravesite.

When 48 Doughty Street in London—which was Dickens’ home from 1837 to 1839—was threatened with demolition, it was saved by the Dickens Fellowship and renovated, becoming the Dickens House Museum . Open since 1925, it appears like a middle-class Victorian home exactly as Dickens lived in it, and it houses a significant collection related to Dickens and his works.

Many of Dickens’ major works have been adapted for movies and stage plays, with some, like A Christmas Carol , repackaged in various forms over the years. Reginald Owen portrayed Ebenezer Scrooge in one of the earliest Hollywood adaptations of the novella in 1938, while Albert Finney played the character alongside Alec Guinness as Marley’s ghost in the 1970 film Scrooge .

Some adaptations have taken unique approaches to the source material. Michael Caine portrayed Scrooge in The Muppet Christmas Carol (1992), with members of the Muppets playing other characters from the story, and Gonzo the Great portraying Dickens as a narrator. Bill Murray played a version of Scrooge in a modern-day comedic take on the classic story. Several animated versions of A Christmas Carol have also been adapted, with Jim Carrey playing Scrooge in a 2009 computer-generated film that used motion-capture animation to create the character.

Several more of Dickens’ works have been similarly adapted. Famed director David Lean made celebrated adaptations of both Great Expectations (1946) and Oliver Twist (1948). The latter novel was also adapted into a successful 1960 stage musical called Oliver! , and a 1968 movie version—directed by Carol Reed—of that same musical won the Academy Award for Best Picture and Director.

More recently, The Personal History of David Copperfield (2019) put a comedic spin on Dickens’ personal favorite of his own works, with Dev Patel performing the title role. Barbara Kingsolver also adapted the novel in her Pulitzer Prize winner Demon Copperhead (2022).

• The English are, as far as I know, the hardest worked people on whom the sun shines. Be content if in their wretched intervals of leisure they read for amusement and do no worse.
• I write because I can’t help it.
• Literature cannot be too faithful to the people, cannot too ardently advocate the cause of their advancement, happiness, and prosperity.
• An author feels as if he were dismissing some portion of himself into the shadowy world, when a crowd of the creatures of his brain are going from him forever.
• Nobody has done more harm in this single generation than everybody can mend in 10 generations.
• If I were soured [on writing], I should still try to sweeten the lives and fancies of others; but I am not—not at all.
• Well, the work is hard, the climate is hard, the life is hard: but so far the gain is enormous.
• Who that has ever reflected on the enormous and vast amount of leave-taking there is in life can ever have doubted the existence of another?
• I never knew what it was to feel disgust and contempt, till I traveled in America.
• My great ambition is to live in the hearts and homes of home-loving people and to be connected with the truth of the truthful English life.

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Charles Dickens online

Charles dickens biography.

Biography of Charles Dickens, English Novelist

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Charles Dickens (February 7, 1812–June 9, 1870) was a popular English novelist of the Victorian era, and to this day he remains a giant in British literature. Dickens wrote numerous books that are now considered classics, including "David Copperfield," "Oliver Twist," "A Tale of Two Cities," and "Great Expectations." Much of his work was inspired by the difficulties he faced in childhood as well as social and economic problems in Victorian Britain.

Fast Facts: Charles Dickens

• Known For : Dickens was the popular author of "Oliver Twist," "A Christmas Carol," and other classics.
• Born : February 7, 1812 in Portsea, England
• Parents : Elizabeth and John Dickens
• Died : June 9, 1870 in Higham, England
• Published Works : Oliver Twist (1839), A Christmas Carol (1843), David Copperfield (1850), Hard Times (1854), Great Expectations (1861)
• Spouse : Catherine Hogarth (m. 1836–1870)
• Children : 10

Charles Dickens was born on February 7, 1812, in Portsea, England. His father had a job working as a pay clerk for the British Navy, and the Dickens family, by the standards of the day, should have enjoyed a comfortable life. But his father's spending habits got them into constant financial difficulties. When Charles was 12, his father was sent to debtors' prison, and Charles was forced to take a job in a factory that made shoe polish known as blacking.

Life in the blacking factory for the bright 12-year-old was an ordeal. He felt humiliated and ashamed, and the year or so he spent sticking labels on jars would be a profound influence on his life. When his father managed to get out of debtors' prison, Charles was able to resume his sporadic schooling. However, he was forced to take a job as an office boy at the age of 15.

By his late teens, he had learned stenography and landed a job as a reporter in the London courts. By the early 1830s , he was reporting for two London newspapers.

Early Career

Dickens aspired to break away from newspapers and become an independent writer, and he began writing sketches of life in London. In 1833 he began submitting them to a magazine, The Monthly . He would later recall how he submitted his first manuscript, which he said was "dropped stealthily one evening at twilight, with fear and trembling, into a dark letter box, in a dark office, up a dark court in Fleet Street."

When the sketch he'd written, titled "A Dinner at Poplar Walk," appeared in print, Dickens was overjoyed. The sketch appeared with no byline, but soon he began publishing items under the pen name "Boz."

The witty and insightful articles Dickens wrote became popular, and he was eventually given the chance to collect them in a book. "Sketches by Boz" first appeared in early 1836, when Dickens had just turned 24. Buoyed by the success of his first book, he married Catherine Hogarth, the daughter of a newspaper editor. He settled into a new life as a family man and an author.

Rise to Fame

"Sketches by Boz" was so popular that the publisher commissioned a sequel, which appeared in 1837. Dickens was also approached to write the text to accompany a set of illustrations, and that project turned into his first novel, "The Pickwick Papers," which was published in installments from 1836 to 1837. This book was followed by "Oliver Twist," which appeared in 1839.

Dickens became amazingly productive. "Nicholas Nickleby" was written in 1839, and "The Old Curiosity Shop" in 1841. In addition to these novels, Dickens was turning out a steady stream of articles for magazines. His work was incredibly popular. Dickens was able to create remarkable characters, and his writing often combined comic touches with tragic elements. His empathy for working people and for those caught in unfortunate circumstances made readers feel a bond with him.

As his novels appeared in serial form, the reading public was often gripped with anticipation. The popularity of Dickens spread to America, and there were stories told about how Americans would greet British ships at the docks in New York to find out what had happened next in Dickens' latest novel.

Visit to America

Capitalizing on his international fame, Dickens visited the United States in 1842 when he was 30 years old. The American public was eager to greet him, and he was treated to banquets and celebrations during his travels.

In New England, Dickens visited the factories of Lowell, Massachusetts, and in New York City he was taken to the see the Five Points , the notorious and dangerous slum on the Lower East Side. There was talk of him visiting the South, but as he was horrified by the idea of enslavement he never went south of Virginia.

Upon returning to England, Dickens wrote an account of his American travels which offended many Americans.

'A Christmas Carol'

In 1842, Dickens wrote another novel, "Barnaby Rudge." The following year, while writing the novel "Martin Chuzzlewit," Dickens visited the industrial city of Manchester, England. He addressed a gathering of workers, and later he took a long walk and began to think about writing a Christmas book that would be a protest against the profound economic inequality he saw in Victorian England. Dickens published " A Christmas Carol " in December 1843, and it became one of his most enduring works.

Dickens traveled around Europe during the mid-1840s. After returning to England, he published five new novels: "Dombey and Son," "David Copperfield," "Bleak House," "Hard Times," and "Little Dorrit."

By the late 1850s , Dickens was spending more time giving public readings. His income was enormous, but so were his expenses, and he often feared he would be plunged back into the sort of poverty he had known as a child.

Charles Dickens, in middle age, appeared to be on top of the world. He was able to travel as he wished, and he spent summers in Italy. In the late 1850s, he purchased a mansion, Gad's Hill, which he had first seen and admired as a child.

Despite his worldly success, though, Dickens was beset by problems. He and his wife had a large family of 10 children, but the marriage was often troubled. In 1858, a personal crisis turned into a public scandal when Dickens left his wife and apparently began a secretive affair with actress Ellen "Nelly" Ternan, who was only 19 years old. Rumors about his private life spread. Against the advice of friends, Dickens wrote a letter defending himself, which was printed in newspapers in New York and London.

For the last 10 years of his life, Dickens was often estranged from his children, and his relationships with old friends suffered.

Though he hadn't enjoyed his tour of America in 1842, Dickens returned in late 1867. He was again welcomed warmly, and large crowds flocked to his public appearances. He toured the East Coast of the United States for five months.

He returned to England exhausted, yet continued to embark on more reading tours. Though his health was failing, the tours were lucrative, and he pushed himself to keep appearing onstage.

Dickens planned a new novel for publication in serial form. "The Mystery of Edwin Drood" began appearing in April 1870. On June 8, 1870, Dickens spent the afternoon working on the novel before suffering a stroke at dinner. He died the next day.

The funeral for Dickens was modest, and praised, according to a New York Times article, as being in keeping with the "democratic spirit of the age." Dickens was accorded a high honor, however, as he was buried in the Poet's Corner of Westminster Abbey, near other literary figures such as Geoffrey Chaucer , Edmund Spenser , and Dr. Samuel Johnson.

The importance of Charles Dickens in English literature remains enormous. His books have never gone out of print, and they are widely read to this day. As the works lend themselves to dramatic interpretation, numerous plays, television programs, and feature films based on them continue to appear.

• Kaplan, Fred. "Dickens: a Biography." Johns Hopkins University Press, 1998.
• Tomalin, Claire. "Charles Dickens: a Life." Penguin Press, 2012.
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Biography Online

Charles Dickens biography

Charles Dickens was born in Portsmouth on 7 February 1812, to John and Elizabeth Dickens.

As a child, Charles experienced the fickle hands of fate; he was first taught at a private school before being removed because of his family’s financial hardship.

In fact, his father’s debts were so bad, the whole family (apart from the young Charles was sent to the debtor’s prison at Marshalsea – this would later be the setting for one of his novels – Little Dorrit ). However, although Charles escaped detention in the debtors’ prison, he was made to work long, 10 hour days, at a local boot-blacking factory. The hard and dangerous work left a lasting impression on Charles Dickens, who would later incorporate in his writings a sense of social injustice that was endemic in Victorian Britain.

“I had no advice, no counsel, no encouragement, no consolation, no assistance, no support, of any kind, from anyone, that I can call to mind, as I hope to go to heaven!” – from David Copperfield.

Charles managed to escape the grind of factory work, by training to be a shorthand writer and gaining employment as a journalist – reporting on court cases.

In 1833, he became a parliamentary journalist for the Morning Chronicle . The young Dickens was fascinated with the Houses of Parliament, though he was often left with a lowly impression of the MPs. Shortly after this, he began writing his first serialised stories, published under a pseudonym – Boz.

In 1836, he married Catherine Hogarth and also in that year, he saw the first publication of ‘ The Pickwick Papers.’ His first book proved to be a great seller, and this enabled him to become a full-time writer.

As well as writing popular novels, Charles Dickens took great interest in the social issues of the day. He toured both Europe and the United States speaking against slavery and the various social injustices that he saw. He even founded his own paper – The Daily News. This was its first editorial:

“The principles advocated in The Daily News will be principles of progress and improvement; of education, civil and religious liberty, and equal legislation. Principles, such as its conductors believe the advancing spirit of the time requires: the condition of the country demands: and justice, reason and experience legitimately sanction.”

The Daily News (21st January 1846)

Charles Dickens is one of the most popular writers in English. In particular, his novels are brimming with colourful and eccentric characters which leave a lasting impression. He achieved this through his vivid memory of the various people he had met through his life, but also he added a touch of fantasy and exaggeration with his vivid descriptive style.

There are various themes which run throughout his writings, which often reflect a degree of autobiography. Dickens loved the ‘rags to riches stories’, exemplified by Oliver Twist and David Copperfield. He frequently highlighted the worst excesses of Victorian society and made a passionate case for a more caring and moral society.

For his attacks on social injustice, Dickens was considered a “Radical” of his time. Though in a later essay by the socialist, George Orwell , Orwell questioned his lack of alternatives:

“In Oliver Twist, Hard Times, Bleak House, Little Dorrit, Dickens attacked English institutions with a ferocity that has never since been approached. Yet he managed to do it without making himself hated, and, more he has become a national institution himself… Dickens seems to have succeeded in attacking everybody and antagonizing nobody. Naturally this makes one wonder whether after all there was something unreal in his attack upon society.”

– George Orwell, Charles Dickens 1939

Charles Dickens had ten children with his wife, but, became estranged from her and ended his life living with his mistress Ellen Ternan. Also towards the end of his life, in  June 1865, he was involved in the tragic Staplehurst rail crash where he narrowly avoided injury.

Dickens wrote a book about Jesus Christ  The Life of Our Lord  (1849) – where he encourages others to follow the Christian faith. He professed to be a practising Christian in the Anglican faith (with also an interest in the Unitarian church). However, he could be critical of organised religion and opposed the idea of keeping the Sabbath only for church-going.

Dickens was a noted philanthropist helping to raise funds for charities, such as Great Ormond Street. He also helped to set up a home for ‘fallen women.’ The emphasis was on providing destitute women with an education and way to redeem themselves in societies eyes. Redemption was an important aspect of Dicken’s philosophy and he often criticised harsh and punitive punishments, such as solitary confinement.

Dickens died on June 8th, 1870 after a stroke. He was writing a book ‘Edwin Drood’. He had wished to be buried at Rochester Cathedral in a simple and private manner, but contrary to his wishes, he was buried at Poet’s Corner, Westminster Abbey.

His epitaph read:

“To the Memory of Charles Dickens (England’s most popular author) who died at his residence, Higham, near Rochester, Kent, 9 June 1870, aged 58 years. He was a sympathiser with the poor, the suffering, and the oppressed; and by his death, one of England’s greatest writers is lost to the world.”

Citation: Pettinger, Tejvan . “Biography of Charles Dickens” Oxford,  UK.  www.biographyonline.net , 25th September 2009. Last updated 13 February 2018.

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Short Bio » Writer » Charles Dickens

Charles Dickens

Charles Dickens was an English writer . He is regarded as one of the finest writers in English language. He is regarded as the greatest novelist of the Victorian Period. He is renowned for creating some of the finest fictional characters ever. The Pickwick Papers , Oliver Twist , David Copperfield and A Christmas Carol are few of his notable literature. Charles Dickens is one of the most famous novelists of all time.

Charles Dickens was born on 7 February 1812. He was born to John Dickens and Elizabeth Dickens from Landport, Hampshire, England. His father was thrown in Debtors Prison when he was a child. For this reason, Charles Dickens had to leave school. She started to work in factories from an early age. At age 20 he wanted to become an entertainer. He was full of energy and did mimicry at the time. He landed an acting audition but missed it due to cold. Before Charles Dickens got another shot at fame in acting he had already set out to become a writer. Charles Dickens rose to fame with “The Pickwick Papers” in 1836. He was using the pseudonym Boz as the time. Most of his novels used to come out in shilling installments before being published as a full volume. This helped him to edit characters to readers and his best interests. His success as a novelist continued with the release of “Oliver Twist” in 1838. Oliver Twist is one of Charles Dickens greatest works. A young Queen Victoria at the time read both of his novels and was quite fond of them. He was by then an internationally famous writer. His later works in Dombey and Son” and “David Copperfield” were better written and serious themed than his earlier work. David Copperfield became one of his greatest works ever.

Charles Dickens married Catherine Dickens in 1936. The couple had 10 children born to them. Charles and Catherine separated in 1858. Charles Dickens was the believer in Christianity. But he had issues with institutions and their rules of religions. On 9 June 1870 at the age of 58 Charles Dickens died of a stroke.

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Charles Dickens Biography

Dickens, Charles John Huffam (1812-1870), probably the best-known and, to many people, the greatest English novelist of the 19th century. A moralist, satirist, and social reformer, Dickens crafted complex plots and striking characters that capture the panorama of English society.

Dickens's novels criticize the injustices of his time, especially the brutal treatment of the poor in a society sharply divided by differences of wealth. But he presents this criticism through the lives of characters that seem to live and breathe. Paradoxically, they often do so by being flamboyantly larger than life: The 20th-century poet and critic T. S. Eliot wrote, "Dickens's characters are real because there is no one like them." Yet though these characters range through the sentimental, grotesque, and humorous, few authors match Dickens's psychological realism and depth. Dickens's novels rank among the funniest and most gripping ever written, among the most passionate and persuasive on the topic of social justice, and among the most psychologically telling and insightful works of fiction. They are also some of the most masterful works in terms of artistic form, including narrative structure, repeated motifs, consistent imagery, juxtaposition of symbols, stylization of characters and settings, and command of language.

Dickens established (and made profitable) the method of first publishing novels in serial instalments in monthly magazines. He thereby reached a larger audience including those who could only afford their reading on such an instalment plan. This form of publication soon became popular with other writers in Britain and the United States.

II Early Years

Dickens was born in Portsmouth, on England's southern coast. His father was a clerk in the British Navy pay office a respectable position, but with little social status. His paternal grandparents, a steward (property manager) and a housekeeper, possessed even less status, having been servants, and Dickens later concealed their background. Dickens's mother supposedly came from a more respectable family. Yet two years before Dickens's birth, his mother's father was caught embezzling and fled to Europe, never to return.

The family's increasing poverty forced Dickens out of school at age 12 to work in Warren's Blacking Warehouse, a shoe-polish factory, where the other working boys mocked him as "the young gentleman." His father was then imprisoned for debt. The humiliations of his father's imprisonment and his labor in the blacking factory formed Dickens's greatest wound and became his deepest secret. He could not confide them even to his wife, although they provide the unacknowledged foundation of his fiction.

Soon after his father's release from prison, Dickens got a better job as errand boy in law offices. He taught himself shorthand to get an even better job later as a court stenographer and as a reporter in Parliament. At the same time, Dickens, who had a reporter's eye for transcribing the life around him, especially anything comic or odd, submitted short sketches to obscure magazines. The first published sketch, "A Dinner at Poplar Walk" (later retitled "Mr. Minns and His Cousin") brought tears to Dickens's eyes when he discovered it in the pages of The Monthly Magazine in 1833. From then on his sketches, which appeared under the pen name "Boz" (rhymes with "rose") in The Evening Chronicle, earned him a modest reputation. Boz originated as a childhood nickname for Dickens's younger brother Augustus.

Dickens became a regular visitor at the home of George Hogarth, editor of The Evening Chronicle, and in 1835 became engaged to Hogarth's daughter Catherine. Publication of the collected Sketches by Boz in 1836 gave Dickens sufficient income to marry Catherine Hogarth that year. The marriage proved unhappy.

III Literary Career

Soon after Sketches by Boz appeared, the fledgling publishing firm of Chapman and Hall approached Dickens to write a story in monthly instalments. The publisher intended the story as a backdrop for a series of woodcuts by the then-famous artist Robert Seymour, who had originated the idea for the story. With characteristic confidence, Dickens, although younger and relatively unknown, successfully insisted that Seymour's pictures illustrate his own story instead. After the first instalment, Dickens wrote to the artist he had displaced to correct a drawing he felt was not faithful enough to his prose. Seymour made the change, went into his backyard, and expressed his displeasure by blowing his brains out. Dickens and his publishers simply pressed on with a new artist. The comic novel, The Posthumous Papers of the Pickwick Club, appeared serially in 1836 and 1837 and was first published in book form The Pickwick Papers in 1837.

The runaway success of The Pickwick Papers , as it is generally known today, clinched Dickens's fame. There were Pickwick coats and Pickwick cigars, and the plump, spectacled hero, Samuel Pickwick, became a national figure. Four years later, Dickens's readers found Dolly Varden, the heroine of Barnaby Rudge (1841), so irresistible that they named a waltz, a rose, and even a trout for her. The widespread familiarity today with Ebenezer Scrooge and his proverbial hard-heartedness from A Christmas Carol (1843) demonstrate that Dickens's characters live on in the popular imagination.

Dickens published 15 novels, one of which was left unfinished at his death. These novels are, in order of publication with serialization dates given first: The Posthumous Papers of the Pickwick Club (1836-1837; 1837); The Adventures of Oliver Twist (1837-1839; 1838); The Life and Adventures of Nicholas Nickleby (1838-1839; 1839); The Old Curiosity Shop (1840-1841; 1841); Barnaby Rudge (1841); Life and Adventures of Martin Chuzzlewit (1843-1844; 1844); Dombey and Son (1846-1848; 1848); The Personal History of David Copperfield (1849-1850; 1850); Bleak House (1852-1853; 1853); Hard Times (1854); Little Dorrit (1855-1857; 1857); A Tale of Two Cities (1859); Great Expectations (1860-1861; 1861); Our Mutual Friend (1864-1865; 1865); and The Mystery of Edwin Drood (unfinished; 1870).

Through his fiction Dickens did much to highlight the worst abuses of 19th-century society and to prick the public conscience. But running through the main plot of the novels are a host of subplots concerning fascinating and sometime ludicrous minor characters. Much of the humor of the novels derives from Dickens's descriptions of these characters and from his ability to capture their speech mannerisms and idiosyncratic traits.

A Early Fiction

Dickens was influenced by the reading of his youth and even by the stories his nursemaid created, such as the continuing saga of Captain Murderer. These childhood stories, as well as the melodramas and pantomimes he saw in the theater as a boy, fired Dickens's imagination throughout his life. His favorite boyhood readings included picaresque novels such as Don Quixote by Spanish writer Miguel de Cervantes and Tom Jones by English novelist Henry Fielding, as well as the Arabian Nights. In these long comic works, a roguish hero's exploits and adventures loosely link a series of stories.

The Pickwick Papers , for example, is a wandering comic epic in which Samuel Pickwick acts as a plump and cheerful Don Quixote, and Sam Weller as a cockney version of Quixote's knowing servant, Sancho Panza. The novel's preposterous characters, high spirits, and absurd adventures delighted readers.

After Pickwick, Dickens plunged into a bleaker world. In Oliver Twist , he traces an orphan's progress from the workhouse to the criminal slums of London. Nicholas Nickleby , his next novel, combines the darkness of Oliver Twist with the sunlight of Pickwick. Rascality and crime are part of its jubilant mirth.

The Old Curiosity Shop broke hearts across Britain and North America when it first appeared. Later readers, however, have found it excessively sentimental, especially the pathos surrounding the death of its child-heroine Little Nell. Dickens's next two works proved less popular with the public.

Barnaby Rudge , Dickens's first historical novel, revolves around anti-Catholic riots that broke out in London in 1780. The events in Martin Chuzzlewit become a vehicle for the novel's theme: selfishness and its evils. The characters, especially the Chuzzlewit family, present a multitude of perspectives on greed and unscrupulous self-interest. Dickens wrote it after a trip to the United States in 1842.

B Mature Fiction

Many critics have cited Dombey and Son as the work in which Dickens's style matures and he succeeds in bringing multiple episodes together in a tight narrative. Set in the world of railroad-building during the 1840s, Dombey and Son looks at the social effects of the profit-driven approach to business. The novel was immediately successful.

Dickens always considered David Copperfield to be his best novel and the one he most liked. The beginning seems to be autobiographical, with David's childhood experiences recalling Dickens's own in the blacking factory. The unifying theme of the book is the "undisciplined heart" of the young David, which leads to all his mistakes, including the greatest of them, his mistaken first marriage.

Bleak House ushers in Dickens's final period as a satirist and social critic. A court case involving an inheritance forms the mainspring of the plot, and ultimately connects all of the characters in the novel. The dominant image in the book is fog, which envelops, entangles, veils, and obscures. The fog stands for the law, the courts, vested interests, and corrupt institutions. Dickens had a long-standing dislike of the legal system and protracted lawsuits from his days as a reporter in the courts.

A novel about industry, Hard Times , followed Bleak House in 1854. In Hard Times , Dickens satirizes the theories of political economists through exaggerated characters such as Mr. Bounderby, the self-made man motivated by greed, and Mr. Gradgrind, the schoolmaster who emphasizes facts and figures over all else. In Bounderby's mines, lives are ground down; in Gradgrind's classroom, imagination and feelings are strangled.

The pervading image of Little Dorrit is the jail. Dickens's memory of his own father's time in debtors' prison adds an autobiographical touch to the novel. Little Dorrit also contains Dickens's invention of the Circumlocution Office, the archetype of all bureaucracies, where nothing ever gets done. Through this critique and others, such as the circular legal system in Bleak House , Dickens also investigated the ways in which art makes meaning and the workings of his own narrative style.

A Tale of Two Cities is set in London and Paris during the French Revolution (1789-1799). It stands out among the novels as a work driven by incident and event rather than by character and is critical both of the violence of the mob and of the abuses of the aristocracy, which prompted the revolution. The successful Tale of Two Cities was soon followed by Great Expectations , which marked a return to the more familiar Dickensian style of character-driven narrative. Its main character, Pip, tells his own story. Pip's "great expectations" are to lead an idle life of luxury. Through Pip, Dickens exposes that ideal as false.

Dickens's last complete novel is the dark and powerful Our Mutual Friend . A tale of greed and obsession, it takes place in an ill-lit and dirty London, with images of darkness and decay throughout. Only 6 of the 12 intended parts of Edwin Drood had been completed by the time Dickens died. He intended it as a mystery story concerning the disappearance of the title character.

IV Final Years

The end of Dickens's life was emotionally scarred by his separation from his dutiful wife, Catherine, as the result of his involvement with a young actress, Ellen Ternan. Catherine bore him ten children during their 22-year marriage, but he found her increasingly dull and unsympathetic. Against the advice of editors, Dickens published a letter vehemently justifying his actions to his readers, who would otherwise have known nothing about them.

Following the separation, Dickens continued his hectic schedule of novel, story, essay, and letter writing (his collected letters alone stretch thousands of pages); reform activities; amateur theatricals and readings; in addition to nightly social engagements and long midnight walks through London. His energy had always seemed to his friends inhuman, but he maintained this activity in his later years in disregard of failing health. Dickens died of a stroke shortly after his farewell reading tour, while writing The Mystery of Edwin Drood .

V Achievement

Dickens's social critique in his novels was sharp and pointed. As his biographer Edgar Johnson observed in Charles Dickens: His Tragedy and Triumph (1952), Dickens's criticism was aimed not just at "the cruelty of the workhouse and the foundling asylum, the enslavement of human beings in mines and factories, the hideous evil of slums where crime simmered and proliferated, the injustices of the law, and the cynical corruption of the lawmakers" but also at "the great evil permeating every field of human endeavour: the entire structure of exploitation on which the social order was founded."

British writer George Orwell felt that Dickens was not a revolutionary, however, despite his criticism of society's ills. Orwell points out that Dickens "has no constructive suggestions, not even a clear grasp of the nature of the society he is attacking, only an emotional perception that something is wrong." That instinctive feeling becomes so moving in the novels because Dickens made the injustices he hated concrete and specific, not abstract and general. His readers feel the abuses of 19th-century society as real through the life of his characters. Underlying and reinforcing that illusion of reality, however, is a rich and complicated system of symbolic imagery resulting from superb artistry.

Through his characters, Dickens also touched a range of readers, which was perhaps his greatest talent. As his friend John Forster wrote, his stories enthralled "judges on the bench and boys in the street" alike. The illiterate, often too poor to buy instalments themselves, pooled their pennies and got someone to read aloud to them.

Near the end of the serialization of The Old Curiosity Shop , crowds thronged to a New York pier to await the ship from London carrying the latest instalment. As it came to the dock people roared, "Is Little Nell dead?" The pathetic death of the novel's child-heroine, Nell Trent, became one of the most celebrated scenes in 19th-century fiction. Such public concern over Little Nell's end guaranteed that Dickens's social message would be heard, not only by his avid readers, but also by those in power.

Dickens was a careful craftsman, with a strong sense of design; his books were strictly outlined. Any current notions that Dickens's novels are long because he was paid by the word, or sloppy because he wrote them under pressure of monthly deadlines, are simply untrue. What organizes Dickens's stories is sometimes not apparent at first glance, although it makes sense in novels that emphasize character. It is the logic of psychology, the tensions and contradictions of our drives and emotions, which Dickens plumbed, laying side by side the best and the worst of the human heart. This is a very different logic from the order of realism that rests on common sense. Dickens detested common sense, seeing in its seeming obviousness a form of tyranny.

The theater was a crucial influence on Dickens's work. As a young man Dickens tried to go on stage, but he missed his audition because of a cold. Not only did Dickens later write comic plays, melodramas, and libretti (words for musical dramas), he was also often involved in amateur theatricals for good causes, and spent his last two decades reading his own stories to packed audiences. Dickens's readings were as much a sensation in England and America as was his writing, and they proved as profitable. The readings revealed the part of the man that made him a practiced magician and hypnotist as well.

Dickens's love of the theatrical makes his works lend themselves readily to media adaptations. Motion-picture or television versions exist for almost every one of them. A Christmas Carol was one of the earliest to be adapted, first appearing as the silent film Scrooge (1901), directed by Walter R. Booth. The most notable adaptations include A Christmas Carol (1938), directed by Edwin L. Marin and starring Reginald Owen, and, probably the most famous of all, A Christmas Carol (1951), directed by Brian Desmond Hart and starring Alastair Sim. A later production titled Scrooged (1988) was directed by Richard Donner and starred Bill Murray. David Lean directed the most famous of the many versions of Great Expectations (1946). The film Oliver! (1968), a musical based on Oliver Twist and directed by Carol Reed, won six Academy Awards. Nowadays people are probably more familiar with the many BBC television miniseries productions of Dickens's works.

Contributed By: Laurie Langbauer, B.A., M.A., Ph.D. Professor of English, University of North Carolina. Author of Novels of Everyday Life: The Series in English Fiction, 1850-1930.

A Short Biography Of Charles Dickens

Reading Comprehension: A Short Biography of Charles Dickens

Develop your reading skills. Read the following short biography of Charles Dickens and do the comprehension task.

Charles Dickens: A Literary Legacy

Charles Dickens, an English writer and social critic, achieved unparalleled popularity during his lifetime and is now revered as a literary genius. Renowned for creating some of the most iconic fictional characters and for being the preeminent novelist of the Victorian era, his works continue to captivate readers worldwide, ensuring his enduring legacy in literature.

Born on February 7, 1812, in Portsmouth, England, Dickens faced financial hardship from an early age. His father’s imprudent spending led to his imprisonment for debt when Charles was only 12 years old. Forced to leave school and work in a factory, Dickens’s lack of formal education did not deter him from pursuing a career in writing.

Literary Success

Dickens’s literary journey began with the serial publication of “The Pickwick Papers” in 1836, marking the start of his meteoric rise to international acclaim. Renowned for his humor, satire, and acute observations of society, Dickens pioneered the serial publication of narrative fiction, captivating audiences with his serialized novels and engaging characters.

Notable Works

Among his many works, “A Christmas Carol,” published in 1843, remains a beloved classic, inspiring numerous adaptations across various artistic mediums. Other notable novels include “Oliver Twist,” “Great Expectations,” and “A Tale of Two Cities,” each offering vivid depictions of Victorian London and exploring themes of social injustice and redemption.

Dickens’s creative brilliance has earned him praise from literary luminaries such as Leo Tolstoy and George Orwell, who lauded his realism, prose style, and social commentary. However, critics like Oscar Wilde and Virginia Woolf criticized his perceived lack of psychological depth and sentimentalism. Nevertheless, the term “Dickensian” continues to evoke images of poverty, injustice, and memorable characters, solidifying his enduring influence on literature.

Charles Dickens passed away on June 9, 1870, after suffering a stroke. He was laid to rest in Poet’s Corner at Westminster Abbey, where thousands gathered to honor his memory and pay their respects with floral tributes.

Source: Wikipedia

Comprehension:

• Dicken's family was rich. a. True b. False
• He left school at an early age. a. True b. False
• His novels were characterized by realism. a. True b. False
• He died of a stroke. a. True b. False.

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• Charles Dickens’s Great Expectations
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Boz Spotlight

The fascinating story of the fast-paced life of the literary superstar of the Victorian era.

The Mystery of Ellen Ternan

Forget who killed Edwin Drood, Dickens scholars and amateur enthusiasts have been trying to solve Dickens' last and greatest mystery since his death in 1870. Namely, what exactly was his relationship with Ellen Lawless Ternan ?

Dickens at the Movies

In the Charles Dickens tradition of helping the needy and the sick this site supports

Sir Roger de Coverley

The fiddler struck up Sir Roger de Coverley. Then old Fezziwig stood out to dance with Mrs Fezziwig. Top couple, too; with a good stiff piece of work cut out for them.

The dance performed by Fezziwig and company was popular in the eighteenth century and was considered old-fashioned by Dickens' time. Named for a ficticious character in The Spectator (1711) the dance resembled the Virginia Reel. It was usually the last dance performed during an evening of entertainment ( Hearn, 2004, pp. 70-71, n. 52 ) .

Railway Crash!

Read the story of how a simple mistake took the lives of ten people, ruined the life of Henry Benge, and shortened the life of Charles Dickens.

Cursing in Dickens

7 - Sketches by Boz 29 - Pickwick Papers 12 - Nicholas Nickleby 8 - Barnaby Rudge 1 - David Copperfield 3 - Bleak House 3 - Hard Times 3 - Little Dorrit 1 - Tale of Two Cities 3 - Great Expectations 1 - Our Mutual Friend 2 - Edwin Drood

Ye Olde Cheshire Cheese

After Charles Darnay is acquitted of treason he accompanies Sydney Carton " down Ludgate hill to Fleet Street, and so, up a covered way, into a tavern. Here, they were shown into a little room, where Charles Darnay was soon recruiting his strength with a good plain dinner and good wine " ( A Tale of Two Cities , p. 77 ) .

This was almost certainly Ye Olde Cheshire Cheese , rebuilt after the great fire of 1666 and a favorite of Dickens.

Read about a visit Ye Olde Cheshire Cheese by Joseph Pennell for Harper's Weekly in November 1887.

The Charles Dickens Page

Bringing the genius of charles dickens to a new generation of readers since 1997.

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• Dickens & Christmas!

C harles Dickens. The name conjures up visions of plum pudding and Christmas punch, quaint coaching inns and cozy firesides, but also of orphaned and starving children, misers, murderers, and abusive schoolmasters. Dickens was 19th century London personified, he survived its mean streets as a child and, largely self-educated, possessed the genius to become the greatest writer of his age.

Learn what it was like to live in Charles Dickens' London. Explore Charles Dickens' London with an interactive map. Meet over 1200 Charles Dickens characters , cross referenced, many with the original illustrations. Learn about Charles Dickens' life, family, and work through an illustrated hypertext biography . Learn about Charles Dickens' association with the celebration of Christmas. Learn about Charles Dickens' home Gads Hill Place.

This childhood poverty and feelings of abandonment, although unknown to his readers until after his death, would be a heavy influence on Dickens' later views on social reform and the world he would create through his fiction.

Dickens would go on to write 15 major novels including, Oliver Twist , Bleak House , Great Expectations , A Tale of Two Cities , and his personal favorite, David Copperfield . He will forever be associated with the celebration of Christmas due to his Christmas Books , the most popular being A Christmas Carol . Dickens also edited, and contributed to, weekly journals Household Words and All the Year Round . Near the end of his life he traveled throughout Britain and America giving public readings of his work.

Charles Dickens died an old man of 57, worn out with work and travel, on June 9, 1870. He wished to be buried, without fanfare, in a small cemetery in Rochester, Kent , but the Nation would not allow it. He was laid to rest in Poet's Corner, Westminster Abbey , the flowers from thousands of mourners overflowing the open grave. Among the more beautiful bouquets were many simple clusters of wildflowers, wrapped in rags.

Explore the World of Charles Dickens

The many faces of ebenezer scrooge.

The Internet Movie Database lists more than 100 actors who have portrayed the famous Dickensian miser. Some of the best are pictured here.

Bits of Dickens...

Short examples of Charles Dickens' work that can be read in a single sitting:

• Oliver Asks for More (Oliver Twist)
• Cratchit's Christmas (A Christmas Carol)
• Steamboat Trip (American Notes)
• Omnibuses (Sketches by Boz)
• Mrs Gamp (Martin Chuzzlewit)
• The Haves and the Have Nots (American Notes)
• Mr Pickwick Meets the Lady in Yellow Curl Papers (Pickwick Papers)
• More Bits of Dickens

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In 1829 he became a free-lance reporter at Doctor's Commons Courts, and in 1830 he met and fell in love with Maria Beadnell, the daughter of a banker. By 1832 he had become a very successful shorthand reporter of Parliamentary debates in the House of Commons, and began work as a reporter for a newspaper.

In 1833 his relationship with Maria Beadnell ended, probably because her parents did not think him a good match (a not very flattering version of her would appear years later in Little Dorrit). In the same year his first published story appeared, and was followed, very shortly thereafter, by a number of other stories and sketches. In 1834, still a newspaper reporter, he adopted the soon to be famous pseudonym "Boz." His impecunious father (who was the original of Mr. Micawber in David Copperfield , as Dickens's mother was the original for the querulous Mrs. Nickleby) was once again arrested for debt, and Charles, much to his chagrin, was forced to come to his aid. Later in his life both of his parents (and his brothers) were frequently after him for money. In 1835 he met and became engaged to Catherine Hogarth.

After the success of Pickwick , Dickens embarked on a full-time career as a novelist, producing work of increasing complexity at an incredible rate, although he continued, as well, his journalistic and editorial activities. Oliver Twist was begun in 1837, and continued in monthly parts until April 1839. It was in 1837, too, that Catherine's younger sister Mary, whom Dickens idolized, died. She too would appear, in various guises, in Dickens's later fiction. A son, Charles, the first of ten children, was born in the same year.

Nicholas Nickleby got underway in 1838, and continued through October 1839, in which year Dickens resigned as editor of Bentley's Miscellany . The first number of Master Humphrey's Clock appeared in 1840, and The Old Curiosity Shop , begun in Master Humphrey , continued through February 1841, when Dickens commenced Barnaby Rudge , which continued through November of that year. In 1842 he embarked on a visit to Canada and the United States in which he advocated international copyright (unscrupulous American publishers, in particular, were pirating his works) and the abolition of slavery. His American Notes , which created a furor in America (he commented unfavorably, for one thing, on the apparently universal — and, so far as Dickens was concerned, highly distasteful — American predilection for chewing tobacco and spitting the juice), appeared in October of that year. Martin Chuzzlewit , part of which was set in a not very flatteringly portrayed America, was begun in 1843, and ran through July 1844. A Christmas Carol , the first of Dickens's enormously successful Christmas books — each, though they grew progressively darker, intended as "a whimsical sort of masque intended to awaken loving and forbearing thoughts" — appeared in December 1843.

In that same year, Dickens and his family toured Italy, and were much abroad, in Italy, Switzerland, and France, until 1847. Dickens returned to London in December 1844, when The Chimes was published, and then went back to Italy, not to return to England until July of 1845. 1845 also brought the debut of Dickens's amateur theatrical company, which would occupy a great deal of his time from then on. The Cricket and the Hearth , a third Christmas book, was published in December, and his Pictures From Italy appeared in 1846 in the "Daily News," a paper which Dickens founded and of which, for a short time, he was the editor.

In 1847, in Switzerland, Dickens began Dombey and Son , which ran until April 1848. The Battle of Life appeared in December of that year. In 1848 Dickens also wrote an autobiographical fragment, directed and acted in a number of amateur theatricals, and published what would be his last Christmas book, The Haunted Man , in December. 1849 saw the birth of David Copperfield , which would run through November 1850. In that year, too, Dickens founded and installed himself as editor of the weekly Household Words , which would be succeeded, in 1859, by All the Year Round , which he edited until his death. 1851 found him at work on Bleak House , which appeared monthly from 1852 until September 1853.

In 1853 he toured Italy with Augustus Egg and Wilkie Collins , and gave, upon his return to England, the first of many public readings from his own works. Hard Times began to appear weekly in Household Words in 1854, and continued until August. Dickens's family spent the summer and the fall in Boulogne. In 1855 they arrived in Paris in October, and Dickens began Little Dorrit , which continued in monthly parts until June 1857. In 1856 Dickens and Wilkie Collins collaborated on a play, The Frozen Deep , and Dickens purchased Gad's Hill, an estate he had admired since childhood.

The Dickens family spent the summer of 1857 at a renovated Gad's Hill. Hans Christian Anderson , whose fairy tales Dickens admired greatly, visited them there and quickly wore out his welcome. Dickens's theatrical company performed The Frozen Deep for the Queen, and when a young actress named Ellen Ternan joined the cast in August, Dickens fell in love with her. In 1858, in London, Dickens undertook his first public readings for pay, and quarreled with his old friend and rival, the great novelist Thackeray. More importantly, it was in that year that, after a long period of difficulties, he separated from his wife. They had been for many years "tempermentally unsuited" to each other. Dickens, charming and brilliant though he was, was also fundamentally insecure emotionally, and must have been extraordinarily difficult to live with.

In 1859 his London readings continued, and he began a new weekly, All the Year Round . The first installment of A Tale of Two Cities appeared in the opening number, and the novel continued through November. By 1860, the Dickens family had taken up residence at Gad's Hill. Dickens, during a period of retrospection, burned many personal letters, and re-read his own David Copperfield , the most autobiographical of his novels, before beginning Great Expectations , which appeared weekly until August 1861.

1861 found Dickens embarking upon another series of public readings in London, readings which would continue through the next year. In 1863, he did public readings both in Paris and London, and reconciled with Thackeray just before the latter's death. Our Mutual Friend was begun in 1864, and appeared monthly until November 1865. Dickens was in poor health, due largely to consistent overwork.

In 1865, an incident occurred which disturbed Dickens greatly, both psychologically and physically: Dickens and Ellen Ternan, returning from a Paris holiday, were badly shaken up in a railway accident in which a number of people were injured.

A tribute to Dickens in the Hornet , 15 June 1870. Click on the image to enlarge it and for more details.

1866 brought another series of public readings, this time in various locations in England and Scotland, and still more public readings, in England and Ireland, were undertaken in 1867. Dickens was now really unwell but carried on, compulsively, against his doctor's advice. Late in the year he embarked on an American reading tour, which continued into 1868. Dickens's health was worsening, but he took over still another physically and mentally exhausting task, editorial duties at All the Year Round .

During 1869, his readings continued, in England, Scotland, and Ireland, until at last he collapsed, showing symptoms of mild stroke. Further provincial readings were cancelled, but he began upon The Mystery of Edwin Drood .

• Dickens's 1842 Reading Tour: Launching the Copyright Question in Tempestuous Seas
• Dickens's 1867-68 Reading Tour: Re-Opening the Copyright Question

Last modified March 2004

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Charles Dickens Info

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The Life of Charles Dickens

See our extensive list of articles on little-known aspects of the life of Charles Dickens. Learn about his first love and his marriage. Discover how Charles Dickens had a brush with death in a railway accident in 1865.

Many Charles Dickens facts are presented in the timeline of his life. The timeline also includes information about the era in which he lived.

Charles Dickens Biography

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Charles Dickens Timeline

The Childhood of Charles Dickens

The Children of Charles Dickens

Bonfire at Gad’s Hill Place

Inspector Francis J. Dickens

Friends of Charles Dickens

Gad’s Hill Place

Law Clerk, Journalist, Actor – The Other Careers of Charles Dickens

Maria Beadnell

The Marriage of Charles Dickens

The Staplehurst Railway Accident

What We Can Learn from Charles Dickens

Charles Dickens and Copyright Laws

Charles Dickens: A Biography

Charles dickens 1812-1870.

Charles Dickens was an extraordinary man. He is best known as a novelist but he was very much more than that. He was as prominent in his other pursuits but they were not areas of life where we can still see him today. We see him as the author of such classics as Oliver Twist, David Copperfield, Great Expectations, A Tale of Two Cities, Bleak House and many others. All of his novels are English classics.

Dickens had an almost unbelievable level of energy. In addition to writing all those lengthy books in long-hand, he had time to pursue what would have been full-time careers for most people in acting, literary editing social campaigning and philanthropic administration. He was also the father of a large family, as well as being involved in a love affair that lasted many years.

He began as a journalist, writing little pieces about daily life and developed very quickly into a best-selling novelist, avidly read throughout the English speaking world. At the same time he was appearing in plays and touring, reading from his novels. And editing his literary hournals, Household Words and All the Year Round , which featured the serialisation of his novels, with people queuing up to buy them, eager to find out how the previous episode would be concluded.

Charles Dickens photograph

As a child Dickens saw his father imprisoned for debt and that led him to a lifelong interest in prisons and the need for the reform of the system. Many of his novels reveal the cold hard facts of the Victorian prison system and, with so many readers, the novels had a great effect on the consciousness of the public. In addition to that Dickens campaigned and lobbied for reform.

Dickens was a man who seemed to be able to direct his efforts in several directions and give each his full attention. He spent ten years running Urania Cottage, a home for ‘fallen women.’ And organisation aimed at helping the women get back to respectable life, either in England or Australia or America. He spent his own money on the project and gave it his full attention.

It is difficult to imagine English culture without the characters who inhabit Dickens’ novels. Just a mention of the name ‘Miss Havisham,’ brings up the image of someone embittered and socially marginalised, living in an unreal world that has stopped turning. ‘Mr Gradgrind’ creates the image of inflexibility and Mr McCawber the delusional optimist, always relying on his cheerful belief that something will turn up to solve his problems, makes us shake our heads with a mixture of amusement and pity.

Where would English culture be if there had been no Fagin, no Oliver Twist, no Ebenezer Scrooge? What graphic image would we have of a fawning, writhing, hypocritical functionary without Uriah Heep springing into our minds? And what about the pompous Mr Bumble and the cruel, cold-hearted Mr Murdstone and his iron sister, Miss Murdstone? The list of Dickens characters who have embedded themselves firmly in English culture is endless, and we’ve had a go at pulling together their many thoughts and sayings in this list of the most well known Charles Dickens quotes .

Dickens’ novels, which lend themselves to dramatisation for stage, television and film, are delightful to read and several are regarded as the greatest of English novels. Indeed, Bleak House is acclaimed by critics as being among the greatest of world novels, in the same category as Huckleberry Finn , Crime and Punishment , War and Peace , Pride and Prejudice and Moby Dick .

Read biographies of the top 10 English writers >>

Read biographies of the 30 greatest writers ever >>

Interested in Charles Dickens? If so you can get some additional free information by visiting our friends over at PoemAnalysis to read their analysis of Dicken’s poetic works .

There pride and prejudice is not written by him there is a mention in the article. It is written by jane austen

Wow. Really awesome article. Can I get his book online?

The humour in Pickwick Papers is wonderful, and his descriptions of that world are just as if Dickens himself was talking to me. It’s as close to space travel as one can get.

how can I get this?

All line understood, really ur writting styles is beauty

He is a wonderful short story writer

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A Brief Biography of Charles Dickens

By Tim Lambert

His Early Life

Charles Dickens was born in a house in Mile End Terrace on the edge of Portsmouth on 7 February 1812. (It was given the name Mile End because it was about a mile from the gate in the wall around Portsmouth). At that time Portsmouth was dominated by the dockyard. His father John Dickens worked as a clerk in the Navy Pay Office.

Charles Dickens was one of six children. He had an older sister Frances born in 1810 (she died in 1848), another sister Letitia was born in 1816 (she died in 1893), and a sister named Harriet was born in 1819 but she died in childhood. A brother Alfred was born in 1822 (he died in 1860). Dickens had another brother, Augustus who was born in 1827 (he died in 1866).

In 1815 the family moved away to London. In 1817 Dickens and his family moved to Chatham in Kent. However, in 1823 they moved to Camden in London.

However, John Dickens spent beyond his means and he was sent to Marshalsea debtors prison when Charles was 12. (In those days people in debt could be imprisoned until their debts were paid off). Charles found a job in a boot blacking factory. Fortunately, after a few months, a relative of John Dickens died and left him some money so he was able to pay his debts. Charles was eventually able to leave the blacking factory and return to school. However, Charles never forgot this horrid experience.

Charles Dickens left school at the age of 15 and started to work in a solicitor’s office. However, when he was 16 Charles became a journalist.

Then in 1833, Dickens had his first story published. It was called A Dinner at Poplar Walk and it was published in a periodical called Monthly Magazine. Then in 1836-37 the first novel by Dickens, The Pickwick Papers was published as a serial. Meanwhile, Dickens married a woman named Catherine Hogarth in Chelsea on 2 April 1836. They had 10 children but the marriage was not a happy one. Charles and Catherine separated in 1858.

Dickens wrote many more novels including Oliver Twist (1838), Nicholas Nickleby (1839), The Old Curiosity Shop (1841), and Martin Chuzzlewit (1844). He also wrote A Christmas Carol in 1843. In 1848 Dickens wrote Dombey and Son.

Meanwhile in 1842 Dickens and his wife Catherine visited the USA. The visit was successful although Dickens annoyed some Americans by attacking slavery. Charles Dickens also visited Italy, Switzerland, and France.

Charles Dickens was passionately interested in reform. In 1850 he started a weekly magazine called Household Words to promote reform. It ceased publication in 1859 but it was replaced by another magazine called All The Year Round.

Meanwhile, in 1853, Dickens wrote a child’s history of England. In 1853 Dickens wrote Bleak House. In 1854 Hard Times was published. It was followed by Little Dorrit in 1857. In 1859 Dickens wrote a Tale of Two Cities in 1859 and Great Expectations. He wrote Our Mutual Friend in 1865. In 1866 Dickens wrote a famous ghost story called The Signal Man. Then in 1866-67, Dickens visited the USA again.

Charles Dickens died on 9 June 1870. He was 58 when he died. At the time of his death, Dickens was working on a book called The Mystery of Edwin Drood. Charles Dickens was buried in Westminster Abbey.

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Being Charles Dickens

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By David Gates

• Nov. 3, 2011

Robert DOUGLAS-FAIRHURST, the Oxford scholar who is one of Charles Dickens’s two new biographers, rightly calls his subject “at once the most central and most eccentric literary figure” of his age, and the investigations into the dark corners of that eccentric life began with Dickens himself. In 1849 he showed a short account of his early years to his close friend John Forster, revealing a story he never told his own family: the shame-inducing months he spent, while his father was in a debtor’s prison, as a 12-year-old “laboring hind” in a factory that bottled shoe-blacking. The first volume of the biography he’d wanted Forster to write — which made the ­blacking-factory episode public — appeared in 1872, two years after Dickens died at the age of 58, and its successors keep coming. The Dickens biographies published just in the past 25 years make an impressive stack. Given his uncanny genius and the vivid complexity of his life, that’s not a complaint.

Still, in all these books, the most memorable moments come from the accounts of those who saw him in person. I’d trade a whole pile of biographies for a video clip of the young Dickens, while courting Catherine Hogarth, his wife-to-be, leaping unannounced through the French windows of her family’s house in a sailor suit, dancing a hornpipe, leaping out again, then walking in at the door “as sedately as though quite innocent of the prank.” And I’d trade that clip, plus the biographies, for footage of Dickens’s face-to-face interview with his admirer Fyodor Dostoyevsky in 1862. “He told me,” Dostoyevsky recalled in a letter written years later, “that all the good, simple people in his novels . . . are what he wanted to have been, and his villains were what he was (or rather, what he found in himself), his cruelty, his attacks of causeless enmity towards those who were helpless and looked to him for comfort, his shrinking from those whom he ought to love. . . . There were two people in him, he told me: one who feels as he ought to feel and one who feels the opposite. From the one who feels the opposite I make my evil characters, from the one who feels as a man ought to feel, I try to live my life.”

Claire Tomalin, the other new biographer, who quotes this confession in “Charles Dickens: A Life,” calls it “amazing” — though it’s only amazing because it’s the image-conscious Dickens himself coming out and saying what anybody familiar with his work and his life has always intuited. “It is as though with Dostoyevsky he could drop the appearance of perfect virtue he felt he had to keep up before the English public.”

As Tomalin notes, this “must be Dickens’s most profound statement about his inner life,” and it seems to be one of the few crucial bits of Dickensiana that’s relatively fresh. Both Tomalin and Michael Slater, who cites the same passage in his 2009 biography, “Charles Dickens,” found the newly translated Dostoyevsky letter in a 2002 article in The Dickensian. Neither Fred Kaplan (“Dickens: A Biography,” 1988) nor Peter Ackroyd (“Dickens,” 1991) seems to have known about it. Mostly, the recent biographies are remixes of familiar episodes and anecdotes; their interest lies largely in what’s included and what’s left out, how deeply the biographer goes into unpublished or unfamiliar work, and what’s adduced from further research into the world in which Dickens lived and worked.

Neither Tomalin nor Douglas-Fairhurst, in “Becoming Dickens: The Invention of a Novelist,” sees fit to show us Dickens dancing the hornpipe in his sailor suit, though Ackroyd and Slater apparently found it a charming, perhaps significant, glimpse of the young man at play. And how could Tomalin have resisted the story of Dickens’s first love, Maria Beadnell (affectionately evoked as Dora in “David Copperfield,” then cruelly caricatured as Flora Finching in “Little Dorrit”), near the end of her life, drunkenly kissing the place on her couch where he’d once sat? Maria’s former nursemaid published the account in 1912; Douglas-Fairhurst retells it, and while Slater didn’t include it in his biography, he’d already used it in an earlier book, “Dickens and Women.” Yet only an obsessive would worry too much about which anecdote didn’t make whose cut: an ideal life of Dickens would just stick in everything, and probably no publisher would touch it.

After Tomalin’s much-praised biographies of Jane Austen, Thomas Hardy and Samuel Pepys, it’s no surprise to find her portrait of Dickens at least as thorough as Kaplan’s or Slater’s, though she gives us no introduction explaining why previous biographies have made hers necessary, and sometimes teases us with flat summary where we want meat. (If, for instance, “the critics were merciless” about his 1846 Christmas book, “The Battle of Life,” why not quote them?) Her book lacks the rich texture and empathetic intimacy of Ackroyd’s far longer work. On the other hand, Tomalin would never indulge in zaniness like Ackroyd’s interpolated self-interview or his scene in which Dickens meets his own characters or the imagined encounter between Dickens and a biographer, presumably Ackroyd himself. And Tomalin’s treatment of the great secret of Dickens’s life — his relationship with the actress Ellen Ternan, for whom he left his marriage in 1858, when he was 46 and she was 19 — seems more credible, even when it’s necessarily speculative. In 1990 she devoted an entire book, “The Invisible Woman,” to exploring this secret — whose existence Dickensians have known about at least since the 1930s.

Despite Dickens’s discreet, intermittent cohabitation with Ternan, Ackroyd found it “almost inconceivable” that the two actually went to bed together: he argued that their idyll was merely “the realization of one of his most enduring fictional fantasies. That of sexless marriage with a young, idealized virgin.” Few other scholars agree — not even Edgar Johnson, whose two-volume “Charles Dickens: His Tragedy and Triumph,” published in 1952, was the first major modern biography. As Tomalin notes, Dickens was a sexual creature: he fathered 10 children with his wife, and after they separated he apparently sought treatment for a venereal infection. Had he been such a prude as his fiction and his public persona sometimes suggested — after news of his separation got around, Forster had to talk him out of calling a new start-up magazine Household Harmony — he would hardly have remained close friends with sophisticated sexual outlaws like the artists Frank Stone and Daniel Maclise, the novelist Wilkie Collins and the Count d’Orsay, the French dandy whom he made godfather to his son Alfred. Hearsay and circumstantial evidence even suggest that Ternan might have borne Dickens a son, who died within a year.

We can only guess about certain aspects of Dickens’s relationship with Ternan, but Tomalin does build a convincing case. She’s less convincing when she suggests that Dickens’s fatal stroke might have happened while he was off with Ternan, and that he might have been sneaked back into his own house, unconscious, to be officially discovered. This reads like some of the wilder theories about the assassination of John F. Kennedy, but, to Tomalin’s credit, she doesn’t insist on it.

Douglas-Fairhurst’s “Becoming Dickens” takes us only through 1839 and the completion of “Oliver Twist,” Dickens’s second novel — and the first whose title page he dignified with his own name rather than “Boz,” the cockney-ish alias under which he first became popular with “Sketches by Boz” and “The Pickwick Papers.” Douglas-Fairhurst’s is a far more lively and detailed book — a more Dickensian book — than Tomalin’s, though not always to its advantage. When his painstaking research combines with an overactive fancy, we get such passages as this description of Dickens taking a curtain call after his now-forgotten 1836 operetta “The Village Coquettes”: “The curtains of St. James’s Theatre were green” — how did he find that out? — “as were the covers of ‘Pickwick,’ so in coming onstage Dickens would have looked strangely like the author himself emerging from his writing.”

Yet more often Douglas-Fairhurst serves as a sharp-eyed, sharp-witted, yet sympathetic tour guide to the young Dickens’s strange world and equally strange sensibility. He performs deft deconstructions of such arcana as a labored comic poem to Maria Beadnell: “Telling a new girlfriend what you would feel like if she were dead is certainly an unusual seduction technique.” He discusses the trash Dickens read as a boy (from “The Terrific Register” to a comic miscellany called “Broad Grins”), a probable inspiration for Oliver Twist’s benefactor Mr. Brownlow (a man of the same name was secretary of the Foundling Hospital “a few hundred yards from Dickens’s home”) and a precursor of the rapid-fire tale-spinning of Jingle in “Pickwick” (the monologues of the comedian Charles Mathews, “Dickens’s favorite solo performer”). His research extends to the pirates and imitators who ripped off Dickens’s early work — including one G. M. W. Reynolds, whose “Pickwick in India” “abruptly ceased publication after seven chapters when the author . . . wrote himself into a corner with a gloating description of Mr. Pickwick being devoured by a shark.” And it’s Douglas-Fairhurst, not the sober-sided Tomalin, who sees the humor in this icky irrelevancy: Dickens’s publisher had wanted to give his first book the Elmer Fuddian title “Bubbles From the Bwain of Boz.”

In fairness to Tomalin, the story she’s obliged to tell of her subject’s later life would temper anybody’s sense of fun. The leaping, hornpiping young man aged badly. In his 50s he often hobbled around with a gouty foot, and sometimes had to be helped onstage during the obsessive and exhausting reading tours that may have hastened his death — a malign redirecting of the manic energy that had once enabled him to work on two serialized novels simultaneously while also editing a monthly magazine. Twenty-eight times between January 1869 and March 1870, Dickens performed the horrifying episode in “Oliver Twist” in which Bill Sikes murders the prostitute Nancy. After it, Dickens had to lie down, unable to speak; when his manager tried to get him to do quieter readings, he threw a tantrum and burst into tears.

Tomalin accurately describes Dickens’s treatment of the abandoned Catherine as shameful: he went so far as to publish a letter accusing her of “a mental disorder,” and he wrote to a friend that she was glad to be rid of their children, “and they are glad to be rid of her.” His daughter Katey recalled that after the separation, “my father was like a madman. . . . He did not care a damn what happened to any of us.”

Dickens had a premonitory stroke in 1869, and at his final public reading, in March 1870, he was unable to pronounce the name “Pickwick.” On June 8, he had another stroke, and the next day the unconscious Dickens “gave a sigh, a tear appeared in his right eye and ran down his cheek, and he stopped breathing.” That tear was the last of Dickens’s many gifts to his biographers — of all the recent retellings of the death scene, only Michael Slater’s version omits it — and here’s hoping we’ll see it again and again and again until the ideal, the impossible life is written at last.

CHARLES DICKENS

By Claire Tomalin

Illustrated. 527 pp. The Penguin Press. $36

BECOMING DICKENS

The invention of a novelist.

By Robert Douglas-Fairhurst

Illustrated. 389 pp. The Belknap Press/Harvard University Press. $29.95

A review on Nov. 6 about “Becoming Dickens: The Invention of a Novelist,” by Robert Douglas-Fairhurst, and “Charles Dickens,” by Claire Tomalin, recounted an anecdote in Tomalin’s book in which Dostoyevsky told of meeting Dickens. While others have also written of such a meeting and of a letter in which Dostoyevsky was said to have described it, some scholars have questioned the authenticity of the letter and whether the meeting ever occurred.

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David Gates’s most recent book is “The Wonders of the Invisible World,” a collection of stories.

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Charles Dickens

Charles John Huffam Dickens, aka Charles Dickens, was born on 7 th February 1812. He was English novelist, writer, and social critic. He is considered as the most celebrated novelist of the Victorian era. He has created some fictional characters that are regarded as the world’s best characters. His work was celebrated and received unparalleled popularity, both during his lifetime and even after his death. Critics and scholars, by the end of the 20 th century, acknowledged him as a literary genius. Even in the 21 st century, his works are widely read and included as a part of academic studies. He died on 9th June 1870.

Charles Dickens Biography

He was born at Landport, on the southern coast of England to John and Elizabeth Dickens. He was the second child among the eight poor siblings. His father, though supposed to be the original of Mr. Micawber, was a clerk in the office of the navy. Due to the poor financial conditions, his father was always struggling with debts. When Dickens was nine years old, they moved and settled in a poor neighborhood in London. Even in London, his father was still pursued by the debts, and after two years of bombastic misfortune, he was sent to the debtor’s prison. His mother set up the Boarding Establishment of Young Ladies to meet their finances. However, no young lady visited it except for creditors. 

When Dickens was eleven years old, he was taken out of the school and put in work with the working-class men and boys in the blacking factory. At the age of twelve, while his father was still in prison, the rest of the family shifted to a place near the prison. Charles Dickens was left alone in London. It was these experiences of lonely hardships that proved to be very important in the literary career of Dickens. These experiences shaped his view of the world and thus described them in his famous and celebrated novels and short stories.

At the age of thirteen, Charles Dickens started his schooling again when his father received the inheritance and paid all his debts. However, at the age of fifteen, in 1827, he was again made to stop schooling and started working as an office boy. He then used his shorthand to write documents and became a stenographer and freelance reporter. In 1832, he became a news reporter for two newspapers in London. He then started publishing his sketches and impression in the other magazines with the sign of “Boz.” He published the images based on the life of London, which went far enough to make his reputation and were collectively published as his first book in 1836 as Sketches by Boz. He married Catherine Hogarth, daughter of George Hogarth, in April 1836. Soon after his marriage, he published his first most successful novel, The Pickwick Papers. Catherine and Charles Dickens had ten children together. In 1858, he became separated from Catherine. However, he continued his relationship with Ellen Tenan, his mistress and actress. 

Literary Style of Charles Dickens

Dickens has been greatly inspired by a variety of things when he started writing. The major influences he has was the picaresque tradition in novel writing, novel of sensibility , and melodrama . Other than these, the fables of The Arabian Nights have been the most significant literary inspiration for him. In the picaresque novel tradition, satire and irony are the most important elements.

Similarly, in British picaresque novels, Henry Fielding, Laurence Sterne, and Tobias Smollett used the aspect of comedy as well. Tom Jones, by Henry Fielding, has not only influenced Charles Dickens but also the other novelist of the Victorian Era as well. Melodrama is also a great aspect of Dickens’ novels as it strongly appeals to the emotions of the readers.

The writing style of Charles Dickens is unique. His manner of writing is poetic , with a lot of satire and humor . Most of his novels and stories are episodic as his literary career started with working and writing for a newspaper. He is the master of using the element of suspense or cliffhanger ending to engage the readers, thus establishing their interest. Though Dickens’ literary works contain idealized characters , he does not make them appear perfect. Idealized characters appear to be a bad choice as it does not provide room for personal growth during the course of the story, however, uses his idealized characters to portray the horrible and ugly side of life and society. One of the best examples of idealized characters is Oliver Twist. Oliver is put in many trials, including a preparation center for thieves and malevolent orphanages during the course of the novel; however, he remains to be innocent and never compromising his values at all. Despite showing the ugly side of human society, Dickens creates the character of Oliver, an idealized character that the readers chose to love. Had Dickens not chosen to idealize the character, the book would have been gloomy and dark, with nothing to take pleasure in it.

Dickens’ works also contain unbelievable circumstances, thus adding the element of melodrama. For example, in the novel Oliver Twist , Oliver is rescued by a rich wealthy family from the gang thieves; the family then turns out to be his relatives. Authors or writers of the Victorian era would use such unbelievable circumstances to add a twist to the plot of the story. However, Dickens uses it in an entirely different way. The other writers would use it to extend their plot in their picaresque stories; Dickens used this method to portray the idea that good is always superior to evil, and even in unexpected cases, goodwill wins over evil.

 The writing style of Charles Dickens is also marked by prolific linguistic creativity. He uses satire in his work to criticize the follies of society. His satire flourishes with his misrepresentation of situations. He has been compared to Hogarth for his use of satire and a real sense of the foolish and ridiculous side of life. He has the much-admired mastery of various classes of idioms, which reflects the traditions of the theatre of the Victorian era. To name his characters, Dickens worked arduously. He wanted his characters to appeal to the readers, and their names are suggestive of their personalities.

Moreover, he also wants these arresting names to contribute to the development of motifs in the plot, thereby providing an “allegorical impetus” to the overall meaning of the novel. One of the examples is the name of Mr. Murderstone from the novel David Copperfield. The name refers to two things: murder and coldness and harness as stone. Moreover, the literary cycle of Charles Dickens is also a blend of realism and fantasy. He satirizes the British aristocratic class and is very famous for it. To criticize the noble, he calls one of his characters, “the Noble Refrigerator.” In his literary works, he compares the orphans as shares and stocks of a business, people with tug boats, and party guests to furniture; these are some of his best examples of fancy.

Works Of Charles Dickens

• David Copperfield
• A Tale of Two Cities

The story of the real places from the fictional works of Charles Dickens

C harles Dickens had a knack for creating fictional characters , dozens and dozens of them in every book , so vivid and so individualized in personality, with wonderfully distinctive names, that it was hard for much of his huge readership to believe that these larger-than-life heroes, villains, and satiric figures to be loved, hated, or laughed at hadn't actually existed. They were household names in Dickens's day (1812-1870), and many remain so in our own: Ebenezer Scrooge, Tiny Tim, Sam Weller, Little Nell, Mr. Bumble, Miss Havisham, Mrs. Jellyby, Madame Defarge, Uriah Heep, Gradgrind, Fagin. The chief setting of most of the novels was London , where Dickens lived much of his life. He spent hours strolling the streets of the city looking at possible locations for his fiction, so it was to be expected that his readers would engage in elaborate detective work to do so as well.

And so they did. Dickens might be the only writer who spawned a tourist industry devoted to him and his works during his own lifetime. One of the first and most influential literary tourists was none other than Louisa May Alcott, part of an American readership for Dickens's 15 novels that was even more avid and more demanding of detailed information about their celebrity author than its British counterpart. In 1866, four years before Dickens died from complications of a stroke at age 58, Alcott, still an unknown ( Little Women didn't appear until 1868), visited London and systematically sought out sites where either a younger Dickens himself had lived or were touted as the real-life haunts of his fictional characters.

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Alcott's diary and an 1867 magazine article about her adventures, “A Dickens Day,” recounted imaginary encounters with some of those characters and a walk down the now-defunct Kingsgate Street in St. Giles Rookery, then perhaps West London's most noxious slum, notorious for its narrow, filthy streets, its open sewers, its crumbling housing dating from Tudor times where entire families packed themselves into single rooms, and its booze, prostitution, disease, and crime. (It was the mise-en-scène of Hogarth's Gin Lane .). Alcott was fearless, however (a “spinster on the rampage” she called herself), and one of her favorites among Dickens's comic creations, the tippling, umbrella-wielding nurse-midwife Sairey Gamp in Martin Chuzzlewit , had occupied dingy lodgings above a bird-shop on Kingsgate Street whose exact premises Alcott confidently located. Alcott, insisting that Dickens must have seen and taken notes on that very building, even though she had no evidence that he did, single-handedly turned “the Gamp house” into a must-see for trans-Atlantic Dickens fans of the late 19th century.

Alcott was thus a pioneer of more than a century's worth of efforts, continuing to this day, to locate and even recreate “Dickens's London,” the fabrication of its author, in specific places in a real-life city. This is the theme of Dickensland by Lee Jackson, author of several well-received books about Victorian London.

The problem, as Lee describes it, was that Dickens, while unerringly faithful to London geography and the atmosphere of its neighborhoods, almost never set his stories in recognizably real buildings unless they were well-known public spaces such as the Inns of Court, site of the never-ending probate case Jarndyce v. Jarndyce in 1853’s Bleak House . So identifying the possible real-life model for any particular structure described in a Dickens novel is mostly guesswork. Furthermore, Dickens, an amateur antiquarian who loved “great, rambling queer old places,” as he wrote, often set his fiction in a just-vanished past. His first novel, The Pickwick Papers in 1837, recounted incidents that had purportedly occurred a decade earlier and described a world of English stagecoach travel that had already been superseded by passenger railroads starting in 1830. That meant that by the 1870s and 1880s, when Dickens tourism took off in earnest after his death, the tidy, coach-welcoming White Hart Inn in Southwark featured in The Pickwick Papers , a rare real private structure in a Dickens novel, was a decaying, rubbish-littered wreck, its rooms turned into squalid tenements.

Most problematically of all, even during Dickens's lifetime, and at a faster clip after his death, “Dickens's London” — the “old” London of dark, crooked alleys and rickety Tudor half-timbers that formed the sinister background of many of his novels — was being systematically demolished in the name of slum clearance and sanitation reform. Dickens's lifetime saw the construction of massive water, sewer, and lighting projects and broad, Parisian-style boulevards, such as Regent Street and New Oxford Street, that paved over flattened slums. The St. Giles Rookery and Kingsgate Street disappeared by the turn of the 20th century as West London went upmarket. “DICKENS'S LONDON IS VANISHING!” a newspaper headline screamed. But few Victorians actually minded much, and the very disappearance of much of the London of Dickens's time made sussing out what was left even more exciting. “'Dickens's London' was now part of history, and to explore its nooks and corners was to step back in time,” Lee writes.

This means, however, that Dickens tourists, in their search for the authentically Dickensian, usually have to settle for something far less authentic, if not downright phony. The White Hart Inn was torn down in 1889, but other inns with period pretensions quickly offered themselves as replacement destinations by claiming to be inspirations for other Dickens works. The most blatant fake of all was and remains the Old Curiosity Shop. The lone Tudor edifice left standing in its Lincoln's Inn Fields neighborhood (it is currently owned by the London School of Economics), its facade bears the Gothic-lettering inscription “Immortalized by Charles Dickens.” From shortly after Dickens's death to the late 20th century, it was the single most popular Dickens tourist attraction in London, with female visitors, especially Americans, weeping over the villainous Quilp's ouster of Little Nell and her improvident grandfather from their beloved shop in Dickens's 1841 novel. In fact, the Old Curiosity Shop had nothing to do with Dickens. A previous owner had simply posted the shop's name and inscription in 1881, and subsequent owners turned it into a Dickens-themed souvenir shop. Similarly, Dickens fans who visit the “new” London Bridge finished in 1973 may be shocked to read the “Nancy's Steps” plaque informing them that Bill Sikes of Oliver Twist (1839) murdered his Nancy on the bridge's 1831 predecessor. Everyone who has read the novel (or seen the musical Oliver! ) knows that Bill killed Nancy inside their squalid digs.

Lee's book is a reworking of his 2021 doctoral dissertation, and while he has gotten rid of such academic-speak verbal horrors as “heritagization” (yes, this word appears in his online abstract), the organization could be more clearly chronological. And he sometimes wanders far afield into such topics as Dickens movies and theme parks that don't seem related to his central subject of Dickens enthusiasts' quest to find the London of his imagination and their own in a constantly changing real-world city. Still, this is an eminently worthy project, and I'm glad he wrote this lovingly researched book.

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Charlotte Allen is a Washington writer. Her articles have appeared in Quillette , the Wall Street Journal , USA Today , and the Los Angeles Times .

Tags: Books , Book Reviews , Literature , History , London , Fiction , Opinion , United Kingdom

Original Author: Charlotte Allen

Original Location: The story of the real places from the fictional works of Charles Dickens

Charles C Dickens

Brief life history of charles c.

When Charles C Dickens was born on 10 January 1951, in Van, Boone, West Virginia, United States, his father, Stanley Ford Dickens, was 35 and his mother, Mable Delorus Dickens, was 35. He died on 16 January 2017, in Pekin Township, Tazewell, Illinois, United States, at the age of 66, and was buried in Pekin, Tazewell, Illinois, United States.

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Sources (1).

• Charles C. Dickens, "Find A Grave Index"

Parents and Siblings

Siblings (3), world events (3), 1954 · the first mcdonald's opens its doors.

Ray Kroc opened up the first McDonalds in Des Plaines after the McDonald Brothers gave him the rights to set up restaurants thoughout the country.

1955 · The Civil Rights Movement Begins

The civil rights movement was a movement to enforce constitutional and legal rights for African Americans that the other Americans enjoyed. By using nonviolent campaigns, those involved secured new recognition in laws and federal protection of all Americans. Moderators worked with Congress to pass of several pieces of legislation that overturned discriminatory practices.

1955 · To War in Vietnam

The Vietnam War was another civil war brought about from the Cold War. It was fought between the North Vietnamese, who were supported by the Soviet Union, China, and other communist allies, and the South Vietnamese, who were supported by the United States, South Korea, the Philippines, Australia, Thailand and other anti-communist allies. The war caused two more civil wars in Laos and Cambodia and resulted in all three countries becoming communist states.

Name Meaning

English: variant of Dicken , with genitival or post-medieval excrescent -s .

Flemish and Dutch: genitive patronymic from Dick 6.

Dictionary of American Family Names © Patrick Hanks 2003, 2006.

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