best political essays of all time

The Top Ten Most-Read Essays of 2021

In 2021, democracy’s fortunes were tested, and a tumultuous world became even more turbulent. Democratic setbacks arose in places as far flung as Burma, El Salvador, Tunisia, and Sudan, and a 20-year experiment in Afghanistan collapsed in days. The world’s democracies were beset by rising polarization, and people watched in shock as an insurrection took place in the United States. In a year marked by high political drama, economic unrest, and rising assaults on democracy, we at the Journal of Democracy sought to provide insight and analysis of the forces that imperil freedom. Here are our 10 most-read essays of 2021:

Manuel Meléndez-Sánchez Nayib Bukele has developed a blend of political tactics that combines populist appeals and classic autocratic behavior with a polished social-media brand. It poses a dire threat to the country’s democratic institutions.

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George Orwell’s Five Greatest Essays (as Selected by Pulitzer-Prize Winning Columnist Michael Hiltzik)

in English Language , Literature , Politics | November 12th, 2013 8 Comments

Every time I’ve taught George Orwell’s famous 1946 essay on misleading, smudgy writing, “ Politics and the English Language ,” to a group of undergraduates, we’ve delighted in pointing out the number of times Orwell violates his own rules—indulges some form of vague, “pretentious” diction, slips into unnecessary passive voice, etc. It’s a petty exercise, and Orwell himself provides an escape clause for his list of rules for writing clear English: “Break any of these rules sooner than say anything outright barbarous.” But it has made us all feel slightly better for having our writing crutches pushed out from under us.

Orwell’s essay, writes the L.A. Times ’ Pulitzer-Prize winning columnist Michael Hiltzik , “stands as the finest deconstruction of slovenly writing since Mark Twain’s “ Fenimore Cooper’s Literary Offenses .” Where Twain’s essay takes on a pretentious academic establishment that unthinkingly elevates bad writing, “Orwell makes the connection between degraded language and political deceit (at both ends of the political spectrum).” With this concise description, Hiltzik begins his list of Orwell’s five greatest essays, each one a bulwark against some form of empty political language, and the often brutal effects of its “pure wind.”

One specific example of the latter comes next on Hiltzak’s list (actually a series he has published over the month) in Orwell’s 1949 essay on Gandhi. The piece clearly names the abuses of the imperial British occupiers of India, even as it struggles against the canonization of Gandhi the man, concluding equivocally that “his character was extraordinarily a mixed one, but there was almost nothing in it that you can put your finger on and call bad.” Orwell is less ambivalent in Hiltzak’s third choice , the spiky 1946 defense of English comic writer P.G. Wodehouse , whose behavior after his capture during the Second World War understandably baffled and incensed the British public. The last two essays on the list, “ You and the Atomic Bomb ” from 1945 and the early “ A Hanging ,” published in 1931, round out Orwell’s pre- and post-war writing as a polemicist and clear-sighted political writer of conviction. Find all five essays free online at the links below. And find some of Orwell’s greatest works in our collection of Free eBooks .

1. “ Politics and the English Language ”

2. “ Reflections on Gandhi ”

3. “ In Defense of P.G. Wodehouse ”

4. “ You and the Atomic Bomb ”

5. “ A Hanging ”

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The Top 10 Essays Since 1950

Robert Atwan, the founder of The Best American Essays series, picks the 10 best essays of the postwar period. Links to the essays are provided when available.

Fortunately, when I worked with Joyce Carol Oates on The Best American Essays of the Century (that’s the last century, by the way), we weren’t restricted to ten selections. So to make my list of the top ten essays since 1950 less impossible, I decided to exclude all the great examples of New Journalism--Tom Wolfe, Gay Talese, Michael Herr, and many others can be reserved for another list. I also decided to include only American writers, so such outstanding English-language essayists as Chris Arthur and Tim Robinson are missing, though they have appeared in The Best American Essays series. And I selected essays , not essayists . A list of the top ten essayists since 1950 would feature some different writers.

To my mind, the best essays are deeply personal (that doesn’t necessarily mean autobiographical) and deeply engaged with issues and ideas. And the best essays show that the name of the genre is also a verb, so they demonstrate a mind in process--reflecting, trying-out, essaying.

James Baldwin, "Notes of a Native Son" (originally appeared in Harper’s , 1955)

“I had never thought of myself as an essayist,” wrote James Baldwin, who was finishing his novel Giovanni’s Room while he worked on what would become one of the great American essays. Against a violent historical background, Baldwin recalls his deeply troubled relationship with his father and explores his growing awareness of himself as a black American. Some today may question the relevance of the essay in our brave new “post-racial” world, though Baldwin considered the essay still relevant in 1984 and, had he lived to see it, the election of Barak Obama may not have changed his mind. However you view the racial politics, the prose is undeniably hypnotic, beautifully modulated and yet full of urgency. Langston Hughes nailed it when he described Baldwin’s “illuminating intensity.” The essay was collected in Notes of a Native Son courageously (at the time) published by Beacon Press in 1955.

Norman Mailer, "The White Negro" (originally appeared in Dissent , 1957)

An essay that packed an enormous wallop at the time may make some of us cringe today with its hyperbolic dialectics and hyperventilated metaphysics. But Mailer’s attempt to define the “hipster”–in what reads in part like a prose version of Ginsberg’s “Howl”–is suddenly relevant again, as new essays keep appearing with a similar definitional purpose, though no one would mistake Mailer’s hipster (“a philosophical psychopath”) for the ones we now find in Mailer’s old Brooklyn neighborhoods. Odd, how terms can bounce back into life with an entirely different set of connotations. What might Mailer call the new hipsters? Squares?

Read the essay here .

Susan Sontag, "Notes on 'Camp'" (originally appeared in Partisan Review , 1964)

Like Mailer’s “White Negro,” Sontag’s groundbreaking essay was an ambitious attempt to define a modern sensibility, in this case “camp,” a word that was then almost exclusively associated with the gay world. I was familiar with it as an undergraduate, hearing it used often by a set of friends, department store window decorators in Manhattan. Before I heard Sontag—thirty-one, glamorous, dressed entirely in black-- read the essay on publication at a Partisan Review gathering, I had simply interpreted “campy” as an exaggerated style or over-the-top behavior. But after Sontag unpacked the concept, with the help of Oscar Wilde, I began to see the cultural world in a different light. “The whole point of camp,” she writes, “is to dethrone the serious.” Her essay, collected in Against Interpretation (1966), is not in itself an example of camp.

John McPhee, "The Search for Marvin Gardens" (originally appeared in The New Yorker , 1972)

“Go. I roll the dice—a six and a two. Through the air I move my token, the flatiron, to Vermont Avenue, where dog packs range.” And so we move, in this brilliantly conceived essay, from a series of Monopoly games to a decaying Atlantic City, the once renowned resort town that inspired America’s most popular board game. As the games progress and as properties are rapidly snapped up, McPhee juxtaposes the well-known sites on the board—Atlantic Avenue, Park Place—with actual visits to their crumbling locations. He goes to jail, not just in the game but in fact, portraying what life has now become in a city that in better days was a Boardwalk Empire. At essay’s end, he finds the elusive Marvin Gardens. The essay was collected in Pieces of the Frame (1975).

Read the essay here (subscription required).

Joan Didion, "The White Album" (originally appeared in New West , 1979)

Huey Newton, Eldridge Cleaver, and the Black Panthers, a recording session with Jim Morrison and the Doors, the San Francisco State riots, the Manson murders—all of these, and much more, figure prominently in Didion’s brilliant mosaic distillation (or phantasmagoric album) of California life in the late 1960s. Yet despite a cast of characters larger than most Hollywood epics, “The White Album” is a highly personal essay, right down to Didion’s report of her psychiatric tests as an outpatient in a Santa Monica hospital in the summer of 1968. “We tell ourselves stories in order to live,” the essay famously begins, and as it progresses nervously through cuts and flashes of reportage, with transcripts, interviews, and testimonies, we realize that all of our stories are questionable, “the imposition of a narrative line upon disparate images.” Portions of the essay appeared in installments in 1968-69 but it wasn’t until 1979 that Didion published the complete essay in New West magazine; it then became the lead essay of her book, The White Album (1979).

Annie Dillard, "Total Eclipse" (originally appeared in Antaeus , 1982)

In her introduction to The Best American Essays 1988 , Annie Dillard claims that “The essay can do everything a poem can do, and everything a short story can do—everything but fake it.” Her essay “Total Eclipse” easily makes her case for the imaginative power of a genre that is still undervalued as a branch of imaginative literature. “Total Eclipse” has it all—the climactic intensity of short fiction, the interwoven imagery of poetry, and the meditative dynamics of the personal essay: “This was the universe about which we have read so much and never before felt: the universe as a clockwork of loose spheres flung at stupefying, unauthorized speeds.” The essay, which first appeared in Antaeus in 1982 was collected in Teaching a Stone to Talk (1982), a slim volume that ranks among the best essay collections of the past fifty years.

Phillip Lopate, "Against Joie de Vivre" (originally appeared in Ploughshares , 1986)

This is an essay that made me glad I’d started The Best American Essays the year before. I’d been looking for essays that grew out of a vibrant Montaignean spirit—personal essays that were witty, conversational, reflective, confessional, and yet always about something worth discussing. And here was exactly what I’d been looking for. I might have found such writing several decades earlier but in the 80s it was relatively rare; Lopate had found a creative way to insert the old familiar essay into the contemporary world: “Over the years,” Lopate begins, “I have developed a distaste for the spectacle of joie de vivre , the knack of knowing how to live.” He goes on to dissect in comic yet astute detail the rituals of the modern dinner party. The essay was selected by Gay Talese for The Best American Essays 1987 and collected in Against Joie de Vivre in 1989 .

Edward Hoagland, "Heaven and Nature" (originally appeared in Harper’s, 1988)

“The best essayist of my generation,” is how John Updike described Edward Hoagland, who must be one of the most prolific essayists of our time as well. “Essays,” Hoagland wrote, “are how we speak to one another in print—caroming thoughts not merely in order to convey a certain packet of information, but with a special edge or bounce of personal character in a kind of public letter.” I could easily have selected many other Hoagland essays for this list (such as “The Courage of Turtles”), but I’m especially fond of “Heaven and Nature,” which shows Hoagland at his best, balancing the public and private, the well-crafted general observation with the clinching vivid example. The essay, selected by Geoffrey Wolff for The Best American Essays 1989 and collected in Heart’s Desire (1988), is an unforgettable meditation not so much on suicide as on how we remarkably manage to stay alive.

Jo Ann Beard, "The Fourth State of Matter" (originally appeared in The New Yorker , 1996)

A question for nonfiction writing students: When writing a true story based on actual events, how does the narrator create dramatic tension when most readers can be expected to know what happens in the end? To see how skillfully this can be done turn to Jo Ann Beard’s astonishing personal story about a graduate student’s murderous rampage on the University of Iowa campus in 1991. “Plasma is the fourth state of matter,” writes Beard, who worked in the U of I’s physics department at the time of the incident, “You’ve got your solid, your liquid, your gas, and there’s your plasma. In outer space there’s the plasmasphere and the plasmapause.” Besides plasma, in this emotion-packed essay you will find entangled in all the tension a lovable, dying collie, invasive squirrels, an estranged husband, the seriously disturbed gunman, and his victims, one of them among the author’s dearest friends. Selected by Ian Frazier for The Best American Essays 1997 , the essay was collected in Beard’s award-winning volume, The Boys of My Youth (1998).

David Foster Wallace, "Consider the Lobster" (originally appeared in Gourmet , 2004)

They may at first look like magazine articles—those factually-driven, expansive pieces on the Illinois State Fair, a luxury cruise ship, the adult video awards, or John McCain’s 2000 presidential campaign—but once you uncover the disguise and get inside them you are in the midst of essayistic genius. One of David Foster Wallace’s shortest and most essayistic is his “coverage” of the annual Maine Lobster Festival, “Consider the Lobster.” The Festival becomes much more than an occasion to observe “the World’s Largest Lobster Cooker” in action as Wallace poses an uncomfortable question to readers of the upscale food magazine: “Is it all right to boil a sentient creature alive just for our gustatory pleasure?” Don’t gloss over the footnotes. Susan Orlean selected the essay for The Best American Essays 2004 and Wallace collected it in Consider the Lobster and Other Essays (2005).

Read the essay here . (Note: the electronic version from Gourmet magazine’s archives differs from the essay that appears in The Best American Essays and in his book, Consider the Lobster. )

I wish I could include twenty more essays but these ten in themselves comprise a wonderful and wide-ranging mini-anthology, one that showcases some of the most outstanding literary voices of our time. Readers who’d like to see more of the best essays since 1950 should take a look at The Best American Essays of the Century (2000).

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Major Political Thinkers: Plato to Mill

An annotated guide to the major political thinkers from Plato to John Stuart Mill with a brief description of why their work is important and links to the recommended texts, and other readings.

The Author : Quentin Taylor is Professor of History and Political Science at Rogers State University. He has written widely on the political classics from Plato to Rawls.

A Guide to the "Major Political Thinkers: Plato to Mill", by Quentin Taylor

Introduction.

Collections: Books on Political Theory
Exploring Ideas: Readings on Political Thought
Quotations about Liberty and Power
Liberty Matters Online Forum

Political speculation in the West is as old as the Western tradition itself. Its origins may be traced as far back as Homer, but its foundations were laid by Plato and Aristotle. While many of the questions asked by political thinkers have remained the same —what is justice? — the answers have varied considerably over the last 2,400 years. The following selections represent the principal works of the major political philosophers, from the ancient Greeks and Romans to the mid-nineteenth century.

Collections: The American Founding Fathers

The American Founders were familiar with the names of all these thinkers (except Mill) and had read many of their works, as evidenced by their own libraries and papers. For a list of the most frequently read political authors of the Founding Era, see Donald Lutz and for an essay on the “ Founding Father’s Library ,” see Forrest McDonald.

Plato (427 BC-347 BC) The Republic

As the first philosophical examination of “justice” in Western literature, the Republic occupies a seminal place in the history of political thought. Written in the form of a dialogue, Plato employs Socrates as a kind of discussion leader who seeks to discover justice in the individual by defining justice in the state. This discursive search leads Socrates-cum-Plato to reach some rather unexpected conclusions and to embrace some unconventional social practices and political arrangements, including the rule of philosophers. In addition to outlining the ideal state, Plato explores “corrupt” or “deviant” regimes (timarchy, oligarchy, democracy, and tyranny) through an analysis of their leading symptoms and psychological foundations. While often denounced as an enemy of the “open society,” Plato challenges us to reexamine prevailing orthodoxies and reconsider the higher purposes of community.

Plato, "The Republic" in The Dialogues of Plato translated into English with Analyses and Introductions by B. Jowett, M.A. in Five Volumes . 3rd edition revised and corrected (Oxford University Press, 1892). 8/14/2014. < /titles/767#lf0131-03_head_001 >. The text is in the public domain.

Plato (427-347 BC) The Statesman

In the Republic , Plato suggests that ruling is a kind of science or craft and concludes that only those trained in this craft should be permitted to govern. In the Statesman , he attempts to carefully define this “royal science” and distinguish it from other activities. In the process a new element is introduced — adherence to law — which becomes the basis for evaluating good and bad forms of regime types (e.g., monarchy vs. tyranny). Those regimes which follow the law — although inferior to the untrammeled rule of true philosophers — are far better than those that do not. With this concession to non-ideal forms of government, Plato foreshadows his abandonment of philosophic rule in the Republic in favor of the “second-best” state of the Laws .

Plato, "The Statesman" in The Dialogues of Plato translated into English with Analyses and Introductions by B. Jowett, M.A. in Five Volumes. 3rd edition revised and corrected (Oxford University Press, 1892). 8/14/2014. < /titles/768#lf0131-04_head_016 >. The text is in the public domain.

Plato (427-347) The Laws

His last and longest dialogue, the Laws is Plato’s most important contribution to legal and political science. In the form of a discussion between an Athenian, a Spartan, and a Cretan, Plato outlines the “second-best” state (the “law state”) in painstaking detail. While retaining some of the idealism of the Republic , the Laws aims at a more realizable goal, a community based on the principle of moderation. Accordingly, Plato replaces the communal living arrangements of the Republic with private property and permits citizens a voice in the management of public affairs. He also prefigures the famous “mixed” or “balanced” constitution, observing that democracy should be tempered with monarchy. His provisions for making, revising, and teaching the laws is a tacit admission that the “royal science” of philosophers must give way to known and settled rules. Similarly, Plato’s interest in existing institutions and appreciation for imperfect regimes serves as a bridge to the more empirical and realistic politics of Aristotle.

Plato, "The Laws" in The Dialogues of Plato translated into English with Analyses and Introductions by B. Jowett, M.A. in Five Volumes. 3rd edition revised and corrected (Oxford University Press, 1892). 8/14/2014. < /titles/769#lf0131-05_head_018 >. The text is in the public domain.

Aristotle (384-322 BC) The Politics

Like his teacher Plato, Aristotle was interested in the nature of the political as such and deeply normative in his approach to politics. He was, however, more empirical and scientific in his method, writing treatises instead of dialogues and often handling his materials with considerable detachment. The result in the Politics is a far-reaching and often penetrating treatment of political life, from the origins and purpose of the state to the nuances of institutional arrangements. While Aristotle’s remarks on slavery, women, and laborers are often embarrassing to modern readers, his analysis of regime types (including the causes of their preservation and destruction) remains of perennial interest. His discussion of “polity”— a fusion of oligarchy and democracy — has been of particular significance in the history of popular government. Finally, his contention that a constitution is more than a set of political institutions, but also embodies a shared way of life, has proved a fruitful insight in the hands of subsequent thinkers such as Alexis de Tocqueville .

Aristotle, The Politics of Aristotle, trans. into English with introduction, marginal analysis, essays, notes and indices by B. Jowett. Oxford, Clarendon Press, 1885. 2 vols. Vol. 1. 8/14/2014. < /titles/579#lf0033-01_head_014 >. The text is in the public domain.

Cicero (106 BC-43 BC) The Laws (51 BC)

Statesman, orator, and philosopher Marcus Tullius Cicero became the most widely read and admired Roman author following the recovery of his major works during the Renaissance. Best known for his public orations, he also penned two theoretical works on politics, the Republic and the Laws . Cast in the form of dialogues, each work addresses several leading concerns of political life, e.g., the relation between liberty and equality, the nature of political leadership, and the interplay of institutions. The Laws is particuarly noteworthy for its treatment of Natural Law, which can be traced down through the centuries to our own day. (Echoes of Cicero may be found in such luminaries as Thomas Aquinas , John Locke , and Thomas Jefferson .) Regrettably, only a portion of the dialogue survives, yet its author’s reflections on law and public morality remain fresh and relevant.

Marcus Tullius Cicero, The Political Works of Marcus Tullius Cicero: Comprising his Treatise on the Commonwealth; and his Treatise on the Laws. Translated from the original, with Dissertations and Notes in Two Volumes. By Francis Barham, Esq. (London: Edmund Spettigue, 1841-42). Vol. 2. 8/14/2014. < /titles/545#lf0044-02_head_004 >. The text is in the public domain.

Cicero (106 BC-43 BC) The Republic (54 BC)

Like Plato’s dialogue of the same name, Cicero’s Republic embodies a comprehensive and ideal vision of political life. In addition to a search for justice, the discussants explore such foundational issues as the relation between the individual and the state, the qualities of the ideal statesman, and the nature of political knowledge. Additional themes include constitutional forms and their evolution, the social harmony of classes, and the influence of education on private morals and public virtue. Like the Laws , the Republic is a fragmentary work, but one that still resonates in the modern world.

Marcus Tullius Cicero, The Political Works of Marcus Tullius Cicero: Comprising his Treatise on the Commonwealth; and his Treatise on the Laws. Translated from the original, with Dissertations and Notes in Two Volumes. By Francis Barham, Esq . (London: Edmund Spettigue, 1841-42). Vol. 1. 8/14/2014. < /titles/546 >. The text is in the public domain.

Thomas Aquinas (c.1225-1274) On Law and Justice (1274)

St. Thomas Aquinas

The Online Library of Liberty hopes to add Thomas’s writings on law and justice in the near future.

St. Thomas Aquinas, Aquinas Ethicus: or, the Moral Teaching of St. Thomas. A Translation of the Principal Portions of the Second part of the Summa Theologica, with Notes by Joseph Rickaby, S.J. (London: Burns and Oates, 1892). 8/14/2014. < /titles/1967 >. The text is in the public domain.

Niccolo Machiavelli (1469-1527) The Prince (1513)

The Prince is at once the most famous and infamous work in the canon of political thought. Instead of considering questions of justice and the ideal state, Machiavelli proposed to advise a “new” prince on how to succesfully maintain power. Given the realities of human nature and politics, it is sometimes necessary for a prince to “do evil,” including acts of violence, deceit, and cruelty, in order to survive. For Machiavelli, the capacity for such acts is not an aberration of the political art, but an essential part of a ruler’s “skill set.” Such stark realism and the hard break with the Classical-Christian tradition has led many to denounce Machiavelli as an “immoralist,” an “advisor to tyrants,” and a “teacher of evil.” Others have defended the Prince for its author’s realistic appraisal of politics, shrewd psychological insights, and tough-minded advice for a dangerous world. This “little book” (as Machiavelli called it) will undoubtedly continue to provoke highly varied responses.

Niccolo Machiavelli, "The Prince" in The Historical, Political, and Diplomatic Writings of Niccolo Machiavelli, tr. from the Italian, by Christian E. Detmold (Boston, J. R. Osgood and company, 1882). Vol. 2. 8/14/2014. < /titles/775#lf0076-02_head_002 >. The text is in the public domain.

Niccolo Machiavelli (1469-1527) The Discourses (1513)

The Discourses on Livy is often described as Machiavelli’s “book on republics,” but this is not entirely accurate. He does focus on republics, ancient and modern, but he also discusses monarchies or princedoms. On the other hand, his advice in the Prince is often relevant to leaders of republics. There is, however, a tension between the republicanism of the Discourses and the autocracy of the Prince , for the same author who champions the cause of liberty and self-government in the former gives advice on preserving one-man rule in the latter. It is, however, possible to find a common thread in Machiavelli’s mode of analysis (realist and historical) and to view the Prince as a special instance of his political science and the Discourses as the core of this science, as well as the heart of his political creed. In recent years, it is the Machiavelli of the Discourses who has gained the attention (and often admiration) of scholars for reviving the republican tradition in the modern world.

Niccolo Machiavelli, "Discourses of the First Ten Books of Titus Livius" in The Historical, Political, and Diplomatic Writings of Niccolo Machiavelli, tr. from the Italian, by Christian E. Detmold (Boston, J. R. Osgood and company, 1882). Vol. 2. 8/14/2014. < /titles/775#lf0076-02_head_031 >. The text is in the public domain.

Thomas Hobbes (1588-1679) Leviathan (1651)

Best known as the “father” of modern absolutism, Hobbes is also credited as the “father” of modern political science. In Leviathan , his principal work, the English philosopher endeavored to establish a new “science of politics” on the basis of the first principles of human nature. While his conclusion — that without an all-powerful Sovereign life would be a “war of all against all” — was largely rejected by his contemporaries, the novelty of his method and his reliance on natural law inaugurated a new era in political thinking. His use of the “social contract” as a method of explaining the origin and legitimacy of public authority would be adopted to more liberal ends by thinkers such as Locke and Rousseau . Moreover, Hobbes’s contention that men possess “natural” rights — that by nature individuals are free, equal, and autonomous — readily lent itself to theories of limited government. For this reason, Hobbes is often identified, paradoxically, as the “father” of modern liberalism. See, in particular, chapters 13-31.

Thomas Hobbes, Hobbes’s Leviathan reprinted from the edition of 1651 with an Essay by the Late W.G. Pogson Smith (Oxford: Clarendon Press, 1909). 8/14/2014. < /titles/869 >. The text is in the public domain.

Benedict de Spinoza (1632-1677) Political Treatise (1677)

Spinoza’s fame as a philosopher largely rests on his Ethics , but he also made an important, if rather engimatic, contribution to political thought. While employing much of the language and framework of natural rights thinkers, Spinoza rejected natural law as a regulative principle and adopted an entirely prudential approach to questions of civic formation, obligation, legitimacy, and freedom. Often described as a Hobbesian, Spinoza differs in important respects from his English predecessor. He advanced ideas of religious toleration and freedom of expression, held that peace was more than just the absence of war, and identified positive aspects in different forms of government. That he adopted these positions on pragmatic, rather than principled, grounds and denied inherent natural rights, places Spinoza outside the mainstream of modern liberalism, but he ultimately endorsed a relatively democratic and open society.

Benedict de Spinoza, "A Political Treatise" in The Chief Works of Benedict de Spinoza, translated from the Latin, with an Introduction by R.H.M. Elwes, vol. 1 Introduction, Tractatus-Theologico-Politicus, Tractatus Politicus. Revised edition (London: George Bell and Sons, 1891). 8/14/2014. < /titles/1710#lf1321-01_head_042 >. The text is in the public domain.

John Locke (1632-1704) Second Treatise of Government (1690)

Few political thinkers have had such a profound and lasting influence as John Locke . His Second Treatise , written against the backdrop of political crisis and revolution, contains classic arguments against arbitrary and despotic government. Drawing on the tradition of natural law, Locke developed a theory of natural liberty that placed limits on civil authority. For Locke, government is founded in human need and arises from “inconveniences” in the “state of nature.” Like Hobbes , he finds the origins of political authority in the “social contract,” a voluntary agreement to enter into civil society. Unlike Hobbes, however, the sovereignty of the people is not permanently transferred to an absolute “Sovereign,” but is temporarily delegated to a government of limited power. Locke’s Second Treatise also made important contributions to the concepts of equality, rule of law, separation of powers, majoritarianism, and the right to revolution. Along with its theory of (private) property, the Second Treatise remains the seminal text of classical liberalism.

For additional reading see Eric Mack’s Introduction to the Political Thought of John Locke (in particular his Second Treatise of Government ).

John Locke, Two Treatises of Government , ed. Thomas Hollis (London: A. Millar et al., 1764). 8/14/2014. < /titles/222#lf0057_head_018 >. The text is in the public domain.

David Hume (1711-1776) Political Essays (1741, 1752)

Unlike Hobbes and Locke, Hume’s reputation as a major political thinker does not rest on a single systematic treastise, but rather on a series of topical essays. Hume also diverged from his English predecesors in his approach to politics, adopting a less abstract and more historical perspective. This led Hume to reject the idea of the social contract as an ahistorical fiction of dubious value: utility and interest are the mainsprings of government and the bases of community. In the Essays , Hume addresses many of the leading themes of political reflection, including property, obligation, liberty, and the forms of goverment. His essays on money, taxes, and commerce did much to establish modern political economy, and anticipated the doctrines of Hume’s friend, Adam Smith . His remarks on political parties and the balancing of opposed interests are believed to have significantly influenced James Madison , whose famous treatment of factions in Federalist 10 has a distinct Humean ring. See, especially, Part One, Essays 2-9, 12 and all of Part Two.

David Hume, "Foreword" in Essays Moral, Political, Literary, edited and with a Foreword, Notes, and Glossary by Eugene F. Miller, with an appendix of variant readings from the 1889 edition by T.H. Green and T.H. Grose, revised edition (Indianapolis: Liberty Fund 1987). 8/14/2014. < /titles/704#lf0059_head_001 >. The copyright to this edition, in both print and electronic forms, is held by Liberty Fund, Inc.

Montesquieu (1689-1755) The Spirit of the Laws (1748)

Like Hume, Montesquieu’s approach to political thinking was historical, and his aim was less to construct a political theory than to understand law, liberty, and government in their various relations. In the Spirit of the Laws , Montesquieu explores these relations in great detail, considering the effects of climate, commerce, religion, and the family. This attention to the influence of social factors on law and government has led modern scholars to call him the “father” of sociology. Montesqueiu also engaged in the more conventional practice of regime analysis, with particular emphasis on the conditions that support political liberty. He is best known, however, for his discussion of the English constitution, his model of a modern free government. For Montesquieu, English liberty is the product of a balanced constitution, and specifically the separation of legislative and executive power. These reflections, as well as his observations on the conditions which support republics, would exercise a powerful influence on the American Founders, who appealed to Montesquieu — “that great man” — with considerable frequency. See in particular, Books 1-5 and 11.

Charles Louis de Secondat, "The Spirit of the Laws" in Baron de Montesquieu, The Complete Works of M. de Montesquieu (London: T. Evans, 1777), 4 vols. Vol. 1.8/14/2014. < /titles/837 >. The text is in the public domain.

Jean-Jacques Rousseau (1712-1778) The Social Contract (1762)

“Man was born free, and he is everywhere in chains.” Thus begins the Social Contract , Rousseau’s principal work of political thought. Like Hobbes and Locke , Rousseau made use of the “social contract” to explain the origins of civil society, but in his version sovereignty is neither transferred nor delegated to the government, but remains with the people collectively. In Rousseau’s ideal republic, the citizens legislate directly in accordance with the “general will,” the common good. To recognize this good, citizens must be trained in virtue and roughly similar in circumstances. Only then will they be fit for self-government; only then will they be truly free. Rousseau’s model of a small city-state was out of step with the times, but his general ideas on liberty, equality, and democracy were highly influential. His treatment of these themes, however, is not without paradox, for there is a tendency toward collectivism and orthodoxy in many of his prescriptions. This aside, the Social Contract continues to inform debates over civic virtue and popular democracy, as well as present-day efforts to reconcile liberty, equality, and order.

Jean-Jacques Rousseau, "The Social Contract" in Ideal Empires and Republics. Rousseau’s Social Contract, More’s Utopia, Bacon’s New Atlantis, Campanella’s City of the Sun, with an Introduction by Charles M. Andrews (Washington: M. Walter Dunne, 1901). 8/14/2014. < /titles/2039#lf1414_head_004 >. The text is in the public domain.

Hamilton (1757-1804), Madison (1751-1836), and Jay (1745-1829) The Federalist (1788)

Begun as a series of newspaper articles, the Federalist papers were written under the pseudonym “Publius” in defense of the proposed Constitution drafted in the summer of 1787. In the process of answering the critics, Publius provided a thorough and far-ranging account of how the envisioned federal republic would secure order, protect liberty, and produce prosperity. Central to this account was a discussion of those “auxiliary precautions” or institutional safeguards that in the absence of “better motives” would serve to “counteract ambition.” Such “inventions of prudence” were required to preserve liberty and insure the stability of popular government. While written for a specific purpose — the Constitution’s adoption — the Federalist often soars above the immediate context to touch on the perennial themes of politics, making it the one great classic of American political thought. See, in particular, No. 10 (faction and the extended republic), No. 39 (republicanism and federalism), No. 51 (separation of powers and checks and balances), and No. 78 (judicial review).

George W. Carey, The Federalist (The Gideon Edition), Edited with an Introduction, Reader’s Guide, Constitutional Cross-reference, Index, and Glossary by George W. Carey and James McClellan (Indianapolis: Liberty Fund, 2001). 8/14/2014. < /titles/788 >. The copyright to this edition, in both print and electronic forms, is held by Liberty Fund, Inc.

Edmund Burke (1729-1797) Reflections on the Revolution in France (1790)

Had Burke never penned the Reflections on the Revolution in France , he might be best remembered as the British politician who defended the rights and liberties of the American colonists. As it is, Burke is best known as an apostle of order, tradition, and authority; indeed, as the “father” of modern conservatism. Writing in response to the outbreak of the French Revolution, Burke predicted that the attempt to remodel French society and government on the basis of abstract notions, such as the “rights of man,” would end in disaster. His warning was not so much directed at the French as his own countrymen, some of whom were drawing inspiration from events in France to initiate reform in Britain. In the process of excoriating the leaders of the Revolution and their “preposterous way of reasoning,” Burke addressed the central questions of political speculation, arriving at general principles by way of history, human nature, and circumstances. If his conclusions appeared reactionary to many, his approach to the social order, with its emphasis on prudence, utility, and prescription, reflects a depth and subtlety that has few rivals in the history of political thought.

For additional reading see the Debate about the French Revolution .

Edmund Burke,"Reflections on the Revolution in France" in Select Works of Edmund Burke. A New Imprint of the Payne Edition. Foreword and Biographical Note by Francis Canavan (Indianapolis: Liberty Fund, 1999). Vol. 2. 8/14/2014. < /titles/656 >. The copyright to this edition, in both print and electronic forms, is held by Liberty Fund, Inc.

John Stuart Mill (1806-1873) On Liberty (1859)

A century-and-a-half after its appearance, On Liberty remains the classic defense of individual freedom and the open society. For Mill , human happiness — the “greatest good” — is only possible in a free society where individuals are at liberty to make decisions about their lives. These decisions, including what to think, say, read, and write, should be free from state interference and left to the discretion of individuals. Believing that discussion, debate, and diversity were essential to the progress of society, Mill called for the widest degree of latitude for individual expression and even encouraged “experiments in living.” As long as people respect the rights of others, they should be allowed to think and live as they choose. Some beliefs and ways of living might be better than others, but it was not the proper role of the state to regulate such matters. Unlike classial liberals, Mill did not base his argument for liberty on natural right, but on utility or the “greatest happiness” principle. While this led him into some curious paradoxes, his strong defense of individual liberty and self-determination place him in the vanguard of liberal thinkers.

John Stuart Mill, "On Liberty" in The Collected Works of John Stuart Mill, Volume XVIII - Essays on Politics and Society Part I, ed. John M. Robson, Introduction by Alexander Brady (Toronto: University of Toronto Press, London: Routledge and Kegan Paul, 1977). 8/14/2014. < /titles/233#lf0223-18_head_051 >. The online edition of the Collected Works is published under licence from the copyright holder, The University of Toronto Press. ©2006 The University of Toronto Press. All rights reserved. No part of this material may be reproduced in any form or medium without the permission of The University of Toronto Press.

John Stuart Mill (1806-1873) Considerations of Representative Government (1861)

Considerations on Representative Government is sometimes characterized as the mold into which Mill poured the principles contained in On Liberty . With the belief that a government is never neutral in its effects, Mill proposed a number of broad reforms designed to better represent the electorate, improve the quality of representatives, and give experts a dominant role in legislating. If not exactly “illiberal,” a number of his proposals are less than democratic, even by the standards of the day. Basically, Mill envisioned an administrative state in which an elite bureaucracy would govern with the advice and consent of the legislature, whose principal function was to serve as a check on the executive. He did embrace popular government for its tendency to galvanize the energies of the people as well as encourage self-reliance and public- spiritedness. For Mill some type of high-toned republic represents the ideal. He did not, however, believe this model was suitable for less advanced peoples, whose level of development might require more autocratic methods.

John Stuart Mill, "Considerations of Representative Government" in The Collected Works of John Stuart Mill, Volume XIX - Essays on Politics and Society Part II, ed. John M. Robson, Introduction by Alexander Brady (Toronto: University of Toronto Press, London: Routledge and Kegan Paul, 1977). 8/14/2014. < /titles/234#lf0223-19_head_008 >. The online edition of the Collected Works is published under licence from the copyright holder, The University of Toronto Press. ©2006 The University of Toronto Press. All rights reserved. No part of this material may be reproduced in any form or medium without the permission of The University of Toronto Press.

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The 10 Best Essay Collections of the Decade

Ever tried. ever failed. no matter..

Friends, it’s true: the end of the decade approaches. It’s been a difficult, anxiety-provoking, morally compromised decade, but at least it’s been populated by some damn fine literature. We’ll take our silver linings where we can.

So, as is our hallowed duty as a literary and culture website—though with full awareness of the potentially fruitless and endlessly contestable nature of the task—in the coming weeks, we’ll be taking a look at the best and most important (these being not always the same) books of the decade that was. We will do this, of course, by means of a variety of lists. We began with the best debut novels , the best short story collections , the best poetry collections , and the best memoirs of the decade , and we have now reached the fifth list in our series: the best essay collections published in English between 2010 and 2019.

The following books were chosen after much debate (and several rounds of voting) by the Literary Hub staff. Tears were spilled, feelings were hurt, books were re-read. And as you’ll shortly see, we had a hard time choosing just ten—so we’ve also included a list of dissenting opinions, and an even longer list of also-rans. As ever, free to add any of your own favorites that we’ve missed in the comments below.

The Top Ten

Oliver sacks, the mind’s eye (2010).

Toward the end of his life, maybe suspecting or sensing that it was coming to a close, Dr. Oliver Sacks tended to focus his efforts on sweeping intellectual projects like On the Move (a memoir), The River of Consciousness (a hybrid intellectual history), and Hallucinations (a book-length meditation on, what else, hallucinations). But in 2010, he gave us one more classic in the style that first made him famous, a form he revolutionized and brought into the contemporary literary canon: the medical case study as essay. In The Mind’s Eye , Sacks focuses on vision, expanding the notion to embrace not only how we see the world, but also how we map that world onto our brains when our eyes are closed and we’re communing with the deeper recesses of consciousness. Relaying histories of patients and public figures, as well as his own history of ocular cancer (the condition that would eventually spread and contribute to his death), Sacks uses vision as a lens through which to see all of what makes us human, what binds us together, and what keeps us painfully apart. The essays that make up this collection are quintessential Sacks: sensitive, searching, with an expertise that conveys scientific information and experimentation in terms we can not only comprehend, but which also expand how we see life carrying on around us. The case studies of “Stereo Sue,” of the concert pianist Lillian Kalir, and of Howard, the mystery novelist who can no longer read, are highlights of the collection, but each essay is a kind of gem, mined and polished by one of the great storytellers of our era. –Dwyer Murphy, CrimeReads Managing Editor

John Jeremiah Sullivan, Pulphead (2011)

The American essay was having a moment at the beginning of the decade, and Pulphead was smack in the middle. Without any hard data, I can tell you that this collection of John Jeremiah Sullivan’s magazine features—published primarily in GQ , but also in The Paris Review , and Harper’s —was the only full book of essays most of my literary friends had read since Slouching Towards Bethlehem , and probably one of the only full books of essays they had even heard of.

Well, we all picked a good one. Every essay in Pulphead is brilliant and entertaining, and illuminates some small corner of the American experience—even if it’s just one house, with Sullivan and an aging writer inside (“Mr. Lytle” is in fact a standout in a collection with no filler; fittingly, it won a National Magazine Award and a Pushcart Prize). But what are they about? Oh, Axl Rose, Christian Rock festivals, living around the filming of One Tree Hill , the Tea Party movement, Michael Jackson, Bunny Wailer, the influence of animals, and by god, the Miz (of Real World/Road Rules Challenge fame).

But as Dan Kois has pointed out , what connects these essays, apart from their general tone and excellence, is “their author’s essential curiosity about the world, his eye for the perfect detail, and his great good humor in revealing both his subjects’ and his own foibles.” They are also extremely well written, drawing much from fictional techniques and sentence craft, their literary pleasures so acute and remarkable that James Wood began his review of the collection in The New Yorker with a quiz: “Are the following sentences the beginnings of essays or of short stories?” (It was not a hard quiz, considering the context.)

It’s hard not to feel, reading this collection, like someone reached into your brain, took out the half-baked stuff you talk about with your friends, researched it, lived it, and represented it to you smarter and better and more thoroughly than you ever could. So read it in awe if you must, but read it. –Emily Temple, Senior Editor

Aleksandar Hemon, The Book of My Lives (2013)

Such is the sentence-level virtuosity of Aleksandar Hemon—the Bosnian-American writer, essayist, and critic—that throughout his career he has frequently been compared to the granddaddy of borrowed language prose stylists: Vladimir Nabokov. While it is, of course, objectively remarkable that anyone could write so beautifully in a language they learned in their twenties, what I admire most about Hemon’s work is the way in which he infuses every essay and story and novel with both a deep humanity and a controlled (but never subdued) fury. He can also be damn funny. Hemon grew up in Sarajevo and left in 1992 to study in Chicago, where he almost immediately found himself stranded, forced to watch from afar as his beloved home city was subjected to a relentless four-year bombardment, the longest siege of a capital in the history of modern warfare. This extraordinary memoir-in-essays is many things: it’s a love letter to both the family that raised him and the family he built in exile; it’s a rich, joyous, and complex portrait of a place the 90s made synonymous with war and devastation; and it’s an elegy for the wrenching loss of precious things. There’s an essay about coming of age in Sarajevo and another about why he can’t bring himself to leave Chicago. There are stories about relationships forged and maintained on the soccer pitch or over the chessboard, and stories about neighbors and mentors turned monstrous by ethnic prejudice. As a chorus they sing with insight, wry humor, and unimaginable sorrow. I am not exaggerating when I say that the collection’s devastating final piece, “The Aquarium”—which details his infant daughter’s brain tumor and the agonizing months which led up to her death—remains the most painful essay I have ever read. –Dan Sheehan, Book Marks Editor

Robin Wall Kimmerer, Braiding Sweetgrass (2013)

Of every essay in my relentlessly earmarked copy of Braiding Sweetgrass , Dr. Robin Wall Kimmerer’s gorgeously rendered argument for why and how we should keep going, there’s one that especially hits home: her account of professor-turned-forester Franz Dolp. When Dolp, several decades ago, revisited the farm that he had once shared with his ex-wife, he found a scene of destruction: The farm’s new owners had razed the land where he had tried to build a life. “I sat among the stumps and the swirling red dust and I cried,” he wrote in his journal.

So many in my generation (and younger) feel this kind of helplessness–and considerable rage–at finding ourselves newly adult in a world where those in power seem determined to abandon or destroy everything that human bodies have always needed to survive: air, water, land. Asking any single book to speak to this helplessness feels unfair, somehow; yet, Braiding Sweetgrass does, by weaving descriptions of indigenous tradition with the environmental sciences in order to show what survival has looked like over the course of many millennia. Kimmerer’s essays describe her personal experience as a Potawotami woman, plant ecologist, and teacher alongside stories of the many ways that humans have lived in relationship to other species. Whether describing Dolp’s work–he left the stumps for a life of forest restoration on the Oregon coast–or the work of others in maple sugar harvesting, creating black ash baskets, or planting a Three Sisters garden of corn, beans, and squash, she brings hope. “In ripe ears and swelling fruit, they counsel us that all gifts are multiplied in relationship,” she writes of the Three Sisters, which all sustain one another as they grow. “This is how the world keeps going.” –Corinne Segal, Senior Editor

Hilton Als, White Girls (2013)

In a world where we are so often reduced to one essential self, Hilton Als’ breathtaking book of critical essays, White Girls , which meditates on the ways he and other subjects read, project and absorb parts of white femininity, is a radically liberating book. It’s one of the only works of critical thinking that doesn’t ask the reader, its author or anyone he writes about to stoop before the doorframe of complete legibility before entering. Something he also permitted the subjects and readers of his first book, the glorious book-length essay, The Women , a series of riffs and psychological portraits of Dorothy Dean, Owen Dodson, and the author’s own mother, among others. One of the shifts of that book, uncommon at the time, was how it acknowledges the way we inhabit bodies made up of variously gendered influences. To read White Girls now is to experience the utter freedom of this gift and to marvel at Als’ tremendous versatility and intelligence.

He is easily the most diversely talented American critic alive. He can write into genres like pop music and film where being part of an audience is a fantasy happening in the dark. He’s also wired enough to know how the art world builds reputations on the nod of rich white patrons, a significant collision in a time when Jean-Michel Basquiat is America’s most expensive modern artist. Als’ swerving and always moving grip on performance means he’s especially good on describing the effect of art which is volatile and unstable and built on the mingling of made-up concepts and the hard fact of their effect on behavior, such as race. Writing on Flannery O’Connor for instance he alone puts a finger on her “uneasy and unavoidable union between black and white, the sacred and the profane, the shit and the stars.” From Eminem to Richard Pryor, André Leon Talley to Michael Jackson, Als enters the life and work of numerous artists here who turn the fascinations of race and with whiteness into fury and song and describes the complexity of their beauty like his life depended upon it. There are also brief memoirs here that will stop your heart. This is an essential work to understanding American culture. –John Freeman, Executive Editor

Eula Biss, On Immunity (2014)

We move through the world as if we can protect ourselves from its myriad dangers, exercising what little agency we have in an effort to keep at bay those fears that gather at the edges of any given life: of loss, illness, disaster, death. It is these fears—amplified by the birth of her first child—that Eula Biss confronts in her essential 2014 essay collection, On Immunity . As any great essayist does, Biss moves outward in concentric circles from her own very private view of the world to reveal wider truths, discovering as she does a culture consumed by anxiety at the pervasive toxicity of contemporary life. As Biss interrogates this culture—of privilege, of whiteness—she interrogates herself, questioning the flimsy ways in which we arm ourselves with science or superstition against the impurities of daily existence.

Five years on from its publication, it is dismaying that On Immunity feels as urgent (and necessary) a defense of basic science as ever. Vaccination, we learn, is derived from vacca —for cow—after the 17th-century discovery that a small application of cowpox was often enough to inoculate against the scourge of smallpox, an etymological digression that belies modern conspiratorial fears of Big Pharma and its vaccination agenda. But Biss never scolds or belittles the fears of others, and in her generosity and openness pulls off a neat (and important) trick: insofar as we are of the very world we fear, she seems to be suggesting, we ourselves are impure, have always been so, permeable, vulnerable, yet so much stronger than we think. –Jonny Diamond, Editor-in-Chief

Rebecca Solnit, The Mother of All Questions (2016)

When Rebecca Solnit’s essay, “Men Explain Things to Me,” was published in 2008, it quickly became a cultural phenomenon unlike almost any other in recent memory, assigning language to a behavior that almost every woman has witnessed—mansplaining—and, in the course of identifying that behavior, spurring a movement, online and offline, to share the ways in which patriarchal arrogance has intersected all our lives. (It would also come to be the titular essay in her collection published in 2014.) The Mother of All Questions follows up on that work and takes it further in order to examine the nature of self-expression—who is afforded it and denied it, what institutions have been put in place to limit it, and what happens when it is employed by women. Solnit has a singular gift for describing and decoding the misogynistic dynamics that govern the world so universally that they can seem invisible and the gendered violence that is so common as to seem unremarkable; this naming is powerful, and it opens space for sharing the stories that shape our lives.

The Mother of All Questions, comprised of essays written between 2014 and 2016, in many ways armed us with some of the tools necessary to survive the gaslighting of the Trump years, in which many of us—and especially women—have continued to hear from those in power that the things we see and hear do not exist and never existed. Solnit also acknowledges that labels like “woman,” and other gendered labels, are identities that are fluid in reality; in reviewing the book for The New Yorker , Moira Donegan suggested that, “One useful working definition of a woman might be ‘someone who experiences misogyny.'” Whichever words we use, Solnit writes in the introduction to the book that “when words break through unspeakability, what was tolerated by a society sometimes becomes intolerable.” This storytelling work has always been vital; it continues to be vital, and in this book, it is brilliantly done. –Corinne Segal, Senior Editor

Valeria Luiselli, Tell Me How It Ends (2017)

The newly minted MacArthur fellow Valeria Luiselli’s four-part (but really six-part) essay Tell Me How It Ends: An Essay in Forty Questions was inspired by her time spent volunteering at the federal immigration court in New York City, working as an interpreter for undocumented, unaccompanied migrant children who crossed the U.S.-Mexico border. Written concurrently with her novel Lost Children Archive (a fictional exploration of the same topic), Luiselli’s essay offers a fascinating conceit, the fashioning of an argument from the questions on the government intake form given to these children to process their arrivals. (Aside from the fact that this essay is a heartbreaking masterpiece, this is such a good conceit—transforming a cold, reproducible administrative document into highly personal literature.) Luiselli interweaves a grounded discussion of the questionnaire with a narrative of the road trip Luiselli takes with her husband and family, across America, while they (both Mexican citizens) wait for their own Green Card applications to be processed. It is on this trip when Luiselli reflects on the thousands of migrant children mysteriously traveling across the border by themselves. But the real point of the essay is to actually delve into the real stories of some of these children, which are agonizing, as well as to gravely, clearly expose what literally happens, procedural, when they do arrive—from forms to courts, as they’re swallowed by a bureaucratic vortex. Amid all of this, Luiselli also takes on more, exploring the larger contextual relationship between the United States of America and Mexico (as well as other countries in Central America, more broadly) as it has evolved to our current, adverse moment. Tell Me How It Ends is so small, but it is so passionate and vigorous: it desperately accomplishes in its less-than-100-pages-of-prose what centuries and miles and endless records of federal bureaucracy have never been able, and have never cared, to do: reverse the dehumanization of Latin American immigrants that occurs once they set foot in this country. –Olivia Rutigliano, CrimeReads Editorial Fellow

Zadie Smith, Feel Free (2018)

In the essay “Meet Justin Bieber!” in Feel Free , Zadie Smith writes that her interest in Justin Bieber is not an interest in the interiority of the singer himself, but in “the idea of the love object”. This essay—in which Smith imagines a meeting between Bieber and the late philosopher Martin Buber (“Bieber and Buber are alternative spellings of the same German surname,” she explains in one of many winning footnotes. “Who am I to ignore these hints from the universe?”). Smith allows that this premise is a bit premise -y: “I know, I know.” Still, the resulting essay is a very funny, very smart, and un-tricky exploration of individuality and true “meeting,” with a dash of late capitalism thrown in for good measure. The melding of high and low culture is the bread and butter of pretty much every prestige publication on the internet these days (and certainly of the Twitter feeds of all “public intellectuals”), but the essays in Smith’s collection don’t feel familiar—perhaps because hers is, as we’ve long known, an uncommon skill. Though I believe Smith could probably write compellingly about anything, she chooses her subjects wisely. She writes with as much electricity about Brexit as the aforementioned Beliebers—and each essay is utterly engrossing. “She contains multitudes, but her point is we all do,” writes Hermione Hoby in her review of the collection in The New Republic . “At the same time, we are, in our endless difference, nobody but ourselves.” –Jessie Gaynor, Social Media Editor

Tressie McMillan Cottom, Thick: And Other Essays (2019)

Tressie McMillan Cottom is an academic who has transcended the ivory tower to become the sort of public intellectual who can easily appear on radio or television talk shows to discuss race, gender, and capitalism. Her collection of essays reflects this duality, blending scholarly work with memoir to create a collection on the black female experience in postmodern America that’s “intersectional analysis with a side of pop culture.” The essays range from an analysis of sexual violence, to populist politics, to social media, but in centering her own experiences throughout, the collection becomes something unlike other pieces of criticism of contemporary culture. In explaining the title, she reflects on what an editor had said about her work: “I was too readable to be academic, too deep to be popular, too country black to be literary, and too naïve to show the rigor of my thinking in the complexity of my prose. I had wanted to create something meaningful that sounded not only like me, but like all of me. It was too thick.” One of the most powerful essays in the book is “Dying to be Competent” which begins with her unpacking the idiocy of LinkedIn (and the myth of meritocracy) and ends with a description of her miscarriage, the mishandling of black woman’s pain, and a condemnation of healthcare bureaucracy. A finalist for the 2019 National Book Award for Nonfiction, Thick confirms McMillan Cottom as one of our most fearless public intellectuals and one of the most vital. –Emily Firetog, Deputy Editor

Dissenting Opinions

The following books were just barely nudged out of the top ten, but we (or at least one of us) couldn’t let them pass without comment.

Elif Batuman, The Possessed (2010)

In The Possessed Elif Batuman indulges her love of Russian literature and the result is hilarious and remarkable. Each essay of the collection chronicles some adventure or other that she had while in graduate school for Comparative Literature and each is more unpredictable than the next. There’s the time a “well-known 20th-centuryist” gave a graduate student the finger; and the time when Batuman ended up living in Samarkand, Uzbekistan, for a summer; and the time that she convinced herself Tolstoy was murdered and spent the length of the Tolstoy Conference in Yasnaya Polyana considering clues and motives. Rich in historic detail about Russian authors and literature and thoughtfully constructed, each essay is an amalgam of critical analysis, cultural criticism, and serious contemplation of big ideas like that of identity, intellectual legacy, and authorship. With wit and a serpentine-like shape to her narratives, Batuman adopts a form reminiscent of a Socratic discourse, setting up questions at the beginning of her essays and then following digressions that more or less entreat the reader to synthesize the answer for herself. The digressions are always amusing and arguably the backbone of the collection, relaying absurd anecdotes with foreign scholars or awkward, surreal encounters with Eastern European strangers. Central also to the collection are Batuman’s intellectual asides where she entertains a theory—like the “problem of the person”: the inability to ever wholly capture one’s character—that ultimately layer the book’s themes. “You are certainly my most entertaining student,” a professor said to Batuman. But she is also curious and enthusiastic and reflective and so knowledgeable that she might even convince you (she has me!) that you too love Russian literature as much as she does. –Eleni Theodoropoulos, Editorial Fellow

Roxane Gay, Bad Feminist (2014)

Roxane Gay’s now-classic essay collection is a book that will make you laugh, think, cry, and then wonder, how can cultural criticism be this fun? My favorite essays in the book include Gay’s musings on competitive Scrabble, her stranded-in-academia dispatches, and her joyous film and television criticism, but given the breadth of topics Roxane Gay can discuss in an entertaining manner, there’s something for everyone in this one. This book is accessible because feminism itself should be accessible – Roxane Gay is as likely to draw inspiration from YA novels, or middle-brow shows about friendship, as she is to introduce concepts from the academic world, and if there’s anyone I trust to bridge the gap between high culture, low culture, and pop culture, it’s the Goddess of Twitter. I used to host a book club dedicated to radical reads, and this was one of the first picks for the club; a week after the book club met, I spied a few of the attendees meeting in the café of the bookstore, and found out that they had bonded so much over discussing Bad Feminist that they couldn’t wait for the next meeting of the book club to keep discussing politics and intersectionality, and that, in a nutshell, is the power of Roxane. –Molly Odintz, CrimeReads Associate Editor

Rivka Galchen, Little Labors (2016)

Generally, I find stories about the trials and tribulations of child-having to be of limited appeal—useful, maybe, insofar as they offer validation that other people have also endured the bizarre realities of living with a tiny human, but otherwise liable to drift into the musings of parents thrilled at the simple fact of their own fecundity, as if they were the first ones to figure the process out (or not). But Little Labors is not simply an essay collection about motherhood, perhaps because Galchen initially “didn’t want to write about” her new baby—mostly, she writes, “because I had never been interested in babies, or mothers; in fact, those subjects had seemed perfectly not interesting to me.” Like many new mothers, though, Galchen soon discovered her baby—which she refers to sometimes as “the puma”—to be a preoccupying thought, demanding to be written about. Galchen’s interest isn’t just in her own progeny, but in babies in literature (“Literature has more dogs than babies, and also more abortions”), The Pillow Book , the eleventh-century collection of musings by Sei Shōnagon, and writers who are mothers. There are sections that made me laugh out loud, like when Galchen continually finds herself in an elevator with a neighbor who never fails to remark on the puma’s size. There are also deeper, darker musings, like the realization that the baby means “that it’s not permissible to die. There are days when this does not feel good.” It is a slim collection that I happened to read at the perfect time, and it remains one of my favorites of the decade. –Emily Firetog, Deputy Editor

Charlie Fox, This Young Monster (2017)

On social media as in his writing, British art critic Charlie Fox rejects lucidity for allusion and doesn’t quite answer the Twitter textbox’s persistent question: “What’s happening?” These days, it’s hard to tell. This Young Monster (2017), Fox’s first book,was published a few months after Donald Trump’s election, and at one point Fox takes a swipe at a man he judges “direct from a nightmare and just a repulsive fucking goon.” Fox doesn’t linger on politics, though, since most of the monsters he looks at “embody otherness and make it into art, ripping any conventional idea of beauty to shreds and replacing it with something weird and troubling of their own invention.”

If clichés are loathed because they conform to what philosopher Georges Bataille called “the common measure,” then monsters are rebellious non-sequiturs, comedic or horrific derailments from a classical ideal. Perverts in the most literal sense, monsters have gone astray from some “proper” course. The book’s nine chapters, which are about a specific monster or type of monster, are full of callbacks to familiar and lesser-known media. Fox cites visual art, film, songs, and books with the screwy buoyancy of a savant. Take one of his essays, “Spook House,” framed as a stage play with two principal characters, Klaus (“an intoxicated young skinhead vampire”) and Hermione (“a teen sorceress with green skin and jet-black hair” who looks more like The Wicked Witch than her namesake). The chorus is a troupe of trick-or-treaters. Using the filmmaker Cameron Jamie as a starting point, the rest is free association on gothic decadence and Detroit and L.A. as cities of the dead. All the while, Klaus quotes from Artforum , Dazed & Confused , and Time Out. It’s a technical feat that makes fictionalized dialogue a conveyor belt for cultural criticism.

In Fox’s imagination, David Bowie and the Hydra coexist alongside Peter Pan, Dennis Hopper, and the maenads. Fox’s book reaches for the monster’s mask, not really to peel it off but to feel and smell the rubber schnoz, to know how it’s made before making sure it’s still snugly set. With a stylistic blend of arthouse suavity and B-movie chic, This Young Monster considers how monsters in culture are made. Aren’t the scariest things made in post-production? Isn’t the creature just duplicity, like a looping choir or a dubbed scream? –Aaron Robertson, Assistant Editor

Elena Passarello, Animals Strike Curious Poses (2017)

Elena Passarello’s collection of essays Animals Strike Curious Poses picks out infamous animals and grants them the voice, narrative, and history they deserve. Not only is a collection like this relevant during the sixth extinction but it is an ambitious historical and anthropological undertaking, which Passarello has tackled with thorough research and a playful tone that rather than compromise her subject, complicates and humanizes it. Passarello’s intention is to investigate the role of animals across the span of human civilization and in doing so, to construct a timeline of humanity as told through people’s interactions with said animals. “Of all the images that make our world, animal images are particularly buried inside us,” Passarello writes in her first essay, to introduce us to the object of the book and also to the oldest of her chosen characters: Yuka, a 39,000-year-old mummified woolly mammoth discovered in the Siberian permafrost in 2010. It was an occasion so remarkable and so unfathomable given the span of human civilization that Passarello says of Yuka: “Since language is epically younger than both thought and experience, ‘woolly mammoth’ means, to a human brain, something more like time.” The essay ends with a character placing a hand on a cave drawing of a woolly mammoth, accompanied by a phrase which encapsulates the author’s vision for the book: “And he becomes the mammoth so he can envision the mammoth.” In Passarello’s hands the imagined boundaries between the animal, natural, and human world disintegrate and what emerges is a cohesive if baffling integrated history of life. With the accuracy and tenacity of a journalist and the spirit of a storyteller, Elena Passarello has assembled a modern bestiary worthy of contemplation and awe. –Eleni Theodoropoulos, Editorial Fellow

Esmé Weijun Wang, The Collected Schizophrenias (2019)

Esmé Weijun Wang’s collection of essays is a kaleidoscopic look at mental health and the lives affected by the schizophrenias. Each essay takes on a different aspect of the topic, but you’ll want to read them together for a holistic perspective. Esmé Weijun Wang generously begins The Collected Schizophrenias by acknowledging the stereotype, “Schizophrenia terrifies. It is the archetypal disorder of lunacy.” From there, she walks us through the technical language, breaks down the Diagnostic and Statistical Manual ( DSM-5 )’s clinical definition. And then she gets very personal, telling us about how she came to her own diagnosis and the way it’s touched her daily life (her relationships, her ideas about motherhood). Esmé Weijun Wang is uniquely situated to write about this topic. As a former lab researcher at Stanford, she turns a precise, analytical eye to her experience while simultaneously unfolding everything with great patience for her reader. Throughout, she brilliantly dissects the language around mental health. (On saying “a person living with bipolar disorder” instead of using “bipolar” as the sole subject: “…we are not our diseases. We are instead individuals with disorders and malfunctions. Our conditions lie over us like smallpox blankets; we are one thing and the illness is another.”) She pinpoints the ways she arms herself against anticipated reactions to the schizophrenias: high fashion, having attended an Ivy League institution. In a particularly piercing essay, she traces mental illness back through her family tree. She also places her story within more mainstream cultural contexts, calling on groundbreaking exposés about the dangerous of institutionalization and depictions of mental illness in television and film (like the infamous Slender Man case, in which two young girls stab their best friend because an invented Internet figure told them to). At once intimate and far-reaching, The Collected Schizophrenias is an informative and important (and let’s not forget artful) work. I’ve never read a collection quite so beautifully-written and laid-bare as this. –Katie Yee, Book Marks Assistant Editor

Ross Gay, The Book of Delights (2019)

When Ross Gay began writing what would become The Book of Delights, he envisioned it as a project of daily essays, each focused on a moment or point of delight in his day. This plan quickly disintegrated; on day four, he skipped his self-imposed assignment and decided to “in honor and love, delight in blowing it off.” (Clearly, “blowing it off” is a relative term here, as he still produced the book.) Ross Gay is a generous teacher of how to live, and this moment of reveling in self-compassion is one lesson among many in The Book of Delights , which wanders from moments of connection with strangers to a shade of “red I don’t think I actually have words for,” a text from a friend reading “I love you breadfruit,” and “the sun like a guiding hand on my back, saying everything is possible. Everything .”

Gay does not linger on any one subject for long, creating the sense that delight is a product not of extenuating circumstances, but of our attention; his attunement to the possibilities of a single day, and awareness of all the small moments that produce delight, are a model for life amid the warring factions of the attention economy. These small moments range from the physical–hugging a stranger, transplanting fig cuttings–to the spiritual and philosophical, giving the impression of sitting beside Gay in his garden as he thinks out loud in real time. It’s a privilege to listen. –Corinne Segal, Senior Editor

Honorable Mentions

A selection of other books that we seriously considered for both lists—just to be extra about it (and because decisions are hard).

Terry Castle, The Professor and Other Writings (2010) · Joyce Carol Oates, In Rough Country (2010) · Geoff Dyer, Otherwise Known as the Human Condition (2011) · Christopher Hitchens, Arguably (2011) · Roberto Bolaño, tr. Natasha Wimmer, Between Parentheses (2011) · Dubravka Ugresic, tr. David Williams, Karaoke Culture (2011) · Tom Bissell, Magic Hours (2012) · Kevin Young, The Grey Album (2012) · William H. Gass, Life Sentences: Literary Judgments and Accounts (2012) · Mary Ruefle, Madness, Rack, and Honey (2012) · Herta Müller, tr. Geoffrey Mulligan, Cristina and Her Double (2013) · Leslie Jamison, The Empathy Exams (2014) · Meghan Daum, The Unspeakable (2014) · Daphne Merkin, The Fame Lunches (2014) · Charles D’Ambrosio, Loitering (2015) · Wendy Walters, Multiply/Divide (2015) · Colm Tóibín, On Elizabeth Bishop (2015) · Renee Gladman, Calamities (2016) · Jesmyn Ward, ed. The Fire This Time (2016) · Lindy West, Shrill (2016) · Mary Oliver, Upstream (2016) · Emily Witt, Future Sex (2016) · Olivia Laing, The Lonely City (2016) · Mark Greif, Against Everything (2016) · Durga Chew-Bose, Too Much and Not the Mood (2017) · Sarah Gerard, Sunshine State (2017) · Jim Harrison, A Really Big Lunch (2017) · J.M. Coetzee, Late Essays: 2006-2017 (2017) · Melissa Febos, Abandon Me (2017) · Louise Glück, American Originality (2017) · Joan Didion, South and West (2017) · Tom McCarthy, Typewriters, Bombs, Jellyfish (2017) · Hanif Abdurraqib, They Can’t Kill Us Until they Kill Us (2017) · Ta-Nehisi Coates, We Were Eight Years in Power (2017) · Samantha Irby, We Are Never Meeting in Real Life (2017) · Alexander Chee, How to Write an Autobiographical Novel (2018) · Alice Bolin, Dead Girls (2018) · Marilynne Robinson, What Are We Doing Here? (2018) · Lorrie Moore, See What Can Be Done (2018) · Maggie O’Farrell, I Am I Am I Am (2018) · Ijeoma Oluo, So You Want to Talk About Race (2018) · Rachel Cusk, Coventry (2019) · Jia Tolentino, Trick Mirror (2019) · Emily Bernard, Black is the Body (2019) · Toni Morrison, The Source of Self-Regard (2019) · Margaret Renkl, Late Migrations (2019) · Rachel Munroe, Savage Appetites (2019) · Robert A. Caro, Working (2019) · Arundhati Roy, My Seditious Heart (2019).

Emily Temple

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The best essays: the 2021 pen/diamonstein-spielvogel award, recommended by adam gopnik.

WINNER OF the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay

Had I Known: Collected Essays by Barbara Ehrenreich

Every year, the judges of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay search out the best book of essays written in the past year and draw attention to the author's entire body of work. Here, Adam Gopnik , writer, journalist and PEN essay prize judge, emphasizes the role of the essay in bearing witness and explains why the five collections that reached the 2021 shortlist are, in their different ways, so important.

Interview by Benedict King

Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick

Nature Matrix: New and Selected Essays by Robert Michael Pyle

Terroir: Love, Out of Place by Natasha Sajé

Maybe the People Would be the Times by Luc Sante

The Best Essays: the 2021 PEN/Diamonstein-Spielvogel Award - Had I Known: Collected Essays by Barbara Ehrenreich

1 Had I Known: Collected Essays by Barbara Ehrenreich

2 unfinished business: notes of a chronic re-reader by vivian gornick, 3 nature matrix: new and selected essays by robert michael pyle, 4 terroir: love, out of place by natasha sajé, 5 maybe the people would be the times by luc sante.

W e’re talking about the books shortlisted for the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay . As an essayist yourself, or as a reader of essays, what are you looking for? What’s the key to a good essay ?

Let’s turn to the books that made the shortlist of the 2021 PEN Award for the Art of the Essay. The winning book was Had I Known: Collected Essays by Barbara Ehrenreich , whose books have been recommended a number of times on Five Books. Tell me more.

One of the criteria for this particular prize is that it should be not just for a single book, but for a body of work. One of the things we wanted to honour about Barbara Ehrenreich is that she has produced a remarkable body of work. Although it’s offered in a more specifically political register than some essayists, or that a great many past prize winners have practised, the quiddity of her work is that it remains rooted in personal experience, in the act of bearing witness. She has a passionate political point to make, certainly, a series of them, many seeming all the more relevant now than when she began writing. Nonetheless, her writing still always depends on the intimacy of first-hand knowledge, what people in post-incarceration work call ‘lived experience’ (a term with a distinguished philosophical history). Her book Nickel and Dimed is the classic example of that. She never writes from a distance about working-class life in America. She bears witness to the nature and real texture of working-class life in America.

“One point of giving awards…is to keep passing the small torches of literary tradition”

Next up of the books on the 2021 PEN essay prize shortlist is Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick.

Vivian Gornick is a writer who’s been around for a very long time. Although longevity is not in itself a criterion for excellence—or for this prize, or in the writing life generally—persistence and perseverance are. Writers who keep coming back at us, again and again, with a consistent vision, are surely to be saluted. For her admirers, her appetite to re-read things already read is one of the most attractive parts of her oeuvre , if I can call it that; her appetite not just to read but to read deeply and personally. One of the things that people who love her work love about it is that her readings are never academic, or touched by scholarly hobbyhorsing. They’re readings that involve the fullness of her experience, then applied to literature. Although she reads as a critic, she reads as an essayist reads, rather than as a reviewer reads. And I think that was one of the things that was there to honour in her body of work, as well.

Is she a novelist or journalist, as well?

Let’s move on to the next book which made the 2021 PEN essay shortlist. This is Nature Matrix: New and Selected Essays by Robert Michael Pyle.

I have a special reason for liking this book in particular, and that is that it corresponds to one of the richest and oldest of American genres, now often overlooked, and that’s the naturalist essay. You can track it back to Henry David Thoreau , if not to Ralph Waldo Emerson , this American engagement with nature , the wilderness, not from a narrowly scientific point of view, nor from a purely ecological or environmental point of view—though those things are part of it—but again, from the point of view of lived experience, of personal testimony.

Let’s look at the next book on the shortlist of the 2021 PEN Awards, which is Terroir: Love, Out of Place by Natasha Sajé. Why did these essays appeal?

One of the things that was appealing about this book is that’s it very much about, in every sense, the issues of the day: the idea of place, of where we are, how we are located on any map as individuals by ethnic identity, class, gender—all of those things. But rather than being carried forward in a narrowly argumentative way, again, in the classic manner of the essay, Sajé’s work is ruminative. It walks around these issues from the point of view of someone who’s an expatriate, someone who’s an émigré, someone who’s a world citizen, but who’s also concerned with the idea of ‘terroir’, the one place in the world where we belong. And I think the dialogue in her work between a kind of cosmopolitanism that she has along with her self-critical examination of the problem of localism and where we sit on the world, was inspiring to us.

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Last of the books on the shortlist for the 2021 Pen essay award is Maybe the People Would Be the Times by Luc Sante.

Again, here’s a writer who’s had a distinguished generalised career, writing about lots of places and about lots of subjects. In the past, he’s made his special preoccupation what he calls ‘low life’, but I think more broadly can be called the marginalized or the repressed and abject. He’s also written acute introductions to the literature of ‘low life’, the works of Asbury and David Maurer, for instance.

But I think one of the things that was appealing about what he’s done is the sheer range of his enterprise. He writes about countless subjects. He can write about A-sides and B-sides of popular records—singles—then go on to write about Jacques Rivette’s cinema. He writes from a kind of private inspection of public experience. He has a lovely piece about tabloid headlines and their evolution. And I think that omnivorous range of enthusiasms and passions is a stirring reminder in a time of specialization and compartmentalization of the essayist’s freedom to roam. If Pyle is in the tradition of Thoreau, I suspect Luc Sante would be proud to be put in the tradition of Baudelaire—the flaneur who walks the streets, sees everything, broods on it all and writes about it well.

One point of giving awards, with all their built-in absurdity and inevitable injustice, is to keep alive, or at least to keep passing, the small torches of literary tradition. And just as much as we’re honoring the great tradition of the naturalist essay in the one case, I think we’re honoring the tradition of the Baudelairean flaneur in this one.

April 18, 2021

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Adam Gopnik

Adam Gopnik has been a staff writer at the New Yorker since 1986. His many books include A Thousand Small Sanities: The Moral Adventure of Liberalism . He is a three time winner of the National Magazine Award for Essays & Criticism, and in 2021 was made a chevalier of the Legion d'Honneur by the French Republic.

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Geopolitics

The end of the anglo-american order by ian buruma, the age of american naval dominance is over by jerry hendrix, i saw the face of god in a semiconductor factory by virginia heffernan, how to deal with north korea by mark bowden, brexit blues by john lanchester, inside the thatcher larp by john lanchester, the ruthlessly effective rebranding of europe’s new far right by sasha polakow-suransky, china’s bizarre program to keep activists in check by jianying zha, the rise and fall of chimerica by jacob dreyer, a whiff of tear gas by john lanchester, document number nine by john lanchester, one by one, my friends were sent to the camps by tahir hamut izgil, putin has redrawn the world - but not the way he wanted by allan little, trump, putin, and the new cold war by evan osnos, david remnick, and joshua yaffa, putin’s real long game by molly k. mckew, india: intimations of an ending by arundhati roy, blood and soil in narendra modi’s india by dexter filkins, to have is to owe by david graeber, nothing grows forever by clive thompson, the austerity delusion by paul krugman, who was milton friedman by paul krugman, the economist who would fix the american dream by gareth cook, fraudpocalypse by john lanchester, 30 more articles about money, magic actions by tobi haslett, antiracism, our flawed new religion by john mcwhorter, the twilight of white america by derek thompson, the case for reparations by ta-nehisi coates, what's holding blacks back by john mcwhorter, america wasn’t a democracy, until black americans made it one by nikole hannah-jones, 25 more articles about race, the march on everywhere by leslie jamison, the women's movement by joan didion, no offense by jia tolentino, trickle-down feminism by sarah jaffe, 10 more articles about feminism, the rage of the incels by jia tolentino, cockblocked by redistribution by katie j.m. baker, 50 more articles about feminism.

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Harry Mount's top 10 essays

Harry Mount is a journalist, author and editor of the Notting Hill Editions Journal , which commissions a new essay every week. The latest series of essays are published this month.

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"There's not much point in trying to define an essay. Its parameters are so broad and slack that they encompass practically any shortish passage of non-fiction which makes a general argument.

"As a rough rule of thumb, I'd say anything that creeps over 40,000 words is entering book territory; and anything too autobiographical strays into memoir. But, still, you could write 50,000 words about yourself, and it could be an essay in every regard.

"It sounds banal, but all that matters is quality of writing and thought. Here are 10 that are exceptional in both departments."

1. George Orwell, Why I Write (1946)

Not an original choice of writer, or of essay. But it would be churlish not to include the man who, more than any other writer over the last century, fine-tuned the form. He applied his essayistic touch to an extreme variety of subjects – the ideal pub, school stories, what makes England England - but this one, on how he became a writer, is my favourite.

The word "intellectual" often brings a lot of dull baggage with it. But Orwell's honesty and humour mean that you're never in danger of being bored. His four reasons for writing - aesthetic enthusiasm, historical impulse, political purpose, sheer egoism - still seem unassailably true today.

2. Martha Gellhorn, Eichmann and the Private Conscience (1962)

You might call Gellhorn's account of Adolf Eichmann's trial in Jerusalem reportage. But that just shows up the flexibility of the essay. A routine bit of reportage remains reportage; brilliant reportage leaps its chains and becomes an essay.

Gellhorn's essay begins with a straight description of the conditions in the court, albeit an atmospheric, closely-observed description: "The air conditioning was too cold, and yet one sweated." But she constantly jumps from factual observation to general, philosophical thought. The seamlessly stitched combination of facts and thoughts becomes a compulsive essay.

3. Evelyn Waugh, A Call to the Orders (1938)

Evelyn Waugh considered life as a printer, cabinet-maker and carpenter before becoming a novelist. He maintained an interest in the visual arts throughout his life; this plea in defence of the classical orders of architecture appeared some time after his literary success began.

The essay is full of angry argument, deep architectural knowledge and lyrical description. "The baroque has never had a place in England; its brief fashion was of short duration; it has been relegated to the holidays – a memory of the happy days in sunglasses, washing away the dust of the southern roads with heady southern wines."

You don't have to agree with the argument to be compelled by it – a rare thing in an essay.

4. Michel de Montaigne, On the Cannibals (1595)

Montaigne is regularly wheeled out as the father of the essay. Debatable, I'd say – the baggy definition of the essay includes much older works.

Still, as well as being early on the essay scene, Montaigne was a natural essay-writer. His essay on cannibalism introduces devices that crop up again and again among the essayists that followed through the centuries. Taking the cannibalism of the Tupinamba tribesmen of Brazil, he uses it as a general analogy for barbarism. "Every man calls barbarous anything he is not accustomed to," he writes, expanding the subject into a discussion on the ideas of primitivism, natural purity and perfection.

5. JM Barrie, Courage (1922)

If you thought Steve Jobs's address to the graduating class of Stanford in 2005 was impressive, prepare to be even more deeply moved by Barrie's speech to the students of St Andrews University in 1922, where he had been voted rector.

Ostensibly about courage, the essay is really about how to deal with the loss of friends and brothers in the first world war; it's aimed at those "who still hear their cries [of the war dead] being blown across the links".

It opens up from the particular to the general, to the qualities needed to deal with such loss, and all with astonishing prescience: "By the time the next eruption comes it may be you who are responsible for it and your sons who are in the lava."

6. Truman Capote, The Duke in his Domain (1957)

Capote is best remembered for his novels, but his non-fiction was exceptional: acidly witty, to the point of nastiness; hyper-observational, to the point of even deeper nastiness. But what is more enjoyable – or, often, truer – than nastiness?

This is the essay-as-interview - in this case with Marlon Brando, at the height of his fame. There's a good deal of nastiness, and racism – "You come see Marron?" says Capote's Japanese guide. But it also gives a rare insight into the perils of celebrity: of too big an entourage, of isolation, of too many appetites being too readily satisfied.

For dinner, Brando, on a diet, orders soup, beefsteak with French-fried potatoes, three supplementary vegetables, a side dish of spaghetti, rolls and butter, a bottle of sake, salad, and cheese and crackers.

7. Jonathan Swift, A Modest Proposal (1729)

Extremely well-known, but that doesn't take away from the effectiveness of Swift's satirical suggestion that the way for the Irish to beat their poverty was to sell their children to the rich as meat and leather.

The best essays, like Swift's, use wit – not just to sugar the pill of heavy prose, but also to ramp up the argument beyond the merely prosaic statement of a thesis.

8. Thomas Paine, Common Sense; Addressed to the Inhabitants of America, on the following interesting subjects (1776)

Paine's pamphlet, anonymous at the time of publication, had a direct effect on the Declaration of Independence.

An argument in the real sense of an argument, it's as if Paine is shouting at you as he rips into the unfairness of a king on one island ruling a continent on the other side of an ocean: "If we will suffer ourselves to examine the component parts of the English Constitution, we shall find them to be the base remains of two ancient tyrannies, compounded with some new Republican materials."

The course of a couple of centuries often turns writing a bit Olde Worlde and quaint. Not here.

9. Isaiah Berlin, The Hedgehog and the Fox (1953)

For all his reputation as the planet-sized brain of the 20th century, Isaiah Berlin was better at the short sprint than the magnum opus. His lectures stick in the minds of those who heard them half a century ago. This essay is just as memorable.

The inspiration came from the Ancient Greek idiom: "The fox knows many things, but the hedgehog knows one big thing."

Berlin then sifts through his storage room of a brain to divide writers into one or the other category. Tolstoy, who forms the heart of the essay, wanted to be a hedgehog but was really a fox. Other foxes include Aristotle, Montaigne and Shakespeare. Plato and Proust are hedgehogs.

All a bit reductive perhaps, but really enjoyable, and a useful boilerplate when it comes to considering the ideas of other writers.

10. AN Wilson, In Defence of Gay Priests (2003)

Normally, a newspaper comment piece would never be long, or substantial, enough to constitute an essay. But this article – justifying the appointment of Jeffrey John, the Dean of St Albans, as Bishop of Reading – went way beyond tomorrow's-chip-wrapper material. The personal anecdote and light, jokey manner disguise serious thought and a deeply convincing argument; and the article becomes an essay.

Evelyn Waugh
George Orwell
Jonathan Swift
Truman Capote
Michel de Montaigne

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The 25 Greatest Essay Collections of All Time

Today marks the release of Aleksandar Hemon’s excellent book of personal essays, The Book of My Lives , which we loved, and which we’re convinced deserves a place in the literary canon. To that end, we were inspired to put together our list of the greatest essay collections of all time, from the classic to the contemporary, from the personal to the critical. In making our choices, we’ve steered away from posthumous omnibuses (Michel de Montaigne’s Complete Essays , the collected Orwell, etc.) and multi-author compilations, and given what might be undue weight to our favorite writers (as one does). After the jump, our picks for the 25 greatest essay collections of all time. Feel free to disagree with us, praise our intellect, or create an entirely new list in the comments.

The Book of My Lives , Aleksandar Hemon

Hemon’s memoir in essays is in turns wryly hilarious, intellectually searching, and deeply troubling. It’s the life story of a fascinating, quietly brilliant man, and it reads as such. For fans of chess and ill-advised theme parties and growing up more than once.

Slouching Towards Bethlehem , Joan Didion

Well, obviously. Didion’s extraordinary book of essays, expertly surveying both her native California in the 1960s and her own internal landscape with clear eyes and one eyebrow raised ever so slightly. This collection, her first, helped establish the idea of journalism as art, and continues to put wind in the sails of many writers after her, hoping to move in that Didion direction.

Pulphead , John Jeremiah Sullivan

This was one of those books that this writer deemed required reading for all immediate family and friends. Sullivan’s sharply observed essays take us from Christian rock festivals to underground caves to his own home, and introduce us to 19-century geniuses, imagined professors and Axl Rose. Smart, curious, and humane, this is everything an essay collection should be.

The Boys of My Youth , Jo Ann Beard

Another memoir-in-essays, or perhaps just a collection of personal narratives, Jo Ann Beard’s award-winning volume is a masterpiece. Not only does it include the luminous, emotionally destructive “The Fourth State of the Matter,” which we’ve already implored you to read , but also the incredible “Bulldozing the Baby,” which takes on a smaller tragedy: a three-year-old Beard’s separation from her doll Hal. “The gorgeous thing about Hal,” she tells us, “was that not only was he my friend, he was also my slave. I made the majority of our decisions, including the bathtub one, which in retrospect was the beginning of the end.”

Consider the Lobster , David Foster Wallace

This one’s another “duh” moment, at least if you’re a fan of the literary essay. One of the most brilliant essayists of all time, Wallace pushes the boundaries (of the form, of our patience, of his own brain) and comes back with a classic collection of writing on everything from John Updike to, well, lobsters. You’ll laugh out loud right before you rethink your whole life. And then repeat.

Notes of a Native Son , James Baldwin

Baldwin’s most influential work is a witty, passionate portrait of black life and social change in America in the 1940s and early 1950s. His essays, like so many of the greats’, are both incisive social critiques and rigorous investigations into the self, told with a perfect tension between humor and righteous fury.

Naked , David Sedaris

His essays often read more like short stories than they do social criticism (though there’s a healthy, if perhaps implied, dose of that slippery subject), but no one makes us laugh harder or longer. A genius of the form.

Against Interpretation , Susan Sontag

This collection, Sontag’s first, is a dazzling feat of intellectualism. Her essays dissect not only art but the way we think about art, imploring us to “reveal the sensuous surface of art without mucking about in it.” It also contains the brilliant “Notes on ‘Camp,'” one of our all-time favorites.

The Common Reader , Virginia Woolf

Woolf is a literary giant for a reason — she was as incisive and brilliant a critic as she was a novelist. These witty essays, written for the common reader (“He is worse educated, and nature has not gifted him so generously. He reads for his own pleasure rather than to impart knowledge or correct the opinions of others. Above all, he is guided by an instinct to create for himself, out of whatever odds and ends he can come by, some kind of whole- a portrait of a man, a sketch of an age, a theory of the art of writing”), are as illuminating and engrossing as they were when they were written.

Teaching a Stone to Talk , Annie Dillard

This is Dillard’s only book of essays, but boy is it a blazingly good one. The slender volume, filled with examinations of nature both human and not, is deft of thought and tongue, and well worth anyone’s time. As the Chicago Sun-Times ‘s Edward Abbey gushed, “This little book is haloed and informed throughout by Dillard’s distinctive passion and intensity, a sort of intellectual radiance that reminds me both Thoreau and Emily Dickinson.”

Thirteen Ways of Looking at a Black Man , Henry Louis Gates Jr.

In this eloquent volume of essays, all but one of which were originally published in the New Yorker , Gates argues against the notion of the singularly representable “black man,” preferring to represent him in a myriad of diverse profiles, from James Baldwin to Colin Powell. Humane, incisive, and satisfyingly journalistic, Gates cobbles together the ultimate portrait of the 20th-century African-American male by refusing to cobble it together, and raises important questions about race and identity even as he entertains.

Otherwise Known As the Human Condition , Geoff Dyer

This book of essays, which won the National Book Critics Circle Award in the year of its publication, covers 25 years of the uncategorizable, inimitable Geoff Dyer’s work — casually erudite and yet liable to fascinate anyone wandering in the door, witty and breathing and full of truth. As Sam Lipsyte said, “You read Dyer for his caustic wit, of course, his exquisite and perceptive crankiness, and his deep and exciting intellectual connections, but from these enthralling rants and cultural investigations there finally emerges another Dyer, a generous seeker of human feeling and experience, a man perhaps closer than he thinks to what he believes his hero Camus achieved: ‘a heart free of bitterness.'”

Art and Ardor , Cynthia Ozick

Look, Cynthia Ozick is a genius. One of David Foster Wallace’s favorite writers, and one of ours, Ozick has no less than seven essay collections to her name, and we could have chosen any one of them, each sharper and more perfectly self-conscious than the last. This one, however, includes her stunner “A Drugstore in Winter,” which was chosen by Joyce Carol Oates for The Best American Essays of the Century , so we’ll go with it.

No More Nice Girls , Ellen Willis

The venerable Ellen Willis was the first pop music critic for The New Yorker , and a rollicking anti-authoritarian, feminist, all-around bad-ass woman who had a hell of a way with words. This collection examines the women’s movement, the plight of the aging radical, race relations, cultural politics, drugs, and Picasso. Among other things.

The War Against Cliché , Martin Amis

As you know if you’ve ever heard him talk , Martin Amis is not only a notorious grouch but a sharp critical mind, particularly when it comes to literature. That quality is on full display in this collection, which spans nearly 30 years and twice as many subjects, from Vladimir Nabokov (his hero) to chess to writing about sex. Love him or hate him, there’s no denying that he’s a brilliant old grump.

Cultural Amnesia: Necessary Memories From History and the Arts , Clive James

James’s collection is a strange beast, not like any other essay collection on this list but its own breed. An encyclopedia of modern culture, the book collects 110 new biographical essays, which provide more than enough room for James to flex his formidable intellect and curiosity, as he wanders off on tangents, anecdotes, and cultural criticism. It’s not the only who’s who you need, but it’s a who’s who you need.

I Feel Bad About My Neck: And Other Thoughts on Being a Woman , Nora Ephron

Oh Nora, we miss you. Again, we could have picked any of her collections here — candid, hilarious, and willing to give it to you straight, she’s like a best friend and mentor in one, only much more interesting than any of either you’ve ever had.

Arguably , Christopher Hitchens

No matter what you think of his politics (or his rhetorical strategies), there’s no denying that Christopher Hitchens was one of the most brilliant minds — and one of the most brilliant debaters — of the century. In this collection, packed with cultural commentary, literary journalism, and political writing, he is at his liveliest, his funniest, his exactingly wittiest. He’s also just as caustic as ever.

The Solace of Open Spaces , Gretel Ehrlich

Gretel Ehrlich is a poet, and in this collection, you’ll know it. In 1976, she moved to Wyoming and became a cowherd, and nearly a decade later, she published this lovely, funny set of essays about rural life in the American West.”Keenly observed the world is transformed,” she writes. “The landscape is engorged with detail, every movement on it chillingly sharp. The air between people is charged. Days unfold, bathed in their own music. Nights become hallucinatory; dreams, prescient.”

The Braindead Megaphone , George Saunders

Saunders may be the man of the moment, but he’s been at work for a long while, and not only on his celebrated short stories. His single collection of essays applies the same humor and deliciously slant view to the real world — which manages to display nearly as much absurdity as one of his trademark stories.

Against Joie de Vivre , Phillip Lopate

“Over the years,” the title essay begins, “I have developed a distaste for the spectacle of joie de vivre , the knack of knowing how to live.” Lopate goes on to dissect, in pleasantly sardonic terms, the modern dinner party. Smart and thought-provoking throughout (and not as crotchety as all that), this collection is conversational but weighty, something to be discussed at length with friends at your next — oh well, you know.

Sex and the River Styx , Edward Hoagland

Edward Hoagland, who John Updike deemed “the best essayist of my generation,” has a long and storied career and a fat bibliography, so we hesitate to choose such a recent installment in the writer’s canon. Then again, Garrison Keillor thinks it’s his best yet , so perhaps we’re not far off. Hoagland is a great nature writer (name checked by many as the modern Thoreau) but in truth, he’s just as fascinated by humanity, musing that “human nature is interstitial with nature, and not to be shunned by a naturalist.” Elegant and thoughtful, Hoagland may warn us that he’s heading towards the River Styx, but we’ll hang on to him a while longer.

Changing My Mind , Zadie Smith

Smith may be best known for her novels (and she should be), but to our eyes she is also emerging as an excellent essayist in her own right, passionate and thoughtful. Plus, any essay collection that talks about Barack Obama via Pygmalion is a winner in our book.

My Misspent Youth , Meghan Daum

Like so many other writers on this list, Daum dives head first into the culture and comes up with meat in her mouth. Her voice is fresh and her narratives daring, honest and endlessly entertaining.

The White Album , Joan Didion

Yes, Joan Didion is on this list twice, because Joan Didion is the master of the modern essay, tearing at our assumptions and building our world in brisk, clever strokes. Deal.

18 Best Political Authors That Challenge the Status Quo

These 18 best political authors will challenge your thinking about government and its role in society.

Where does political thought come from? Today’s political scene has heavy influences from ancient philosophers and modern ideas about society and human rights. Studying political authors, both current and historical, will help you better understand why today’s voters, politicians, and governments do what they do.

Political writers may be highly opinionated, or they may present facts and philosophy. Many strive to make changes in government and policy through their written works, while others try to record what happened politically for posterity. Either way, if you are looking for some political-inspired reading, this list of 18 authors will be a good starting point.

1. Karl Marx

2. ben rhodes, 3. george orwell, 4. mussolini, 5. noam chomsky, 6. greg palast, 7. aristotle, 8. john locke, 9. joe klein, 10. bill o’reilly, 11. plato, 12. henry david thoreau, 13. ann coulter, 14. john rawls, 15. jean-jacques rousseau, 16. andy croft, 17. michael johns, 18. elizabeth drew, political authors to read to get yourself thinking.

Political authors are not people you pick up to read for enjoyment. Instead, these deep thinkers write about complicated, thought-provoking topics. Still, these 18 authors are worth reading if you want to learn more about political thought or streamline your own thinking about politics, government, and ethics.

The author of The Communist Manifesto, Karl Marx, is, perhaps, one of the most influential political writers. His theories about society and economics created the Marxism system, and his ideas continue to influence political thinkers today. Moreover, his anti-capitalism thinking has tremendously impacted political history since the 1800s. For more books in a similar genre, check out our list of the best dystopian novels .

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Marx, Karl (Author)
English (Publication Language)
48 Pages - 02/07/2014 (Publication Date) - International Publishers Co (Publisher)

Though he only has two works to his name, Ben Rhodes , a former adviser to Democratic President Barack Obama, has made it to the New York Times bestseller list for his book The World As It Is. He has an insider’s look at American politics, which he brings to his writing. He also works as a political commentator and national security analyst.

George Orwell is considered one of the most influential writers in the world, writing about politics through fiction to make people think about the governments around them. Animal Farm is his most famous work, creating an allegorical world where a group of farm animals rebels against their farmer, only to end up under a different type of totalitarian rule. This story was written to criticize Joseph Stalin and the Soviet Union.

George Orwell (Author)
140 Pages - 04/06/2004 (Publication Date) - Signet (Publisher)

Before becoming an Italian dictator and one of the originators of Fascism, Benito Mussolini was a prolific writer. Most of his work was for Socialist newspapers. He did create one novel, The Cardinal’s Mistress, but he is primarily known for radical articles against capitalism, imperialism, and religion published for the Soviets.

Hiram Mussolini Benito Motherwell (Author)
01/01/1928 (Publication Date) - A. & C. Boni (Publisher)

Noam Chomsky is the founder of modern linguistics and is known as one of the most influential public intellectuals in the world and one of the most often cited scholars in modern history. He has over 150 books to his name, and many of those are written on topics of war and politics, including Failed States: The Abuse of Power and the Assault on Democracy and Requiem for the American Dream. His activism against war earned him the U.S. Peace Prize in 2011.

Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power

Chomsky, Noam (Author)
192 Pages - 03/28/2017 (Publication Date) - Seven Stories Press (Publisher)

Greg Palast is an investigative reporter who regularly writes on trending politics. His book How Trump Stole 2020 – The Hunt for America’s Vanished Voters showcased voting fraud under President Donald Trump’s leadership in the 2020 presidential election. In addition, he brings humor to serious political writing, which makes his political books easier to read than some other authors.

How Trump Stole 2020: The Hunt for America's Vanished Voters

Palast, Greg (Author)
352 Pages - 07/14/2020 (Publication Date) - Seven Stories Press (Publisher)

Aristotle was considered the father of political science and a leader in political thought processes. His collection of essays on topics like the rule of law, citizenship, constitutionalism, and man’s social nature continue to educate political scientists today. His work Politics is a good indication of his political thought and discusses what makes good and bad governments.

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The Father of Liberalism, John Locke , helped develop political philosophy in the late 1600s. Two Treatises of Government is one of his most famous works, and he also had six of his works published after his death. In Two Treatises, he first attacks patriarchal government structures, and then brings ideas for a civilized society based on contract theory and people’s natural rights.

The First & Second Treatises of Government

Locke, John (Author)
202 Pages - 09/07/2016 (Publication Date) - CreateSpace Independent Publishing Platform (Publisher)

Joe Klein is a political writer who writes both fiction and non-fiction works, all with a political bent. His book The Natural: The Misunderstood Presidency of Bill Clinton takes a hard look at what happened under the 42nd president, cutting through the scandals and controversies to showcase the truth. Another book, Politics Lost: How American Democracy Was Trivialized by People Who Think You’re Stupid, takes a hard look at the political parties and how they’re destroying America.

The Natural: The Misunderstood Presidency of Bill Clinton

Hardcover Book
Klein, Joe (Author)
298 Pages - 05/21/2024 (Publication Date) - Thorndike Pr (Publisher)

Host of the podcast The O’Reilly Update, Bill O’Reilly is also an author of bestselling history and politics books. In his Killing series, he looks at major historical and political events, like the ending of World War II. These works are engaging reads and bring to light the political ideals that impacted these critical actions and decisions.

Killing Reagan: The Violent Assault That Changed a Presidency (Bill O'Reilly's Killing Series)

O'Reilly, Bill (Author)
320 Pages - 09/22/2015 (Publication Date) - Henry Holt and Co. (Publisher)

Plato’s famous work, Republic, outlines his political thinking. In the work, Socrates criticizes democracy in favor of aristocracy, and some believe his teachings eventually led to the rise of totalitarianism in the twentieth century. Still, ancient Greece deserves study when discussing political authors, as political theory was a favorite subject. For further reading check out our list of the best philosophy books .

Plato (Author)
248 Pages - 03/05/2020 (Publication Date) - Independently published (Publisher)

The 19th-century philosopher Henry David Thoreau has over 20 volumes to his name, including his famous book Walden. A staunch abolitionist, he often wrote against slavery. He also advocated for the use of civil disobedience, eventually influencing Martin Luther King, Jr. He wrote about this idea in an essay entitled “Resistance to Civil Government.”

Ann Colter is a prolific political author with 13 New York Times bestsellers to her name. She writes from a Republican point of view and writes a syndicated column weekly. Slander: Liberal Lies About the American Right is one of her famous works. Looking for more political fiction books to add to your reading list? Check out the best political fiction authors and discover their best books!

Slander: Liberal Lies About the American Right

Ann Coulter (Author)
327 Pages - 09/16/2002 (Publication Date) - Random House Publishing Group (Publisher)

Born in 1921, John Rawls was an American political philosopher who followed liberal thinking. In his writing, he explores how political power can have legitimate uses within a democracy. One of his modern works, Lectures on the History of Political Philosophy, is one of the greatest explanations of liberal philosophy.

Lectures on the History of Political Philosophy

Used Book in Good Condition
Rawls, John (Author)
496 Pages - 09/15/2008 (Publication Date) - Belknap Press: An Imprint of Harvard University Press (Publisher)

Jean-Jacques Rousseau was a political thinker of the 1700s. His writings fielded the thought behind the French Revolution and were influential on modern political thought. The Social Contract and Discourse on Inequality are his two most influential political works.

Rousseau, Jean-Jacques (Author)
104 Pages - 08/27/2020 (Publication Date) - Independently published (Publisher)

Andy Croft is an English political writer who has seven novels and 42 young adult books in his name. Several of his novels cover political topics, but Red Letter Days is the most famous. This book is a history of political fiction of the 1930s in England.

Red Letter Days: British Fiction in the 1930s

Croft, Andy (Author)
352 Pages - 12/31/1989 (Publication Date) - Lawrence and Wishart Ltd (Publisher)

Michael Johns is a political analyst who was the speechwriter for President George H. W. Bush. He often writes for many national publications, like The Wall Street Journal and the National Review. His books Freedom in the World: The Annual Guide of Political Rights and Civil Liberties and Facing Our Future: America’s 21st Century have a decidedly conservative viewpoint.

Finding Our Roots, Facing Our Future: America in the 21st Century

336 Pages - 12/12/1996 (Publication Date) - Madison Books (Publisher)

Elizabeth Drew is a Washington, D.C. resident who was a correspondent for The Atlantic Monthly and The New Yorker. She has 14 political books to her name, including On the Edge: The Clinton Presidency and George W. Bush’s Washington. She occasionally appears on radio and television programs. If you enjoyed our round-up of the best Political Authors, we have many more educational articles you can check out. You might want to check out our list of the best books about civilization !

Drew, Elizabeth (Author)
496 Pages - 11/01/1994 (Publication Date) - Simon & Schuster (Publisher)

Bryan Collins is the owner of Become a Writer Today. He's an author from Ireland who helps writers build authority and earn a living from their creative work. He's also a former Forbes columnist and his work has appeared in publications like Lifehacker and Fast Company.

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25 Must-Read Books to Understand Politics and Political Issues

Emily Stochl

Emily is a proud Midwesterner, living in Iowa. Reading literary fiction has always been her favorite. She also enjoys yoga and tending to her hundreds of houseplants -- you might say Emily is a bit “crunchy granola." She is the producer and host of a podcast about vintage and second-hand style, called Pre-Loved Podcast. She’s really into sustainability, and old things! IG: @emilymstochl

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A list of 25 books will never be able to cover all the great political books on a global scale, but it can provide you a starting place! This list is a compilation of some of the classic founding political theory books, an attempt to include political writing beyond what might be considered traditional “political theory canon,” an exploration of intersectionality and politics, and a reflection on some of the major topics that play a role in our political discourse today.

While creating a comprehensive list of the best political books would be an incredibly large undertaking, and perhaps impossible, I think this list will be a great starting place for people who want to learn more about political history, and better understand some major political theories and concepts.

The Republic by Plato

The Republic is a Socratic dialogue authored by Plato sometime around 375 BCE. Plato argues that knowledge should be the determining factor as to who should rule the people, because those with the most expertise—in Plato’s view philosophers, like himself—will be the most fair and efficient leaders. This text was written prior to the time when “democracy” was first put into words a political concept, and obviously Plato’s concept of a republic led by philosophers is not really used in many of today’s modern states today. However, it was a foundational political text in the west at the time. And interestingly, we saw similar thinking in other parts of the world, like in the writings of Confucius who wrote about “ benevolent hierarchy ” in China around the same period. Much later on, philosophers would call this thinking “benevolent dictatorship” or “benevolent tyranny,” but we’ll get to that idea later.

The Social Contract by Jean-Jacque Rosseau

Jean-Jacque Rosseau was a French philosopher who published this essay about the social contract between governments and people in 1762. The basic principle of his “social contract” is that laws are binding only when they are supported by the will of the people. This concept positions the will of the people above the authority of government, which was in a stark contradiction to governance in France at that time. In Rosseau’s time, the French monarch was thought to be divinely bestowed, and, of course, they could hand down laws without regard for the will of the people. Rather, they often backed laws that served an elite few. Because of this, Rosseau’s radical treatise became a founding text for The French Revolution and the political reformation to come.

A Vindication of the Rights of Women by Mary Wollstonecraft

Published in 1792, this is one of the first feminist political texts. Wollstonecraft simply argues that women are deserving of the same fundamental rights as men. She specifically argues that women have a right to be educated, and makes the case by reasoning that as the the moral compasses for society, and the people responsible for raising future generations, it was logical for women to be properly educated. The context of her writing about freedom and rights is significant, because this text was published during the French Revolution. Because of the sentiment of “ liberté, égalité, fraternité ” that was in the air during the time of the revolution, this message of women’s equality was actually generally well-received in its time. Unfortunately, it wasn’t acted on politically, but the text became a foundational work for later suffragette and feminist movements to come.

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The United States Constitution

The guiding principle of the United States Constitution is that people have “unalienable rights,” which is a departure from the previously prevailing idea that human rights are “given” to the people by the state. In contrast, the founding fathers of the United States believed it was crucially important to limit the power of the state.

Though the Constitution is primarily thought of as a legal document—used to define the branches of the United States government, separate the powers of the federal government and the individual states, and outline the rights of the American people—as a text, it can’t be ignored as a foundational piece of political history and theory.

The Communist Manifesto by Karl Marx and Frederick Engels

This political text was commissioned by the Communist League and written by the German philosophers Karl Marx and Frederick Engels in 1848. It explores the limits of a capitalistic society and the capitalist “ mode of production .” It concludes that capitalistic societies will eventually be “forcibly overthrown” and replaced by socialism. When this manifesto was first published, it was relatively obscure. But it later became a foundational text as social democrat parties began to rise up in Europe throughout the 1870s, and especially later on during the communist revolution of 1917 that began the Soviet Union.

Narrative of the Life of Frederick Douglass, an American Slave by Frederick Douglass

Frederick Douglass was enslaved in Maryland until he was in his early 20s. In 1838, he escaped to freedom in New York and became a leader of the abolitionist movement. He was known for his antislavery speeches and writing, and was well-known in his time. He published three memoirs, which are collected in this particular edition, which also contains famous speeches like “ What to the Slave is the Fourth of July. ” His political writings are formative in both the abolitionist movements and the women’s rights movement—perhaps fewer know he was involved in the fight for women’s suffrage until he died.

Animal Farm by George Orwell

This is the first novel included on this list, but I feel a must-read round-up of political books would be lacking if it didn’t include Orwell. First Animal Farm , an allegorical novella which was originally published in 1945. It’s a story about farm animals who rebel against their human owner with the hopes of creating a free and equal utopian state. After they overthrow their farmer ruler, however, a dictator pig fills the power vacuum and takes control of the farm. Under this pig, the animals’ lives are worse off than they were before.

George Orwell, a British writer and democratic socialist, wrote this book as a thinly veiled allegorical response to the 1917 Russian Revolution, and the authoritarian “reign of terror” that followed during Stalinism.

1984 by George Orwell

Our other fiction exception on this list is Orwell’s dystopian novel 1984 , which was published in 1949 and looks eerily ahead at an imagined future society. This story imagines—rather, warns—of a totalitarian future where society is governed by surveillance, lies, propaganda, and a supreme leader with a cult of personality. Again, Orwell based his fictional authoritarian government off of the Stalinist era of the Soviet Union, and he was writing in response to politics of the time.

Most recently, though, 1984 reached the number one spot on the Amazon best-seller list again in January 2017, after Kellyanne Conway—then Presidential advisor—referred to blatant lies told by then White House Press Secretary Sean Spicer as “alternative facts,” a phrase that feels all too Orwellian.

Notes of a Native Son by James Baldwin

Baldwin wrote the essays contained in Notes of a Native Son in the 1940s and 1950s—when he was only in his 20s—and the collection was published in 1955. The essays are foundational reading for the Civil Rights Movement, as is The Fire Next Time , which Baldwin later published in 1963 to instant national bestseller status. I recommend Notes of a Native Son , though, for understanding the Jim Crow era and the beginning of the Civil Rights Movement, of which Baldwin is a crucial artistic and intellectual figure.

Herein, Baldwin writes about protest novels, art in revolution, rent in Harlem, the paternalism of white progressives, his time as a Black expatriate in France, and the dramatic social changes happening in the United States during this time period.

Cesar Chavez: Autobiography of La Causa by Cesar Chavez

This is the autobiography of the Mexican American civil rights and labor activist Cesar Chavez. Chavez is an incredibly important figure in the 20th century United States workers rights movement, for his leadership boycotting supermarkets and major corporations. From 1965 to 1970, Chavez led a non-violent protest movement of largely Latinx and Filipino workers, and also called for a nation-wide boycott of non–union grown grapes, an effort which resulted in a collective bargaining agreement for the United Farm Workers Union.

Unfortunately, labor and workers issues are still a major issue worldwide today, made even more relevant during the COVID-19 pandemic. The story of Chavez and the movement he led is foundational to understanding today’s workers movements.

The Power of the Powerless: Citizens Against the State in Central Eastern Europe by Václav Havel

This text was written in 1979 by Václav Havel, a Czechoslovakian writer and philosopher who would go on to become the first President of the Czech Republic in 1993. The text is critical of the communist regime that controlled the Czech state at the time, and it was originally published by underground grassroots organizers who circulated it in secrecy to avoid Soviet censorship. In it, Havel writes that totalitarian regimes, like the one he was living in, force ordinary citizens to become dissidents. His insistence is that people always have power, despite oppressive circumstances, but this was in complete contrast to pervading Soviet-era eastern European cynicism of the time. After its underground publication, this text became foundational for the revolution to come.

Women, Race, and Class by Angela Y. Davis

Political activist and academic, Angela Davis, published this work in 1981. It is a feminist Marxist analysis of United States history from the era of the slave trade, to abolition, up until the women’s liberation movement (now sometimes called the second-wave feminist movement) of the 1960s. Davis explores the ways racism and class biases have held feminist political agendas back from accomplishing their complete goals. It is a formative text about intersectionality, and still an important one to feminist political theory today.

Sister Outsider by Audre Lorde

This collection of essays was written by the Black lesbian feminist writer Audre Lorde between 1976 and 1984. It is an exploration of intersectional identity, and how intersectionality must be considered regarding all political issues. Lorde makes her case with examples that were extremely relevant to the time—and also now—including war, protest, police brutality, and the importance of building diverse political coalitions to achieve change.

Deterring Democracy by Noam Chomsky

Noam Chomsky is a philosopher, political activist, and social critic. He has published many books, but this one, published in 1991, is about the United States’ role of “global police” following World War II up until the present-day of the book. Chomsky criticizes the imperialistic behavior of the United States in the country’s quest to remain a dominant economic and militaristic world superpower. He likens this domination to authoritarian regimes and claims that, throughout the later half of the 20th century, the United States was more concerned with maintaining control of global resources and power than it was with—as the United States government itself asserts—spreading democracy to the world.

No Pity: People With Disabilities Forging a Civil Rights Movement by Joseph Shapiro

This book was published in 1993 following the enactment of the Americans with Disabilities Act (ADA) of 1990. I’m including this selection because the American with Disabilities Act was one of the most significant legal and political rights victories accomplished in the modern United States, and yet the history of this political movement is often left out of narratives.

This book gives people with disabilities a voice and agency; they are not helpless, and their stories are not tragedies. Rather they are activists, fighting against society’s prejudice to demand the rights they are entitled to, just like any other citizen, and winning.

Long Walk to Freedom by Nelson Mandela

This is the 1994 autobiography of the revolutionary Nelson Mandela, who would go on to become the President of South Africa. This book is published at the very start of his Presidency, and the majority centers around his anti-aparthaid activism, which resulted in his 27-year long imprisonment. Though this is an autobiography, rather than a political essay, it is crucial text about racial oppression by governments, and how South Africa moved to a majority-rule governance system under Mandela’s leadership.

How to Spot a Fascist by Umberto Eco

This collection was published in the summer of 2020, but it features Eco’s iconic essay “Ur-Fascism,” which was originally published in 1995. That particular essay is about Eco’s experience growing up in Italy after World War II, during and after the reign of fascist Mussolini.

The essay goes on to list the 14 defining characteristics of a fascist regime, including, traditionalism, rejection of modernism, appeals to people who feel deprived of social identity, populism, contempt for others, propaganda, and more. The other two essays in this collection also concern issues of freedom and fascism, and given the text was collected in 2020, it provides a very modern context.

My Seditious Heart by Arundhati Roy

Arundhati Roy is an Indian writer and political activist. She skyrocketed to global literary fame in 1997 when she won the Man Booker Prize for her first novel, God of Small Things . This collection, however, contains two decades worth of political essays—it is over 1,000 pages long—which Roy wrote following the publication of her novel. She is a social justice and human rights activist, and her political essays in this collection are concerned with globalization, imperialism, and the politics of modern India.

The Nine: Inside the Secret World of the Supreme Court by Jeffery Toobin

The Nine is a book about the United States Supreme Court published in 2007 by journalist Jeffery Toobin. Of course, the United States federal government has three branches, but this is the first book on this list to deal with the judiciary branch of government. Toobin explores the politics and dynamics of the nine supreme judges who sat on the United States Supreme Court at the time. He argues that the Supreme Court was at a major point of transition, and yet during this time of rapid change it was also determining the law of the land on major issues like abortion and women’s rights, civil rights, the separation of church and state, and corporate regulation. And of course, the 2020 reader will understand that this book, and the role of the Supreme Court, are more relevant in our contemporary politics than ever as we face another Supreme Court vacancy with the passing of Justice Ruth Bader Ginsberg.

We Were Eight Years in Power by Ta-Nehisi Coates

This is an essay collection of works by writer and journalist Ta-Nehisi Coates, published in 2017. The title is a reference to the eight years Black Reconstruction-era politicians were in power before white supremacy and Jim Crow laws clawed their way back. Of course, the title is also a reference to the eight years President Barack Obama spent in power before nationalist and racist powers clawed their way back, once again, following the 2016 election.

These essays deal with a range of contemporary political issues, including Coates’s modern case for reparations, the political legacy of Malcom X, and mass incarceration.

We the Corporations: How American Businesses Won Their Civil Rights by Adam Winkler

Corporations have been arguing that they deserve the same rights as people under the United States Constitution since 1809, when the first corporate rights case came in front of the Supreme Court. Corporations used lobbying, legal gymnastics, and even civil disobedience to make the case they, too, deserve unalienable human rights.

And these corporations have been remarkably successful. Headway for corporates rights cases was made long before civil or women’s rights, after all. This book is crucial to understanding the origins of the controversial Supreme Court decision Burwell vs. Hobby Lobby, in which the court ruled corporations could be exempt from regulations that its owners’ have religious objection to—a ruling which allowed the owner of Hobby Lobby to deny contraceptive care to their employees despite the Affordable Care Act and set precedent which still impacts us today.

As Long As Grass Grows by Dina Gilio-Whitaker

This collection was published in 2019 by Indigenous researcher, environmentalist, and activist Dina Gilio-Whitaker. It engages with the relationship between Indigenous people and American colonizers, and covers a brief history of the Indigenous resistance movements responding to colonization of their land. It is an important exploration of civil disobedience movements, and the leadership Indigenous people have offered these movements throughout centuries.

The collection also explores the relationship between Indigenous people and the mainstream environmental movement, so it will be of interest to any intersectional environmentalists reading . Its final chapters are a look forward toward what a sustainable and just relationship between Native people and the United States could look like, which is an incredibly important issue of our time that is not centered nearly enough.

Why We’re Polarized by Ezra Klein

This book came out at the start of 2020, and it is Ezra Klein’s exploration of political polarization in the modern United States. Klein poses that the 2016 election was not as much a fissure from “politics as normal” (like the title of Hilary Clinton’s post–2016 election book What Happened implies), rather the 2016 election was shocking because politics actually played out along party lines much as they have before, even when the Republican party’s candidate was far from normal.

Klein explores identity politics, which he believes are growing more defined and extreme because of the feedback loops between people and institutions—institutions like the media which are also growing more and more polarized in our modern era.

Winning the Green New Deal: Why We Must, How We Can Edited by Varshini Prakash and Guido Girgenti

This collection is edited by the co-founders of the Sunrise Movement , a youth-led grassroots progressive movement that advocates for action on the climate emergency. This collection contains essays from activists, journalists, environmentalists, and policymakers about why we need the political agenda the Green New Deal proposes, and how the proposals the Green New Deal encompasses could be turned into laws. The Sunrise Movement has grown quickly and become an effective force in today’s political scene with the power to influence the Democratic agenda, build coalitions, and win elections. As electorate demographics rapidly change, and the American left undergoes a political realignment, this movement will play a crucial role in the future of politics.

Politics is for Power by Eitan Hersh

I’ll end this list with a book that claims it will show you how to move beyond political hobbyism, take political action, and make real change. As you read more about politics and become more interested in the subjects mentioned in this article, you might want to know how you can take part. Taking part in politics goes far beyond reading about the news online, complaining about politicians, signing petitions, and making donations.

Pick up this book to learn how to put it all into action. It will teach you about lobbying, advocacy, and mobilizing communities and coalitions to make a difference for the causes you care about.

Like I said, this list, or any other list of political books, is only ever going to be a start. But hopefully this must-read list will help you understand some of the foundational concepts of politics and political issues we face today! Interested in more? Check out these politically-relevant graphic novels , or more books on international politics .

An Idaho Public Library Will Become Adults-Only July 1, 2024

Classic British and American Essays and Speeches

English Prose From Jack London to Dorothy Parker

U.S. National Archives and Records Administration / Wikimedia Commons / Public Domain

An Introduction to Punctuation
Ph.D., Rhetoric and English, University of Georgia
M.A., Modern English and American Literature, University of Leicester
B.A., English, State University of New York

From the works and musings of Walt Witman to those of Virginia Woolf, some of the cultural heroes and prolific artists of prose are listed below--along with some of the world's greatest essays and speeches ever composed by these British and American literary treasures.

George Ade (1866-1944)

George Ade was an America playwright, newspaper columnist and humorist whose greatest recognition was "Fables in Slang" (1899), a satire that explored the colloquial vernacular of America. Ade eventually succeeded in doing what he set out to do: Make America laugh.

The Difference Between Learning and Learning How : "In due time the Faculty gave the Degree of M.A. to what was left of Otis and still his Ambition was not satisfied."
Luxuries: "About sixty-five per cent of all the people in the world think they are getting along great when they are not starving to death."
Vacations: "The planet you are now visiting may be the only one you ever see."

Susan B. Anthony (1820-1906)

American activist Susan B. Anthony crusaded for the women's suffrage movement, making way for the Nineteenth Amendment to the US Constitution in 1920, giving women the right to vote. Anthony is principally known for the six-volume "History of Woman Suffrage."

On Women's Right to Vote : "The only question left to be settled now is: Are women persons?"

Robert Benchley (1889-1945)

The writings of American humorist, actor and drama critic Robert Benchley are considered his best achievement. His socially awkward, slightly confused persona allowed him to write about the inanity of the world to great effect.

Advice to Writers : "A terrible plague of insufferably artificial and affected authors"
Business Letters : "As it stands now things are pretty black for the boy."
Christmas Afternoon : "Done in the Manner, If Not in the Spirit of Dickens"
Do Insects Think? : "It really was more like a child of our own than a wasp, except that it looked more like a wasp than a child of our own."
The Most Popular Book of the Month: "In practice, the book is not flawless. There are five hundred thousand names, each with a corresponding telephone number."

Joseph Conrad (1857-1924)

British novelist and short-story writer Joseph Conrad rendered about the "tragedy of loneliness" at sea and became known for his colorful, rich descriptions about the sea and other exotic places. He is regarded as one of the greatest English novelists of all time.

Outside Literature : "A sea voyage would have done him good. But it was I who went to sea--this time bound to Calcutta."

Frederick Douglass (1818-1895)

American Frederick Douglass' great oratory and literary skills helped him to become the first African American citizen to hold high office in the US government. He was one of the 19th century's most prominent human rights activist, and his autobiography, "Life and Times of Frederick Douglass" (1882), became an American literary classic.

The Destiny of Colored Americans : "Slavery is the peculiar weakness of America, as well as its peculiar crime."
A Glorious Resurrection: "My long-crushed spirit rose."

W.E.B. Du Bois (1868-1963)

W.E.B. Du Bois was an American scholar and human rights activist, a respected author and historian of literature. His literature and studies analyzed the unreachable depths of American racism. Du Bois' seminal work is a collection of 14 essays titled "The Souls of Black Folk" (1903).

Of Mr. Booker T. Washington and Others : "Mr. Washington represents in Negro thought the old attitude of adjustment and submission."
Of the Passing of the First-Born : "He knew no color-line, poor dear--and the Veil, though it shadowed him, had not yet darkened half his sun."

F. Scott Fitzgerald (1896-1940)

Known foremost for his novel "The Great Gatsby," American novelist and short-story writer F. Scott Fitzgerald was also a renown playboy and had a tumultuous life compounded by alcoholism and depression. Only after his death did he become known as a preeminent American literary author.

What I Think and Feel at 25: "The main thing is to be your own kind of a darn fool."

Ben Hecht (1894-1964)

American novelist, short-story writer and playwright Ben Hecht is remembered as one of Hollywood's greatest screenplay writers and may best be remembered for "Scarface," Wuthering Heights" and "Guys and Dolls."

Fog Patterns : "Yes, we are all lost and wandering in the thick mists. We have no destinations."
Letters: "You would see a procession of mysterious figures flitting through the streets, an unending swarm of dim ones, queer ones."

Ernest Hemingway (1899-1961)

American novelist Ernest Hemingway won the 1954 Nobel Prize in Literature for "his mastery of the art of narrative ... and for the influence he has exerted on contemporary style" as demonstrated in his brilliant novel "The Old Man and the Sea."

American Bohemians in Paris: "The scum of Greenwich Village, New York, has been skimmed off and deposited in large ladles on that section of Paris adjacent to the Café Rotonde."
Camping Out : "Any man of average office intelligence can make at least as good a pie as his wife."

Martin Luther King Jr. (1929-1968)

Civil rights activist and minister Martin Luther King Jr., winner of the Nobel Peace Prize in 1964, may be best known for "I Have A Dream," in which he wrote about love, peace, nonviolent activism and equality between all races.

I Have a Dream : "Now is the time to make justice a reality for all of God's children."
Reading Quiz on "I Have a Dream"
Ten Things You Should Know About Dr. King's "I Have a Dream" Speech

Jack London (1876-1916)

Nineteenth-century American author and journalist Jack London is best known for his adventures "White Fang" and "The Call of the Wild." London published more than 50 books over the last 16 years of his life, including "John Barleycorn," which was somewhat of a memoir about his lifelong battle with alcohol.

The Somnambulists : "[T]his archdeceiver believes all that they tell him. He reads only the newspapers and magazines that tell him what he wants to be told."
The Story of an Eyewitness: The San Francisco Earthquake : "Not in history has a modern imperial city been so completely destroyed."
Reading Quiz on "The San Francisco Earthquake"
What Life Means to Me : "I accepted that up above me was all that was fine and noble and gracious, all that gave decency and dignity to life."

H.L. Mencken (1880-1956)

American journalist, activist and editor H.L. Mencken was also a very influential literary critic. His columns were popular not only for their literary criticism, but also for their questioning of popular political, social and cultural views.

The Hills of Zion : "Dayton was having a roaring time. It was better than the circus."
The Libido for the Ugly : "Out of the melting pot emerges a race which hates beauty."
Literature and the Schoolma'm : "The essence of a sound style is that it cannot be reduced to rules."
The Lower Depths : "The worst idiots, even among pedagogues, are the teachers of English."
Portrait of an Ideal World : "All the great villainies of history have been perpetrated by sober men, and chiefly by teetotalers."

Christopher Morley (1890-1957)

American writer Christopher Morley was popular for his literary columns in the "New York Evening Post," among other literary magazines. His many collections of essays and columns were "lighthearted, vigorous displays of the English language."

1100 Words : "Let us be brief, crisp, packed with thought."
The Art of Walking : "Sometimes it seems as though literature were a co-product of legs and head."
A Morning in Marathon: "[W]e flashed onto the Hackensack marshes and into the fully minted gold of superb morning."
On Going to Bed : "The happier creatures ... take the tide of sleep at the flood and are borne calmly and with gracious gentleness out to great waters of nothingness."

George Orwell (1903-1950)

This British novelist, essayist and critic is best known for his novels "1984" and "Animal Farm." George Orwell's disdain for imperialism (he considered himself an anarchist) guided him in his life as well as through some of his writings.

A Hanging : "We all began laughing again. ... The dead man was a hundred yards away."
Why Are Beggars Despised? : "A beggar, looked at realistically, is simply a businessman, getting his living."

Dorothy Parker (1893-1967)

Witty American poet and short-story writer Dorothy Parker began as an editorial assistant at "Vogue" and eventually became the book reviewer known as the "Constant Reader" for "The New Yorker." Among her hundreds of works, Parker won the 1929 O. Henry Award for her short story "Big Blond."

Good Souls: "They are fated to go through life, congenial pariahs. They live out their little lives, mingling with the world, yet never a part of it."
Mrs. Post Enlarges on Etiquette : "As one delves deeper and deeper into Etiquette , disquieting thoughts come."

Bertrand Russell (1872-1970)

British philosopher and social reformer Bertrand Russell won the Nobel Prize in Literature in 1950 "in recognition of his varied and significant writings in which he champions humanitarian ideals and freedom of thought." Russell was one of the foremost philosophers of the 20th century.

In Praise of Idleness : "The road to happiness and prosperity lies in an organized diminution of work."

Margaret Sanger (1879-1966)

American activist Margaret Sanger was a sex educator, nurse and women's rights advocate. She began the first feminist publication, "The Woman Rebel," in 1914.

The Turbid Ebb and Flow of Misery: "My own cozy and comfortable family existence was becoming a reproach to me."

George Bernard Shaw (1856-1950)

An Irish dramatist and critic, George Bernard Shaw was also a socialist propagandist and winner of the 1925 Nobel Prize in Literature (which he didn't receive until 1926) for "his work which is marked by both idealism and beauty." Shaw wrote more than 60 plays during his lifetime.

Preface to Pygmalion: "It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him."
She Would Have Enjoyed It: "Why does a funeral always sharpen one's sense of humor?"
Why Law Is Indispensable: "Laws deaden the conscience of individuals by relieving them of responsibility."
The Art of Political Lying : "Considering that natural disposition in many men to lie, and in multitudes to believe, I have been perplexed what to do with that maxim so frequent in everybody's mouth, that truth will at last prevail."
Hints Toward an Essay on Conversation : "This degeneracy of conversation ... hath been owing, among other causes, to the custom arisen, for sometime past, of excluding women from any share in our society."
A Meditation Upon a Broomstick : "But a broomstick is an emblem of a tree standing on its head."

Henry David Thoreau (1817-1862)

American essayist, poet and philosopher Henry David Thoreau is most known for his masterful work, "Walden," about living a life close to nature. He was a dedicated abolitionist and a strong practitioner of civil disobedience.

The Battle of the Ants : "I never learned which party was victorious, nor the cause of the war."
The Landlord: "If we do not look up to the Landlord, we look round for him on all emergencies, for he is a man of infinite experience, who unites hands with wit."
The Last Days of John Brown : "[T]he one great rule of composition--and if I were a professor of rhetoric I should insist on this--is, to speak the truth ."

James Thurber (1894-1961)

American author and illustrator James Thurber is best known for his contributions to "The New Yorker." Via his contributions to the magazine, his cartoons became some of the most popular in the United States.

The Subjunctive Mood : "Husbands are suspicious of all subjunctives. Wives should avoid them."
Which: "Never monkey with 'which.'"

Anthony Trollope (1815-1882)

British author Anthony Trollope is best known for his writing in the Victorian Era--some of his work includes a series of novels known as "The Chronicles of Barsetshire." Trollope also wrote on political, social and gender issues.

The Plumber : "The plumber is doubtless aware that he is odious. He feels himself, like Dickens's turnpike-man, to be the enemy of mankind."

Mark Twain (1835-1910)

Mark Twain was an American humorist, journalist, lecturer and novelist best known for his classic American novels "The Adventures of Tom Sawyer" and "Adventures of Huckleberry Finn." With his wit and grand telling of tales, Twain is nothing short of an American national treasure.

Advice to Youth : "Always obey your parents, when they are present."
Corn-Pone Opinions : "Tell me whar a man gits his corn pone, en I'll tell you what his 'pinions is."
The Danger of Lying in Bed : "The danger isn't in traveling by rail, but in trusting to those deadly beds."
A Fable : "You can find in a text whatever you bring."
Fenimore Cooper's Literary Offences : " Deerslayer is just simply a literary delirium tremens."
The Lowest Animal : "[W]e have descended and degenerated ... till we have reached the bottom stage of development."
On the Decay of the Art of Lying: "Lying is universal: we all do it; we all must do it."
Two Ways of Seeing a River : "All the grace, the beauty, the poetry had gone out of the majestic river!"
Unconscious Plagiarism : "[P]ride protects a man from deliberately stealing other people's ideas."

H.G. Wells (1866-1944)

British author and historian H.G. Wells is best known for his works of science fiction, including "The Time Machine," "The First Men in the Moon" and "The War of the Worlds." Wells wrote an astounding 161 full-length books.

For Freedom of Spelling: The Discovery of an Art: "Why should correct spelling be the one absolutely essential literary merit?"
Of Conversation: An Apology: "I am no blowfly to buzz my way through the universe."
The Pleasure of Quarrelling : "Without quarreling you have not fully appreciated your fellow-man."
The Possible Collapse of Civilisation: "Modern warfare is an insanity, not a sane business proposition."
The Writing of Essays: "The art of the essayist ... may be learnt in a brief ten minutes or so."

Walt Whitman (1819-1892)

American poet and journalist Walt Whitman's verse collection "Leaves of Grass" is an American literature landmark. Ralph Waldo Emerson praised the collection as "the most extraordinary piece of wit and wisdom" America had yet contributed.

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Street Yarn: "Come and walk in New York streets."

Virginia Woolf (1882-1941)

British author Virginia Woolf may be best known for her modernist classics "Mrs. Dalloway" and "To the Lighthouse." But she also produced feminist texts such as "A Room of One's Own" and "Three Guineas" and wrote pioneering essays on the politics of power, artistic theory and literary history.

The Decay of Essay Writing : "Under the decent veil of print one can indulge one's egoism to the full."
The Modern Essay : "The essay must lap us about and draw its curtain across the world."
The Patron and the Crocus : "Be sure you choose your patron wisely."
Street Haunting: A London Adventure : "Into each of these lives one could penetrate a little way."
Writing for My Eye Only: "I can trace some increase of ease in my professional writing which I attribute to my casual half hours after tea."
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The New York Times

Books | the 50 best memoirs of the past 50 years, the 50 best memoirs of the past 50 years.

By THE NEW YORK TIMES JUNE 26, 2019

The New York Times’s book critics select the most outstanding memoirs published since 1969.

Click the star icon to create and share your own list of favorites or books to read.

Fierce Attachments

Vivian gornick, farrar, straus & giroux, 1987.

“I remember only the women,” Vivian Gornick writes near the start of her memoir of growing up in the Bronx tenements in the 1940s, surrounded by the blunt, brawling, yearning women of the neighborhood, chief among them her indomitable mother. “I absorbed them as I would chloroform on a cloth laid against my face. It has taken me 30 years to understand how much of them I understood.”

When Gornick’s father died suddenly, she looked in the coffin for so long that she had to be pulled away. That fearlessness suffuses this book; she stares unflinchingly at all that is hidden, difficult, strange, unresolvable in herself and others — at loneliness, sexual malice and the devouring, claustral closeness of mothers and daughters. The book is propelled by Gornick’s attempts to extricate herself from the stifling sorrow of her home — first through sex and marriage, but later, and more reliably, through the life of the mind, the “glamorous company” of ideas. It’s a portrait of the artist as she finds a language — original, allergic to euphemism and therapeutic banalities — worthy of the women that raised her. — Parul Sehgal

I love this book — even during those moments when I want to scream at Gornick, which are the times when she becomes the hypercritical, constantly disappointed woman that her mother, through her words and example, taught the author to be. There’s a clarity to this memoir that’s so brilliant it's unsettling; Gornick finds a measure of freedom in her writing and her feminist activism, but even then, she and her mother can never let each other go. — Jennifer Szalai

Gornick’s language is so fresh and so blunt; it’s a quintessentially American voice, and a beautiful one. The confidence of her tone in “Fierce Attachments” reminds me of the Saul Bellow who wrote, in the opening lines of “The Adventures of Augie March,” “I have taught myself, free-style, and will make the record in my own way.” — Dwight Garner

Buy this book

The Woman Warrior

Maxine hong kingston, alfred a. knopf, 1976.

This book is more than four decades old, but I can’t think of another memoir quite like it that has been published since. True stories, ghost stories, “talk stories” — Maxine Hong Kingston whirs them all together to produce something wild and astonishing that still asserts itself with a ruthless precision.

The American-born daughter of Chinese immigrants, Kingston navigates a bewildering journey between worlds, each one stifling yet perforated by inconsistencies. There’s the Chinese village of Kingston’s ancestors, where girls learn the song of the warrior woman while being told they are destined to become a wife and a slave. There’s the postwar California of her childhood, where she has to unlearn the “strong and bossy” voices of the Chinese women in her family in favor of an “American-feminine” whisper. There’s Mao’s revolution, which is supposed to upend the old feudal system that kept her female ancestors trapped in servitude (if they weren’t victims of infanticides as unwanted baby girls) but also imposes its own deadly cruelty, preventing her parents from returning home.

The narrative undulates, shifting between ghost world, real world and family lore. It can be deadpan and funny, too. The young Kingston resolves to become a lumberjack and a newspaper reporter. Both worthy ambitions, but I’m thankful she wrote this indelible memoir instead. — Jennifer Szalai

Alison Bechdel

Houghton mifflin harcourt, 2006.

Alison Bechdel’s beloved graphic novel is an elaborately layered account of life and artifice, family silence and revelation, springing from her father’s suicide. He was a distant man who devoted himself to the refurbishment of his sprawling Victorian home — and to a hidden erotic life involving young men. The title comes from the abbreviation of the family business — a funeral home — but it also refers to the dual funhouse portrait of father and daughter, of the author’s own queerness.

It’s a sexual and intellectual coming-of-age story that swims along literary lines, honoring the books that nourished Bechdel and her parents and seemed to speak for them: Kate Millet, Proust, Oscar Wilde, theory, poetry and literature. “Fun Home” joins that lineage, an original, mournful, intricate work of art. — Parul Sehgal

The Liars’ Club

Viking, 1995.

This incendiary memoir, about the author’s childhood in the 1960s in a small industrial town in Southeast Texas, was published in 1995 and helped start the modern memoir boom. The book deserves its reputation. You can almost say about Mary Karr’s agile prose what she says about herself at the age of 7: “I was small-boned and skinny, but more than able to make up for that with sheer meanness.”

As a girl, Karr was a serious settler of scores, willing to bite anyone who had wronged her or to climb a tree with a BB gun to take aim at an entire family. Her mother, who “fancied herself a kind of bohemian Scarlett O’Hara,” had a wild streak. She was married seven times, and was subject to psychotic episodes. Her father was an oil refinery worker, a brawling yet taciturn man who came most fully alive when telling tall stories, often in the back room of a bait shop, with a group of men called “The Liars’ Club.”

This is one of the best books ever written about growing up in America. Karr evokes the contours of her preadolescent mind — the fears, fights and petty jealousies — with extraordinary and often comic vividness. This memoir, packed with eccentrics, is beautifully eccentric in its own right. — Dwight Garner

For generations my ancestors had been strapping skillets onto their oxen and walking west. It turned out to be impossible for me to “run away” in the sense other American teenagers did. Any movement at all was taken for progress in my family.

—Mary Karr, “The Liar’s Club”

Christopher Hitchens

Twelve, 2010.

This high-spirited memoir traces the life and times of this inimitable public intellectual, who is much missed, from his childhood in Portsmouth, England, where his father was a navy man, through boarding school, his studies at Oxford and his subsequent career as a writer both in England and the United States.

Christopher Hitchens was a man of the left but unpredictable (and sometimes inscrutable) politically. “Hitch-22” demonstrates how seriously he took the things that really matter: social justice, learning, direct language, the free play of the mind, loyalty and holding public figures to high standards.

This is a vibrant book about friendships, and it will make you want to take your own more seriously. Hitchens recounts moments with friends that include Martin Amis, Salman Rushdie and the poet James Fenton. There is a lot of wit here, and bawdy wordplay, and accounts of long nights spent drinking and smoking. Hitchens decided to become a student of history and politics, he writes, after the Cuban missile crisis. “If politics could force its way into my life in such a vicious and chilling manner, I felt, then I had better find out a bit more about it.” He was a force to contend with from the time he was in short pants. “I was probably insufferable,” he concedes. — Dwight Garner

Read the critics discuss the process of putting together the list.

Men We Reaped

Jesmyn ward, bloomsbury, 2013.

“Men’s bodies litter my family history,” the novelist Jesmyn Ward writes in this torrential, sorrowing tribute to five young black men she knew, including her brother, who died in the span of four years, lost to suicide, drugs or accidents. These men were devoured by her hometown, DeLisle, Miss. — called Wolf Town by its first settlers — “pinioned beneath poverty and history and racism.”

Ward tells their stories with tenderness and reverence; they live again in these pages. Their fates twine with her own — her dislocation and anguish, and later, the complicated story of her own survival, and isolation, as she is recruited to elite all-white schools. She is a writer who has metabolized the Greeks and Faulkner — their themes course through her work — and the stories of the deaths of these men join larger national narratives about rural poverty and racism. But Ward never allows her subjects to become symbolic. This work of great grief and beauty renders them individual and irreplaceable. — Parul Sehgal

Random House, 1995

It’s Vidal, so you know the gossip will be abundant, and top shelf. Scores will be settled (with Anaïs Nin, Charlton Heston, Jacqueline Kennedy Onassis, his mother), conquests enumerated (Jack Kerouac), choice quips dispensed. “At least I have a style,” Truman Capote once sniped at him. “Of course you do,” Vidal responded soothingly. “You stole it from Carson McCullers.”

It was a rangy life — one that took him into the military, politics, Hollywood, Broadway — and he depicts it with the silky urbanity you expect. What comes as a shock is the book’s directness and deep feeling — its innocence.

It’s a love story, at the end of the day. Vidal had a lifelong companion but remained passionately compelled by a beautiful classmate, his first paramour, Jimmie, who died at 19, shot and bayoneted while sleeping in a foxhole on Iwo Jima. He is the phantom that has haunted Vidal’s long, eventful life. “Palimpsest” is a book full of revelations.

“By choice and luck, my life has been spent reading other people’s books and making sentences for my own,” Vidal writes. Our great luck, too. — Parul Sehgal

Giving Up the Ghost

Hilary mantel, a john macrae book/henry holt & company, 2003.

As a poor Catholic girl growing up in the north of England, Hilary Mantel was an exuberant child of improbable ambition, deciding early on that she was destined to become a knight errant and would change into a boy when she turned 4.

Her mesmerizing memoir reads like an attempt to recover the girl she once was, before others began to dictate her story for her. At the age of 7, looking about the garden, she saw an apparition, perhaps the Devil. She thought it was her fault, for allowing her greedy gaze to wander. Her stepfather was bullying, judgmental, condescending; anything Mantel did seemed to anger him. As a young woman, she started to get headaches, vision problems, pains that coursed through her body, bleeding that no longer confined itself to that time of the month. The doctors told her she was insane.

The ghost she is giving up in the title isn’t her life but that of the child she might have had but never will. Years of misdiagnoses culminated in the removal of her reproductive organs, barnacled by scar tissue caused by endometriosis. Her body changed from very thin to very fat. Mantel, perhaps best known for her novels “Wolf Hall” and “Bring Up the Bodies,” writes about all of this with a fine ear and a furious intelligence, as she resurrects phantoms who “shiver between the lines.” — Jennifer Szalai

I used to think that autobiography was a form of weakness, and perhaps I still do. But I also think that, if you’re weak, it’s childish to pretend to be strong.

—Hilary Mantel, “Giving Up the Ghost”

A Childhood

Harry crews, harper & row, 1978.

This taut, powerful and deeply original memoir covers just the first six years of this gifted novelist’s life, but it is a nearly Dickensian anthology of physical and mental intensities.

Harry Crews grew up in southern Georgia, not far from the Okefenokee Swamp. His father, a tenant farmer, died of a heart attack before Crews was 2. His stepfather was a violent drunk. When Crews was 5, he fell into a boiler of water that was being used to scald pigs. His own skin came off, he writes, “like a wet glove.” When he recovered from this long and painful ordeal, he contracted polio so severely that his heels drew back tightly until they touched the backs of his thighs. He was told, incorrectly, that he would never walk again. “The world that circumscribed the people I come from,” he writes, “had so little margin for error, for bad luck, that when something went wrong, it almost always brought something else down with it.”

Crews sought solace in the Sears, Roebuck catalog, the only book in his house besides the Bible. He began his career as a writer by making up stories about the people he saw there. These humans didn’t have scars and blemishes like everyone he knew. “On their faces were looks of happiness, even joy, looks that I never saw much of in the faces of the people around me.” — Dwight Garner

Dreams From My Father

Barack obama, times books/random house, 1995.

Barack Obama’s first book was published a year before he was elected to the Illinois senate and long before his eight years in the White House under the unrelenting gaze of the public eye. “Dreams From My Father” is a moving and frank work of self-excavation — mercifully free of the kind of virtue-signaling and cheerful moralizing that makes so many politicians’ memoirs read like notes to a stump speech.

Obama recounts an upbringing that set him apart, with a tangle of roots that didn’t give him an obvious map to who he was. His father was from Kenya; his mother from Kansas. Obama himself was born in Hawaii, lived in Indonesia for a time, and was largely raised by his mother and maternal grandparents, after his father left for Harvard when Obama was 2.

“I learned to slip back and forth between my black and white worlds,” he writes, “understanding that each possessed its own language and customs and structures of meaning, convinced that with a bit of translation on my part the two worlds would eventually cohere.” To see what held his worlds together was also to learn what kept them apart. This is a book about the uses of disenchantment; the revelations are all the more astonishing for being modest and hard-won. — Jennifer Szalai

Philip Roth

Simon & schuster, 1991.

Philip Roth’s book is a Kaddish to his father, Herman Roth, who developed a benign brain tumor at 86. Surgery was not an option, and Herman became immured in his body, which “had become a terrifying escape-proof enclosure, the holding pen in a slaughterhouse.”

“Patrimony,” which won the National Book Critics Circle Award, is written plainly, without any flourishes — just the unbearable facts of a father’s decline, the body weakening, the vigorous mind dimming. It’s the rough stuff of devotion. Roth adopts care of his increasingly difficult father and witnesses his rapid decline, admonishing himself: “You must not forget anything.”

“He was always teaching me something,” Roth recalls of his father. He never stopped. In this book, Roth offers a moving tribute to the man but also a portrait almost breathtaking in its honesty and lack of sentimentalism, so truthful and exact that it is as much a portrait of living as dying, son as father. “He could be a pitiless realist,” Roth writes of Herman, proudly. “But I wasn’t his offspring for nothing.” — Parul Sehgal

I had seen my father’s brain, and everything and nothing was revealed. A mystery scarcely short of divine, the brain, even in the case of a retired insurance man with an eighth-grade education from Newark’s Thirteenth Avenue School.

—Philip Roth, “Patrimony”

All God’s Dangers: The Life of Nate Shaw

Theodore rosengarten, alfred a. knopf, 1974.

This indelible book, an oral history from an illiterate black Alabama sharecropper, won the National Book Award in 1975, beating a lineup of instant classics that included “The Power Broker,” Robert Caro’s biography of Robert Moses; Bob Woodward and Carl Bernstein’s “All the President’s Men”; Studs Terkel’s “Working”; and Robert M. Pirsig’s “Zen and the Art of Motorcycle Maintenance.” Unlike these other books, “All God’s Dangers” has largely been forgotten. It’s time for that to change.

This book’s author, Theodore Rosengarten, was a Harvard graduate student who went to Alabama in 1968 while researching a defunct labor organization. Someone suggested he speak with Shaw, whose real name was Ned Cobb. What emerged from Cobb’s mouth was dense and tangled social history, a narrative that essentially takes us from slavery to Selma from the point of view of an unprosperous but eloquent and unbroken black man.

Reading it, you will learn more about wheat, guano, farm implements, bugs, cattle killing and mule handling than you would think possible. This is also a dense catalog of the ways that whites tricked and mistreated blacks in the first half of the 20th century. “Years ago I heard that Abraham Lincoln freed the colored people,” Cobb says, “but it didn’t amount to a hill of beans.” About his white neighbors, he declares, “Any way they could deprive a Negro was a celebration to ’em.” This book is not always easy reading, but it is the real deal, an essential American document. — Dwight Garner

Lives Other Than My Own

Emmanuel carrère. translated from the french by linda coverdale., metropolitan books/henry holt & company, 2011.

You begin this memoir thinking it will be about one thing, and it turns into something else altogether — a book at once more ordinary and more extraordinary than any first impressions might allow.

Emmanuel Carrère starts with the 2004 tsunami in Sri Lanka — he was there, vacationing with his girlfriend. But that’s just the first 50 pages. Then he turns to the story of his girlfriend’s sister, a small-town judge who’s dying of cancer, and her friendship with another judge, who also has cancer. Carrère’s girlfriend chides him for thinking that such unpromising material offers him some sort of golden storytelling opportunity: “They don’t even sleep together — and at the end, she dies,” she says to him. “Have I got that straight? That’s your story?”

She does have it straight, but there’s so much more to it. Carrère weaves in his own experiences, coming up against his own limitations, his own prejudices, his own understanding of what defines a meaningful life. His sentences are clean, never showy; he writes about himself through others in a way that feels both necessarily generous and candidly — which is to say appropriately — narcissistic.

Whenever I try to describe this memoir — and I do that often, since it’s a book I don’t just recommend but implore people to read — I feel like I’m trying to parse a magic trick. — Jennifer Szalai

A Tale of Love and Darkness

Amos oz. translated from the hebrew by nicholas de lange., harcourt, 2004.

This memoir was born from a long silence, written 50 years after Amos Oz’s mother killed herself with sleeping pills, when he was 12, three months before his bar mitzvah. The resulting book is both brutal and generous, filled with meandering reflections on a life’s journey in politics and literature.

The only child of European Jews who settled in the Promised Land, Oz grew up alongside the new state of Israel, initially enamored of a fierce nationalism before becoming furiously (and in one memorable scene, rather hilariously) disillusioned. As a lonely boy, Oz felt unseen by his awkward father and confounded by his brilliant and deeply unhappy mother. She taught him that people were a constant source of betrayal and disappointment. Books, though, would never let him down. Hearing about what happened to those Jews who stayed in Europe, the young Oz wanted to become a book, because no matter how many books were destroyed there was a decent chance that one copy could survive.

Oz says he essentially killed his father by moving to a kibbutz at 15 and changing his name. But his father lives on in this memoir, along with Oz’s mother — not just in his recollections of her, but in the very existence of this book. She was the one who captivated him with stories that “amazed you, sent shivers up your spine, then disappeared back into the darkness before you had time to see what was in front of your eyes.” — Jennifer Szalai

This Boy’s Life

Tobias wolff, the atlantic monthly press, 1989.

“Our car boiled over again just after my mother and I crossed the Continental Divide.” So begins Tobias Wolff’s powerful and impeccably written memoir of his childhood in the 1950s, a classic of the genre that has lost none of its power.

Divorced mother and son had hit the road together, fleeing a bad man, trying to change their luck and maybe get rich as uranium prospectors. The author’s wealthy and estranged father was absent. Soon his mother linked up with a man named Dwight (never trust a man named Dwight) who beat young Wolff, stole his paper route money and forced him to shuck horse chestnuts after school for hours, until his hands were “crazed with cuts and scratches” from their sharply spined husks. Wolff became wild in high school, a delinquent and a petty thief, before escaping to a prep school in Pennsylvania. His prose lights up the experience of growing up in America during this era. He describes going to confession and trying to articulate an individual sin this way: “It was like fishing a swamp, where you feel the tug of something that at first seems promising and then resistant and finally hopeless as you realize that you’ve snagged the bottom, that you have the whole planet on the other end of your line.” — Dwight Garner

A Life’s Work

Rachel cusk, picador, 2002.

Rachel Cusk writes about new motherhood with an honesty and clarity that makes this memoir feel almost illicit. Sleepless nights, yes; colic, yes; but also a raw, frantic love for her firstborn daughter that she depicts and dissects with both rigor and amazement.

As many readers as there are who love “A Life’s Work” as much as I do, I know others who have been put off by its steely register, finding it too denuded, shorn of warmth and giddiness — those very things that help make motherhood such an enormous experience, and not just a grueling one. But whenever I read Cusk’s book, I am irrevocably pulled along in its thrall, constantly startled by her observations — milk running “in untasted rivulets” down her baby’s “affronted cheek”; pregnancy literature that “bristles with threats and the promise of reprisal” — and her willingness to see her experience cold.

Or, at least, to try to, because what becomes clear is that it’s impossible for Cusk to hold on to her old self. The childless writer who could compartmentalize with ease and take boundaries for granted has to learn an entirely new way of being. Embedded in Cusk’s chiseled sentences are her attempts to engage with a roiling vulnerability. None of the chipper, treacly stuff here; motherhood deserves more respect than that. — Jennifer Szalai

J.M. Coetzee

Viking, 1997.

The Nobel Prize-winning J.M. Coetzee is one of those novelists who rarely give interviews, and when he does, he’s like the Robert Mueller of the literary world — reticent, discreet and quietly insistent that his books should speak for themselves.

Coetzee, in other words, is taciturn in the extreme. Yet he has also written three revealing volumes about his life — “Boyhood,” “Youth” and “Summertime.” The first, “Boyhood,” is most explicitly and conventionally a memoir, covering his years growing up in a provincial village outside of Cape Town. The child of Afrikaner parents who had pretensions to English gentility, he was buttoned-up and sensitive, desperate to fit into the “normal” world around him but also confounded and repulsed by it. He noticed how his indolent relatives clung to their privileged position in South Africa’s brutal racial hierarchy through cruelty and a raw assertion of power. Out in the world, he lived in constant fear of violence and humiliation; at home he was cosseted by his mother and presided like a king.

The memoir is told in the third-person present tense, which lends it a peculiar immediacy. Coetzee is free to observe the boy he once was without the interpretive intrusions that come with age; he can remain true to what he felt then, rather than what he knows now. His recollections are stark and painfully intimate: “He feels like a crab pulled out of its shell, pink and wounded and obscene.” — Jennifer Szalai

Harcourt Brace Jovanovich, 1974

“The book is already a period piece,” the legendary travel writer Jan Morris opens her memoir. “It was written in the 1970s, and is decidedly of the 1970s.” It might be of its time but it is also ardent, musical, poetic and full of warm humor — a chronicle of ecstasies. Best remembered as one of the first accounts of gender transition, “Conundrum” is a study of home in all its forms — of finding home in one’s body, of Morris’s native Wales, of all the cities she possesses by dint of loving them so fiercely.

We are carried from her childhood, in the lap of a family militantly opposed to conformity, to her long career as a reporter in England and Egypt. She went everywhere, met everyone: Che Guevara (“sharp as a cat in Cuba”), Guy Burgess (“swollen with drink and self-reproach in Moscow”). It’s an enviably full life, with a long marriage, four children and Morris’s determinedly sunny disposition and ability to regard every second of her life, however difficult — especially if difficult — as a species of grand adventure.

She chafes at the notion of “identity” (“a trendy word I have long distrusted, masking as it often does befuddled ideas and lazy thinking”). It is thrilling to watch her arrive at an understanding of a sense of self and language that is her own, bespoke. “To me gender is not physical at all, but is altogether insubstantial,” she writes. “It was a melody that I heard within myself.” — Parul Sehgal

I did not query my condition, or seek reasons for it. I knew very well that it was an irrational conviction — I was in no way psychotic, and perhaps not much more neurotic than most of us; but there it was, I knew it to be true, and if it was impossible then the definition of possibility was inadequate.

—Jan Morris, “Conundrum”

Sonali Deraniyagala

Alfred a. knopf, 2013.

Sonali Deraniyagala was searching the internet for ways to kill herself when one click led to another and she was staring at a news article featuring pictures of her two young sons. The boys had died not long before — victims of the 2004 tsunami in Sri Lanka, which also killed Deraniyagala’s husband and her parents. She herself survived by clinging to a branch.

“Wave” is a meticulous account of derangement — of being so undone by grief that life becomes not just impossible but terrifying. She recalls stabbing herself with a butter knife. She couldn’t look at a flower or a blade of grass without feeling a sickening sense of panic. Reading this book is like staring into the abyss, only instead of staring back it might just swallow you whole.

This, believe it or not, is why you should read it — for Deraniyagala’s unflinching account of the horror that took away her family, and for her willingness to lay bare how it made her not only more vulnerable but also, at times, more cruel. Her return to life was gradual, tentative and difficult; she learned the only way out of her unbearable anguish was to remember what had happened and to keep it close. — Jennifer Szalai

Always Unreliable: Unreliable Memoirs, Falling Towards England and May Week Was in June

Clive james, picador, 2004.

The Australian-born critic, poet, memoirist, novelist, travel writer and translator Clive James isn’t as well known in America as he is in England, where he’s lived most of his adult life. Over there, cabdrivers know who James is: the ebullient man who hosted many comic and erudite television programs over the years. We have no one quite like him over here: Think Johnny Carson combined with Edmund Wilson.

James is the author of five memoirs, to which many readers have a cultlike devotion. The first three — “Unreliable Memoirs,” “Falling Towards England” and “May Week Was in June” — have been collected into one volume, “Always Unreliable,” and they are especially incisive and comic. In a preface to the first book, James dealt a truth few memoirists will admit: “Most first novels are disguised autobiographies. This autobiography is a disguised novel.” He’s an admitted exaggerator, but nonetheless he’s led a big life.

He was born in 1939 and grew up with an absent father, a Japanese prisoner of war. Released, his father died in a plane crash on his way home when James was 5. The author fully relives his adolescent agonies (“you can die of envy for cratered faces weeping with yellow pus”) and his rowdy troublemaking years. Later volumes take him to London and then to Cambridge University, where he edits Granta, the literary magazine, dabbles in theater (“It was my first, cruel exposure to the awkward fact that the arts attract the insane”) and gets married. He is never less than good company. — Dwight Garner

Travels With Lizbeth

Lars eighner, st. martin’s press, 1993.

Lars Eighner’s memoir contains the finest first-person writing we have about the experience of being homeless in America. Yet it’s not a dirge or a Bukowski-like scratching of the groin but an offbeat and plaintive hymn to life. It’s the sort of book that releases the emergency brake on your soul. Eighner spent three years on the streets (mostly in Austin, Tex.) and on the road in the late 1980s and early 1990s, after suffering from migraines and losing a series of jobs. The book he wrote is a literate and exceedingly humane document.

On the streets, he clung to a kind of dignity. He refused to beg or steal. He didn’t care for drugs; he barely drank. “Being suddenly intoxicated in a public place in the early afternoon,” he writes, “is not my idea of a good time.” He foraged for books and magazines as much as food, but an especially fine portion of this book is his writing about dumpster-diving. There’s the jarring impression that every grain of rice is a maggot. About botulism, he writes: “Often the first symptom is death.” There is something strangely Emersonian, capable and self-reliant, in his scavenging. “I live from the refuse of others,” he declares. “I think it a sound and honorable niche.” — Dwight Garner

Day after day I could aspire, within reason, to nothing more than survival. Although the planets wandered among the stars and the moon waxed and waned, the identical naked barrenness of existence was exposed to me, day in and day out.

—Lars Eighner, “Travels With Lizbeth”

Little, Brown & Company, 2015

The photographer Sally Mann’s memoir is weird, intense and uncommonly beautiful. She has real literary gifts, and she’s led a big Southern-bohemian life, rich with incident. Or maybe it only seems rich with incident because of an old maxim that still holds: Stories happen only to people who can tell them.

Like Mary Karr, Mann as a child was a scrappy, troublemaking tomboy, one who grew into a scrappy, troublemaking, impossible-to-ignore young woman and artist. She was raised in Virginia by sophisticated, lettered parents. When she grew too wild, they sent her away to a prep school in Vermont where, she writes, “I smoked, I drank, I skipped classes, I snuck out, I took drugs, I stole quarts of ice cream for my dorm by breaking into the kitchen storerooms, I made out with my boyfriends in the library basement, I hitchhiked into town and down I-91, and when caught, I weaseled out of all of it.”

This memoir recounts some of the Southern gothic elements of her parents’ lives. This book is heavily illustrated, and traces her growth as an artist. It recounts friendships with Southern artists and writers such as Cy Twombly and Reynolds Price. Her anecdotes have snap. About his advanced old age, in a line that is hard to forget, Twombly tells the author that he is “closing down the bodega for real.” But this story is entirely her own. — Dwight Garner

Country Girl

Edna o’brien, little, brown and company, 2013.

The enormously gifted Irish writer Edna O’Brien was near the red-hot center of the Swinging ’60s in London. She dropped acid with her psychiatrist, R.D. Laing. Among those who came to her parties were Marianne Faithfull, Sean Connery, Princess Margaret and Jane Fonda. Richard Burton and Marlon Brando tried to get her into bed. Robert Mitchum succeeded after wooing her with this pickup line: “I bet you wish I was Robert Taylor, and I bet you never tasted white peaches.”

O’Brien was born in a village in County Clare, in the west of Ireland, in 1930. This earthy and evocative book also traces her youth and her development as a writer. Her small family was religious. Her father was a farmer who drank and gambled; her mother was a former maid. She has described her village, Tuamgraney, as “enclosed, fervid and bigoted.” O’Brien didn’t attend college. She moved to Dublin, where she worked in a drugstore while studying at the Pharmaceutical College at night. She began to read literature, and she wondered: “Why could life not be lived at that same pitch? Why was it only in books that I could find the utter outlet for my emotions?” This memoir has perfect pitch. — Dwight Garner

Marjane Satrapi. Translated from the French by Mattias Ripa and Blake Ferris.

Pantheon, 2003.

At the age of 6, Marjane Satrapi privately declared herself the last prophet of Islam. At 14, she left Iran for a boarding school in Austria, sent away by parents terrified of their outspoken daughter’s penchant for challenging her teachers (and hypocrisy wherever she sniffed it out). At 31, she published “Persepolis,” in French (it was later translated into English by Mattias Ripa and Blake Ferris), a stunning graphic memoir hailed as a wholly original achievement in the form.

There’s still a startling freshness to the book. It won’t age. In inky shadows and simple, expressive lines — reminiscent of Ludwig Bemelmans’s “Madeline” — Satrapi evokes herself and her schoolmates coming of age in a world of protests and disappearances (and scoring punk rock cassettes on the black market).

The revolution, the rise of fundamentalism, a brutal family history of torture, imprisonment and exile are conveyed from a child’s perspective and achieve a stark, shocking impact. — Parul Sehgal

Margo Jefferson

Pantheon, 2015.

The motto was simple in Margo Jefferson’s childhood home: “Achievement. Invulnerability. Comportment.” Her family was part of Chicago’s black elite. Her father was the head pediatrician at Provident, America’s oldest black hospital; her mother was a socialite. They saw themselves as a “Third Race, poised between the masses of Negroes and all classes of Caucasians.” Life was navigated according to strict standards of behavior and femininity. Jefferson writes of the punishing psychic burden of growing up feeling that she was a representative for her race and, later, of nagging, terrifying suicidal impulses.

Jefferson won a Pulitzer Prize in 1995 for her book reviews in The New York Times. “Negroland” is an extended form of criticism that dances between a history of social class to a close reading of her mother’s expressions; the information calibrated in a brow arched “three to four millimeters.”

The prose is blunt and evasive, sensuous and ascetic, doubting and resolute — and above all beautifully skeptical of the genre, of the memoir’s conventions, clichés and limits. “How do you adapt your singular, willful self to so much history and myth? So much glory, banality, honor and betrayal?” she asks. This shape-shifting, form-shattering book carves one path forward. — Parul Sehgal

25 More Great Memoirs

Presented in Alphabetical Order by Author

Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys.

Viv albertine, thomas dunne books/st. martin’s press, 2014.

Viv Albertine participated in the birth of punk in the mid-1970s. She was in a band with Sid Vicious before he joined the Sex Pistols. She dated Mick Jones while he was putting together his new band, the Clash. She could barely play guitar, yet she became the lead guitarist for the Slits. Her memoir is wiry and fearless. It contains story after story about men who told her she couldn’t do things that she did anyway. Her life up to the breakup of the Slits occupies only half of the book. There’s a lot of pain in the second section: loneliness, doubt, a bad marriage, cancer, depression. Throughout, this account has an honest, lo-fi grace.

Martin Amis

Talk miramax books/hyperion, 2000.

In this memoir, the acclaimed author of “London Fields,” “Money” and other novels decided, he writes, “to speak, for once, without artifice.” The entertaining, loosely structured result is movingly earnest and wickedly funny. It includes a portrait, both cleareyed and affectionate, of the author’s father, the comic novelist and poet Kingsley Amis. In addition, “Experience” offers more vivid and harrowing writing about dental problems than you might have thought one person capable of producing.

Slow Days, Fast Company

Alfred a. knopf, 1977.

The Los Angeles-born glamour girl, bohemian, artist, muse, sensualist, wit and pioneering foodie Eve Babitz writes prose that reads like Nora Ephron by way of Joan Didion, albeit with more lust and drugs and tequila. “Slow Days, Fast Company” and “Eve’s Hollywood,” the book that preceded it, are officially billed as fiction, but they are mostly undisguised dispatches from her own experiences in 1970s California. Reading her is like being out on the warm open road at sundown, with what she called “4/60 air-conditioning” — that is, going 60 miles per hour with all four windows down. You can feel the wind in your hair.

Russell Baker

Congdon & weed, 1982.

Russell Baker’s warm and disarmingly funny account of his life growing up in Depression-era America has garnered comparisons to the work of Mark Twain. The book quickly became a beloved best seller when it was published, and went on to win the Pulitzer Prize for biography. Baker was born into poverty in Virginia in 1925. He was 5 years old when his father, then 33, fell into a diabetic coma and died. The author’s strong, affectionate mother is a major presence in the book. Baker, a longtime humorist and columnist for The New York Times, died in January at 93.

Kafka Was the Rage

Anatole broyard, carol southern books/crown publishers, 1993.

Anatole Broyard, a longtime book critic and essayist for The New York Times, died in 1990 of prostate cancer. What he had finished of this memoir before his death mostly concerned his time living in the West Village after World War II. “A war is like an illness,” he writes, “and when it’s over you think you’ve never felt so well.” He writes about the vogue for psychoanalysis, his experience opening a used-book store and, primarily, his formative relationship with the artist Sheri Martinelli (her pseudonym in the book is Sheri Donatti). The book was truncated, but the writing in it is brilliant and often epigrammatic: “I just want love to live up to its publicity.”

Between the World and Me

Ta-nehisi coates, spiegel & grau, 2015.

Ta-Nehisi Coates’s book, in the form of a letter to his son, is a scalding examination of his own experience as a black man in America, and of how much of American history has been systemically built on exploiting and committing violence against black bodies. Inspired by a section of James Baldwin’s “The Fire Next Time” that was addressed to the author’s nephew, Coates’s book is a powerful testimony that will continue to have a profound impact on discussions about race in America.

The Year of Magical Thinking

Joan didion, alfred a. knopf, 2005.

Joan Didion, so long an exemplar of cool, of brilliant aloofness, showed us her unraveling in this memoir about the sudden death of her husband of 40 years, the writer John Gregory Dunne, and the frightening illness of her daughter, Quintana. It’s a troubled, meditative book, in which Didion writes of what it feels like to have “cut loose any fixed idea I had ever had about death, about illness, about probability and luck, about good fortune and bad.”

Barbarian Days

William finnegan, penguin press, 2015.

This account of a lifelong surfing obsession won the Pulitzer Prize in biography. William Finnegan, a longtime staff writer for The New Yorker, recalls his childhood in California and Hawaii, his many surfing buddies through the years and his taste for a kind of danger that approaches the sublime. In his 20s, he traveled through Asia and Africa and the South Pacific in search of waves, living in tents and cars and cheap apartments. One takes away from “Barbarian Days” a sense of a big, wind-chapped, well-lived life.

Personal History

Katharine graham, alfred a. knopf, 1997.

Katharine Graham’s brilliant but remote father, Eugene Meyer, capped his successful career as a financier and public servant by buying the struggling Washington Post in 1933 and nursing it to health. Graham took command of the paper in 1963, and steered it through the Watergate scandal and the end of Richard Nixon’s presidency, among other dramas. Her autobiography covers her life from childhood to her command of a towering journalistic institution in a deeply male-dominated industry. Her tone throughout is frank, self-critical, modest and justifiably proud.

Thinking in Pictures

Temple grandin, doubleday, 1995.

Memoirs are valued, in part, for their ability to open windows onto experiences other than our own, and few do that as dramatically as Temple Grandin’s “Thinking in Pictures.” Grandin, a professor of animal science who is autistic, describes the “library” of visual images in her memory, which she is constantly updating. (“It’s like getting a new version of software for the computer.”) As Oliver Sacks wrote in an introduction to the book, “Grandin’s voice came from a place which had never had a voice, never been granted real existence, before.”

Autobiography of a Face

Lucy grealy, houghton mifflin, 1994.

When she was 9 years old, Lucy Grealy was stricken with a rare, virulent form of bone cancer called Ewing’s sarcoma. She had radical surgery to remove half of her jaw, and years of radiation and chemotherapy, and recovered. She then endured a sense of disfigurement and isolation from other children. She became an accomplished poet and essayist before dying at 39 in 2002. Although entitled to self-pity, Grealy was not given to it. This memoir is a moving meditation on ugliness and beauty. Grealy’s life is the subject of another powerful memoir, Ann Patchett’s “Truth & Beauty,” which recounts the friendship between the two writers.

Dancing With Cuba

Alma guillermoprieto. translated from the spanish by esther allen., pantheon, 2004.

Alma Guillermoprieto was a 20-year-old dance student in 1969, when Merce Cunningham offered to recommend her for a teaching job at the National Schools of the Arts in Havana. This memoir is her account of the six months she spent there, a frustrating and fascinating time that opened her eyes to the world beyond dance. Eventually, political turmoil, piled on top of loneliness, youthful angst and assorted romantic troubles, led the author to the edge of a nervous breakdown. This remembrance is a pleasure to read, full of humanity, sly humor, curiosity and knowledge.

Minor Characters

Joyce johnson, houghton mifflin, 1983.

Joyce Johnson was 21 and not long out of Barnard College when, in the winter of 1957, Allen Ginsberg set her up on a blind date with Jack Kerouac, who was 34 and still largely unknown. Thus began an off-and-on relationship that lasted nearly two years, during which time “On the Road” was published, leading to life-altering fame — not only for Kerouac but many of his closest friends. Johnson’s book about this time is a riveting portrait of an era, and a glowing introduction to the Beats. It’s a book about a so-called minor character who, in the process of writing her life, became a major one.

The Memory Chalet

Penguin press, 2010.

The historian Tony Judt, who was known for his incisive analysis of current events and his synthesizing of European history in books like “Postwar,” wrote this book of autobiographical fragments after he was stricken with amyotrophic lateral sclerosis and had become “effectively quadriplegic.” He would think back over his life in the middle of the night, shape those memories into stories and dictate them to an assistant the next day. “The Memory Chalet,” the resulting unlikely artifact, ranges over Judt’s boyhood in England; the lives of his lower-middle-class Jewish parents; life as a student and fellow at King’s College, Cambridge, in the 1960s and early ’70s; and his life in New York City, where he eventually settled and taught.

Kiese Laymon

Scribner, 2018.

The most recently published entry on this list of 50 books, Kiese Laymon’s “Heavy” details the author’s childhood in Mississippi in the 1980s and his relationship with his alternately loving and abusive mother, who raised him on her own. It’s full of sharp, heart-rending thoughts about growing up black in the United States, and his fraught relationship with his body — Laymon’s weight has severely fluctuated over the years, a subject he plumbs with great sensitivity. This is a gorgeous, gutting book that’s fueled by candor yet freighted with ambivalence. It’s full of devotion and betrayal, euphoria and anguish.

Priestdaddy

Patricia lockwood, riverhead books, 2017.

Patricia Lockwood, an acclaimed poet, weaves in this memoir the story of her family — including her Roman Catholic priest father, who received a special dispensation from the Vatican — with the crisis that led her and her husband to live temporarily under her parents’ rectory roof. The book, consistently alive with feeling, is written with elastic style. And in Lockwood’s father, Greg, it has one of the great characters in nonfiction: He listens to Rush Limbaugh while watching Bill O’Reilly, consumes Arby’s Beef ’n Cheddar sandwiches the way other humans consume cashews and strides around in his underwear. Hilarious descriptions — of, to take one example, Greg’s guitar playing — alternate with profound examinations of family, art and faith.

H Is for Hawk

Helen macdonald, grove press, 2015.

When we meet Helen Macdonald in this beautiful and nearly feral book, she’s in her 30s, with “no partner, no children, no home.” When her father dies suddenly on a London street, it steals the floor from beneath her. Obsessed with birds of prey since she was a girl, Macdonald was already an experienced falconer. In her grief, seeking escape into something, she began to train one of nature’s most vicious predators, a goshawk. She unplugged her telephone. She told her friends to leave her alone. Nearly every paragraph she writes about the experience is strange in the best way, and injected with unexpected meaning.

The Color of Water

James mcbride, riverhead books, 1996.

This complex and moving story, which enjoyed a long run on best-seller lists, is about James McBride’s relationship with his mother, Ruth, the daughter of a failed itinerant Orthodox Jewish rabbi. She fervently adopted Christianity and founded a black Baptist church in the Red Hook section of Brooklyn with McBride’s father. The book is suffused with issues of race, religion and identity, and simultaneously transcends those issues to be a story of family love and the sheer force of a mother’s will.

Angela’s Ashes

Frank mccourt, scribner, 1996.

“When I look back on my childhood I wonder how I survived at all,” Frank McCourt writes near the beginning of his Pulitzer Prize-winning memoir. His parents had immigrated to New York, where McCourt was born, but soon moved back to Ireland, where they hoped relatives could help them with their four children. Having returned, they experienced crushing poverty. The book did perhaps more than any other to cement the 1990s boom in memoir writing — and reading. It features a Dickensian gallery of schoolmasters, shopkeepers and priests, in addition to McCourt’s unforgettable family.

Cockroaches

Scholastique mukasonga. translated from the french by jordan stump., archipelago books, 2016.

Thirty-seven of Scholastique Mukasonga’s family members were massacred in the Rwandan genocide in the spring of 1994, when the Hutu majority turned on their Tutsi neighbors, killing more than 800,000 people in 100 days. “Cockroaches” is Mukasonga’s devastating account of her childhood and what she was able to learn about the slaughter of her family. (“Cockroach” was the Hutu epithet of choice for the Tutsis.) It is a compendium of unspeakable crimes and horrifically inventive sadism, delivered in an even, unwavering tone.

Keith Richards

Little, brown & company, 2010.

In “Life,” the Rolling Stones guitarist writes with uncommon candor and immediacy — with the help of the veteran journalist James Fox — about drugs and his run-ins with the police; about the difficulties of getting and staying clean; and about the era when rock ’n’ roll came of age. He spares none of his thoughts, good and bad, about Mick Jagger. He also describes the spongelike love of music that he inherited from his grandfather, and his own sense of musical history — his reverence for the blues and R&B masters he has studied his entire life.

A Life in the Twentieth Century

Arthur schlesinger jr., houghton mifflin company, 2000.

Arthur Schlesinger Jr., a prizewinning historian who served in John F. Kennedy’s White House, here writes about the first 33 years of his life, from his birth in 1917 — the year the United States entered World War I — to 1950 and the beginnings of the Cold War. The son of an acclaimed historian, Schlesinger was born into great privilege. He went on a yearlong trip around the world between graduating from prep school and attending Harvard. This book has incisive things to say about the large themes of world history, including isolationism and interventionism, and about many other subjects besides, including the films of the 1930s.

Edmund White

Ecco/harpercollins publishers, 2006.

“My Lives” is broken into chapters whose headings follow a clever formula: “My Shrinks,” “My Mother,” “My Father,” “My Hustlers” ... But these seemingly narrow-focus, time-hopping slices add up to a robust autobiography. Edmund White’s portraits of his parents and their lives before him are novelistic; his writing about his own sexual experiences is exceedingly candid. Reviewing the book for The Guardian, the novelist Alan Hollinghurst said that “no other writer of White’s eminence has described his sexual life with such purposeful clarity.”

Why Be Happy When You Could Be Normal?

Jeanette winterson, grove press, 2012.

This memoir’s title is the question Jeanette Winterson’s adoptive mother asked after discovering her daughter was a lesbian. Winterson’s mother loomed over her life, as she looms over this book. In a quiet way she is one of the great horror mothers of English-language literature. When she was angry with her daughter, she would say, “The Devil led us to the wrong crib.” This memoir’s narrative includes Winterson’s search for her birth mother and the author’s self-invention, her intellectual development. The device of the trapped young person saved by books is a hoary one, but Winterson makes it seem new, and sulfurous.

Close to the Knives

David wojnarowicz, vintage, 1991.

David Wojnarowicz, who died at 37 in 1992, was a vital part of the East Village art scene of the 1980s that also produced Keith Haring, Jenny Holzer, Jean-Michel Basquiat and others. He was a painter, photographer, performance artist, AIDS activist and more — including writer. This work of hard-living autobiography is written in a flood of run-on sentences, and in a tone of almost hallucinatory incandescence. A typical sentence begins: “I remember when I was 8 years old I would crawl out the window of my apartment seven stories above the ground and hold on to the ledge with 10 scrawny fingers and lower myself out above the sea of cars burning up Eighth Avenue ...”

Share your picks on social media or email them to yourself as a reading list.

Designed and produced by Kevin Zweerink, Erica Ackerberg, and John Williams

Uncategorized

40 famous persuasive speeches you need to hear.

Written by Kai Xin Koh

famous persuasive speeches highspark cover image

Across eras of calamity and peace in our world’s history, a great many leaders, writers, politicians, theorists, scientists, activists and other revolutionaries have unveiled powerful rousing speeches in their bids for change. In reviewing the plethora of orators across tides of social, political and economic change, we found some truly rousing speeches that brought the world to their feet or to a startling, necessary halt. We’ve chosen 40 of the most impactful speeches we managed to find from agents of change all over the world – a diversity of political campaigns, genders, positionalities and periods of history. You’re sure to find at least a few speeches in this list which will capture you with the sheer power of their words and meaning!

1. I have a dream by MLK

“I have a dream that one day down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of interposition and nullification – one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers. I have a dream today. I have a dream that one day every valley shall be exalted, and every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight, and the glory of the Lord shall be revealed and all flesh shall see it together. This is our hope. This is the faith that I go back to the South with. With this faith we will be able to hew out of the mountain of despair a stone of hope. With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. With this faith we will be able to work together, to pray together, to struggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day. This will be the day, this will be the day when all of God’s children will be able to sing with new meaning “My country ’tis of thee, sweet land of liberty, of thee I sing. Land where my father’s died, land of the Pilgrim’s pride, from every mountainside, let freedom ring!”

Unsurprisingly, Martin Luther King’s speech comes up top as the most inspiring speech of all time, especially given the harrowing conditions of African Americans in America at the time. In the post-abolition era when slavery was outlawed constitutionally, African Americans experienced an intense period of backlash from white supremacists who supported slavery where various institutional means were sought to subordinate African American people to positions similar to that of the slavery era. This later came to be known as the times of Jim Crow and segregation, which Martin Luther King powerfully voiced his vision for a day when racial discrimination would be a mere figment, where equality would reign.

2. Tilbury Speech by Queen Elizabeth I

“My loving people, We have been persuaded by some that are careful of our safety, to take heed how we commit our selves to armed multitudes, for fear of treachery; but I assure you I do not desire to live to distrust my faithful and loving people. Let tyrants fear. I have always so behaved myself that, under God, I have placed my chiefest strength and safeguard in the loyal hearts and good-will of my subjects; and therefore I am come amongst you, as you see, at this time, not for my recreation and disport, but being resolved, in the midst and heat of the battle, to live and die amongst you all; to lay down for my God, and for my kingdom, and my people, my honour and my blood, even in the dust. I know I have the body of a weak, feeble woman; but I have the heart and stomach of a king, and of a king of England too, and think foul scorn that Parma or Spain, or any prince of Europe, should dare to invade the borders of my realm; to which rather than any dishonour shall grow by me, I myself will take up arms, I myself will be your general, judge, and rewarder of every one of your virtues in the field. I know already, for your forwardness you have deserved rewards and crowns; and We do assure you on a word of a prince, they shall be duly paid. In the mean time, my lieutenant general shall be in my stead, than whom never prince commanded a more noble or worthy subject; not doubting but by your obedience to my general, by your concord in the camp, and your valour in the field, we shall shortly have a famous victory over these enemies of my God, of my kingdom, and of my people.”

While at war with Spain, Queen Elizabeth I was most renowned for her noble speech rallying the English troops against their comparatively formidable opponent. Using brilliant rhetorical devices like metonymy, meronymy, and other potent metaphors, she voiced her deeply-held commitment as a leader to the battle against the Spanish Armada – convincing the English army to keep holding their ground and upholding the sacrifice of war for the good of their people. Eventually against all odds, she led England to victory despite their underdog status in the conflict with her confident and masterful oratory.

3. Woodrow Wilson, address to Congress (April 2, 1917)

“The world must be made safe for democracy. Its peace must be planted upon the tested foundations of political liberty. We have no selfish ends to serve. We desire no conquest, no dominion. We seek no indemnities for ourselves, no material compensation for the sacrifices we shall freely make. We are but one of the champions of the rights of mankind. We shall be satisfied when those rights have been made as secure as the faith and the freedom of nations can make them. Just because we fight without rancor and without selfish object, seeking nothing for ourselves but what we shall wish to share with all free peoples, we shall, I feel confident, conduct our operations as belligerents without passion and ourselves observe with proud punctilio the principles of right and of fair play we profess to be fighting for. … It will be all the easier for us to conduct ourselves as belligerents in a high spirit of right and fairness because we act without animus, not in enmity toward a people or with the desire to bring any injury or disadvantage upon them, but only in armed opposition to an irresponsible government which has thrown aside all considerations of humanity and of right and is running amuck. We are, let me say again, the sincere friends of the German people, and shall desire nothing so much as the early reestablishment of intimate relations of mutual advantage between us—however hard it may be for them, for the time being, to believe that this is spoken from our hearts. We have borne with their present government through all these bitter months because of that friendship—exercising a patience and forbearance which would otherwise have been impossible. We shall, happily, still have an opportunity to prove that friendship in our daily attitude and actions toward the millions of men and women of German birth and native sympathy who live among us and share our life, and we shall be proud to prove it toward all who are in fact loyal to their neighbors and to the government in the hour of test. They are, most of them, as true and loyal Americans as if they had never known any other fealty or allegiance. They will be prompt to stand with us in rebuking and restraining the few who may be of a different mind and purpose. If there should be disloyalty, it will be dealt with with a firm hand of stern repression; but, if it lifts its head at all, it will lift it only here and there and without countenance except from a lawless and malignant few. It is a distressing and oppressive duty, gentlemen of the Congress, which I have performed in thus addressing you. There are, it may be, many months of fiery trial and sacrifice ahead of us. It is a fearful thing to lead this great peaceful people into war, into the most terrible and disastrous of all wars, civilization itself seeming to be in the balance. But the right is more precious than peace, and we shall fight for the things which we have always carried nearest our hearts—for democracy, for the right of those who submit to authority to have a voice in their own governments, for the rights and liberties of small nations, for a universal dominion of right by such a concert of free peoples as shall bring peace and safety to all nations and make the world itself at last free. To such a task we can dedicate our lives and our fortunes, everything that we are and everything that we have, with the pride of those who know that the day has come when America is privileged to spend her blood and her might for the principles that gave her birth and happiness and the peace which she has treasured. God helping her, she can do no other.”

On April 2, 1917, President Woodrow Wilson of the USA delivered his address to Congress, calling for declaration of war against what was at the time, a belligerent and aggressive Germany in WWI. Despite his isolationism and anti-war position earlier in his tenure as president, he convinced Congress that America had a moral duty to the world to step out of their neutral observer status into an active role of world leadership and stewardship in order to liberate attacked nations from their German aggressors. The idealistic values he preached in his speech left an indelible imprint upon the American spirit and self-conception, forming the moral basis for the country’s people and aspirational visions to this very day.

4. Ain’t I A Woman by Sojourner Truth

“That man over there says that women need to be helped into carriages, and lifted over ditches, and to have the best place everywhere. Nobody ever helps me into carriages, or over mud-puddles, or gives me any best place! And ain’t I a woman? Look at me! Look at my arm! I have ploughed and planted, and gathered into barns, and no man could head me! And ain’t I a woman? I could work as much and eat as much as a man – when I could get it – and bear the lash as well! And ain’t I a woman? I have borne thirteen children, and seen most all sold off to slavery, and when I cried out with my mother’s grief, none but Jesus heard me! And ain’t I a woman? … If the first woman God ever made was strong enough to turn the world upside down all alone, these women together ought to be able to turn it back , and get it right side up again! And now they is asking to do it, the men better let them.”

Hailing from a background of slavery and oppression, Sojourner Truth was one of the most revolutionary advocates for women’s human rights in the 1800s. In spite of the New York Anti-Slavery Law of 1827, her slavemaster refused to free her. As such, she fled, became an itinerant preacher and leading figure in the anti-slavery movement. By the 1850s, she became involved in the women’s rights movement as well. At the 1851 Women’s Rights Convention held in Akron, Ohio, she delivered her illuminating, forceful speech against discrimination of women and African Americans in the post-Civil War era, entrenching her status as one of the most revolutionary abolitionists and women’s rights activists across history.

5. The Gettsyburg Address by Abraham Lincoln

“Fondly do we hope, fervently do we pray, that this mighty scourge of war may speedily pass away. Yet, if God wills that it continue until all the wealth piled by the bondsman’s two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn with the lash shall be paid by another drawn with the sword, as was said three thousand years ago, so still it must be said “the judgments of the Lord are true and righteous altogether.” With malice toward none, with charity for all, with firmness in the right as God gives us to see the right, let us strive on to finish the work we are in, to bind up the nation’s wounds, to care for him who shall have borne the battle and for his widow and his orphan, to do all which may achieve and cherish a just and lasting peace among ourselves and with all nations.”

President Abraham Lincoln had left the most lasting legacy upon American history for good reason, as one of the presidents with the moral courage to denounce slavery for the national atrocity it was. However, more difficult than standing up for the anti-slavery cause was the task of unifying the country post-abolition despite the looming shadows of a time when white Americans could own and subjugate slaves with impunity over the thousands of Americans who stood for liberation of African Americans from discrimination. He urged Americans to remember their common roots, heritage and the importance of “charity for all”, to ensure a “just and lasting peace” among within the country despite throes of racial division and self-determination.

6. Woman’s Rights to the Suffrage by Susan B Anthony

“For any State to make sex a qualification that must ever result in the disfranchisement of one entire half of the people is to pass a bill of attainder, or an ex post facto law, and is therefore a violation of the supreme law of the land. By it the blessings of liberty are for ever withheld from women and their female posterity. To them this government has no just powers derived from the consent of the governed. To them this government is not a democracy. It is not a republic. It is an odious aristocracy; a hateful oligarchy of sex; the most hateful aristocracy ever established on the face of the globe; an oligarchy of wealth, where the right govern the poor. An oligarchy of learning, where the educated govern the ignorant, or even an oligarchy of race, where the Saxon rules the African, might be endured; but this oligarchy of sex, which makes father, brothers, husband, sons, the oligarchs over the mother and sisters, the wife and daughters of every household–which ordains all men sovereigns, all women subjects, carries dissension, discord and rebellion into every home of the nation. Webster, Worcester and Bouvier all define a citizen to be a person in the United States, entitled to vote and hold office. The only question left to be settled now is: Are women persons? And I hardly believe any of our opponents will have the hardihood to say they are not. Being persons, then, women are citizens; and no State has a right to make any law, or to enforce any old law, that shall abridge their privileges or immunities. Hence, every discrimination against women in the constitutions and laws of the several States is today null and void, precisely as in every one against Negroes.”

Susan B. Anthony was a pivotal leader in the women’s suffrage movement who helped to found the National Woman Suffrage Association with Elizabeth Cady Stanton and fight for the constitutional right for women to vote. She courageously and relentlessly advocated for women’s rights, giving speeches all over the USA to convince people of women’s human rights to choice and the ballot. She is most well known for her act of righteous rebellion in 1872 when she voted in the presidential election illegally, for which she was arrested and tried unsuccessfully. She refused to pay the $100 fine in a bid to reject the demands of the American system she denounced as a ‘hateful oligarchy of sex’, sparking change with her righteous oratory and inspiring many others in the women’s suffrage movement within and beyond America.

7. Vladimir Lenin’s Speech at an International Meeting in Berne, February 8, 1916

“It may sound incredible, especially to Swiss comrades, but it is nevertheless true that in Russia, also, not only bloody tsarism, not only the capitalists, but also a section of the so-called or ex-Socialists say that Russia is fighting a “war of defence,” that Russia is only fighting against German invasion. The whole world knows, however, that for decades tsarism has been oppressing more than a hundred million people belonging to other nationalities in Russia; that for decades Russia has been pursuing a predatory policy towards China, Persia, Armenia and Galicia. Neither Russia, nor Germany, nor any other Great Power has the right to claim that it is waging a “war of defence”; all the Great Powers are waging an imperialist, capitalist war, a predatory war, a war for the oppression of small and foreign nations, a war for the sake of the profits of the capitalists, who are coining golden profits amounting to billions out of the appalling sufferings of the masses, out of the blood of the proletariat. … This again shows you, comrades, that in all countries of the world real preparations are being made to rally the forces of the working class. The horrors of war and the sufferings of the people are incredible. But we must not, and we have no reason whatever, to view the future with despair. The millions of victims who will fall in the war, and as a consequence of the war, will not fall in vain. The millions who are starving, the millions who are sacrificing their lives in the trenches, are not only suffering, they are also gathering strength, are pondering over the real cause of the war, are becoming more determined and are acquiring a clearer revolutionary understanding. Rising discontent of the masses, growing ferment, strikes, demonstrations, protests against the war—all this is taking place in all countries of the world. And this is the guarantee that the European War will be followed by the proletarian revolution against capitalism”

Vladimir Lenin remains to this day one of the most lauded communist revolutionaries in the world who brought the dangers of imperialism and capitalism to light with his rousing speeches condemning capitalist structures of power which inevitably enslave people to lives of misery and class stratification. In his genuine passion for the rights of the working class, he urged fellow comrades to turn the “imperialist war” into a “civil” or class war of the proletariat against the bourgeoisie. He encouraged the development of new revolutionary socialist organisations, solidarity across places in society so people could unite against their capitalist overlords, and criticised nationalism for its divisive effect on the socialist movement. In this speech especially, he lambasts “bloody Tsarism” for its oppression of millions of people of other nationalities in Russia, calling for the working class people to revolt against the Tsarist authority for the proletariat revolution to succeed and liberate them from class oppression.

8. I Have A Dream Speech by Mary Wollstonecraft

“If, I say, for I would not impress by declamation when Reason offers her sober light, if they be really capable of acting like rational creatures, let them not be treated like slaves; or, like the brutes who are dependent on the reason of man, when they associate with him; but cultivate their minds, give them the salutary, sublime curb of principle, and let them attain conscious dignity by feeling themselves only dependent on God. Teach them, in common with man, to submit to necessity, instead of giving, to render them more pleasing, a sex to morals. Further, should experience prove that they cannot attain the same degree of strength of mind, perseverance, and fortitude, let their virtues be the same in kind, though they may vainly struggle for the same degree; and the superiority of man will be equally clear, if not clearer; and truth, as it is a simple principle, which admits of no modification, would be common to both. Nay, the order of society as it is at present regulated would not be inverted, for woman would then only have the rank that reason assigned her, and arts could not be practised to bring the balance even, much less to turn it.”

In her vindication of the rights of women, Mary Wollstonecraft was one of the pioneers of the feminist movement back in 1792 who not only theorised and advocated revolutionarily, but gave speeches that voiced these challenges against a dominantly sexist society intent on classifying women as irrational less-than-human creatures to be enslaved as they were. In this landmark speech, she pronounces her ‘dream’ of a day when women would be treated as the rational, deserving humans they are, who are equal to man in strength and capability. With this speech setting an effective precedent for her call to equalize women before the law, she also went on to champion the provision of equal educational opportunities to women and girls, and persuasively argued against the patriarchal gender norms which prevented women from finding their own lot in life through their being locked into traditional institutions of marriage and motherhood against their will.

9. First Inaugural Speech by Franklin D Roosevelt

“So, first of all, let me assert my firm belief that the only thing we have to fear is…fear itself — nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance. In every dark hour of our national life a leadership of frankness and of vigor has met with that understanding and support of the people themselves which is essential to victory. And I am convinced that you will again give that support to leadership in these critical days. … More important, a host of unemployed citizens face the grim problem of existence, and an equally great number toil with little return. Only a foolish optimist can deny the dark realities of the moment. Our greatest primary task is to put people to work. This is no unsolvable problem if we face it wisely and courageously. There are many ways in which it can be helped, but it can never be helped merely by talking about it. We must act and act quickly. … I am prepared under my constitutional duty to recommend the measures that a stricken Nation in the midst of a stricken world may require. These measures, or such other measures as the Congress may build out of its experience and wisdom, I shall seek, within my constitutional authority, to bring to speedy adoption. But in the event that the Congress shall fail to take one of these two courses, and in the event that the national emergency is still critical, I shall not evade the clear course of duty that will then confront me. I shall ask the Congress for the one remaining instrument to meet the crisis — broad Executive power to wage a war against the emergency, as great as the power that would be given to me if we were in fact invaded by a foreign foe.”

Roosevelt’s famous inaugural speech was delivered in the midst of a period of immense tension and strain under the Great Depression, where he highlighted the need for ‘quick action’ by Congress to prepare for government expansion in his pursuit of reforms to lift the American people out of devastating poverty. In a landslide victory, he certainly consolidated the hopes and will of the American people through this compelling speech.

10. The Hypocrisy of American Slavery by Frederick Douglass

“What to the American slave is your Fourth of July? I answer, a day that reveals to him more than all other days of the year, the gross injustice and cruelty to which he is the constant victim. To him your celebration is a sham; your boasted liberty an unholy license; your national greatness, swelling vanity; your sounds of rejoicing are empty and heartless; your shouts of liberty and equality, hollow mock; your prayers and hymns, your sermons and thanksgivings, with all your religious parade and solemnity, are to him mere bombast, fraud, deception, impiety, and hypocrisy – a thin veil to cover up crimes which would disgrace a nation of savages. There is not a nation of the earth guilty of practices more shocking and bloody than are the people of these United States at this very hour. Go search where you will, roam through all the monarchies and despotisms of the Old World, travel through South America, search out every abuse and when you have found the last, lay your facts by the side of the everyday practices of this nation, and you will say with me that, for revolting barbarity and shameless hypocrisy, America reigns without a rival.”

On 4 July 1852, Frederick Douglass gave this speech in Rochester, New York, highlighting the hypocrisy of celebrating freedom while slavery continues. He exposed the ‘revolting barbarity and shameless hypocrisy’ of slavery which had gone unabolished amidst the comparatively obscene celebration of independence and liberty with his potent speech and passion for the anti-abolition cause. After escaping from slavery, he went on to become a national leader of the abolitionist movement in Massachusetts and New York with his oratory and incisive antislavery writings. To this day, his fierce activism and devotion to exposing virulent racism for what it was has left a lasting legacy upon pro-Black social movements and the overall sociopolitical landscape of America.

11. Still I Rise by Maya Angelou

“You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. Does my sassiness upset you? Why are you beset with gloom? ’Cause I walk like I’ve got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I’ll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don’t you take it awful hard ’Cause I laugh like I’ve got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I’ve got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I’m a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.”

With her iconic poem Still I Rise , Maya Angelou is well-known for uplifting fellow African American women through her empowering novels and poetry and her work as a civil rights activist. Every bit as lyrical on the page, her recitation of Still I Rise continues to give poetry audiences shivers all over the world, inspiring women of colour everywhere to keep the good faith in striving for equality and peace, while radically believing in and empowering themselves to be agents of change. A dramatic reading of the poem will easily showcase the self-belief, strength and punch that it packs in the last stanza on the power of resisting marginalization.

12. Their Finest Hour by Winston Churchill

“What General Weygand called the Battle of France is over. I expect that the Battle of Britain is about to begin. Upon this battle depends the survival of Christian civilization. Upon it depends our own British life, and the long continuity of our institutions and our Empire. The whole fury and might of the enemy must very soon be turned on us. Hitler knows that he will have to break us in this Island or lose the war. If we can stand up to him, all Europe may be free and the life of the world may move forward into broad, sunlit uplands. But if we fail, then the whole world, including the United States, including all that we have known and cared for, will sink into the abyss of a new Dark Age made more sinister, and perhaps more protracted, by the lights of perverted science. Let us therefore brace ourselves to our duties, and so bear ourselves that, if the British Empire and its Commonwealth last for a thousand years, men will still say, “This was their finest hour.””

In the darkest shadows cast by war, few leaders have been able to step up to the mantle and effectively unify millions of citizens for truly sacrificial causes. Winston Churchill was the extraordinary exception – lifting 1940 Britain out of the darkness with his hopeful, convicted rhetoric to galvanise the English amidst bleak, dreary days of war and loss. Through Britain’s standalone position in WWII against the Nazis, he left his legacy by unifying the nation under shared sacrifices of the army and commemorating their courage.

13. A Room of One’s Own by Virginia Woolf

“Life for both sexes – and I looked at them (through a restaurant window while waiting for my lunch to be served), shouldering their way along the pavement – is arduous, difficult, a perpetual struggle. It calls for gigantic courage and strength. More than anything, perhaps, creatures of illusion as we are, it calls for confidence in oneself. Without self-confidence we are babes in the cradle. And how can we generate this imponderable quality, which is yet so invaluable, most quickly? By thinking that other people are inferior to oneself. By feeling that one has some innate superiority – it may be wealth, or rank, a straight nose, or the portrait of a grandfather by Romney – for there is no end to the pathetic devices of the human imagination – over other people. Hence the enormous importance to a patriarch who has to conquer, who has to rule, of feeling that great numbers of people, half the human race indeed, are by nature inferior to himself. It must indeed be one of the great sources of his power….Women have served all these centuries as looking-glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size. Without that power probably the earth would still be swamp and jungle. The glories of all our wars would be on the remains of mutton bones and bartering flints for sheepskins or whatever simple ornament took our unsophisticated taste. Supermen and Fingers of Destiny would never have existed. The Czar and the Kaiser would never have worn their crowns or lost them. Whatever may be their use in civilised societies, mirrors are essential to all violent and heroic action. That is why Napoleon and Mussolini both insist so emphatically upon the inferiority of women, for if they were not inferior, they would cease to enlarge. That serves to explain in part the necessity that women so often are to men. And it serves to explain how restless they are under her criticism; how impossible it is for her to say to them this book is bad, this picture is feeble, or whatever it may be, without giving far more pain and rousing far more anger than a man would do who gave the same criticism. For if she begins to tell the truth, the figure in the looking-glass shrinks; his fitness in life is diminished. How is he to go on giving judgment, civilising natives, making laws, writing books, dressing up and speechifying at banquets, unless he can see himself at breakfast and at dinner at least twice the size he really is?”

In this transformational speech , Virginia Woolf pronounces her vision that ‘a woman must have money and a room of her own if she is to write fiction’. She calls out the years in which women have been deprived of their own space for individual development through being chained to traditional arrangements or men’s prescriptions – demanding ‘gigantic courage’ and ‘confidence in oneself’ to brave through the onerous struggle of creating change for women’s rights. With her steadfast, stolid rhetoric and radical theorization, she paved the way for many women’s rights activists and writers to forge their own paths against patriarchal authority.

14. Inaugural Address by John F Kennedy

“In the long history of the world, only a few generations have been granted the role of defending freedom in its hour of maximum danger. I do not shrink from this responsibility–I welcome it. I do not believe that any of us would exchange places with any other people or any other generation. The energy, the faith, the devotion which we bring to this endeavor will light our country and all who serve it–and the glow from that fire can truly light the world. And so, my fellow Americans: ask not what your country can do for you–ask what you can do for your country. My fellow citizens of the world: ask not what America will do for you, but what together we can do for the freedom of man. Finally, whether you are citizens of America or citizens of the world, ask of us here the same high standards of strength and sacrifice which we ask of you. With a good conscience our only sure reward, with history the final judge of our deeds, let us go forth to lead the land we love, asking His blessing and His help, but knowing that here on earth God’s work must truly be our own.”

For what is probably the most historically groundbreaking use of parallelism in speech across American history, President JFK placed the weighty task of ‘asking what one can do for their country’ onto the shoulders of each American citizen. Using an air of firmness in his rhetoric by declaring his commitment to his countrymen, he urges each American to do the same for the broader, noble ideal of freedom for all. With his crucial interrogation of a citizen’s moral duty to his nation, President JFK truly made history.

15. Atoms for Peace Speech by Dwight Eisenhower

“To pause there would be to confirm the hopeless finality of a belief that two atomic colossi are doomed malevolently to eye each other indefinitely across a trembling world. To stop there would be to accept helplessly the probability of civilization destroyed, the annihilation of the irreplaceable heritage of mankind handed down to us from generation to generation, and the condemnation of mankind to begin all over again the age-old struggle upward from savagery towards decency, and right, and justice. Surely no sane member of the human race could discover victory in such desolation. Could anyone wish his name to be coupled by history with such human degradation and destruction?Occasional pages of history do record the faces of the “great destroyers”, but the whole book of history reveals mankind’s never-ending quest for peace and mankind’s God-given capacity to build. It is with the book of history, and not with isolated pages, that the United States will ever wish to be identified. My country wants to be constructive,not destructive. It wants agreements, not wars, among nations. It wants itself to live in freedom and in the confidence that the peoples of every other nation enjoy equally the right of choosing their own way of life. So my country’s purpose is to help us to move out of the dark chamber of horrors into the light, to find a way by which the minds of men, the hopes of men, the souls of men everywhere, can move forward towards peace and happiness and well-being.”

On a possibility as frightful and tense as nuclear war, President Eisenhower managed to convey the gravity of the world’s plight in his measured and persuasive speech centred on the greater good of mankind. Using rhetorical devices such as the three-part paratactical syntax which most world leaders are fond of for ingraining their words in the minds of their audience, he centers the discourse of the atomic bomb on those affected by such a world-changing decision in ‘the minds, hopes and souls of men everywhere’ – effectively putting the vivid image of millions of people’s fates at stake in the minds of his audience. Being able to make a topic as heavy and fraught with moral conflict as this as eloquent as he did, Eisenhower definitely ranks among some of the most skilled orators to date.

16. The Transformation of Silence into Language and Action by Audre Lorde

“I was going to die, if not sooner then later, whether or not I had ever spoken myself. My silences had not protected me. Your silence will not protect you. But for every real word spoken, for every attempt I had ever made to speak those truths for which I am still seeking, I had made contact with other women while we examined the words to fit a world in which we all believed, bridging our differences. What are the words you do not have yet? What do you need to say? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? Perhaps for some of you here today, I am the face of one of your fears. Because I am a woman, because I am black, because I am myself, a black woman warrior poet doing my work, come to ask you, are you doing yours?”

Revolutionary writer, feminist and civil rights activist Audre Lorde first delivered this phenomenal speech at Lesbian and Literature panel of the Modern Language Association’s December 28, 1977 meeting, which went on to feature permanently in her writings for its sheer wisdom and truth. Her powerful writing and speech about living on the margins of society has enlightened millions of people discriminated across various intersections, confronting them with the reality that they must speak – since their ‘silence will not protect’ them from further marginalization. Through her illuminating words and oratory, she has reminded marginalized persons of the importance of their selfhood and the radical capacity for change they have in a world blighted by prejudice and division.

17. 1965 Cambridge Union Hall Speech by James Baldwin

“What is dangerous here is the turning away from – the turning away from – anything any white American says. The reason for the political hesitation, in spite of the Johnson landslide is that one has been betrayed by American politicians for so long. And I am a grown man and perhaps I can be reasoned with. I certainly hope I can be. But I don’t know, and neither does Martin Luther King, none of us know how to deal with those other people whom the white world has so long ignored, who don’t believe anything the white world says and don’t entirely believe anything I or Martin is saying. And one can’t blame them. You watch what has happened to them in less than twenty years.”

Baldwin’s invitation to the Cambridge Union Hall is best remembered for foregrounding the unflinching differences in white and African Americans’ ‘system of reality’ in everyday life. Raising uncomfortable truths about the insidious nature of racism post-civil war, he provides several nuggets of thought-provoking wisdom on the state of relations between the oppressed and their oppressors, and what is necessary to mediate such relations and destroy the exploitative thread of racist hatred. With great frankness, he admits to not having all the answers but provides hard-hitting wisdom on engagement to guide activists through confounding times nonetheless.

18. I Am Prepared to Die by Nelson Mandela

“Above all, My Lord, we want equal political rights, because without them our disabilities will be permanent. I know this sounds revolutionary to the whites in this country, because the majority of voters will be Africans. This makes the white man fear democracy. But this fear cannot be allowed to stand in the way of the only solution which will guarantee racial harmony and freedom for all. It is not true that the enfranchisement of all will result in racial domination. Political division, based on colour, is entirely artificial and, when it disappears, so will the domination of one colour group by another. The ANC has spent half a century fighting against racialism. When it triumphs as it certainly must, it will not change that policy. This then is what the ANC is fighting. Our struggle is a truly national one. It is a struggle of the African people, inspired by our own suffering and our own experience. It is a struggle for the right to live. During my lifetime I have dedicated my life to this struggle of the African people. I have fought against white domination, and I have fought against black domination. I have cherished the ideal of a democratic and free society in which all persons will live together in harmony and with equal opportunities. It is an ideal for which I hope to live for and to see realised. But, My Lord, if it needs be, it is an ideal for which I am prepared to die.”

Apartheid is still considered one of these most devastating events of world history, and it would not have ended without the crucial effort and words of Nelson Mandela during his courageous political leadership. In this heartbreaking speech , he voices his utter devotion to the fight against institutionalised racism in African society – an ideal for which he was ‘prepared to die for’. Mandela continues to remind us today of his moral conviction in leading, wherein the world would likely to be a better place if all politicians had the same resolve and genuine commitment to human rights and the abolition of oppression as he did.

19. Critique on British Imperialism by General Aung San

“Do they form their observations by seeing the attendances at not very many cinemas and theatres of Rangoon? Do they judge this question of money circulation by paying a stray visit to a local bazaar? Do they know that cinemas and theatres are not true indicators, at least in Burma, of the people’s conditions? Do they know that there are many in this country who cannot think of going to these places by having to struggle for their bare existence from day to day? Do they know that those who nowadays patronise or frequent cinemas and theatres which exist only in Rangoon and a few big towns, belong generally to middle and upper classes and the very few of the many poor who can attend at all are doing so as a desperate form of relaxation just to make them forget their unsupportable existences for the while whatever may be the tomorrow that awaits them?”

Under British colonial rule, one of the most legendary nationalist leaders emerged from the ranks of the thousands of Burmese to boldly lead them towards independence, out of the exploitation and control under the British. General Aung San’s speech criticising British social, political and economic control of Burma continues to be scathing, articulate, and relevant – especially given his necessary goal of uniting the Burmese natives against their common oppressor. He successfully galvanised his people against the British, taking endless risks through nationalist speeches and demonstrations which gradually bore fruit in Burma’s independence.

20. Nobel Lecture by Mother Teresa

“I believe that we are not real social workers. We may be doing social work in the eyes of the people, but we are really contemplatives in the heart of the world. For we are touching the Body Of Christ 24 hours. We have 24 hours in this presence, and so you and I. You too try to bring that presence of God in your family, for the family that prays together stays together. And I think that we in our family don’t need bombs and guns, to destroy to bring peace–just get together, love one another, bring that peace, that joy, that strength of presence of each other in the home. And we will be able to overcome all the evil that is in the world. There is so much suffering, so much hatred, so much misery, and we with our prayer, with our sacrifice are beginning at home. Love begins at home, and it is not how much we do, but how much love we put in the action that we do. It is to God Almighty–how much we do it does not matter, because He is infinite, but how much love we put in that action. How much we do to Him in the person that we are serving.”

In contemporary culture, most people understand Mother Teresa to be the epitome of compassion and kindness. However, if one were to look closer at her speeches from the past, one would discover not merely her altruistic contributions, but her keen heart for social justice and the downtrodden. She wisely and gracefully remarks that ‘love begins at home’ from the individual actions of each person within their private lives, which accumulate into a life of goodness and charity. For this, her speeches served not just consolatory value or momentary relevance, as they still inform the present on how we can live lives worth living.

21. June 9 Speech to Martial Law Units by Deng Xiaoping

“This army still maintains the traditions of our old Red Army. What they crossed this time was in the true sense of the expression a political barrier, a threshold of life and death. This was not easy. This shows that the People’s Army is truly a great wall of iron and steel of the party and state. This shows that no matter how heavy our losses, the army, under the leadership of the party, will always remain the defender of the country, the defender of socialism, and the defender of the public interest. They are a most lovable people. At the same time, we should never forget how cruel our enemies are. We should have not one bit of forgiveness for them. The fact that this incident broke out as it did is very worthy of our pondering. It prompts us cool-headedly to consider the past and the future. Perhaps this bad thing will enable us to go ahead with reform and the open policy at a steadier and better — even a faster — pace, more speedily correct our mistakes, and better develop our strong points.”

Mere days before the 4 June 1989 Tiananmen Square uprising, Chinese Communist Party leader Deng Xiaoping sat with six party elders (senior officials) and the three remaining members of the Politburo Standing Committee, the paramount decision-making body in China’s government. The meeting was organised to discuss the best course of action for restoring social and political order to China, given the sweeping economic reforms that had taken place in the past decade that inevitably resulted in some social resistance from the populace. Deng then gave this astute and well-regarded speech, outlining the political complexities in shutting down student protests given the context of reforms encouraging economic liberalization already taking place, as aligned with the students’ desires. It may not be the most rousing or inflammatory of speeches, but it was certainly persuasive in voicing the importance of taking a strong stand for the economic reforms Deng was implementing to benefit Chinese citizens in the long run. Today, China is an economic superpower, far from its war-torn developing country status before Deng’s leadership – thanks to his foresight in ensuring political stability would allow China to enjoy the fruits of the massive changes they adapted to.

22. Freedom or Death by Emmeline Pankhurst

“You won your freedom in America when you had the revolution, by bloodshed, by sacrificing human life. You won the civil war by the sacrifice of human life when you decided to emancipate the negro. You have left it to women in your land, the men of all civilised countries have left it to women, to work out their own salvation. That is the way in which we women of England are doing. Human life for us is sacred, but we say if any life is to be sacrificed it shall be ours; we won’t do it ourselves, but we will put the enemy in the position where they will have to choose between giving us freedom or giving us death. Now whether you approve of us or whether you do not, you must see that we have brought the question of women’s suffrage into a position where it is of first rate importance, where it can be ignored no longer. Even the most hardened politician will hesitate to take upon himself directly the responsibility of sacrificing the lives of women of undoubted honour, of undoubted earnestness of purpose. That is the political situation as I lay it before you today.”

In 1913 after Suffragette Emily Davison stepped in front of King George V’s horse at the Epsom Derby and suffered fatal injuries, Emmeline Pankhurst delivered her speech to Connecticut as a call to action for people to support the suffragette movement. Her fortitude in delivering such a sobering speech on the state of women’s rights is worth remembering for its invaluable impact and contributions to the rights we enjoy in today’s world.

23. Quit India by Mahatma Gandhi

“We shall either free India or die in the attempt; we shall not live to see the perpetuation of our slavery. Every true Congressman or woman will join the struggle with an inflexible determination not to remain alive to see the country in bondage and slavery. Let that be your pledge. Keep jails out of your consideration. If the Government keep me free, I will not put on the Government the strain of maintaining a large number of prisoners at a time, when it is in trouble. Let every man and woman live every moment of his or her life hereafter in the consciousness that he or she eats or lives for achieving freedom and will die, if need be, to attain that goal. Take a pledge, with God and your own conscience as witness, that you will no longer rest till freedom is achieved and will be prepared to lay down your lives in the attempt to achieve it. He who loses his life will gain it; he who will seek to save it shall lose it. Freedom is not for the coward or the faint-hearted.”

Naturally, the revolutionary activist Gandhi had to appear in this list for his impassioned anti-colonial speeches which rallied Indians towards independence. Famous for leading non-violent demonstrations, his speeches were a key element in gathering Indians of all backgrounds together for the common cause of eliminating their colonial masters. His speeches were resolute, eloquent, and courageous, inspiring the hope and admiration of many not just within India, but around the world.

24. 1974 National Book Award Speech by Adrienne Rich, Alice Walker, Audre Lorde

“The statement I am going to read was prepared by three of the women nominated for the National Book Award for poetry, with the agreement that it would be read by whichever of us, if any, was chosen.We, Audre Lorde, Adrienne Rich, and Alice Walker, together accept this award in the name of all the women whose voices have gone and still go unheard in a patriarchal world, and in the name of those who, like us, have been tolerated as token women in this culture, often at great cost and in great pain. We believe that we can enrich ourselves more in supporting and giving to each other than by competing against each other; and that poetry—if it is poetry—exists in a realm beyond ranking and comparison. We symbolically join together here in refusing the terms of patriarchal competition and declaring that we will share this prize among us, to be used as best we can for women. We appreciate the good faith of the judges for this award, but none of us could accept this money for herself, nor could she let go unquestioned the terms on which poets are given or denied honor and livelihood in this world, especially when they are women. We dedicate this occasion to the struggle for self-determination of all women, of every color, identification, or derived class: the poet, the housewife, the lesbian, the mathematician, the mother, the dishwasher, the pregnant teen-ager, the teacher, the grandmother, the prostitute, the philosopher, the waitress, the women who will understand what we are doing here and those who will not understand yet; the silent women whose voices have been denied us, the articulate women who have given us strength to do our work.”

Adrienne Rich, Audre Lorde, and Alice Walker wrote this joint speech to be delivered by Adrienne Rich at the 1974 National Book Awards, based on their suspicions that the first few African American lesbian women to be nominated for the awards would be snubbed in favour of a white woman nominee. Their suspicions were confirmed, and Adrienne Rich delivered this socially significant speech in solidarity with her fellow nominees, upholding the voices of the ‘silent women whose voices have been denied’.

25. Speech to 20th Congress of the CPSU by Nikita Khruschev

“Considering the question of the cult of an individual, we must first of all show everyone what harm this caused to the interests of our Party. Vladimir Ilyich Lenin had always stressed the Party’s role and significance in the direction of the socialist government of workers and peasants; he saw in this the chief precondition for a successful building of socialism in our country. Pointing to the great responsibility of the Bolshevik Party, as ruling Party of the Soviet state, Lenin called for the most meticulous observance of all norms of Party life; he called for the realization of the principles of collegiality in the direction of the Party and the state. Collegiality of leadership flows from the very nature of our Party, a Party built on the principles of democratic centralism. “This means,” said Lenin, “that all Party matters are accomplished by all Party members – directly or through representatives – who, without any exceptions, are subject to the same rules; in addition, all administrative members, all directing collegia, all holders of Party positions are elective, they must account for their activities and are recallable.””

This speech is possibly the most famed Russian speech for its status as a ‘secret’ speech delivered only to the CPSU at the time, which was eventually revealed to the public. Given the unchallenged political legacy and cult of personality which Stalin left in the Soviet Union, Nikita Khruschev’s speech condemning the authoritarian means Stalin had resorted to to consolidate power as un-socialist was an important mark in Russian history.

26. The Struggle for Human Rights by Eleanor Roosevelt

“It is my belief, and I am sure it is also yours, that the struggle for democracy and freedom is a critical struggle, for their preservation is essential to the great objective of the United Nations to maintain international peace and security. Among free men the end cannot justify the means. We know the patterns of totalitarianism — the single political party, the control of schools, press, radio, the arts, the sciences, and the church to support autocratic authority; these are the age-old patterns against which men have struggled for three thousand years. These are the signs of reaction, retreat, and retrogression. The United Nations must hold fast to the heritage of freedom won by the struggle of its people; it must help us to pass it on to generations to come. The development of the ideal of freedom and its translation into the everyday life of the people in great areas of the earth is the product of the efforts of many peoples. It is the fruit of a long tradition of vigorous thinking and courageous action. No one race and on one people can claim to have done all the work to achieve greater dignity for human beings and great freedom to develop human personality. In each generation and in each country there must be a continuation of the struggle and new steps forward must be taken since this is preeminently a field in which to stand still is to retreat.”

Eleanor Roosevelt has been among the most well-loved First Ladies for good reason – her eloquence and gravitas in delivering every speech convinced everyone of her suitability for the oval office. In this determined and articulate speech , she outlines the fundamental values that form the bedrock of democracy, urging the rest of the world to uphold human rights regardless of national ideology and interests.

27. The Ballot or The Bullet by Malcolm X

“And in this manner, the organizations will increase in number and in quantity and in quality, and by August, it is then our intention to have a black nationalist convention which will consist of delegates from all over the country who are interested in the political, economic and social philosophy of black nationalism. After these delegates convene, we will hold a seminar; we will hold discussions; we will listen to everyone. We want to hear new ideas and new solutions and new answers. And at that time, if we see fit then to form a black nationalist party, we’ll form a black nationalist party. If it’s necessary to form a black nationalist army, we’ll form a black nationalist army. It’ll be the ballot or the bullet. It’ll be liberty or it’ll be death.”

Inarguably, the revolutionary impact Malcolm X’s fearless oratory had was substantial in his time as a radical anti-racist civil rights activist. His speeches’ emancipatory potential put forth his ‘theory of rhetorical action’ where he urges Black Americans to employ both the ballot and the bullet, strategically without being dependent on the other should the conditions of oppression change. A crucial leader in the fight for civil rights, he opened the eyes of thousands of Black Americans, politicising and convincing them of the necessity of fighting for their democratic rights against white supremacists.

28. Living the Revolution by Gloria Steinem

“The challenge to all of us, and to you men and women who are graduating today, is to live a revolution, not to die for one. There has been too much killing, and the weapons are now far too terrible. This revolution has to change consciousness, to upset the injustice of our current hierarchy by refusing to honor it, and to live a life that enforces a new social justice. Because the truth is none of us can be liberated if other groups are not.”

In an unexpected commencement speech delivered at Vassar College in 1970, Gloria Steinem boldly makes a call to action on behalf of marginalized groups in need of liberation to newly graduated students. She proclaimed it the year of Women’s Liberation and forcefully highlighted the need for a social revolution to ‘upset the injustice of the current hierarchy’ in favour of human rights – echoing the hard-hitting motto on social justice, ‘until all of us are free, none of us are free’.

29. The Last Words of Harvey Milk by Harvey Milk

“I cannot prevent some people from feeling angry and frustrated and mad in response to my death, but I hope they will take the frustration and madness and instead of demonstrating or anything of that type, I would hope that they would take the power and I would hope that five, ten, one hundred, a thousand would rise. I would like to see every gay lawyer, every gay architect come out, stand up and let the world know. That would do more to end prejudice overnight than anybody could imagine. I urge them to do that, urge them to come out. Only that way will we start to achieve our rights. … All I ask is for the movement to continue, and if a bullet should enter my brain, let that bullet destroy every closet door…”

As the first openly gay elected official in the history of California, Harvey Milk’s entire political candidature was in itself a radical statement against the homophobic status quo at the time. Given the dangerous times he was in as an openly gay man, he anticipated that he would be assassinated eventually in his political career. As such, these are some of his last words which show the utter devotion he had to campaigning against homophobia while representing the American people, voicing his heartbreaking wish for the bullet that would eventually kill him to ‘destroy every closet door’.

30. Black Power Address at UC Berkeley by Stokely Carmichael

“Now we are now engaged in a psychological struggle in this country, and that is whether or not black people will have the right to use the words they want to use without white people giving their sanction to it; and that we maintain, whether they like it or not, we gonna use the word “Black Power” — and let them address themselves to that; but that we are not going to wait for white people to sanction Black Power. We’re tired waiting; every time black people move in this country, they’re forced to defend their position before they move. It’s time that the people who are supposed to be defending their position do that. That’s white people. They ought to start defending themselves as to why they have oppressed and exploited us.”

A forceful and impressive orator, Stokely Carmichael was among those at the forefront of the civil rights movement, who was a vigorous socialist organizer as well. He led the Black Power movement wherein he gave this urgent, influential speech that propelled Black Americans forward in their fight for constitutional rights in the 1960s.

31. Speech on Vietnam by Lyndon Johnson

“The true peace-keepers are those men who stand out there on the DMZ at this very hour, taking the worst that the enemy can give. The true peace-keepers are the soldiers who are breaking the terrorist’s grip around the villages of Vietnam—the civilians who are bringing medical care and food and education to people who have already suffered a generation of war. And so I report to you that we are going to continue to press forward. Two things we must do. Two things we shall do. First, we must not mislead the enemy. Let him not think that debate and dissent will produce wavering and withdrawal. For I can assure you they won’t. Let him not think that protests will produce surrender. Because they won’t. Let him not think that he will wait us out. For he won’t. Second, we will provide all that our brave men require to do the job that must be done. And that job is going to be done. These gallant men have our prayers-have our thanks—have our heart-felt praise—and our deepest gratitude. Let the world know that the keepers of peace will endure through every trial—and that with the full backing of their countrymen, they are going to prevail.”

During some of the most harrowing periods of human history, the Vietnam War, American soldiers were getting soundly defeated by the Vietnamese in guerrilla warfare. President Lyndon Johnson then issued this dignified, consolatory speech to encourage patriotism and support for the soldiers putting their lives on the line for the nation.

32. A Whisper of AIDS by Mary Fisher

“We may take refuge in our stereotypes, but we cannot hide there long, because HIV asks only one thing of those it attacks. Are you human? And this is the right question. Are you human? Because people with HIV have not entered some alien state of being. They are human. They have not earned cruelty, and they do not deserve meanness. They don’t benefit from being isolated or treated as outcasts. Each of them is exactly what God made: a person; not evil, deserving of our judgment; not victims, longing for our pity people, ready for support and worthy of compassion. We must be consistent if we are to be believed. We cannot love justice and ignore prejudice, love our children and fear to teach them. Whatever our role as parent or policymaker, we must act as eloquently as we speak else we have no integrity. My call to the nation is a plea for awareness. If you believe you are safe, you are in danger. Because I was not hemophiliac, I was not at risk. Because I was not gay, I was not at risk. Because I did not inject drugs, I was not at risk. The lesson history teaches is this: If you believe you are safe, you are at risk. If you do not see this killer stalking your children, look again. There is no family or community, no race or religion, no place left in America that is safe. Until we genuinely embrace this message, we are a nation at risk.”

Back when AIDS research was still undeveloped, the stigma of contracting HIV was even more immense than it is today. A celebrated artist, author and speaker, Mary Fisher became an outspoken activist for those with HIV/AIDS, persuading people to extend compassion to the population with HIV instead of stigmatizing them – as injustice has a way of coming around to people eventually. Her bold act of speaking out for the community regardless of the way they contracted the disease, their sexual orientation or social group, was an influential move in advancing the human rights of those with HIV and spreading awareness on the discrimination they face.

33. Freedom from Fear by Aung San Suu Kyi

“The quintessential revolution is that of the spirit, born of an intellectual conviction of the need for change in those mental attitudes and values which shape the course of a nation’s development. A revolution which aims merely at changing official policies and institutions with a view to an improvement in material conditions has little chance of genuine success. Without a revolution of the spirit, the forces which produced the iniquities of the old order would continue to be operative, posing a constant threat to the process of reform and regeneration. It is not enough merely to call for freedom, democracy and human rights. There has to be a united determination to persevere in the struggle, to make sacrifices in the name of enduring truths, to resist the corrupting influences of desire, ill will, ignorance and fear. Saints, it has been said, are the sinners who go on trying. So free men are the oppressed who go on trying and who in the process make themselves fit to bear the responsibilities and to uphold the disciplines which will maintain a free society. Among the basic freedoms to which men aspire that their lives might be full and uncramped, freedom from fear stands out as both a means and an end. A people who would build a nation in which strong, democratic institutions are firmly established as a guarantee against state-induced power must first learn to liberate their own minds from apathy and fear.”

Famous for her resoluteness and fortitude in campaigning for democracy in Burma despite being put under house arrest by the military government, Aung San Suu Kyi’s speeches have been widely touted as inspirational. In this renowned speech of hers, she delivers a potent message to Burmese to ‘liberate their minds from apathy and fear’ in the struggle for freedom and human rights in the country. To this day, she continues to tirelessly champion the welfare and freedom of Burmese in a state still overcome by vestiges of authoritarian rule.

34. This Is Water by David Foster Wallace

“Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom all to be lords of our tiny skull-sized kingdoms, alone at the centre of all creation. This kind of freedom has much to recommend it. But of course there are all different kinds of freedom, and the kind that is most precious you will not hear much talk about much in the great outside world of wanting and achieving…. The really important kind of freedom involves attention and awareness and discipline, and being able truly to care about other people and to sacrifice for them over and over in myriad petty, unsexy ways every day. That is real freedom. That is being educated, and understanding how to think. The alternative is unconsciousness, the default setting, the rat race, the constant gnawing sense of having had, and lost, some infinite thing.”

Esteemed writer David Foster Wallace gave a remarkably casual yet wise commencement speech at Kenyon College in 2005 on the importance of learning to think beyond attaining a formal education. He encouraged hundreds of students to develop freedom of thought, a heart of sacrificial care for those in need of justice, and a consciousness that would serve them in discerning the right choices to make within a status quo that is easy to fall in line with. His captivating speech on what it meant to truly be ‘educated’ tugged at the hearts of many young and critical minds striving to achieve their dreams and change the world.

35. Questioning the Universe by Stephen Hawking

“This brings me to the last of the big questions: the future of the human race. If we are the only intelligent beings in the galaxy, we should make sure we survive and continue. But we are entering an increasingly dangerous period of our history. Our population and our use of the finite resources of planet Earth are growing exponentially, along with our technical ability to change the environment for good or ill. But our genetic code still carries the selfish and aggressive instincts that were of survival advantage in the past. It will be difficult enough to avoid disaster in the next hundred years, let alone the next thousand or million. Our only chance of long-term survival is not to remain inward-looking on planet Earth, but to spread out into space. The answers to these big questions show that we have made remarkable progress in the last hundred years. But if we want to continue beyond the next hundred years, our future is in space. That is why I am in favor of manned — or should I say, personned — space flight.”

Extraordinary theoretical physicist, cosmologist, and author Stephen Hawking was a considerable influence upon modern physics and scientific research at large, inspiring people regardless of physical ability to aspire towards expanding knowledge in the world. In his speech on Questioning the Universe, he speaks of the emerging currents and issues in the scientific world like that of outer space, raising and answering big questions that have stumped great thinkers for years.

36. 2008 Democratic National Convention Speech by Michelle Obama

“I stand here today at the crosscurrents of that history — knowing that my piece of the American dream is a blessing hard won by those who came before me. All of them driven by the same conviction that drove my dad to get up an hour early each day to painstakingly dress himself for work. The same conviction that drives the men and women I’ve met all across this country: People who work the day shift, kiss their kids goodnight, and head out for the night shift — without disappointment, without regret — that goodnight kiss a reminder of everything they’re working for. The military families who say grace each night with an empty seat at the table. The servicemen and women who love this country so much, they leave those they love most to defend it. The young people across America serving our communities — teaching children, cleaning up neighborhoods, caring for the least among us each and every day. People like Hillary Clinton, who put those 18 million cracks in the glass ceiling, so that our daughters — and sons — can dream a little bigger and aim a little higher. People like Joe Biden, who’s never forgotten where he came from and never stopped fighting for folks who work long hours and face long odds and need someone on their side again. All of us driven by a simple belief that the world as it is just won’t do — that we have an obligation to fight for the world as it should be. That is the thread that connects our hearts. That is the thread that runs through my journey and Barack’s journey and so many other improbable journeys that have brought us here tonight, where the current of history meets this new tide of hope. That is why I love this country.”

Ever the favourite modern First Lady of America, Michelle Obama has delivered an abundance of iconic speeches in her political capacity, never forgetting to foreground the indomitable human spirit embodied in American citizens’ everyday lives and efforts towards a better world. The Obamas might just have been the most articulate couple of rhetoricians of their time, making waves as the first African American president and First Lady while introducing important policies in their period of governance.

37. The Audacity of Hope by Barack Obama

“I’m not talking about blind optimism here — the almost willful ignorance that thinks unemployment will go away if we just don’t think about it, or the health care crisis will solve itself if we just ignore it. That’s not what I’m talking about. I’m talking about something more substantial. It’s the hope of slaves sitting around a fire singing freedom songs; the hope of immigrants setting out for distant shores; the hope of a young naval lieutenant bravely patrolling the Mekong Delta; the hope of a millworker’s son who dares to defy the odds; the hope of a skinny kid with a funny name who believes that America has a place for him, too. Hope — Hope in the face of difficulty. Hope in the face of uncertainty. The audacity of hope! In the end, that is God’s greatest gift to us, the bedrock of this nation. A belief in things not seen. A belief that there are better days ahead.”

Now published into a book, Barack Obama’s heart-capturing personal story of transformational hope was first delivered as a speech on the merits of patriotic optimism and determination put to the mission of concrete change. He has come to be known as one of the most favoured and inspiring presidents in American history, and arguably the most skilled orators ever.

38. “Be Your Own Story” by Toni Morrison

“But I’m not going to talk anymore about the future because I’m hesitant to describe or predict because I’m not even certain that it exists. That is to say, I’m not certain that somehow, perhaps, a burgeoning ménage a trois of political interests, corporate interests and military interests will not prevail and literally annihilate an inhabitable, humane future. Because I don’t think we can any longer rely on separation of powers, free speech, religious tolerance or unchallengeable civil liberties as a matter of course. That is, not while finite humans in the flux of time make decisions of infinite damage. Not while finite humans make infinite claims of virtue and unassailable power that are beyond their competence, if not their reach. So, no happy talk about the future. … Because the past is already in debt to the mismanaged present. And besides, contrary to what you may have heard or learned, the past is not done and it is not over, it’s still in process, which is another way of saying that when it’s critiqued, analyzed, it yields new information about itself. The past is already changing as it is being reexamined, as it is being listened to for deeper resonances. Actually it can be more liberating than any imagined future if you are willing to identify its evasions, its distortions, its lies, and are willing to unleash its secrets.”

Venerated author and professor Toni Morrison delivered an impressively articulate speech at Wellesley College in 2004 to new graduates, bucking the trend by discussing the importance of the past in informing current and future ways of living. With her brilliance and eloquence, she blew the crowd away and renewed in them the capacity for reflection upon using the past as a talisman to guide oneself along the journey of life.

39. Nobel Speech by Malala Yousafzai

“Dear brothers and sisters, the so-called world of adults may understand it, but we children don’t. Why is it that countries which we call “strong” are so powerful in creating wars but so weak in bringing peace? Why is it that giving guns is so easy but giving books is so hard? Why is it that making tanks is so easy, but building schools is so difficult? As we are living in the modern age, the 21st century and we all believe that nothing is impossible. We can reach the moon and maybe soon will land on Mars. Then, in this, the 21st century, we must be determined that our dream of quality education for all will also come true. So let us bring equality, justice and peace for all. Not just the politicians and the world leaders, we all need to contribute. Me. You. It is our duty. So we must work … and not wait. I call upon my fellow children to stand up around the world. Dear sisters and brothers, let us become the first generation to decide to be the last. The empty classrooms, the lost childhoods, wasted potential-let these things end with us.”

At a mere 16 years of age, Malala Yousafzai gave a speech on the severity of the state of human rights across the world, and wowed the world with her passion for justice at her tender age. She displayed tenacity and fearlessness speaking about her survival of an assassination attempt for her activism for gender equality in the field of education. A model of courage to us all, her speech remains an essential one in the fight for human rights in the 21st century.

40. Final Commencement Speech by Michelle Obama

“If you are a person of faith, know that religious diversity is a great American tradition, too. In fact, that’s why people first came to this country — to worship freely. And whether you are Muslim, Christian, Jewish, Hindu, Sikh — these religions are teaching our young people about justice, and compassion, and honesty. So I want our young people to continue to learn and practice those values with pride. You see, our glorious diversity — our diversities of faiths and colors and creeds — that is not a threat to who we are, it makes us who we are. So the young people here and the young people out there: Do not ever let anyone make you feel like you don’t matter, or like you don’t have a place in our American story — because you do. And you have a right to be exactly who you are. But I also want to be very clear: This right isn’t just handed to you. No, this right has to be earned every single day. You cannot take your freedoms for granted. Just like generations who have come before you, you have to do your part to preserve and protect those freedoms. … It is our fundamental belief in the power of hope that has allowed us to rise above the voices of doubt and division, of anger and fear that we have faced in our own lives and in the life of this country. Our hope that if we work hard enough and believe in ourselves, then we can be whatever we dream, regardless of the limitations that others may place on us. The hope that when people see us for who we truly are, maybe, just maybe they, too, will be inspired to rise to their best possible selves.”

Finally, we have yet another speech by Michelle Obama given in her final remarks as First Lady – a tear-inducing event for many Americans and even people around the world. In this emotional end to her political tenure, she gives an empowering, hopeful, expressive speech to young Americans, exhorting them to take hold of its future in all their diversity and work hard at being their best possible selves.

Amidst the bleak era of our current time with Trump as president of the USA, not only Michelle Obama, but all 40 of these amazing speeches can serve as sources of inspiration and hope to everyone – regardless of their identity or ambitions. After hearing these speeches, which one’s your favorite? Let us know in the comments below!

Article Written By: Kai Xin Koh

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19 Best Political Books of All Time (To Read in 2024)

All products were independently selected by our editors and contributors. When you buy through links on our site, we may earn an affiliate commission.

Most of the time, it’s hard to keep up with the world of politics. You never know who’s telling the truth or who’s only good at saying big, empty words of promises.

Whether you’re trying to learn vital world issues that happened in the past, discerning who’s worthy of your vote, or even if you just want to keep up with the current affairs—you need to have the best material in hand.

So we asked experts to share the best political books that will help you stay informed.

Here are their top recommendations:

Dr. John M. Callahan, Ph.D.

Program Director for International Studies, New England College | President and CEO, the Field Marshall Strategies, LLC

The Tragedy of Great Power Politics by John Mearsheimer

Mearsheimer writes the ultimate tract on realism in international affairs, reaching the sad conclusion that peace among nations is a utopian dream.

The work uses examples from across the 20 th century to demonstrate why politics among the great powers of the world always devolve into a situation of a coalition of the weaker balancing against the stronger.

He also addresses the primacy of land power and wealth in this context, and explains the rise of the U.S. in the 20 th century, while positing that the 21 st century will come to be dominated by the rivalry between the U.S. and China.

Presidential Command: Power, Leadership, and the Making of Foreign Policy from Richard Nixon to George by Peter W. Rodman, Henry Kissinger (Introduction)

Rodman, who served in several presidential administrations, provides insights on a series of critical questions about how leadership works at the highest level of government.

Related: 24 Best Leadership Books of All Time

Through the prism of the presidencies from Nixon through to George W. Bush, Rodman focuses on how presidents choose their senior cabinet officials, how they empower (or disempower) key leaders, how they handle failure, and how they choose to receive or reject the advice of their advisors and the bureaucracy.

Presidential Leadership and the Creation of the American Era (The Richard Ullman Lectures) by Joseph S. Nye

Joseph Nye draws on his long service in government and his wealth of academic study of the nature of power to describe what makes a good president and a successful presidency.

Three key elements of success are offered.

The first is seeking incremental, rather than transformational objectives.
The second is a need for contextual intelligence of the world and where policies fit in it.
The third is a strong sense of ethics.

Dr. Jeffrey Peter Bradford

Director, Manhattan Strategic Studies Institute

The Power Game: How Washington Works by Hedrick Smith

A great survey of the Washington scene and dynamics driving politics in the early 1980s written by a commentator with credibility and an eye for detail.

The book talks about the impact television was beginning to have on the electoral cycle and makes for prescient and relevant reading in considering the internet and social media impacts on political discourse.

The Political Animal: An Anatomy by Jeremy Paxman (2003-09-04) by Jeremy Paxman

Jeremy Paxman is a sage, television interviewer from Britain.

Although the book is British in orientation, Paxman’s characterization of the ‘life-cycle’ of the Politician from neophyte to head of state is relevant reading in any country.

Paxman’s humor also helps ground this book and make it relevant.

Essence of Decision: Explaining the Cuban Missile Crisis by Graham Allison, Philip Zelikow

Allison’s work sought to explain one of the largest international crises of all-time from three different analytical perspectives.

The first being that of a traditional historical narrative focused on the interplay of nations and their interests.
The second looked at the crisis as the result of different organizations following standard procedures which clashed with one another.
The third, the Bureaucratic Politics model has launched a thousand Ph.D. research programs and focused on the interplay of individuals.

The three lenses combined give a rich set of tools and explanation for the crisis.

James Hoopes

Murata Professor of Ethics in Business, Babson College | Award-Winning Author on American History

Eleanor Roosevelt, Vol. 1: 1884-1933 by Blanche Wiesen Cook

It’s an inspiring story of a girl who suffered painful rejection in childhood but became one of the bravest and most admired people of her time.

There is a great picture of her marriage with FDR in which she was both his political ally and his conscientious critic.

Even if you are deeply familiar with the story of the Depression and World War II, you’ll likely get a new take on the period from this biography of a woman whose unique position enabled her not only to offer acute observations of her world but also help to shape it.

Owner, Tidy Casa

The Dictator’s Handbook: Why Bad Behavior is Almost Always Good Politics by Bruce Bueno de Mesquita, Alastair Smith

The Dictator’s Handbook illustrates that the type of governments that get made and how they run all comes down to the number of backs that need scratching. It does a fantastic job breaking down how governments work with an approachable framework.

They go in-depth on the principles that any group of constituents from dictatorships to corporate boards.

They explain why a large democracy might pay millions to a dictatorship and what would determine if it makes sense for a dictatorship to oppress its people or keep them happy.

This book incredibly eye-opening not only for those interested in learning about actual dictatorships but also for modern governments and corporations.

Joshua Womack

Co-Founder, Laugh Staff

Words That Work: It’s Not What You Say, It’s What People Hear by Frank I. Luntz

Luntz does a great job of taking the reader through why we vote for dreamers (Reagan, Obama) since we dream about better days, too.

He also pinpoints why the word ‘imagine’ is so strong, since each person’s imagination is uniquely based on their own experiences.

Lastly, he does a great job of taking the reader through the 10 rules of effective communication: simplicity, brevity, credibility, consistency, novelty, sound, aspiration, visualization, questing, and context.

Related: Effective Communication: How to Improve Your Communication Skills

Nate Masterson

CMO, Maple Holistics

The Righteous Mind: Why Good People Are Divided by Politics and Religion by Jonathan Haidt

Jonathan Haidt is one of the most interesting thinkers of our generation and in The Righteous Mind, he decided to ask an intriguing question:

What are the moral drives of people on each side of the political aisle ?

What he discovers is beyond fascinating, it’s downright groundbreaking. More important than anything else, his findings are honest and free of any bias and he shows you, through meticulous research, the gray area between good and evil.

Related: Why is Critical Thinking Important?

1984 by George Orwell

There’s a reason 1984 flies off the shelf after every election, and it’s because no matter who you vote for, 1984 show us a political reality we can all agree is bad.

The ideas he discusses are so complex and so much a part of the human experience, and describes how refusing to have a political dialogue is intellectual, as well as societal suicide.

Phil La Duke

Global Business Consultant | Author, “ I Know My Shoes Are Untied Mind Your Own Business! An Iconoclast’s View of Worker Safety “

Generation of Swine: Tales of Shame and Degradation in the ’80’s by Hunter S. Thompson

This book is filled with wit and wisdom and unfortunately eerie predictions of politics of today.

Thompson’s searing wit, cutting writing style, and unapologetic, in-your-face way of calling out the villains of the Reagan years is without peer.

It’s a collection of contemporary accounts by a first had observer to the foundation of modern politics. It’s also a wickedly enjoyable read.

Ten Days That Shook the World by John Reed

Jack Reed is the only American buried in the Red Square. In this book, he laboriously documents the Russian Revolution as it happens.

It can bog down in places, however, how can we discount an author who not only chronicles history as it unfolds but is an active participant?

It’s also a somber reminder of what happens when income inequality becomes untenable.

The Grapes of Wrath by John Steinbeck

John Steinbeck’s subtle calls for social reform through the eyes of beleaguered Okies is as riveting and pertinent today as when it was written.

While Steinbeck may not seem political to the uninitiated his powerful glance into the lives of the poor and underserved.

He shows us the world through the eyes of characters who quickly feel like family. They are poor, driven from their homes, subject to injustices still too common among the poor.

His tale of this ragtag band sojourning to the promised land of California only to arrive at more injustice is as loud a cry for political change as Upton Sinclair’s The Jungle.

Katherine Blaisdell

Public Speaking and Communications Coach

Pre-Post-Racial America: Spiritual Stories from the Front Lines by Sandhya Rani Jha

Written in the years following Barack Obama’s election in 2008, Pre-Post-Racial America answers the question of how we talk about race when all our problems were supposed to have been solved with the first Black president.

Jha grounds each topic in real stories, offering storytelling as a salve to the vicious divisiveness that race and ideology tend to raise in people.

It’s an essential read for the basics of racial justice, with terms like “racism” and “white supremacy” bolded and defined, and book-club-style questions at the end of each chapter for prompting discussion.

But it’s also a valuable tool for folks immersed in racial justice, modeling bridge-building with uncompromising moral courage. (The audiobook is read by the author and especially lovely.)

Transforming Communities: How People Like You are Healing Their Neighborhoods by Sandhya Rani Jha

A response to the overwhelming anger and numbness progressive folks felt in the wake of the 2016 election, Transforming Communities offers a warm and realistic treatise on how you absolutely can shape your community to be more just.

The book is organized into chapters about claiming power in ways that aren’t money or force, and each contains stirring and real examples of people and communities empowered in just those ways.

Every chapter begins with a quote from poetry or a great speech and ends with practical, current resources to learn more and do more about the issue at hand.

In between is a brilliant historian’s concise explanation of how we got here and clear advice for using the tool she provides.

The Third Reconstruction: How a Moral Movement Is Overcoming the Politics of Division and Fear by Rev Dr. William J. Barber II, Jonathan Wilson-Hartgrove

Barber is a scholar, a minister in the historic Black church of the southeastern US, and a prominent leader of a growing movement known as the Christian Left.

The Third Reconstruction is part memoir, part historical analysis (arguing that we are in the midst of the Third Reconstruction, the first two being following the Civil War and the Civil Rights Movement), and part prescription for how we move forward as a country amid divisive politics.

The book is rich in statistics, stories, and the kind of gentle but fiercely compelling application of politics for which Barber has become famous.

It is entirely religious, entirely political, and deeply nuanced in its understanding of how faith does affect politics no matter what while also believing religion and the state must be free of one another.

Mutlu Remzi

QA Engineer in Financial Markets

The New School of Economics: The Platform and Theory Behind the New Physiocrats by Philip Allan

This book outlines how an old political movement, Georgism, has redeveloped itself.

There have been an increasing number of discussions surrounding Georgist thought in the past few years to the point where the major UK political parties have introduced an LVT as part of their political platform, while the discussion in Asia is also becoming increasingly active.

This book, the manifesto of the New Physiocratic League, explains the latest iteration of the Georgist platform.

It has already become the official platform of a minor UK political party, and has been working in conjunction with the Democratic Freedom Caucus in the US. A very interesting new development that will only become greater with time.

Frequently Asked Questions

What are the different types of political books.

Political books come in many different forms, such as biographies of political leaders, books on political ideologies, and analyses of current political events. Some political books are written by journalists, and others by academics or political insiders. Some books give practical advice on how to get involved in politics and explore the history of political movements and events.

How can I choose the best political book for me?

The best political book is best for you will depend on your personal interests and needs. Consider what you hope to gain from reading a political book, whether it is a deeper understanding of a particular political issue, an inside look at the workings of government, or an analysis of current events. Consider your own political leanings, and look for books written by authors with similar perspectives. Also, pay attention to the author’s background and credentials, and look for reviews from trusted sources to ensure the book is credible and well-researched.

Can political books change my political views?

Political books can expand your understanding of different political perspectives and challenge your beliefs. However, whether they will change your views will depend on your personal opinion and the strength of your beliefs. Political books can broaden your horizons and deepen your understanding of the political landscape. Still, ultimately it is up to you to decide what you believe.

What are the benefits of reading political books?

Reading political books has many benefits: it deepens your understanding of political issues, encourages critical thinking, informs you about current events, and inspires political engagement. Political books can also help you form and refine your own political opinions. They can provide a sense of community and belonging to those with similar political beliefs. Whether you are a student, an activist, or just someone who wants to become informed, reading political books can be a rewarding experience.

How can I find books that align with my political beliefs?

If you are looking for political books that align with your political beliefs, consider starting with authors known for sharing your political views. You can also look for books published by political organizations or think tanks that align with your beliefs. In addition, you can look for reviews and recommendations from trusted sources, such as friends, family members, or political organizations to which you belong.

Can political books be controversial?

Yes, political books can be controversial. They can challenge widely held beliefs and spark debates and discussions about important political issues. Some political books are written to provoke and challenge readers. In contrast, others are written to provide a nuanced and balanced analysis of complex political issues. Regardless of the author’s intent, political books have the power to stir strong emotions and spark heated debates. Therefore, it is important to approach them with an open mind and a willingness to consider different perspectives.

What are some tips for getting the most out of political books?

To get the most out of reading political books, it is important to approach them with an open mind and a willingness to consider different perspectives. Take the time to carefully read and reflect on the material, and do not be afraid to ask questions or seek additional information if something is unclear. Also, consider forming a reading group with friends or family members who share your interest in politics. This can provide an opportunity for productive and thought-provoking discussions. Finally, be open to changing your opinions and considering new ideas and information, as this is one of the most important benefits of reading political books.

Can political books be considered a form of activism?

Yes, political books can be considered a form of activism. By providing new perspectives and information on political issues, political books can inspire people to become active and more involved in the political process. They can serve as a source of inspiration for political activism and provide a sense of community and belonging to those who share similar political beliefs. Political books can effect change and shape the political landscape, whether by educating others, challenging dominant narratives, or providing a platform for underrepresented voices.

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Masterpieces of Streaming

The video essays that spawned an entire YouTube genre

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Polygon’s latest series, The Masterpieces of Streaming , looks at the new batch of classics that have emerged from an evolving era of entertainment.

Like every medium before it, “video essays” on YouTube had a long road of production before being taken seriously. Film was undervalued in favor of literature, TV was undervalued in favor of film, and YouTube was undervalued in favor of TV. In over 10 years of video essays, though, there are some that stand out as landmarks of the form, masterpieces to bring new audiences in.

In Polygon’s list of the best video essays of 2020 , we outlined a taxonomy of what a video essay is . But time should be given to explain what video essays have been and where they might be going.

Video essays can be broken into three eras: pre-BreadTube, the BreadTube era, and post-BreadTube. So, what the hell is BreadTube? BreadTube, sometimes also called “LeftTube,” can be defined as a core group of high production value, academically-minded YouTubers who rose to prominence at the same time.

A brief history of video essays on YouTube

On YouTube, video essays pre-BreadTube started in earnest just after something completely unrelated to YouTube: the adoption of the Common Core State Standards Initiative (or, colloquially, just the “Common Core”). The Common Core was highly political, a type of hotly-contested educational reform that hadn’t been rolled out in decades.

Meanwhile, YouTube was in one of its earliest golden eras in 2010. Four years prior, YouTube had been purchased by Google for $1.65 billion in stock, a number that is simultaneously bonkers high and bonkers low. Ad revenue for creators was flowing. Creators like PewDiePie and Shane Dawson were thriving (because time is a flat circle). With its 2012 Original Channel Initiative , Google invested $100 million, and later an additional $200 million, to both celebrity and independent creators for new, original content on YouTube in an early attempt to rival TV programming.

This was also incentivized by YouTube’s 2012 public change to their algorithm , favoring watch time over clicks.

But video essays still weren’t a major genre on YouTube until the educational turmoil and newfound funds collided, resulting in three major networks: Crash Course in 2011 and SourceFed and PBS Digital Studios in 2012.

The BreadTube Era

With Google’s AdSense making YouTube more and more profitable for some creators, production values rose, and longer videos rose in prominence in the algo. Key creators became household names, but there was a pattern: most were fairly left-leaning and white.

But in 2019, long-time YouTube creator Kat Blaque asked, “Why is ‘LeftTube’ so white?”

Blaque received massive backlash for her criticisms; however, many other nonwhite YouTubers took the opportunity to speak up. More examples include Cheyenne Lin’s “Why Is YouTube So White?” , Angie Speaks’ “Who Are Black Leftists Supposed to Be?” , and T1J’s “I’m Kinda Over This Whole ‘LeftTube’ Thing.”

Since the whiteness of video essays has been more clearly illuminated, terms like “BreadTube’’ and “LeftTube” are seldom used to describe the video essay space. Likewise, the importance of flashy production has been de-emphasized.

Post-BreadTube

Like most phenomena, BreadTube does not have a single moment one can point to as its end, but in 2020 and 2021, it became clear that the golden days of BreadTube were in the past.

And, notably, prominent BreadTube creators consistently found themselves in hot water on Twitter. If beauty YouTubers have mastered the art of the crying apology video, video essayists have begun the art of intellectualized, conceptualized, semi-apology video essays. Natalie Wynn’s “Canceling” and Lindsay Ellis’s “Mask Off” discuss the YouTubers’ experiences with backlash after some phenomenally yikes tweets. Similarly, Gita Jackson of Vice has reported on the racism of SocialismDoneLeft.

We’re now in post-BreadTube era. More Black creators, like Yhara Zayd and Khadija Mbowe, are valued as the important video essayists they are. Video essays and commentary channels are seeing more overlap, like the works of D’Angelo Wallace and Jarvis Johnson .

With a history of YouTube video essays out of the way, let’s discuss some of the best of the best, listed here in chronological order by release date, spanning all three eras of the genre. Only one video essay has been selected from each creator, and creators whose works have also been featured on our Best of 2020 list have different works selected here. If you like any of the following videos, we highly recommend checking out the creators’ backlogs; there are plenty of masterpieces in the mix.

PBS Idea Channel, “Can Dungeons & Dragons Make You A Confident & Successful Person?” (October 10, 2012)

Many of the conventions of modern video essays — a charismatic quick-talking host, eye-grabbing pop culture gifs accompanying narration, and sleek edits — began with PBS Idea Channel. Idea Channel, which ran from 2012 to 2017 and produced over 200 videos, laid many of the blueprints for video essays to come. In this episode, host Mike Rugnetta dissects the practical applications of tabletop roleplaying games like Dungeons & Dragons . The episode predates the tabletop renaissance, shepherded by Stranger Things and actual play podcasts , but gives the same level of love and appreciation the games would see in years to come.

Every Frame a Painting, “Edgar Wright - How to Do Visual Comedy” (May 26, 2014)

Like PBS Idea Channel, Every Frame a Painting was fundamental in setting the tone for video essays on YouTube. In this episode, the works of Edgar Wright (like Shaun of the Dead and Scott Pilgrim vs. The World ) are put in contrast with the trend of dialogue-based comedy films like The Hangover and Bridesmaids . The essay analyzes the lack of visual jokes in the American comedian style of comedy and shows the value of Wright’s mastery of physical comedy. The video winds up not just pointing out what makes Wright’s films so great, but also explaining the jokes in meticulous detail without ever ruining them.

Innuendo Studios, “This Is Phil Fish” (June 16, 2014)

As documented in the 2012 documentary Indie Game: The Movie and all over Twitter, game designer Phil Fish is a contentious figure, to say the least. Known for public meltdowns and abusive behavior, Phil Fish is easy to armchair diagnose, but Ian Danskin of Innuendo Studios uses this video to make something clear: We do not know Phil Fish. Before widespread discussions of parasocial relationships with online personalities, Innuendo Studios was pointing out the perils of treating semi-celebrities as anything other than strangers.

What’s So Great About That?, “Night In The Woods: Do You Always Have A Choice?” (April 20, 2017)

Player choice in video games is often emphasized as an integral facet of gameplay — but what if not having a real choice is the point? In this video, Grace Lee of What’s So Great About That? discusses how removing choice can add to a game’s narrative through the lens of sad, strange indie game Night in the Woods . What can a game with a mentally ill protagonist in a run-down post-industrial town teach us about what choices really mean, and how is a game the perfect way to depict that meaning? This video essay aims to make you see this game in a new light.

Pop Culture Detective, “Born Sexy Yesterday” (April 27, 2017)

One of the many “all killer no filler” channels on this list, Pop Culture Detective is best known as a trope namer. One of those tropes, “Born Sexy Yesterday,” encourages the audience to notice a specific, granular, but strangely prominent character trait in science fiction and fantasy: a female character who, through the conceit of the world and plot, has very little functional knowledge of the world around her, but is also a smoking hot adult. It’s sort of the reverse of the prominent anime trope of a grown woman, sometimes thousands of years old, inhabiting the body of a child. When broken down, the trope is not just a nightmare, it’s something you can’t unsee — and you start to see it everywhere .

Maggie Mae Fish, “Looking For Meaning in Tim Burton’s Movies” (April 24, 2018)

Tim Burton is an iconic example of an outsider making art for other outsiders who question and push the status quo ... right? In Maggie Mae Fish’s first video essay on her channel, she breaks down how Burton co-opts the anticapitalist aesthetics of German expressionism (most obviously, The Cabinet of Dr. Caligari ) to give an outsider edge to films that consistently, aggressively enforce the status quo. If you’re a die-hard Burton fan, this one might sting, but Jack Skellington would be proud of you for seeking knowledge. Just kidding. He’d probably want you to take the aesthetic of the knowledge and put it on something completely unrelated, removing it of meaning.

hbomberguy, “CTRL+ALT+DEL | SLA:3” (April 26, 2018)

Are you looking for a video essay with a little more unhinged chaos energy? Prepare yourself for this video by Harry Brewis, aka hbomberguy, analyzing the webcomic CTRL+ALT+DEL, and ultimately, the infamous loss.jpg. But this essay’s also more than that; it’s a response to the criticisms of analyzing pop culture, saying that sometimes art isn’t that deep, or that works can exist outside of the perspective of the creator. This video is infamous for its climax, which we won’t spoil here, but go in knowing it’s, at the very least, adjacent to not safe for work.

Folding Ideas, “A Lukewarm Defence of Fifty Shades of Grey” (August 31, 2018)

Speaking of not-safe-for-work, let’s talk about kink! Dan Olson of Folding Ideas has been creating phenomenal video essays for years. Highlighting “In Search of Flat Earth” as one of the best video essays in 2020 (and, honestly, ever) gives an opportunity to discuss his other masterpieces here: his three-part series dissecting the Fifty Shades of Grey franchise. This introduction to the series discusses specifically the first film, and it does so in a way that is refreshingly kink-positive while still condemning the ways Fifty Shades has promoted extremely unsafe kink practices and dynamics. It also analyzes the first film with a shockingly fair lens, giving accolades where they’re due (that cinematography!) and ripping the film to shreds when necessary (what the hell are these characters?).

ToonrificTariq, “How To BLACK: An Analysis of Black Cartoon Characters (feat. ReviewYaLife)” (January 13, 2019)

While ToonrificTariq’s channel usually focuses on fantastic, engaging reviews of off-kilter nostalgic cartoons — think Braceface and As Told By Ginger — takes this video to explain the importance of writing Black characters in cartoons for kids, and not just one token Black friend per show. Through the lens of shows like Craig of the Creek and Proud Family , ToonrificTariq and guest co-host ReviewYaLife explain the way Black characters have been written into the boxes and how those tropes can be overcome by writers in the future. The collaboration between the two YouTubers also allows a mix of scripted, analytical content and some goofy, fun back-and-forth and riffing.

Jacob Geller, “Games, Schools, and Worlds Designed for Violence” (October 1, 2019)

Jacob Geller ( who has written for Polygon ) has this way of baking sincerity, vulnerability, and so much care into his video essays. This episode is rough, digging into what level design in war games can tell us about the architecture of American schools following the tragic Sandy Hook shooting in 2012. It’s a video essay about video games, about violence, about safety, and about childhood. It’s a video essay about what we prioritize and how, and what that priority can look like. It’s a video essay that will leave you with deep contemplation, but a hungry contemplation, a need to learn and observe more.

Accented Cinema, “Parasite: Mastering the Basics of Cinema” (November 7, 2019)

2019 Bong Joon-ho cinematic masterpiece Parasite is filled to the brim with things to analyze, but Yang Zhang of Accented Cinema takes his discussion back to the basics. Focusing on how the film uses camera positions, light, and lines, the essay shows the mastery of details many viewers might not have noticed on first watch. But once you do notice them, they’re extremely, almost comically overt, while still being incredibly effective. The way the video conveys these ideas is simple, straightforward, and accessible while still illuminating so much about the film and remaining engaging and fun to watch. Accented Cinema turns this video into a 101 film studies crash course, showing how mastery of the basics can make a film such a standout.

Kat Blaque, “So... Let’s Talk About JK Rowling’s Tweet” (December 23, 2019)

In 2020, J. K. Rowling wrote her most infamous tweet about trans people, exemplifying a debate about trans rights and identities that is still becoming more and more intense today. Rowling’s tweet was not the first, or the most important, or even her first — but it was one of the tweets about the issue that gained the most attention. Kat Blaque’s video essay on the tweet isn’t really about the tweet itself. Instead, it’s a masterful course in transphobia, TERFs, and how people hide their prejudice against trans people in progressive language. In an especially memorable passage, Blaque breaks down the tweet, line by line, phrase by phrase, explaining how each of them convey a different aspect of transphobia.

Philosophy Tube, “Data” (January 31, 2020)

One of the most underrated essays in Philosophy Tube’s catalogue, “Data” explains the importance of data privacy. Data privacy is often easily written off; “I have nothing to hide,” and “It makes my ads better,” are both given as defenses against the importance of data privacy. In this essay, though, creator Abigail Thorn breaks traditional essay form to depict an almost Plato-like philosophical dialogue between two characters: a bar patron and the bar’s bouncer. It’s also somewhat of a choose-your-own-adventure game, a post- Bandersnatch improvement upon the Bandersnatch concept.

Intelexual Media, “A Short History of American Celebrity” (February 13, 2020)

Historian Elexus Jionde of Intelexual Media has one of the strongest and sharpest analytical voices when discussing celebrity, from gossip to idolization to the celebrity industrial complex to stan culture . Her history of American celebrity is filled to the brim with information, fact following fact at a pace that’s breakneck without ever leaving the audience behind. While the video initially seems like just a history, there’s a thesis baked into the content about what celebrity is, how it got to where it is today, and where it might be going—and what all of that means about the rest of us.

Princess Weekes, “Empire and Imperialism in Children’s Cartoons—a super light topic” (June 22, 2020)

This video by Princess Weekes (Melina Pendulum) starts with a bang — a quick, goofy song followed by a steep dive into imperialization and its effect on intergenerational trauma. And then, it connects those concepts to much-beloved cartoons for kids like Avatar: The Last Airbender , Steven Universe , and She-Ra and the Princesses of Power . Fans of shows like these may be burnt out on fandom discourse quickly saying, “thing bad!” because of how they view its stance on imperialization. Weekes, however, has always favored nuance and close reading. Her take on imperialization in cartoons offers a more complex method of analyzing these shows, and the cartoons that will certainly drum up the same conversations in the future.

Yhara Zayd, “Holes & The Prison-Industrial Complex” (July 7, 2020)

2003’s Holes absolutely rules, and Yhara Zayd’s video essay on the film shows why it isn’t just a fun classic with memorable characters. It’s also way, way more complex than most of us might remember. Like Dan Olson, Yhara Zayd appeared on our list of the best video essays of 2020, but frankly, any one of her videos could belong there or here. What makes this analysis of Holes stand out is the meticulous attention to detail Zayd has in her analysis, revealing the threads that connect the film’s commentary across its multiple interwoven plotlines. And, of course, there’s Zayd’s trademark quiet passion for the work she’s discussing, making this essay just as much of a close reading as it is a love letter to the film.

D’Angelo Wallace, “The Disappearance of Blaire White” (November 2, 2020)

D’Angelo Wallace is best known as a commentary YouTuber, someone who makes videos reacting to current events, pop culture, and, of course, other YouTubers. With his hour-long essay on YouTuber Blaire White, though, that commentary took a sharp turn into cultural analysis and introspection. For those unfamiliar with White’s work, she was once a prominent trans YouTuber known for her somewhat right-wing politics, including her discussion of other trans people. In Wallace’s video, her career is outlined — but so is the effect she had on her viewers. What is it about creators like White that makes them compelling? And what does it take for us to reevaluate what they’ve been saying?

Chromalore, “The Last Unicorn: Death and the Legacy of Fantasy” (December 3, 2020)

Chromalore is a baffling internet presence. With one video essay up, one single tweet, and a Twitter bio that simply reads, “just one (1) video essay, as a treat,” this channel feels like the analysis equivalent of seeing someone absolutely captivating at a party who you know you’ll never see again, and who you know you’ll never forget.

This video essay discusses themes of death, memory, identity, remorse, and humanity as seen through both the film and the novel The Last Unicorn . It weaves together art history and music, Christian iconography and anime-inspired character designs. It talks about why this film is so beloved and the effect it’s had on audiences today. It’s moving, deeply researched, brilliantly executed, and we will probably never see this creator again.

Khadija Mbowe, “Digital Blackface?” (December 23, 2020)

“Digital Blackface” is a term popularized by Lauren Michele Jackson’s 2017 Teen Vogue essay, “We Need to Talk About Digital Blackface in Reaction GIFs.” The piece explains the prominence of white people using the images of Black people without context to convey a reaction, and Khadija Mbowe’s deep dive on the subject expands on how, and why, blackface tropes have evolved in the digital sphere. Mbowe’s essay involves a great deal of history and analysis, all of which is deeply uncomfortable. Consider this a content warning for depictions of racism throughout the video. But that discomfort is key to explaining why digital blackface is such a problem and how nonblack people, especially white people, can be more cognizant about how they depict their reactions online.

CJ the X, “No Face Is An Incel” (April 4, 2021)

Rounding out this list is a 2021 newcomer to video essays with an endlessly enjoyable gremlin energy that still winds up being some of the smartest, sharpest, and funniest discussions about pop culture. CJ the X, a human sableye , breaks down one of the most iconic and merch-ified Studio Ghibli characters, No Face, who is an incel. This is a video essay best experienced with no knowledge except its main thesis—that No Face is an incel—so you can sit back, be beguiled, be enraptured, and then be convinced.

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The best political articles and essays -- Short articles and essays on politics by the world's best writers Essays ... Trump's supporters backed a time-honored American political tradition, disavowing racism while promising to enact a broad agenda of discrimination.
Harry Mount's top 10 essays
10. AN Wilson, In Defence of Gay Priests (2003) Normally, a newspaper comment piece would never be long, or substantial, enough to constitute an essay. But this article - justifying the ...
The Greatest "Essays" Books of All Time
The 725th Greatest Book of All Time. 8. Collected Essays of George Orwell by George Orwell. This book is a compilation of essays by a renowned author, known for his sharp wit and critical eye. It covers a wide range of topics, from politics and language to literature and culture.
The 25 Greatest Essay Collections of All Time
After the jump, our picks for the 25 greatest essay collections of all time. Feel free to disagree with us, praise our intellect, or create an entirely new list in the comments. The Book of My ...
18 Best Political Authors
1. Karl Marx. The author of The Communist Manifesto, Karl Marx, is, perhaps, one of the most influential political writers. His theories about society and economics created the Marxism system, and his ideas continue to influence political thinkers today.
25 Of The Best Political Books to Better Understand Political Issues
A list of 25 books will never be able to cover all the great political books on a global scale, but it can provide you a starting place! This list is a compilation of some of the classic founding political theory books, an attempt to include political writing beyond what might be considered traditional "political theory canon," an exploration of intersectionality and politics, and a ...
35 Greatest Speeches in History
10. Theodore Roosevelt, "The Man with the Muck-rake". April 14, 1906; Washington, D.C. Theodore Roosevelt was president during the Progressive Era, a time of great enthusiasm for reform in government, the economy, and society.
Classic British and American Essays and Speeches
Updated on October 02, 2019. From the works and musings of Walt Witman to those of Virginia Woolf, some of the cultural heroes and prolific artists of prose are listed below--along with some of the world's greatest essays and speeches ever composed by these British and American literary treasures. George Ade (1866-1944)
The 50 Best Memoirs of the Past 50 Years
It's a sexual and intellectual coming-of-age story that swims along literary lines, honoring the books that nourished Bechdel and her parents and seemed to speak for them: Kate Millet, Proust ...
40 Most Famous Speeches In History
Eventually against all odds, she led England to victory despite their underdog status in the conflict with her confident and masterful oratory. 3. Woodrow Wilson, address to Congress (April 2, 1917) "The world must be made safe for democracy. Its peace must be planted upon the tested foundations of political liberty.
19 Best Political Books of All Time (To Read in 2024)
The Power Game: How Washington Works by Hedrick Smith. $16.51. Buy on Amazon. 03/08/2024 10:40 am GMT. A great survey of the Washington scene and dynamics driving politics in the early 1980s written by a commentator with credibility and an eye for detail.
The best video essays of all time, from BreadTube and beyond
Dan Olson of Folding Ideas has been creating phenomenal video essays for years. Highlighting "In Search of Flat Earth" as one of the best video essays in 2020 (and, honestly, ever) gives an ...
Politzilla: Political Science Essay Examples
Political Science Essay Examples. Draw inspiration from your predecessors. Browse our free database of political science essays and research reports. The complexity of our essay examples varies, but all have been checked for accuracy. Our database items have been written by the school, college, and university students.