how to do a critique essay

How to Write a Critique Paper: Format, Tips, & Critique Essay Examples

A critique paper is an academic writing genre that summarizes and gives a critical evaluation of a concept or work. Or, to put it simply, it is no more than a summary and a critical analysis of a specific issue. This type of writing aims to evaluate the impact of the given work or concept in its field.

Our specialists will write a custom essay specially for you!

Want to learn more? Continue reading this article written by Custom-writing experts! It contains:

• best tips on how to critique an article or a literary work,
• a critique paper example with introduction, body, and conclusion.

💁 What Is a Critique Paper?

• 👣 Critical Writing Steps

👀 Critical Essay Types

📝 critique paper format, 📑 critique paper outline, 🔗 references.

A critique is a particular academic writing genre that requires you to carefully study, summarize, and critically analyze a study or a concept. In other words, it is nothing more than a critical analysis. That is all you are doing when writing a critical essay: trying to understand the work and present an evaluation. Critical essays can be either positive or negative, as the work deserves.

👣 How to Write a Critique Essay: Main Steps

Starting critique essays is the most challenging part. You are supposed to substantiate your opinion with quotes and paraphrases, avoiding retelling the entire text. A critical analysis aims to find out whether an article or another piece of writing is compelling. First, you need to formulate the author’s thesis: what was the literary work supposed to convey? Then, explore the text on how this main idea was elaborated. Finally, draft your critique according to the structure given below.

Step 1: Critical Reading

1.1. Attentively read the literary work. While reading, make notes and underline the essentials.

• Try to come into the author’s world and think why they wrote such a piece.
• Point out which literary devices are successful. Some research in literary theory may be required.
• Find out what you dislike about the text, i.e., controversies, gaps, inconsistency, or incompleteness.

1.2. Find or formulate the author’s thesis. 

• What is the principal argument? In an article, it can be found in the first paragraph.
• In a literary work, formulate one of the principal themes, as the thesis is not explicit.
• If you write a critique of painting, find out what feelings, emotions, or ideas, the artist attempted to project.

1.3. Make a summary or synopsis of the analyzed text. 

• One paragraph will suffice. You can use it in your critique essay, if necessary.
• The point is to explore the gist.

Step 2: Analyzing the Text

After the reading phase, ask yourself the following questions :

• What was your emotional response to the text? Which techniques, images, or ideas made you feel so?
• Find out the author’s background. Which experiences made them raise such a thesis? What other significant works have they written that demonstrate the general direction of thought of this person?
• Are the concepts used correctly in the text? Are the references reliable, and do they sufficiently substantiate the author’s opinion?

Step 3: Drafting the Essay

Finally, it is time to draft your essay. First of all, you’ll need to write a brief overview of the text you’re analyzing. Then, formulate a thesis statement – one sentence that will contain your opinion of the work under scrutiny. After that, make a one-paragraph summary of the text.

You can use this simple template for the draft version of your analysis. Another thing that can help you at this step is a summary creator to make the creative process more efficient.

Critique Paper Template

• Start with an introductory phrase about the domain of the work in question.
• Tell which work you are going to analyze, its author, and year of publication.
• Specify the principal argument of the work under study.
• In the third sentence, clearly state your thesis.
• Here you can insert the summary you wrote before.
• This is the only place where you can use it. No summary can be written in the main body!
• Use one paragraph for every separate analyzed aspect of the text (style, organization, fairness/bias, etc.).
• Each paragraph should confirm your thesis (e.g., whether the text is effective or ineffective).
• Each paragraph shall start with a topic sentence, followed by evidence, and concluded with a statement referring to the thesis.
• Provide a final judgment on the effectiveness of the piece of writing.
• Summarize your main points and restate the thesis, indicating that everything you said above confirms it.

You can evaluate the chosen work or concept in several ways. Pick the one you feel more comfortable with from the following:

Just in 1 hour! We will write you a plagiarism-free paper in hardly more than 1 hour

• Descriptive critical essays examine texts or other works. Their primary focus is usually on certain features of a work, and it is common to compare and contrast the subject of your analysis to a classic example of the genre to which it belongs.
• Evaluative critical essays provide an estimate of the value of the work. Was it as good as you expected based on the recommendations, or do you feel your time would have been better spent on something else?
• Interpretive essays provide your readers with answers that relate to the meaning of the work in question. To do this, you must select a method of determining the meaning, read/watch/observe your analysis subject using this method, and put forth an argument.

There are also different types of critiques. The University of North Carolina-Chapel Hill, in the article “ Writing critiques ,” discusses them as well as the appropriate critique language.

Critique Paper Topics

• Critique of the article Is Google Making Us Stupid? by Nicholas Carr .
• Interpret the symbolism of Edgar Alan Poe’s The Black Cat .
• Examine the topicality of the article Impact of Racial/Ethnic Differences on Child Mental Health Care .  
• Critical essay on Alice Walker’s short story Everyday Use .
• Discuss the value of the essay The Hanging by George Orwell .
• A critique on the article Stocks Versus Bonds : Explaining the Equity Risk Premium .
• Explore the themes Tennessee Williams reveals in The Glass Menagerie.
• Analyze the relevance of the article Leadership Characteristics and Digital Transformation .
• Critical evaluation of Jonathan Harvey’s play Beautiful Thing .
• Analyze and critique Derek Raymond’s story He Died with His Eyes Open .
• Discuss the techniques author uses to present the problem of choice in The Plague .
• Examine and evaluate the research article Using Evidence-Based Practice to Prevent Ventilator-Associated Pneumonia . 
• Explore the scientific value of the article Our Future: A Lancet Commission on Adolescent Health and Wellbeing .
• Describe the ideas E. Hemingway put into his A Clean, Well-Lighted Place .
• Analyze the literary qualities of Always Running La Vida Loca: Gang Days in L. A .
• Critical writing on The Incarnation of Power by Wright Mills. 
• Explain the strengths and shortcomings of Tim Kreider’s article The Busy Trap .
• Critical response to Woolf’s novel Mrs. Dalloway .
• Examine the main idea of Richard Godbeer’s book Escaping Salem .
• The strong and weak points of the article The Confusion of Tongues by William G. Bellshaw .
• Critical review of Gulliver’s Travels .
• Analyze the stylistic devices Anthony Lewis uses in Gideon’s Trumpet.
• Examine the techniques Elie Wiesel uses to show relationship transformation in the book Night .
• Critique of the play Fences by August Wilson .
• The role of exposition in Achebe’s novel Things Fall Apart.
• The main themes John Maxwell discusses in his book Disgrace .
• Critical evaluation of Ray Bradbury’s Fahrenheit 451 .
• The ideas and concept of the book The Vegetarian Imperative .  
• Different points of view on one historical figure in the book Two Lives of Charlemagne .

Since the APA critique paper format is one of the most common, let’s discuss it in more detail. Check out the information below to learn more:

The APA Manual recommends using the following fonts:

• 11-point Calibri,
• 11-point Arial,
• 10-point Lucida Sans Unicode,
• 12-point Times New Roman,
• 11-point Georgia,
• 10-point Computer Modern.

Receive a plagiarism-free paper tailored to your instructions. Cut 15% off your first order!

Add 1-inch margins on all sides.

📌 Page numbers

Page numbers should appear at the top right-hand corner, starting with the title page.

📌 Line spacing

The entire document, including the title page and reference list, should be double-spaced.

Get an originally-written paper according to your instructions!

📌 Title page

The title page should include the following information:

• page number 1 in the top right-hand corner of the page header,
• paper title,
• the student’s name,
• the name of the department and the college or university,
• course number and name,
• the instructor’s name,
• due date (the date format used in your country).

📌 Critique paper title

The title of your critique paper should be no more than 12 words. In addition, it should be centered and typed in bold using title case.

📌 In-text citations

For the in-text citation, provide the author’s last name and publication year in brackets. If you are using direct citation, add the page number after the year.

📌 References

The last page of your paper should include a list of all sources cited in your essay. Here’s a general format of book and journal article citations you should use:

Book: Last name, First initial. Middle initial. (Year). Book title: Subtitle . Publisher.

Journal article: Last name, First initial. Middle initial. (Year). Title of the article. Journal Title, volume (issue number), start page–end page.

The main parts of good critical response essays are:

• Introduction. The introduction is the most essential part of the critical response. It should be concise and include the author and title of the work being analyzed, its main idea, and a strong thesis statement.
• Summary. This should be brief and to the point. Only the author’s/creator’s main ideas and arguments should be included.
• Analysis/interpretation. Discuss what the author’s/creator’s primary goal was and determine whether this goal was reached successfully. Use the evidence you have gathered to argue whether or not the author/creator achieved was adequately convincing (remember there should be no personal bias in this discussion).
• Evaluation/response. At this point, your readers are ready to learn your objective response to the work. It should be professional yet entertaining to read. Do not hesitate to use strong language. You can say that the work you analyzed was weak and poorly-structured if that is the case, but keep in mind that you have to have evidence to back up your claim.
• Conclusion. The last paragraph of your work should restate the thesis statement, summarize the key points, and create a sense of closure for the readers.

Critique Paper Introduction

The introduction is setting the stage for your analysis. Here are some tips to follow when working on it:

• Provide the reader with a brief synopsis of the main points of the work you are critiquing .
• State your general opinion of the work , using it as your thesis statement. The ideal situation is that you identify and use a controversial thesis.
• Remember that you will uncover a lot of necessary information about the work you are critiquing. You mustn’t make use of all of it, providing the reader with information that is unnecessary in your critique. If you are writing about Shakespeare, you don’t have to waste your or your reader’s time going through all of his works.

Critique Paper Body

The body of the critique contains the supporting paragraphs. This is where you will provide the facts that prove your main idea and support your thesis. Follow the tips below when writing the body of your critique.

• Every paragraph must focus on a precise concept from the paper under your scrutiny , and your job is to include arguments to support or disprove that concept. Concrete evidence is required.
• A critical essay is written in the third-person and ensures the reader is presented with an objective analysis.
• Discuss whether the author was able to achieve their goals and adequately get their point across.
• It is important not to confuse facts and opinions . An opinion is a personal thought and requires confirmation, whereas a fact is supported by reliable data and requires no further proof. Do not back up one idea with another one.
• Remember that your purpose is to provide the reader with an understanding of a particular piece of literature or other work from your perspective. Be as specific as possible.

Critique Paper Conclusion

Finally, you will need to write a conclusion for your critique. The conclusion reasserts your overall general opinion of the ideas presented in the text and ensures there is no doubt in the reader’s mind about what you believe and why. Follow these tips when writing your conclusion:

• Summarize the analysis you provided in the body of the critique.
• Summarize the primary reasons why you made your analysis .
• Where appropriate, provide recommendations on how the work you critiqued can be improved.

For more details on how to write a critique, check out the great critique analysis template provided by Thompson Rivers University.

If you want more information on essay writing in general, look at the Secrets of Essay Writing .

Example of Critique Paper with Introduction, Body, and Conclusion

Check out this critical response example to “The Last Inch” by James Aldridge to show how everything works in practice:

Introduction 

In his story “The Last Inch,” James Aldridge addresses the issue of the relationship between parents and children. The author captured the young boy’s coming into maturity coinciding with a challenging trial. He also demonstrated how the twelve-year-old boy obtained his father’s character traits. Aldridge’s prose is both brutal and poetic, expressing his characters’ genuine emotions and the sad truths of their situations.

Body: Summary 

The story is about Ben Ensley, an unemployed professional pilot, who decides to capture underwater shots for money. He travels to Shark Bay with his son, Davy. Ben is severely injured after being attacked by a shark while photographing. His last hope of survival is to fly back to the little African hamlet from where they took off.

Body: Analysis 

The story effectively uses the themes of survival and fatherhood and has an intriguing and captivating plot. In addition, Ben’s metamorphosis from a failing pilot to a determined survivor is effectively presented. His bond with his son, Davy, adds depth and emotional importance to the story. At the same time, the background information about Ben’s past and his life before the shark attack could be more effectively integrated into the main story rather than being presented as separate blocks of text.

Body: Evaluation 

I find “The Last Inch” by James Aldridge a very engaging and emotional story since it highlights the idea of a father’s unconditional love and determination in the face of adversity. I was also impressed by the vivid descriptions and strong character development of the father and son.

Conclusion 

“The Last Inch” by James Aldridge is an engaging and emotional narrative that will appeal to readers of all ages. It is a story of strength, dedication, and the unbreakable link between father and son. Though some backstory could be integrated more smoothly, “The Last Inch” impresses with its emotional punch. It leaves the readers touched by the raw power of fatherly love and human will.

📚 Critique Essay Examples

With all of the information and tips provided above, your way will become clearer when you have a solid example of a critique essay.

Below is a critical response to The Yellow Wallpaper by Charlotte Perkins Gilman.

When speaking of feminist literature that is prominent and manages to touch on incredibly controversial issues, The Yellow Wallpaper is the first book that comes to mind. Written from a first-person perspective, magnifying the effect of the narrative, the short story by Charlotte Perkins Gilman introduces the reader to the problem of the physical and mental health of the women of the 19th century. However, the message that is intended to concern feminist ideas is rather subtle. Written in the form of several diary entries, the novel offers a mysterious plot, and at the same time, shockingly realistic details.

What really stands out about the novel is the fact that the reader is never really sure how much of the story takes place in reality and how much of it happens in the psychotic mind of the protagonist. In addition, the novel contains a plethora of description that contributes to the strain and enhances the correlation between the atmosphere and the protagonist’s fears: “The color is repellent, almost revolting; a smoldering unclean yellow, strangely faded by the slow-turning sunlight” (Gilman).

Despite Gilman’s obvious intent to make the novel a feminist story with a dash of thriller thrown in, the result is instead a thriller with a dash of feminism, as Allen (2009) explains. However, there is no doubt that the novel is a renowned classic. Offering a perfect portrayal of the 19th-century stereotypes, it is a treasure that is certainly worth the read.

If you need another critique essay example, take a look at our sample on “ The Importance of Being Earnest ” by Oscar Wilde.

And here are some more critique paper examples for you check out:

• A Good Man Is Hard to Find: Critique Paper
• Critique on “The Yellow Wallpaper” by Charlotte Perkins Gilman
• “When the Five Rights Go Wrong” Article Critique
• Homer’s Iliad and Odyssey — Comparison & Critique
• “The TrueBlue Study”: Qualitative Article Critique 
• Ethical Conflict Associated With Managed Care: Views of Nurse Practitioners’: Article Critique 
• Benefits and Disadvantages of Prone Positioning in Severe Acute Respiratory Distress: Article Critique
• Reducing Stress in Student Nurses: Article Critique
• Management of Change and Professional Safety – Article Critique
• “Views of Young People Towards Physical Activity”: Article Critique

Seeing an example of a critique is so helpful. You can find many other examples of a critique paper at the University of Minnesota and John Hopkins University. Plus, you can check out this video for a great explanation of how to write a critique.

• Critical Analysis
• Writing an Article Critique
• The Critique Essay
• Critique Essay
• Writing a Critique
• Writing A Book Critique
• Media Critique
• Tips for an Effective Creative Writing Critique
• How to Write an Article Critique
• Share to Facebook
• Share to Twitter
• Share to LinkedIn
• Share to email

What is a creative essay, if not the way to express yourself? Crafting such a paper is a task that allows you to communicate your opinion and tell a story. However, even using your imagination to a great extent doesn’t free you from following academic writing rules. Don’t even get...

A compare and contrast essay — what is it? In this type of paper, you compare two different things or ideas, highlighting what is similar between the two, and you also contrast them, highlighting what is different. The two things might be events, people, books, points of view, lifestyles, or...

What is an expository essay? This type of writing aims to inform the reader about the subject clearly, concisely, and objectively. The keyword here is “inform”. You are not trying to persuade your reader to think a certain way or let your own opinions and emotions cloud your work. Just stick to the...

Have you ever tried to write a story analysis but ended up being completely confused and lost? Well, the task might be challenging if you don’t know the essential rules for literary analysis creation. But don’t get frustrated! We know how to write a short story analysis, and we are...

Have you ever tried to get somebody round to your way of thinking? Then you should know how daunting the task is. Still, if your persuasion is successful, the result is emotionally rewarding. A persuasive essay is a type of writing that uses facts and logic to argument and substantiate...

One of the most critical skills that students gain during their college years is assignment writing. Composing impressive essays and research papers can be quite challenging, especially for ESL students. Nonetheless, before learning the art of academic writing, you may make numerous common essay mistakes. Such involuntary errors appear in:...

You’re probably thinking: I’m no Mahatma Gandhi or Steve Jobs—what could I possibly write in my memoir? I don’t even know how to start an autobiography, let alone write the whole thing. But don’t worry: essay writing can be easy, and this autobiography example for students is here to show...

Some people know which profession to choose from childhood, while others decide much later in life. However, and whenever you come to it, you may have to elaborate on it in your personal statement or cover letter. This is widely known as “Why I Want to Be a Teacher” essay.

Assigned with an essay about friendship? Congrats! It’s one of the best tasks you could get. Digging through your memories and finding strong arguments for this paper can be an enjoyable experience. I bet you will cope with this task effortlessly as we can help you with the assignment. Just...

When you are assigned an autobiography to write, tens, and even hundreds of questions start buzzing in your head. How to write autobiography essay parts? What to include? How to make your autobiography writing flow? Don’t worry about all this and use the following three simple principles and 15 creative...

A life experience essay combines the elements of narration, description, and self-reflection. Such a paper has to focus on a single event that had a significant impact on a person’s worldview and values. Writing an essay about life experience prompts students to do the following: You may struggle with such...

Who has made a significant impact in your life and why? Essay on the topic might be challenging to write. One is usually asked to write such a text as a college admission essay. A topic for this paper can be of your choice or pre-established by the institution. Either...

May I know who’s the author? For my citation activity.

Hello, Kriszha! You can reference it as a web source/web page.

Wow…great work… kindly can you assist me in writing a critique about indiscipline in a school

That’s an interesting demonstration I watched. However, my weakness is that I’m very poor in language and analysing issues.

Hi, can you help me for my assignment about article critiquing?

I need your help if you can send me a full written dissertation..thank you

This is gud

Can you help me to my activities

Thank you so much! This really helped me!

• Writing well

How to write a critique

• Starting well
• How to write an annotated bibliography
• How to write a case study response
• How to write an empirical article
• How to write an essay
• How to write a literature review
• How to write a reflective task
• How to write a report
• Finishing well

Before you start writing, it is important to have a thorough understanding of the work that will be critiqued.

• Study the work under discussion.
• Make notes on key parts of the work.
• Develop an understanding of the main argument or purpose being expressed in the work.
• Consider how the work relates to a broader issue or context.

Example template

There are a variety of ways to structure a critique. You should always check your unit materials or Canvas site for guidance from your lecturer. The following template, which showcases the main features of a critique, is provided as one example.

Introduction

Typically, the introduction is short (less than 10% of the word length) and you should:

• name the work being reviewed as well as the date it was created and the name of the author/creator
• describe the main argument or purpose of the work
• explain the context in which the work was created - this could include the social or political context, the place of the work in a creative or academic tradition, or the relationship between the work and the creator’s life experience
• have a concluding sentence that signposts what your evaluation of the work will be - for instance, it may indicate whether it is a positive, negative, or mixed evaluation.

Briefly summarise the main points and objectively describe how the creator portrays these by using techniques, styles, media, characters or symbols. This summary should not be the focus of the critique and is usually shorter than the critical evaluation.

Critical evaluation

This section should give a systematic and detailed assessment of the different elements of the work, evaluating how well the creator was able to achieve the purpose through these. For example: you would assess the plot structure, characterisation and setting of a novel; an assessment of a painting would look at composition, brush strokes, colour and light; a critique of a research project would look at subject selection, design of the experiment, analysis of data and conclusions.

A critical evaluation does not simply highlight negative impressions. It should deconstruct the work and identify both strengths and weaknesses. It should examine the work and evaluate its success, in light of its purpose.

Examples of key critical questions that could help your assessment include:

• Who is the creator? Is the work presented objectively or subjectively?
• What are the aims of the work? Were the aims achieved?
• What techniques, styles, media were used in the work? Are they effective in portraying the purpose?
• What assumptions underlie the work? Do they affect its validity?
• What types of evidence or persuasion are used? Has evidence been interpreted fairly?
• How is the work structured? Does it favour a particular interpretation or point of view? Is it effective?
• Does the work enhance understanding of key ideas or theories? Does the work engage (or fail to engage) with key concepts or other works in its discipline?

This evaluation is written in formal academic style and logically presented. Group and order your ideas into paragraphs. Start with the broad impressions first and then move into the details of the technical elements. For shorter critiques, you may discuss the strengths of the works, and then the weaknesses. In longer critiques, you may wish to discuss the positive and negative of each key critical question in individual paragraphs.

To support the evaluation, provide evidence from the work itself, such as a quote or example, and you should also cite evidence from related sources. Explain how this evidence supports your evaluation of the work.

This is usually a very brief paragraph, which includes:

• a statement indicating the overall evaluation of the work
• a summary of the key reasons, identified during the critical evaluation, why this evaluation was formed
• in some circumstances, recommendations for improvement on the work may be appropriate.

Reference list

Include all resources cited in your critique. Check with your lecturer/tutor for which referencing style to use.

• Mentioned the name of the work, the date of its creation and the name of the creator?
• Accurately summarised the work being critiqued?
• Mainly focused on the critical evaluation of the work?
• Systematically outlined an evaluation of each element of the work to achieve the overall purpose?
• Used evidence, from the work itself as well as other sources, to back and illustrate my assessment of elements of the work?
• Formed an overall evaluation of the work, based on critical reading?
• Used a well structured introduction, body and conclusion?
• Used correct grammar, spelling and punctuation; clear presentation; and appropriate referencing style?

Further information

• University of New South Wales: Writing a Critical Review
• University of Toronto: The Book Review or Article Critique

Global links and information

• Referencing and using sources
• Background and development
• Changes to QUT cite|write
• Need more help?
• Current students
• Current staff
• TEQSA Provider ID: PRV12079 (Australian University)
• CRICOS No. 00213J
• ABN 83 791 724 622
• Last modified: 07-Mar-2023
• Accessibility
• Right to Information
• Feedback and suggestions

Acknowledgement of Traditional Owners

QUT acknowledges the Traditional Owners of the lands where QUT now stands.

Writing a Critique Paper: Seven Easy Steps

Were you assigned or asked by your professor to write a critique paper? It’s easy to write one. Just follow the following four steps in writing a critique paper and three steps in presenting it, then you’re ready to go.

One of the students’ requirements I specified in the course module is a critique paper. Just so everyone benefits from the guide I prepared for that class, I share it here.

To standardize the format they use in writing a critique paper, I came up with the following steps to make their submissions worthwhile.

Since they are graduate students, more is expected of them. Hence, most of the verbs I use in writing the lesson’s objectives reside in the domain of higher thinking skills or HOTS. Developing the students’ critical thinking skills will help them analyze future problems and propose solutions that embody environmental principles thus resonate desirable outcomes aligned with the goal of sustainable development.

Table of Contents

Step-by-step procedure in writing a critique paper.

I quickly wrote this simple guide on writing a critique paper to help you evaluate any composition you want to write about. It could be a book, a scientific article, a gray paper, or whatever your professor assigns. I integrated the essence of the approach in this article.

The critique paper essentially comprises two major parts, namely the:

1) Procedure in Writing a Critique Paper, and the

2) Format of the Critique Paper.

First, you will need to know the procedure that will guide you in evaluating a paper. Second, the format of the critique paper refers to how you present it so that it becomes logical and scholarly in tone.

The Four Steps in Writing a Critique Paper

Here are the four steps in writing a critique paper:

To write a good critique paper, it pays to adhere to a smooth flow of thought in your evaluation of the piece. You will need to introduce the topic, analyze, interpret, then conclude it.

Introduce the Discussion Topic

Introduce the topic of the critique paper. To capture the author’s idea, you may apply the  5Ws and 1H approach  in writing your technical report.

That means, when you write your critique paper, you should be able to answer the Why , When , Where , What , Who , and How questions. Using this approach prevents missing out on the essential details. If you can write a critique paper that adheres to this approach, that would be excellent.

Here’s a simplified example to illustrate the technique:

The news article by John Doe was a narrative about a bank robbery. Accordingly, a masked man  (Who)  robbed a bank  (What)  the other day  (When)  next to a police station  (Where) . He did so in broad daylight  (How) . He used a bicycle to escape from the scene of the crime  (How) . In his haste, he bumped into a post. His mask fell off; thus, everyone saw his face, allowing witnesses to describe him. As a result, he had difficulty escaping the police, who eventually retrieved his loot and put him in jail because of his wrongdoing  (Why) .

Hence, you give details about the topic, in this case, a bank robbery. Briefly describe what you want to tell your audience. State the overall purpose of writing the piece and its intention.

Is the essay written to inform, entertain, educate, raise an issue for debate, and so on? Don’t parrot or repeat what the writer wrote in his paper. And write a paragraph or a few sentences as succinctly as you can.

Analyze means to break down the abstract ideas presented into manageable bits.

What are the main points of the composition? How was it structured? Did the view expressed by the author allow you, as the reader, to understand?

In the example given above, it’s easy to analyze the event as revealed by the chain of events. How do you examine the situation?

The following steps are helpful in the analysis of information:

• Ask yourself what your objective is in writing the critique paper. Come up with a guidepost in examining it. Are you looking at it with some goal or purpose in mind? Say you want to find out how thieves carry out bank robberies. Perhaps you can categorize those robberies as either planned or unplanned.
• Find out the source, or  basis, of the information that you need. Will you use the paper as your source of data, or do you have corroborating evidence?
• Remove  unnecessary information  from your data source. Your decision to do so depends on your objective. If there is irrelevant data, remove it from your critique.

We can use an analogy here to clearly explain the analysis portion.

If you want to split a log, what would you do? Do you use an ax, a chainsaw, or perhaps a knife? The last one is out of the question. It’s inappropriate.

Thus, it would be best if you defined the tools of your analysis. Tools facilitate understanding and allow you to make an incisive analysis.

Read More : 5 Tools in Writing the Analysis Section of the Critique Paper

Now, you are ready to interpret the article, book, or any composition once the requisites of analysis are in place.

Visualize the event in your mind and interpret the behavior of actors in the bank robbery incident. You have several actors in that bank heist: the robber, the police, and the witnesses of the crime.

While reading the story, it might have occurred to you that the robber is inexperienced. We can see some discrepancies in his actions.

Imagine, his mode of escape is a bicycle. What got into him? Maybe he did not plan the robbery at all. Besides, there was no mention that the robber used a gun in the heist.

That fact confirms the first observation that he was not ready at all. Escaping the scene of the crime using a bicycle with nothing to defend himself once pursued? He’s insane. Unimaginable. He’s better off sleeping at home and waiting for food to land on his lap if food will come at all.

If we examine the police’s response, they were relatively quick. Right after the robber escaped the crime scene, they appeared to remedy the situation. The robber did not put up a fight.

What? With bare knuckles? It makes little sense.

If we look at the witnesses’ behavior, we can discern that perhaps they willingly informed the police of the bank robber’s details. They were not afraid. And that’s because the robber appears to be unarmed. But there was no specific mention of it.

Narrate the importance of each of the different sections or paragraphs. How does the write-up contribute to the overall picture of the issue or problem being studied?

Assess or Evaluate

Finally, judge whether the article was a worthwhile account after all. Did it meet expectations? Was it able to convey the information most efficiently? Or are there loopholes or flaws that should have been mentioned?

Format of Presenting the Critique Paper

The logical format in writing a critique paper comprises at least three sections: the introduction, the body, and the conclusion. This approach is systematic and achieves a good flow that readers can follow.

Introduction

Include the title and name of the author in your introduction. Make a general description of the topic being discussed, including the author’s assumptions, inferences, or contentions. Find out the thesis or central argument , which will be the basis of your discussion.

The robbery example appears to be inappropriate to demonstrate this section, as it is so simple. So we level up to a scientific article.

In any scientific article, there is always a thesis that guides the write-up. A thesis is a statement that expresses what the author believes in and tries to test in his study. The investigation or research converges (ideally) to this central theme as the author’s argument.

You can find the thesis in the paper’s hypothesis section. That’s because a hypothesis is a tentative thesis. Hypo means “below or under,” meaning it is the author’s tentative explanation of whatever phenomenon he tackles.

If you need more information about this, please refer to my previous post titled “ How to Write a Thesis .”

How is the introduction of a critique paper structured? It follows the general guidelines of writing from a broad perspective to more specific concerns or details. See how it’s written here:  Writing a Thesis Introduction: from General to Specific .

You may include the process you adopted in writing the critique paper in this section.

The body of the paper includes details about the article being examined. It is here where you place all those musings of yours after applying the  analytical tools .

This section is similar to the results and discussion portion of a scientific paper. It describes the outcome of your analysis and interpretation.

In explaining or expressing your argument, substantiate it by citing references to make it believable. Make sure that those references are relevant as well as timely. Don’t cite references that are so far out in the past. These, perhaps, would not amount to a better understanding of the topic at hand. Find one that will help you understand the situation.

Besides, who wants to adopt the perspective of an author who has not even got hold of a mobile phone if your paper is about  using mobile phones to facilitate learning during the pandemic caused by COVID-19 ? Find a more recent one that will help you understand the situation.

Objectively examine the major points presented by the author by giving details about the work. How does the author present or express the idea or concept? Is he (or she) convincing the way he/she presents his/her paper’s thesis?

Well, I don’t want to be gender-biased, but I find the “he/she” term somewhat queer. I’ll get back to the “he” again, to represent both sexes.

I mention the gender issue because the literature says that there is a difference in how a person sees things based on gender. For example, Ragins & Sundstrom (1989) observed that it would be more difficult for women to obtain power in the organization than men. And there’s a paper on gender and emotions by Shields et al. (2006) , although I wouldn’t know the outcome of that study as it is behind a paywall. My point is just that there is a difference in perspective between men and women. Alright.

Therefore, always find evidence to support your position. Explain why you agree or disagree with the author. Point out the discrepancies or strengths of the paper.

Well, everything has an end. Write a critique paper that incorporates the  key takeaways  of the document examined. End the critique with an overall interpretation of the article, whatever that is.

Why do you think is the paper relevant in the course’s context that you are taking? How does it contribute to say, the study of human behavior (in reference to the bank robbery)? Are there areas that need to be considered by future researchers, investigators, or scientists? That will be the knowledge gap that the next generation of researchers will have to look into.

If you have read up to this point, then thank you for reading my musings. I hope that helped you clarify the steps in writing a critique paper. A well-written critique paper depends on your writing style.

Read More : How to Write an Article with AI: A Guide to Using AI for Article Creation and Refinement

Notice that my writing style changes based on the topic that I discuss. Hence, if your professor assigns you a serious, rigorous, incisive, and detailed analysis of a scientific article, then that is the way to go. Adopt a formal mode in your writing.

Final Tip : Find a paper that is easy for you to understand. In that way, you can clearly express your thoughts. Write a critique paper that rocks!

Related Reading

Master Content Analysis: An All-in-One Guide

Ragins, B. R., & Sundstrom, E. (1989). Gender and power in organizations: A longitudinal perspective. Psychological bulletin , 105 (1), 51.

Shields, S. A., Garner, D. N., Di Leone, B., & Hadley, A. M. (2006). Gender and emotion. In Handbook of the sociology of emotions (pp. 63-83). Springer, Boston, MA.

© 2020 November 20 P. A. Regoniel

Related Posts

What is the difference between theory testing and theory building, how slow can a heartbeat get.

How to Write a Hypothesis: 5 Important Pointers

About the author, patrick regoniel.

Dr. Regoniel, a faculty member of the graduate school, served as consultant to various environmental research and development projects covering issues and concerns on climate change, coral reef resources and management, economic valuation of environmental and natural resources, mining, and waste management and pollution. He has extensive experience on applied statistics, systems modelling and analysis, an avid practitioner of LaTeX, and a multidisciplinary web developer. He leverages pioneering AI-powered content creation tools to produce unique and comprehensive articles in this website.

Thank you..for your idea ..it was indeed helpful

Glad it helped you Preezy.

This is extremely helpful. Thank you very much!

Thanks for sharing tips on how to write critique papers. This article is very informative and easy to understand.

Welcome. Thank you for your appreciation.

SimplyEducate.Me Privacy Policy

Improve your writing in one of the largest and most successful writing groups online

Join our writing group!

Critique vs. Criticism: How to Write a Good Critique, with Examples

by Daniel Rodrigues-Martin

Understanding critique vs. criticism

We all assign merit to the information we experience daily. We “judge” what we hear on the news. We “evaluate” a university lecture. We “like” or “dislike” a movie, a meal, a photo, a story. We’re all critics.

Some writer-readers struggle with this point, especially if they are young to writing and editing. Sitting in a judgment of another writer’s work often feels distasteful, and doing so may conjure negative memories of when we were misunderstood or dismissed by others.

Conversely, we might be willing to share our opinions with other writers while struggling with our competence. We can’t seem to say anything constructive. If we’re critiquing on Scribophile, we may feel that we are wasting one of the author’s coveted “spotlight” critiques.

Having used Scribophile on-and-off since 2009, I’ve seen countless readers qualify their commentary on my own work (“I don’t read your genre,” “I haven’t read your previous chapters,” “I’m not good with grammar,” etc.) and I’ve seen even more cry woe on the forums about how they can’t critique because they’re not experienced enough, not educated enough, or not talented enough. Others decry the very sort of criticism writers’ groups and workshop sites like Scribophile foster, suggesting that the perfunctory nature of such criticism is ultimately more harmful than helpful.

Scribophile as a community thrives on the principle of serious commitment to serious writing, and the foundation of that commitment is reading and responding to others’ work. If you want to explore some elements helpful to improving your critiquing skills, I invite you to get yourself some hot caffeine, strap on your thinking cap, and read on.

How to write a great critique in 3 steps

Listed here are some ideas I’ve found helpful for approaching others’ work; these tips are about your mindset as a critic. These ideas are by no means exhaustive. The best teacher is experience, and I encourage all writers to reflect on the ways in which they approach others’ work as well as how they can best contribute to the growth of others on and off of Scribophile.

1. If you’re genuine, you’ll be constructive

Being constructive means coming to the critique with the ultimate goal of helping the writer improve. It means always criticizing with good intentions for the writer. It does not equate to coddling—being so nice you’ll never say a hard thing—nor does it equate to browbeating—being so hard you’ll never say a nice thing.

Being dishonest or refusing to offer valid criticism where you’re able is a disservice to the writer. Don’t shy away from honesty. Few things are more constructive than hard truths delivered by critics who genuinely want to help and who tailor their criticism with an attitude of genuine interest.

As you interact with works on Scribophile or elsewhere, remember to always approach the task of criticism with a desire to be genuinely helpful. If your criticism is built on this foundation, your commentary will be constructive regardless of your competence and experience.

2. No jerks

As for literary criticism in general: I have long felt that any reviewer who expresses rage and loathing for a novel or a play or a poem is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae or a banana split. —Kurt Vonnegut

Few things will more quickly deflate a writer than unnecessarily harsh criticism. Being honest and being brutal are not the same thing. Critics must learn to express hard truths without coddling and without being jerks.

Even rude people can be good writers with valuable insights into the craft. The problem is that if you express valid insights obnoxiously, the author won’t care. In order for people to listen, they must feel that the person criticizing them has their best interest in mind, and being harsh doesn’t communicate your best interest.

In my earliest days writing, I received some negative criticism from a writer who decided to berate me for penning a bad phrase rather than explaining to me why the phrase didn’t work. Because he was rude, I insulated myself to his criticism. Years later, I reviewed the work and realized his criticism was valid. The problem was not the content of his criticism, but its malicious delivery. Had he come to my work with the desire to be genuinely helpful, I would have listened to what he had to say, and I might even have gained some enlightenment during a formative time in my writing career. The critic did me doubly wrong not only by being obnoxious, but by retarding my growth as a writer.

Unnecessarily harsh criticism is a sign of literary and personal immaturity. Don’t be a jerk.

3. Don’t be too timid

Flattering friends corrupt. —St. Augustine

Every writer likes to be praised, especially by those not obligated to praise them due to marital status or having given birth to them. But depthless praise can be just as damaging as heartless criticism. The reason for this is that it offers no real commentary on the work.

Refusing to offer criticism where it’s needed is one of the greatest disservices you as a critic can do for other writers. Some critics may fret that their criticism might be too discouraging if fully disclosed. Critics must contend with the reality that writing is art, people have opinions about art, and those opinions are not always going to be eruptions of praise. There is no safer environment to honestly and succinctly point out problem areas in a piece of writing than a forum designed for that very purpose.

None of this is to say that you shouldn’t commend a piece of work if it truly is fantastic or that you should not highlight the gems within a work. Again: constructive criticism is honest criticism. If a work is so well-crafted in your eyes that nothing worse than grammatical hiccups are present, tell the writer. They deserve to know they’ve done a fine job. Sometimes people genuinely deserve a “well done.” Don’t skimp on encouragement where it can be authentically offered. Even if a piece is messy, do your best to find a few strong points to highlight. It will express your best interest—especially if you had a lot of hard things to say.

The difference between a critique vs. criticism is whether it’s constructive

Be constructive , meaning, have the best intentions for helping the writer. This may mean telling hard truths. If hard truths must be told, do so respectfully. If praise is deserved, offer it. Highlight the strong points of a piece—even if they are far outweighed by the negative points. Be genuine in your motivations, and genuine action will follow.

Considering authorial intent while critique writing

This section concerns authorial intent and has as its purpose the critic’s growth as an interpreter of that intent. This section is not so much about judging an author’s intent as it’s about being aware of that intent and factoring that awareness into your commentary.

1. Context is king

It is important to appreciate the amount of subjectivity and pre-understanding all readers and listeners bring to the process of interpreting acts of human communication. But unless a speaker or author can retain the right to correct someone’s interpretation by saying ‘but that’s not what I meant’ or ‘that’s not even consistent with what I meant,’ all human communication will quickly break down. —Craig L. Blomberg

While interpreters are always within their rights to read whatever they want however they want to, what they are not at liberty to decide is authorial intent —what the author desired the audience to receive from their work.

As a reader and a critic, you must be careful to understand an author’s work on their own terms while also interpreting those words. There is a substantial difference between, “This is how I’m hearing what you’re saying,” and, “This is what I say your words mean.” Don’t presume to tell an author what their work is supposed to mean, but do tell them how you’re interpreting what they’ve written.

A work-in-progress can suffer from a variety of ailments. Contextual questions are not cut-and-dry like questions of syntax, grammar, or, to a degree, plotting. Questions of context have to do with the interaction of author intent and reader interpretation. They’re murky waters to navigate because you as the reader have to exercise a bit of telepathy; you have to try and get inside the author’s head, ultimately “What is the author trying to convey with this sentence, this piece? Who is this piece for, and will it successfully communicate with that target audience? Is it clear that there is a target audience?”

Some authors are great at genre pieces; they know all the chords to strike, they know what the tone of the piece should be, the kinds of characters who should appear. Other authors can completely muck it up. They’ll write a romance piece that reads like a technical manual or a flowery memoir with a tangle of dead-ending tangents. It’s not always easy and natural for new critics to explain why something does or doesn’t work, but innately, we know. When those moments come up, let the author know.

2. The unintended/unspoken

Asking the question, “Is that really what you meant?” isn’t always bad. All of us have been misunderstood. Sometimes the results are humorous, but other times, we’re grateful for the opportunity to correct misunderstandings.

If in your criticism you find yourself questioning the use of a word or phrase, or even of a character, idea, or plot point, it’s advisable to bring such questions to the writer’s attention. It may just be you, but it may not just be you. Unless the writer has a philosophical axe to grind, they probably mean to communicate clearly, and it should at least be made known that they may have botched it up.

Conversely, there are instances where things left unwritten speak volumes. Perhaps a character “falls off the radar” in mid-scene, and it leaves you scratching your head? It may be appropriate to point out confusing instances of the unwritten for the author’s consideration.

Because my own novel employs many neologisms, critics jumping in mid-story often highlight those neologisms to make sure I’m using them as intended. While it can get tedious to say to myself, “Yes, that is what it means,” I am always thankful for keen eyes. This is the kind of sharp, considerate criticism each of us should aim for and be thankful for if we receive it.

3. Accounting for genre and intended audience

A genre is “A category of artistic composition, as in music or literature, marked by a distinctive style, form, or content.” When reading an author’s work, it’s crucial to take into account its genre and intended audience. If you’re even-handed in your critiquing, you’ll at some point be reading a story in a genre you might not otherwise touch, and while you might wish Twilight had been a one-off rather than a worldwide phenomenon, it’s inappropriate to harshly judge an author’s work simply because you don’t like their sort of story.

Consider the question of author intent and how that intent will resonate with an intended (or unintended!) audience. Sometimes, you must ignore whether or not a story resonates with you personally. Instead, ask yourself if it would resonate with your vampire-novel-loving daughter. Are the story, plot devices, characters, and verbiage appropriate for the intended audience? If yes, why or why not? If no, why or why not? Your personal tastes should not dictate the quality of your criticism. Train yourself to offer valuable insight even on writing you’d never pay money to read.

Remember these principles when reading work outside your sphere of interest. Being constructive doesn’t mean you have to love or even like the work. If something is written well, it’s written well—prejudices aside. If you’re truly unable to be objective, you would do the writer a better service by moving on.

4. Don’t pretend to be a non-writer

A film director watches other films differently than a moviegoer. A chef tastes a meal differently than the average person. As a writer, you necessarily see stories differently than non-writers. That’s not a bad thing.

We can be helpful to other writers by sharing our gut reactions no differently than an unversed beta reader. On the other hand, writers should be able to explain with more clarity than the average person why something does or doesn’t work in a story. A writer’s insight is of a different quality than a non-initiate’s insight. Both are needed for success, because if a writer one day moves on to pitch their work to those in the literary establishment, that work will not be judged by average readers until after it has survived the professional gauntlet.

All readers have the ability to share their gut reactions, but not all readers can slip on their “writer glasses” and offer critique on that level. Good critiques provide both types of insight, so as a fellow writer, bring your full experience to bear in helping others embarking on the same journey.

Understanding intent is part of a good critique

As best as you’re able, judge an author’s work on the basis of their intent—this includes noting instances of the unintended! In consideration of genre, judge the work not on the basis of your interest in the genre, but on the author’s skill at writing a piece that strikes the proper chords within the genre they’ve chosen. It’s not possible for you to read as a reader only, so don’t pretend to be something you’re not.

What makes a good critique?

A good writer may come out of any intellectual discipline at all. Every art and science gives the writer its own special ways of seeing, gives him experience with interesting people, and can provide him with means of making a living… It is not necessary—or perhaps even advisable—that the young writer major in literature. —John Gardner

Contrary to the belief of a lot of new writers, learning to write and critique doesn’t require sixty-four credits of college English or an MFA. Plenty of writers and editors don’t hold English or Creative Writing degrees, and while I in no way wish to discourage those who choose to improve their writing and reviewing by taking the high road of formal education, neither do I wish to discourage the 98% of you reading this who haven’t and won’t be able to front the money and time for such an education.

The ability to forge valid criticism is an applied skill learned through a combination of technical knowledge and experience. We’re fortunate to live in an age where vast quantities of technical information are available at our fingertips. Contemporary writers are able to write informed literature like never before. So, too, are critics able to fact-check writers like never before.

Just as you’re willing to fact-check history or science before you include something in your story, it doesn’t hurt to do that for those you critique. Granted, they should do that themselves, but maybe they’re writing a genre you write, or maybe they’re writing about your field of work or interest? Being educated or experienced in any field will enrich not only your writing, but your critiquing. If you’re a fry cook, your ability to write or critique a scene in a modern commercial kitchen is better than that of someone who hasn’t had that experience. Because you know what it’s like to really work in a kitchen, you can speak to the authenticity of any such scene, and you can speak to the authenticity of the kinds of people who work in commercial kitchens. Your grammar may not be the best, but you still have something valuable to contribute.

Great writers are keen observers of life, and their writing both informs and is by informed by life. Bring the authenticity of your life to your writing and your criticism. You have perspectives, knowledge, and experiences others don’t. As you read and respond to authors, employ the skills and knowledge you already possess. Put your formal and informal education and your life experience to work. This is what it means to “write what you know” and, in our case, “critique what you know.”

Immerse yourself in all sorts of stories to get better at critiquing

One of the cardinal “writing for dummies” rules is that if you want to write well, you need to read a lot. I don’t doubt the validity of this statement, but books are only one medium of storytelling among many. My contention is that by immersing yourself in movies, television, and other storytelling mediums, you can learn about dialogue, plot, characterization, and all the other aspects of “storytelling” that appear no matter what medium you choose.

If you want to understand what makes a story great, seek out great stories. Immerse yourself in them. Though you may not be able to verbalize it, your innate understanding of what makes a narrative work will grow. This will improve both your writing and your critiquing.

Steal critiquing techniques from smart people–yourself included

Consider the critiques that have been most helpful to you. Why did they work? Reread them if you must. Then find a way to adapt the good things from those critiques into your own criticism.

Consider the critiques you’ve shared that have been helpful to others. What stood out to the author? You may even consider asking an author for feedback on your critique. Ask how you could have been more helpful.

Critiquing is a skill you can improve over time just like writing itself. But like writing, it takes practice and discipline. Make it easier on yourself by nurturing what works.

A reading list to improving your critique writing skills

There are many solid books on writing that will not only improve your writing, but your critical reading skills. Rather than provide you a hundred sources, here are a few I’ve been able to get my claws on, have dug into, and can personally vouch for:

Good Prose , by Tracy Kidder & Richard Todd. The writer-editor combo of The Atlantic share their wisdom through a tightly-edited, insightful, and entertaining survey of nonfiction writing that has plenty of benefit for writers of all stripes. The book’s section on “proportion and order” in narrative has revolutionized my own thinking about how stories should be structured.

How to Write Science Fiction and Fantasy , by Orson Scott Card. A good resource if you write these genres, Card provides practical advice on publishing, agents, etc., in addition to familiarizing the reader with dos and don’ts for writing Sci-Fi/Fantasy, including some technical questions. The book’s a bit dated by now—especially the parts about the publishing world—but there are some nuggets of timeless truth within.

On Becoming a Novelist , by John Gardner. Despite the Modernistic tendency of abusing the pronoun “he,” this may be the most formative thing I’ve read about novel writing. It’s slim, readable, practical, and comprehensive.

On Writing , by Stephen King. Something of an autobiography penned by one of the most successful authors of all time, this book is snappy, humorous, entertaining, and more than a little instructive for anyone looking to write and read better. King reminds his fellow writers that “Life isn’t a support system for art; it’s the other way around.”

Story , by Robert McKee. Considered by many to be the “screenwriter’s bible,” Story belongs in the library of every serious writer whether or not they ever aspire to the silver screen. McKee is a master of properly balancing a plot to satisfy an audience, and all writers should glean from his wisdom.

The Modern Library Writer’s Workshop , by Stephen Koch. Koch flexes his student’s muscles by providing copious citations from the masters who have graced the past few centuries of literature. The author fades into the background at points while readers are treated to the musings and experiences of Dostoevsky, Flannery O’Connor, Hemingway, and others.

The Writer’s Journey: Mythic Structure for Writers , by Christopher Vogler. Vogler is one of the most proficient living writers of the entertainment industry. Working primarily from the theses of the late cultural anthropologist, Joseph Campbell, Vogler illustrates the plot devices and character tropes that underlie the world’s oldest stories. Recommended for new writers of the speculative fiction genres and those who wish to write epics.

The value of criticism and critiquing

The arts too can be taught, up to a point; but except for certain matters of technique, one does not learn the arts, one simply catches on. —John Gardner

The value of criticism is twofold: First and most obviously, it helps others. Second, and maybe not as apparent if you’re new to critiquing: It improves your own writing.

As you examine the work of others, you’ll be able to see what works and what doesn’t work. You will begin to notice patterns as you edit your own writing, and you’ll begin to sift out the problem areas. It’s difficult to judge your own work objectively. Doing it for others helps you get a clear head and recognize the ways in which you do the very things you criticize others for doing.

This article hasn’t had as a goal the outlining of a criticism “process.” The reason for this is that I could no more outline a criticism process than I could outline a fiction writing process. There is no single monolithic “right way to do it” that will unequivocally work for everyone. Herein are general guidelines and considerations that I’ve found helpful over the years and that others have appreciated. If you write critiques constructively, taking consideration of what the author is trying to do, and if you do so authentically, drawing on your experiences and knowledge, you’re on the right track for writing great critiques. The details of how exactly you accomplish that will become clearer to you as you engage in criticism. As in any discipline: Seek feedback and keep going.

Appendix I: “Line edits” and “critiques”

“Line edits” and “critiques” are not the same thing. These two types of reader responses address different issues, and in order to ensure that you receive the kind of criticism you’re seeking, you need to know what you’re displaying.

A “line edit” is a thorough, line-by-line examination of a manuscript. A good line edit requires an editor with a keen eye for detail and a working knowledge of contemporary grammar, syntax, and idiomatic English. The purpose of a line edit is to make a manuscript as readable as possible by removing technical errors. Typically, works that receive line edits receive them because they’re in need of them.

A “critique” is an in-depth review, touching on characterization, plot, theme, scene structure, poetry of language, and other related factors. Notice how I didn’t list anything about spelling or proper comma usage? It’s because that’s not critiquing; that’s editing. Typically, works that receive criticism as described here are free or mostly free of errors that distract readers from the story.

No one is perfect, and one of the best tools at our disposal on Scribophile is the inline critique option. Having never read nor submitted a flawless piece of writing for review, I can tell you that no one should be ashamed to receive a line edit. There are many sharp eyes and sharp minds browsing Scribophile, and even the best writer’s eyes glaze over after so many hours of staring at a white screen.

That said, part of what is absolutely necessary to receive genuine criticism as described above is a readable text. An unreadable text has never, in my experience, provided foundation for a fantastic piece of writing. Messy prose screams “messy story.” If you want criticism of story, your text must be as clean as possible.

If you’re willing to admit that your mastery of the technicalities of writing is not the sharpest, by all means, employ the knowledge and expertise of those on this site who do; it’s a wonderful resource. Readers can’t truly resonate with your story until you weave a piece of art that makes them forget they’re experiencing a piece of art. When you’re able to achieve this, you’ve removed the hurdles preventing your reader from authentically engaging with the story you’ve created. It’s at this stage in your writing that you can consistently receive deep criticism.

This is, of course, not to say that imperfect prose can’t be critiqued. Part of writing great critiques is learning to spot the gems in the story and encouraging the writer to press onward in spite of any shortcomings. If you’re honest and genuine, this won’t be a problem.

If all else fails, list at the top of your submitted piece the sort of critique you’re seeking by highlighting specific questions. “I’d love to know how you reacted when X happened,” for example. This will encourage readers to engage with the sorts of questions you’re asking.

Appendix II: The Benefits and Limits of Critique Groups

If you understand how to best leverage critique groups, they will be helpful and formative to your growth. As written above, critiquing others helps you grow; but there is more. The benefits of critique groups are threefold.

First, broad exposure. Want to know what people outside of your social circle will think of your work? A critique group will expose your work to people of different backgrounds. You can learn how a teen writer with big dreams or a Native American ex-botanist writing a memoir in retirement reacts to your story. This is the type of demographic insight you’d pay good money for when it comes time to sell your book. Even in small chunks, it’s valuable to know how different people experience your work.

Second, many eyes forge sharper prose. If three different people all trip over the same thing in your text, the problem is most likely not those three people, but your text. Especially if your text is hot off the press, you can catch errors early, and writers tend to be sharper with these sorts of things than the general population. Go look up the cost of a professional manuscript editor in your area, and you’ll be glad for many eyes combing over your writing.

Third, and most importantly: networking. The goal of sites like Scribophile and in-person critique groups should be to develop a network of people who will read the entirety of your work. Don’t get angry at forks for not being spoons—a reader jumping in mid-story will never give you the same level of commentary as someone who’s been reading since chapter one. If you’re ready for that level of reading, you need others to agree to read the book from start to finish. Use critique groups and sites like Scribophile to build relationships. Be attentive to others and share good critiques with them. As your relationships deepen, you’ll eventually find yourself with a list of contacts to trade with. But this requires you to be the kind of person people want reading their work. Behave professionally, and over time, you’ll find yourself surrounded by likeminded individuals who will give you the kind of meaty, informed commentary you need. The rule of thumb with critique groups and workshop websites is: You get out what you put in to them.

Appendix III: Still confused?

If you have questions I have failed to address in this article, I encourage you to contact me privately here on Scribophile or to reach out on social media. I’m happy to help.

Get feedback on your writing today!

Scribophile is a community of hundreds of thousands of writers from all over the world. Meet beta readers, get feedback on your writing, and become a better writer!

Join now for free

Related articles

What Distinguishes Literary Nonfiction From Traditional Nonfiction

How to Write a Hook for Your Query Letter

What Is a Beta Reader? (And Why You Need One!)

How to Become a Beta Reader

Screenplay Format: How to Format a Script, with Examples

Novel Versus Book: What’s the Difference?

Writing Critiques

Writing a critique involves more than pointing out mistakes. It involves conducting a systematic analysis of a scholarly article or book and then writing a fair and reasonable description of its strengths and weaknesses. Several scholarly journals have published guides for critiquing other people’s work in their academic area. Search for a  “manuscript reviewer guide” in your own discipline to guide your analysis of the content. Use this handout as an orientation to the audience and purpose of different types of critiques and to the linguistic strategies appropriate to all of them.

Types of critique

Article or book review assignment in an academic class.

Text: Article or book that has already been published Audience: Professors Purpose:

• to demonstrate your skills for close reading and analysis
• to show that you understand key concepts in your field
• to learn how to review a manuscript for your future professional work

Published book review

Text: Book that has already been published Audience: Disciplinary colleagues Purpose:

• to describe the book’s contents
• to summarize the book’s strengths and weaknesses
• to provide a reliable recommendation to read (or not read) the book

Manuscript review

Text: Manuscript that has been submitted but has not been published yet Audience: Journal editor and manuscript authors Purpose:

• to provide the editor with an evaluation of the manuscript
• to recommend to the editor that the article be published, revised, or rejected
• to provide the authors with constructive feedback and reasonable suggestions for revision

Language strategies for critiquing

For each type of critique, it’s important to state your praise, criticism, and suggestions politely, but with the appropriate level of strength. The following language structures should help you achieve this challenging task.

Offering Praise and Criticism

A strategy called “hedging” will help you express praise or criticism with varying levels of strength. It will also help you express varying levels of certainty in your own assertions. Grammatical structures used for hedging include:

Modal verbs Using modal verbs (could, can, may, might, etc.) allows you to soften an absolute statement. Compare:

This text is inappropriate for graduate students who are new to the field. This text may be inappropriate for graduate students who are new to the field.

Qualifying adjectives and adverbs Using qualifying adjectives and adverbs (possible, likely, possibly, somewhat, etc.) allows you to introduce a level of probability into your comments. Compare:

Readers will find the theoretical model difficult to understand. Some readers will find the theoretical model difficult to understand. Some readers will probably find the theoretical model somewhat difficult to understand completely.

Note: You can see from the last example that too many qualifiers makes the idea sound undesirably weak.

Tentative verbs Using tentative verbs (seems, indicates, suggests, etc.) also allows you to soften an absolute statement. Compare:

This omission shows that the authors are not aware of the current literature. This omission indicates that the authors are not aware of the current literature. This omission seems to suggest that the authors are not aware of the current literature.

Offering suggestions

Whether you are critiquing a published or unpublished text, you are expected to point out problems and suggest solutions. If you are critiquing an unpublished manuscript, the author can use your suggestions to revise. Your suggestions have the potential to become real actions. If you are critiquing a published text, the author cannot revise, so your suggestions are purely hypothetical. These two situations require slightly different grammar.

Unpublished manuscripts: “would be X if they did Y” Reviewers commonly point out weakness by pointing toward improvement. For instance, if the problem is “unclear methodology,” reviewers may write that “the methodology would be more clear if …” plus a suggestion. If the author can use the suggestions to revise, the grammar is “X would be better if the authors did Y” (would be + simple past suggestion).

The tables would be clearer if the authors highlighted the key results. The discussion would be more persuasive if the authors accounted for the discrepancies in the data.

Published manuscripts: “would have been X if they had done Y” If the authors cannot revise based on your suggestions, use the past unreal conditional form “X would have been better if the authors had done Y” (would have been + past perfect suggestion).

The tables would have been clearer if the authors had highlighted key results. The discussion would have been more persuasive if the authors had accounted for discrepancies in the data.

Note: For more information on conditional structures, see our Conditionals handout .

Make a Gift

Writing a Critique

• About this Guide
• What Is a Critique?
• Getting Started
• Components of a Critique Essay

Further Reading

This article provides additional guidance for writing critiques:

Vance DE, Talley M, Azuero A, Pearce PF, & Christian BJ. (2013). Conducting an article critique for a quantitative research study: perspectives for doctoral students and other novice readers.  Nursing : Research and Reviews ,  2013 , 67–75.

Parts of a Critique Essay

There are 4 distinct components to a critique, and those are the:

Introduction

Each of these components is described in further detail in the boxes on this page of the guide.

An effective introduction:

• Provides a quick snapshot of background information readers may need in order to follow along with the argument
• Defines key terminology as needed
• Ends with a strong argument (thesis)

For additional guidance on writing introduction paragraphs, librarians recommend:

Need some extra help on thesis statements? Check out our Writing Effective Thesis Statements guide .

A summary is a broad overview of what is discussed in a source. In a critique essay, writers should always assume that those reading the essay may be unfamiliar with the work being examined. For that reason, the following should be included early in the paper:

• The name of the author(s) of the work
• The title of the work
• Main ideas presented in the work
• Arguments presented in the work
• Any conclusions presented in the work

Depending on the requirements of your particular assignment, the summary may appear as part of the introduction, or it may be a separate paragraph. The summary should always be included before the analysis, as readers need a base-level familiarity of the resource before you can effectively present an argument about what the source does well and where improvements are needed.

More information about summaries can be found on our Writing an Effective Summary guide .

The critique is your evaluation of the resource. A strong critique:

• Discusses the strengths of the resource
• Discusses the weaknesses of the resource
• Provides specific examples (direct quotes, with proper citation) as needed to support your evaluation
• The accuracy of the resource
• Any bias found within the resource
• The relevance of the resource
• The clarity of the resource

A critique is your opinion  of the text, supported by evidence from the text.

If you need further guidance on how to evaluate your source, you can also consult our Evaluating Your Sources guide .

Need help with citation?  

Compose papers in pre-formatted APA templates. Manage references in forms that help craft APA citations. Learn the rules of APA style through tutorials and practice quizzes.

Academic Writer will continue to use the 6th edition guidelines until August 2020. A preview of the 7th edition is available in the footer of the resource's site. Previously known as APA Style Central.

• APA Style Help Learn more about APA style through our research guide.

A conclusion has three main functions in an essay. A conclusion will:

• Summarize the main ideas presented in the essay
• Remind readers of the thesis (argument)
• Draw the paper to a close 

For additional guidance, the library recommends:

• << Previous: Getting Started
• Next: Examples >>
• Last Updated: May 22, 2023 10:46 AM
• URL: https://library.tiffin.edu/critique

Skip to content. | Skip to navigation

Masterlinks

• About Hunter
• One Stop for Students
• Make a Gift
• Access the Student Guide
• Apply to Become a Peer Tutor
• Access the Faculty Guide
• Request a Classroom Visit
• Refer a Student to the Center
• Request a Classroom Workshop
• The Writing Process
• The Documented Essay/Research Paper
• Writing for English Courses
• Writing Across the Curriculum
• Grammar and Mechanics
• Business and Professional Writing
• CUNY TESTING
• | Workshops
• Research Information and Resources
• Evaluating Information Sources
• Writing Tools and References
• Reading Room
• Literary Resources
• ESL Resources for Students
• ESL Resources for Faculty
• Teaching and Learning
• | Contact Us

To critique a piece of writing is to do the following:

• describe: give the reader a sense of the writer’s overall purpose and intent
• analyze: examine how the structure and language of the text convey its meaning
• interpret: state the significance or importance of each part of the text
• assess: make a judgment of the work’s worth or value

FORMATTING A CRITIQUE

Here are two structures for critiques, one for nonfiction and one for fiction/literature.

The Critique Format for Nonfiction

Introduction

• name of author and work
• general overview of subject and summary of author's argument
• focusing (or thesis) sentence indicating how you will divide the whole work for discussion or the particular elements you will discuss
• objective description of a major point in the work
• detailed analysis of how the work conveys an idea or concept
• interpretation of the concept
• repetition of description, analysis, interpretation if more than one major concept is covered
• overall interpretation
• relationship of particular interpretations to subject as a whole
• critical assessment of the value, worth, or meaning of the work, both negative and positive

The Critique Format for Fiction/Literature

• brief summary/description of work as a whole
• focusing sentence indicating what element you plan to examine
• general indication of overall significance of work
• literal description of the first major element or portion of the work
• detailed analysis
• interpretation
• literal description of second major element
• interpretation (including, if necessary, the relationship to the first major point)
• overall interpretation of the elements studied
• consideration of those elements within the context of the work as a whole
• critical assessment of the value, worth, meaning, or significance of the work, both positive and negative

You may not be asked in every critique to assess a work, only to analyze and interpret it. If you are asked for a personal response, remember that your assessment should not be the expression of an unsupported personal opinion. Your interpretations and your conclusions must be based on evidence from the text and follow from the ideas you have dealt with in the paper.

Remember also that a critique may express a positive as well as a negative assessment. Don't confuse critique with criticize in the popular sense of the word, meaning “to point out faults.”

Document Actions

• Public Safety
• Website Feedback
• Privacy Policy
• CUNY Tobacco Policy

How to Write a Good Critique Essay

How to Write a Close Reading Essay

The word "criticize," has by definition and perception largely negative connotations attached. Students may dread having their creative writing critiqued in a group setting. However, a fair assessment of any text, object, place or experience deeply analyzes all component parts and then renders judgment. When writing a critique essay, your readers need to understand how and why you arrived at your conclusion. A thorough and analytic critique provides them with an understanding of the critic’s values.

Describe Author and Work

Describe the work and its creator in the first paragraph. Do not assume that readers know the work or author prior to reading the critique. It is necessary to place the work in context so the reader has a sense of what is happening. Determine if the text is a first outing for the author or the latest in a long series. Does the author have a reputation or expertise in a certain field? Is the work controversial or well-known or little-known, and why? What is the intended audience for this work? By answering these questions, the reader has a stronger base of information to add clarity to the rest of the critique.

Write an accurate summary of the work’s main ideas in the second paragraph. Do not mingle your own evaluation with this summary. Instead, use the summary to explain the most important ideas the author tried to convey in the entire work and any other literary details that might guide or enlighten your reader.

In this section, critique the author’s presentation. Ask yourself a series of questions as you write the critique. Did the author present accurate and relevant data in a logical manner? Did the author clearly define important terms or jargon? Did the author offer sound interpretations? Focus in this paragraph, on whether the author achieved his or her purpose for creating the piece of writing.

State Your Opinion

Here, you will state both your own agreements and disagreements with the author. Develop your ideas by explaining why you agree and disagree with the author’s ideas. To further support your critique, cite other critics who support your interpretation.

In the last paragraphs, compose the conclusion that restates the main agreements and objections to the work. This conclusion is often the shortest paragraph in the critique but may also be the most important as it sums up the entire critique. In the closing, do not mention any new idea that does not already appear in the body paragraphs. The final paragraph is included to give an overview of the entire essay by restating its main ideas.

Related Articles

How to Write an Introduction to an Analytical Essay

How to Write Prose Commentary

Guidelines for a Reflection & Summary Paper

How to Write a Summary of an Autobiography

How to Write a Dissertation Summary

How to Construct a Rationale Statement

How to Write a Thesis Statement for "Robinson Crusoe"

How to Write an Eighth Grade Book Report

• Goshen College: Essay Critique Guidelines
• Massey University: Article Critique
• Writing Forward: How to Critique Other Writers' Works
• College Essay Tips: How To Write A Critique Essay for College
• Document in instructor-recommended citation style all quotes, paraphrases and summaries.
• Write a detailed summary of the text before writing the critique.

Patricia Hunt first found her voice as a fiction and nonfiction writer in 1974. An English teacher for over 27 years, Hunt's works have appeared in "The Alaska Quarterly Review," "The New Southern Literary Messenger" and "San Jose Studies." She has a Master of Fine Arts in creative writing from American University and a doctorate in studies of America from the University of Maryland.

• Find People
• Maps & Directions
• Professional Services
• Accreditation
• Diversity & Inclusion
• Safety Clery Report
• President's Office
• Academic Services
• Administrative Services
• Student Services
• Registration
• Admissions & Records
• Transcripts
• For High School Students
• Financial Aid Office
• Free Tuition Promise Grant
• Scholarships
• Tuition & Fees, Payment
• Academic Overview
• Academic Calendar
• Class Schedule & Catalog
• Degrees & Certificates
• Areas of Study
• Learning & Career Pathways
• CLASS-Web / MyPortal
• DegreeWorks
• Stay Informed
• Basic Needs
• Health Center
• Special Programs
• Transfer Center
• All Resources
• Questions? Ask Us
• Campus Safety
• Events Calendar
• Spectator: Student Newspaper
• Student Clubs
• Student Life Office
• Student Senate
• Theater Performances
• More Resources

• Learning Connection
• Essay Writing
• Essay Writing Critique

  The WRAC Center

• Hours and Schedule
• Drop-In Tutoring
• Tutoring by Appointment
• Meet the Tutors
• English 215
• WRAC Workshops
• WRAC Resources
• English Department
• Language Arts Division

  ESL Tutoring

• ESL Tutoring & Support
• The ESL Language Center

  Tutoring for other Subjects

• The Learning Connection
• The Comm Lab
• The STEM Center

  For Faculty

• WRAC Center Computer Labs
• WRAC Center Orientation Presentation

A critique, also known as a review, an assessment, or an evaluation, is much less personal than a response paper, although it does entail responding to a text. In a critique, you evaluate the quality or merit of a text, based on a set of clearly defined criteria. These criteria will vary depending on the type of text you are evaluating. For example, you may evaluate the effectiveness of an argument by considering its structure, clarity, and use of evidence. Then again, you might critique a dramatic film on the basis of its visuals, storyline and acting. Whichever criteria you use, the important thing is to be specific, and provide your reader with enough examples and explanation to be able to understand why you give that particular text a “thumbs up” or “thumbs down.”

Like other academic essays, the structure of a critique is traditionally three-part: an introduction in which you present your source text and your evaluation of that text based on specific criteria, body paragraphs in which you support and explain your evaluation of each of those criteria, and a conclusion that wraps up your paper and leaves your reader with something to think about.

English 1A Critique

Assignment: The following essay is a critique of the book  Dead Man Walking  by Sister Helen Prejean, focusing on the persuasiveness of the author’s argument.

[Instructor's comments appear in bold, italic font within brackets below.]

The Death Penalty: From a Critic’s Point of View

Imagine that there is power invested in you to decide the fate of a vicious murderer who has ruthlessly tortured and killed two teenagers: What would you do? Would you sentence him to death or life imprisonment? What are the bases for your judgment? This issue is not as hypothetical as one might think. In fact, it is very similar to real life events, and final judgments in cases like this have spurred heated debates between proponents and opponents of capital punishment. Some people—often victims’ relatives—favor the death penalty as a fair punishment, basing their bias on the Mosaic Law that requires “an eye for an eye” while others, like Helen Prejean, oppose the death penalty and question its appropriateness. Prejean is a Catholic nun, and a strong opponent of the death penalty, who established a legal entity in Louisiana to represent death-row inmates in their trials. In her book Dead Man Walking, Prejean assesses in details the issues concerning the death penalty; she analyses both the gruesome deeds of the murders alongside with the psychological pains the victims undergo prior their death and the pain and agony the victims’ family suffer, while she cleverly argues against the death penalty. Even though not all of her points were convincing, Prejean effectively argues against the death penalty.  [Good intro to the topic and the book – You smoothly flow from general to specific, ending with your thesis]

As a counterargument to the claim that inmates executed suffer no pain, Prejean argues that death-row inmates are cruelly killed and they experience even more pain especially when they can tell the time and manner in which they will be killed. First, she relates a series of episodes that depict tremendous pain suffered by convicts. Seventeen-year-old Willie Francis is one of her examples: After several volts of electricity were applied on him, Francis survived but just to be executed an hour later (18-19). Then she claims that death-row inmates “suffer pain each time they look at the clock, knowing that their death is eminent” (234). Prejean’s argument is not strong enough to face the claims of her opposition. For one thing, many people do not care about how much the murderer suffers. Moreover, no one knows exactly the level of pain and agony that the victims suffer in the hands of their aggressors, therefore one cannot fairly tell who suffers the most pain—the victim or the victimizer. Thus, it is safe to say that the only accomplishment of Prejean’s argument is the acknowledgement of the pain suffered by the condemned murderer because her argument is not convincing enough to discourage the death penalty.  [Good claim to evaluate – you might also add that many people won’t care how much a murderer suffers]. Nevertheless, Prejean shows a high level of efficiency in presenting her argument.

As a way of appealing to the emotions of her audience, Prejean starts her argument by relating the experience of a death-row inmate, Patrick Sonnier, whose story is as pitiful as that of his victims. She conveys Sonnier’s remorse even before explaining his deeds: “I shouldn’t have…get mixed up in the bad things we   (were) doing. I will go to my grave feeling bad about those kids   (his victims)….Every night I pray for those kids and their parents” (38). And she continues by justifying Sonnier’s exemption from death by relating Eddie’s words—Sonnier’s brother who was also involved in the murder—to the governor: “Please, Governor, you are about to kill the wrong man…I am the one who killed the teenagers”  [Page number for this quote? Remember to always cite your source] . Prejean’s approach to the subject shows an exemplary use of pathos in an argument or debate. By starting with Sonnier’s account, Prejean paves the way for the central idea of her argument—the death penalty is immoral and unjust and therefore should be abolished. Indeed, she wins some amount of compassion for the death-row inmate from her audience, and this compassion allows the audience to give consideration to any further points she might bring out. Perhaps if she started by relating the gruesome deeds of the death-row inmate, her audience would probably have opted for the “eye for an eye” rule, that the murderer deserves death. But to prevent such a whimsical conclusion, Prejean cleverly chooses an approach that will hopefully allow her points to be put across. Obviously, putting her points across requires a mutual understanding between Prejean and her opposition, and this is exactly what she always strive to do.

Another factor that makes Prejean’s argument effective is the neutral ground she often seeks with her opposition. She makes it known that she does not condone the actions of the death row inmates and refers to them as “totally wrong and inhumane,” a view point that her opposition shares. During one of her visits with the Harveys, one victim’s family, Prejean says, “Hearing the details of Faith’s vicious murder, I find myself sucked into the Harveys’ rage” (145).  [Good use of the text to prove your point.]  Her condemnation of the deed of the death-row inmate does not relinquish her stance against the death penalty. Rather it shows respect for the stance of her opposition. But why would someone who condemns the vicious deed of a murderer not support the death penalty? [Good question!]  Her response to this question strengthens Prejean’s argument even more: “If we believe that murder is wrong and is not admissible in our society, then it has to be wrong for everyone, not just individuals but governments as well” (130). Prejean at one instance sheds tears as one victim’s family explains the ruthless murder of their daughter (187). This neutral point of view allows Prejean to state precisely why she condemns the death penalty. It gives her the opportunity to make known to her opposition that it is the ‘act of killing’ that she hates, not the killer. Indeed she questions the morality of the death penalty as a just punishment for murder. If Prejean had not sought the common terms that exist between herself and her opposition, that they both condemn murder, she definitely would have been misunderstood to be a supporter of murderers, and disrespected. However, because she followed the right course, her stance is not only understood but she also gains respect from her opposition. One of Prejean’s strong opposition states, “We are like different baseball teams.  [We have]  different point of view but we respect each other” (172). Such a remark from her opposition shows that she deeply regards the ethics of others. Yet to pursue her goal in convincing her audience that the death penalty should be abolished, Prejean has to do more that just appealing emotionally to her audience or gaining the respect of her opposition.  [This last sentence works well to sum up the arguments of your first two body paragraphs and transition to your last (and most important) point, but you could say more to explain why these approaches alone are not enough for Prejean to make her case.]

Prejean now brings out statistical facts that logically and effectively support her argument against the death penalty. In emphasizing the cost of killing one inmate, Prejean states, “In Florida   (for example), which may be typical, each death sentence is estimated to cost approximately $3.18 million, compared to the cost of life imprisonment (40 years) of about $516,000” (129). This cost she says comes from hiring ‘expert’ witnesses and investigators, the cost of sequestering the jury, and many other protocols involved in a capital case. In addition to the financial cost, Prejean argues that society loses morally—the cost of losing one more person in death. The biggest counter-argument of her opposition is that killing the murderer will prevent future crimes. But as Prejean’s statistical evidence bring out, by no means has the death penalty deterred murder crimes (52). This argument is clearly logical because if it is this expensive to kill a murderer, then it should behoove the government to sentence him/her to life imprisonment, which will allow him/her the opportunity to defray the cost of his or her own living. And if killing the murderer does not prevent future crimes, then the reason for abolishing the death penalty gets even stronger. Undeniably, then, one can conclude that Prejean was able to use statistical evidence to effectively present her argument.  [Yes, well put, but why is this factual evidence so important to her argument?] 

In the society we live in, the death penalty continues to be one of the most controversial issues. Some favor it while other oppose; but the underlying fact is that either our individual beliefs or the effects that the death penalty might have on us shape our different viewpoints regarding this issue. As for Prejean, her religious background probably motivated her stance against the death penalty; in any case, she effectively agues her stance against the death penalty and gives some solid reasons for its abolition.  [It would be good to go back into detail on your assessment of her argument]  But regardless of one’s support or disapproval of the death penalty, our choices and opinions always depict who we really are. Are we justice seekers or red-blooded villains? Are we respecters of moral rights or coddlers of murders? Prejean shows that she does not hate murderer but the ‘act of murder’. So the next time you are asked to state your opinion about the death penalty, give thought to who or what your answer will depict you to be.

Instructor end comment:

[A solid essay! You carefully point to some of the key ideas behind Prejean’s argument and are starting to do a fine job of evaluating the quality of her argument, though your last body paragraph could be more in depth. My main suggestion would be for you to develop more in your conclusion your overall assessment of Prejean’s argument, thereby underscoring the  thesis of your paper.]

** Minor mechanical errors/typos have been corrected by the creators of CHARLIE

• Bipolar Disorder
• Therapy Center
• When To See a Therapist
• Types of Therapy
• Best Online Therapy
• Best Couples Therapy
• Best Family Therapy
• Managing Stress
• Sleep and Dreaming
• Understanding Emotions
• Self-Improvement
• Healthy Relationships
• Student Resources
• Personality Types
• Guided Meditations
• Verywell Mind Insights
• 2024 Verywell Mind 25
• Mental Health in the Classroom
• Editorial Process
• Meet Our Review Board
• Crisis Support

How to Write an Article Critique

Tips for Writing a Psychology Critique Paper

Kendra Cherry, MS, is a psychosocial rehabilitation specialist, psychology educator, and author of the "Everything Psychology Book."

Emily is a board-certified science editor who has worked with top digital publishing brands like Voices for Biodiversity, Study.com, GoodTherapy, Vox, and Verywell.

Cultura RM / Gu Cultura / Getty Images

• Steps for Writing a Critique

Evaluating the Article

• How to Write It
• Helpful Tips

An article critique involves critically analyzing a written work to assess its strengths and flaws. If you need to write an article critique, you will need to describe the article, analyze its contents, interpret its meaning, and make an overall assessment of the importance of the work.

Critique papers require students to conduct a critical analysis of another piece of writing, often a book, journal article, or essay . No matter your major, you will probably be expected to write a critique paper at some point.

For psychology students, critiquing a professional paper is a great way to learn more about psychology articles, writing, and the research process itself. Students will analyze how researchers conduct experiments, interpret results, and discuss the impact of the results.

At a Glance

An article critique involves making a critical assessment of a single work. This is often an article, but it might also be a book or other written source. It summarizes the contents of the article and then evaluates both the strengths and weaknesses of the piece. Knowing how to write an article critique can help you learn how to evaluate sources with a discerning eye.

Steps for Writing an Effective Article Critique

While these tips are designed to help students write a psychology critique paper, many of the same principles apply to writing article critiques in other subject areas.

Your first step should always be a thorough read-through of the material you will be analyzing and critiquing. It needs to be more than just a casual skim read. It should be in-depth with an eye toward key elements.

To write an article critique, you should:

• Read the article , noting your first impressions, questions, thoughts, and observations
• Describe the contents of the article in your own words, focusing on the main themes or ideas
• Interpret the meaning of the article and its overall importance
• Critically evaluate the contents of the article, including any strong points as well as potential weaknesses

The following guidelines can help you assess the article you are reading and make better sense of the material.

Read the Introduction Section of the Article

Start by reading the introduction . Think about how this part of the article sets up the main body and how it helps you get a background on the topic.

• Is the hypothesis clearly stated?
• Is the necessary background information and previous research described in the introduction?

In addition to answering these basic questions, note other information provided in the introduction and any questions you have.

Read the Methods Section of the Article

Is the study procedure clearly outlined in the methods section ? Can you determine which variables the researchers are measuring?

Remember to jot down questions and thoughts that come to mind as you are reading. Once you have finished reading the paper, you can then refer back to your initial questions and see which ones remain unanswered.

Read the Results Section of the Article

Are all tables and graphs clearly labeled in the results section ? Do researchers provide enough statistical information? Did the researchers collect all of the data needed to measure the variables in question?

Make a note of any questions or information that does not seem to make sense. You can refer back to these questions later as you are writing your final critique.

Read the Discussion Section of the Article

Experts suggest that it is helpful to take notes while reading through sections of the paper you are evaluating. Ask yourself key questions:

• How do the researchers interpret the results of the study?
• Did the results support their hypothesis?
• Do the conclusions drawn by the researchers seem reasonable?

The discussion section offers students an excellent opportunity to take a position. If you agree with the researcher's conclusions, explain why. If you feel the researchers are incorrect or off-base, point out problems with the conclusions and suggest alternative explanations.

Another alternative is to point out questions the researchers failed to answer in the discussion section.

Begin Writing Your Own Critique of the Paper

Once you have read the article, compile your notes and develop an outline that you can follow as you write your psychology critique paper. Here's a guide that will walk you through how to structure your critique paper.

Introduction

Begin your paper by describing the journal article and authors you are critiquing. Provide the main hypothesis (or thesis) of the paper. Explain why you think the information is relevant.

Thesis Statement

The final part of your introduction should include your thesis statement. Your thesis statement is the main idea of your critique. Your thesis should briefly sum up the main points of your critique.

Article Summary

Provide a brief summary of the article. Outline the main points, results, and discussion.

When describing the study or paper, experts suggest that you include a summary of the questions being addressed, study participants, interventions, comparisons, outcomes, and study design.

Don't get bogged down by your summary. This section should highlight the main points of the article you are critiquing. Don't feel obligated to summarize each little detail of the main paper. Focus on giving the reader an overall idea of the article's content.

Your Analysis

In this section, you will provide your critique of the article. Describe any problems you had with the author's premise, methods, or conclusions. You might focus your critique on problems with the author's argument, presentation, information, and alternatives that have been overlooked.

When evaluating a study, summarize the main findings—including the strength of evidence for each main outcome—and consider their relevance to key demographic groups.  

Organize your paper carefully. Be careful not to jump around from one argument to the next. Arguing one point at a time ensures that your paper flows well and is easy to read.

Your critique paper should end with an overview of the article's argument, your conclusions, and your reactions.

More Tips When Writing an Article Critique

• As you are editing your paper, utilize a style guide published by the American Psychological Association, such as the official Publication Manual of the American Psychological Association .
• Reading scientific articles can be challenging at first. Remember that this is a skill that takes time to learn but that your skills will become stronger the more that you read.
• Take a rough draft of your paper to your school's writing lab for additional feedback and use your university library's resources.

What This Means For You

Being able to write a solid article critique is a useful academic skill. While it can be challenging, start by breaking down the sections of the paper, noting your initial thoughts and questions. Then structure your own critique so that you present a summary followed by your evaluation. In your critique, include the strengths and the weaknesses of the article.

Archibald D, Martimianakis MA. Writing, reading, and critiquing reviews .  Can Med Educ J . 2021;12(3):1-7. doi:10.36834/cmej.72945

Pautasso M. Ten simple rules for writing a literature review . PLoS Comput Biol . 2013;9(7):e1003149. doi:10.1371/journal.pcbi.1003149

Gülpınar Ö, Güçlü AG. How to write a review article?   Turk J Urol . 2013;39(Suppl 1):44–48. doi:10.5152/tud.2013.054

Erol A. Basics of writing review articles .  Noro Psikiyatr Ars . 2022;59(1):1-2. doi:10.29399/npa.28093

American Psychological Association.  Publication Manual of the American Psychological Association  (7th ed.). Washington DC: The American Psychological Association; 2019.

By Kendra Cherry, MSEd Kendra Cherry, MS, is a psychosocial rehabilitation specialist, psychology educator, and author of the "Everything Psychology Book."

How to Write an Article Critique Step-by-Step

Table of contents

• 1 What is an Article Critique Writing?
• 2 How to Critique an Article: The Main Steps
• 3 Article Critique Outline
• 4 Article Critique Formatting
• 5 How to Write a Journal Article Critique
• 6 How to Write a Research Article Critique
• 7 Research Methods in Article Critique Writing
• 8 Tips for writing an Article Critique

Do you know how to critique an article? If not, don’t worry – this guide will walk you through the writing process step-by-step. First, we’ll discuss what a research article critique is and its importance. Then, we’ll outline the key points to consider when critiquing a scientific article. Finally, we’ll provide a step-by-step guide on how to write an article critique including introduction, body and summary. Read more to get the main idea of crafting a critique paper.

What is an Article Critique Writing?

An article critique is a formal analysis and evaluation of a piece of writing. It is often written in response to a particular text but can also be a response to a book, a movie, or any other form of writing. There are many different types of review articles . Before writing an article critique, you should have an idea about each of them.

To start writing a good critique, you must first read the article thoroughly and examine and make sure you understand the article’s purpose. Then, you should outline the article’s key points and discuss how well they are presented. Next, you should offer your comments and opinions on the article, discussing whether you agree or disagree with the author’s points and subject. Finally, concluding your critique with a brief summary of your thoughts on the article would be best. Ensure that the general audience understands your perspective on the piece.

How to Critique an Article: The Main Steps

If you are wondering “what is included in an article critique,” the answer is:

An article critique typically includes the following:

• A brief summary of the article .
• A critical evaluation of the article’s strengths and weaknesses.
• A conclusion.

When critiquing an article, it is essential to critically read the piece and consider the author’s purpose and research strategies that the author chose. Next, provide a brief summary of the text, highlighting the author’s main points and ideas. Critique an article using formal language and relevant literature in the body paragraphs. Finally, describe the thesis statement, main idea, and author’s interpretations in your language using specific examples from the article. It is also vital to discuss the statistical methods used and whether they are appropriate for the research question. Make notes of the points you think need to be discussed, and also do a literature review from where the author ground their research. Offer your perspective on the article and whether it is well-written. Finally, provide background information on the topic if necessary.

When you are reading an article, it is vital to take notes and critique the text to understand it fully and to be able to use the information in it. Here are the main steps for critiquing an article:

• Read the piece thoroughly, taking notes as you go. Ensure you understand the main points and the author’s argument.
• Take a look at the author’s perspective. Is it powerful? Does it back up the author’s point of view?
• Carefully examine the article’s tone. Is it biased? Are you being persuaded by the author in any way?
• Look at the structure. Is it well organized? Does it make sense?
• Consider the writing style. Is it clear? Is it well-written?
• Evaluate the sources the author uses. Are they credible?
• Think about your own opinion. With what do you concur or disagree? Why?

Article Critique Outline

When assigned an article critique, your instructor asks you to read and analyze it and provide feedback. A specific format is typically followed when writing an article critique.

An article critique usually has three sections: an introduction, a body, and a conclusion.

• The introduction of your article critique should have a summary and key points.
• The critique’s main body should thoroughly evaluate the piece, highlighting its strengths and weaknesses, and state your ideas and opinions with supporting evidence.
• The conclusion should restate your research and describe your opinion.

You should provide your analysis rather than simply agreeing or disagreeing with the author. When writing an article review , it is essential to be objective and critical. Describe your perspective on the subject and create an article review summary. Be sure to use proper grammar, spelling, and punctuation, write it in the third person, and cite your sources.

Article Critique Formatting

When writing an article critique, you should follow a few formatting guidelines. The importance of using a proper format is to make your review clear and easy to read.

Make sure to use double spacing throughout your critique. It will make it easy to understand and read for your instructor.

Indent each new paragraph. It will help to separate your critique into different sections visually.

Use headings to organize your critique. Your introduction, body, and conclusion should stand out. It will make it easy for your instructor to follow your thoughts.

Use standard fonts, such as Times New Roman or Arial. It will make your critique easy to read.

Use 12-point font size. It will ensure that your critique is easy to read.

How to Write a Journal Article Critique

When critiquing a journal article, there are a few key points to keep in mind:

• Good critiques should be objective, meaning that the author’s ideas and arguments should be evaluated without personal bias.
• Critiques should be critical, meaning that all aspects of the article should be examined, including the author’s introduction, main ideas, and discussion.
• Critiques should be informative, providing the reader with a clear understanding of the article’s strengths and weaknesses.

When critiquing a research article, evaluating the author’s argument and the evidence they present is important. The author should state their thesis or the main point in the introductory paragraph. You should explain the article’s main ideas and evaluate the evidence critically. In the discussion section, the author should explain the implications of their findings and suggest future research.

It is also essential to keep a critical eye when reading scientific articles. In order to be credible, the scientific article must be based on evidence and previous literature. The author’s argument should be well-supported by data and logical reasoning.

How to Write a Research Article Critique

When you are assigned a research article, the first thing you need to do is read the piece carefully. Make sure you understand the subject matter and the author’s chosen approach. Next, you need to assess the importance of the author’s work. What are the key findings, and how do they contribute to the field of research?

Finally, you need to provide a critical point-by-point analysis of the article. This should include discussing the research questions, the main findings, and the overall impression of the scientific piece. In conclusion, you should state whether the text is good or bad. Read more to get an idea about curating a research article critique. But if you are not confident, you can ask “ write my papers ” and hire a professional to craft a critique paper for you. Explore your options online and get high-quality work quickly.

However, test yourself and use the following tips to write a research article critique that is clear, concise, and properly formatted.

• Take notes while you read the text in its entirety. Right down each point you agree and disagree with.
• Write a thesis statement that concisely and clearly outlines the main points.
• Write a paragraph that introduces the article and provides context for the critique.
• Write a paragraph for each of the following points, summarizing the main points and providing your own analysis:
• The purpose of the study
• The research question or questions
• The methods used
• The outcomes
• The conclusions were drawn by the author(s)
• Mention the strengths and weaknesses of the piece in a separate paragraph.
• Write a conclusion that summarizes your thoughts about the article.
• Free unlimited checks
• All common file formats
• Accurate results
• Intuitive interface

Research Methods in Article Critique Writing

When writing an article critique, it is important to use research methods to support your arguments. There are a variety of research methods that you can use, and each has its strengths and weaknesses. In this text, we will discuss four of the most common research methods used in article critique writing: quantitative research, qualitative research, systematic reviews, and meta-analysis.

Quantitative research is a research method that uses numbers and statistics to analyze data. This type of research is used to test hypotheses or measure a treatment’s effects. Quantitative research is normally considered more reliable than qualitative research because it considers a large amount of information. But, it might be difficult to find enough data to complete it properly.

Qualitative research is a research method that uses words and interviews to analyze data. This type of research is used to understand people’s thoughts and feelings. Qualitative research is usually more reliable than quantitative research because it is less likely to be biased. Though it is more expensive and tedious.

Systematic reviews are a type of research that uses a set of rules to search for and analyze studies on a particular topic. Some think that systematic reviews are more reliable than other research methods because they use a rigorous process to find and analyze studies. However, they can be pricy and long to carry out.

Meta-analysis is a type of research that combines several studies’ results to understand a treatment’s overall effect better. Meta-analysis is generally considered one of the most reliable type of research because it uses data from several approved studies. Conversely, it involves a long and costly process.

Are you still struggling to understand the critique of an article concept? You can contact an online review writing service to get help from skilled writers. You can get custom, and unique article reviews easily.

Tips for writing an Article Critique

It’s crucial to keep in mind that you’re not just sharing your opinion of the content when you write an article critique. Instead, you are providing a critical analysis, looking at its strengths and weaknesses. In order to write a compelling critique, you should follow these tips: Take note carefully of the essential elements as you read it.

• Make sure that you understand the thesis statement.
• Write down your thoughts, including strengths and weaknesses.
• Use evidence from to support your points.
• Create a clear and concise critique, making sure to avoid giving your opinion.

It is important to be clear and concise when creating an article critique. You should avoid giving your opinion and instead focus on providing a critical analysis. You should also use evidence from the article to support your points.

Readers also enjoyed

WHY WAIT? PLACE AN ORDER RIGHT NOW!

Just fill out the form, press the button, and have no worries!

We use cookies to give you the best experience possible. By continuing we’ll assume you board with our cookie policy.

• PRO Courses Guides New Tech Help Pro Expert Videos About wikiHow Pro Upgrade Sign In
• EDIT Edit this Article
• EXPLORE Tech Help Pro About Us Random Article Quizzes Request a New Article Community Dashboard This Or That Game Popular Categories Arts and Entertainment Artwork Books Movies Computers and Electronics Computers Phone Skills Technology Hacks Health Men's Health Mental Health Women's Health Relationships Dating Love Relationship Issues Hobbies and Crafts Crafts Drawing Games Education & Communication Communication Skills Personal Development Studying Personal Care and Style Fashion Hair Care Personal Hygiene Youth Personal Care School Stuff Dating All Categories Arts and Entertainment Finance and Business Home and Garden Relationship Quizzes Cars & Other Vehicles Food and Entertaining Personal Care and Style Sports and Fitness Computers and Electronics Health Pets and Animals Travel Education & Communication Hobbies and Crafts Philosophy and Religion Work World Family Life Holidays and Traditions Relationships Youth
• Browse Articles
• Learn Something New
• Quizzes Hot
• This Or That Game
• Train Your Brain
• Explore More
• Support wikiHow
• About wikiHow
• Log in / Sign up
• Education and Communications
• English Grammar
• Writing Paragraphs

How to Write a Critique in Five Paragraphs

Last Updated: January 20, 2024 Fact Checked

This article was co-authored by Diane Stubbs . Diane Stubbs is a Secondary English Teacher with over 22 years of experience teaching all high school grade levels and AP courses. She specializes in secondary education, classroom management, and educational technology. Diane earned a Bachelor of Arts in English from the University of Delaware and a Master of Education from Wesley College. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 973,542 times.

A critique is usually written in response to a creative work, such as a novel, a film, poetry, or a painting. However, critiques are also sometimes assigned for research articles and media items, such as news articles or features. A critique is slightly different than a traditional 5-paragraph theme, as it is usually focused on the overall effectiveness and usefulness of the work it is critiquing, rather than making a strictly analytical argument about it. Organizing your critique into 5 paragraphs can help you structure your thoughts.

Laying the Groundwork

• Does the creator clearly state her/his main point or goal? If not, why do you think that is?
• Who do you think is the creator’s intended audience? This can be crucial to determining the success of a work; for example, a movie intended for young children might work well for its intended audience but not for adult viewers.
• What reactions do you have when reading or viewing this work? Does it provoke emotional responses? Do you feel confused?
• What questions does the work make you think of? Does it suggest other avenues of exploration or observation to you?

• For example, if you're critiquing a research article about a new treatment for the flu, a little research about other flu treatments currently available could be helpful to you when situating the work in context.
• As another example, if you're writing about a movie, you might want to briefly discuss the director's other films, or other important movies in this particular genre (indie, action, drama, etc.).
• Your school or university library is usually a good place to start when conducting research, as their databases provide verified, expert sources. Google Scholar can also be a good source for research.

Writing the Introductory Paragraph

• For a work of fiction or a published work of journalism or research, this information is usually available in the publication itself, such as on the copyright page for a novel.
• For a film, you may wish to refer to a source such as IMDb to get the information you need. If you're critiquing a famous artwork, an encyclopedia of art would be a good place to find information on the creator, the title, and important dates (date of creation, date of exhibition, etc.).

• For example, if you’re assessing a research article in the sciences, a quick overview of its place in the academic discussion could be useful (e.g., “Professor X’s work on fruit flies is part of a long research tradition on Blah Blah Blah.”)
• If you are evaluating a painting, giving some brief information on where it was first displayed, for whom it was painted, etc., would be useful.
• If you are assessing a novel, it could be good to talk about what genre or literary tradition the novel is written within (e.g., fantasy, High Modernism, romance). You may also want to include details about the author’s biography that seem particularly relevant to your critique.
• For a media item, such as a news article, consider the social and/or political context of the media outlet the item came from (e.g., Fox News, BBC, etc.) and of the issue it is dealing with (e.g., immigration, education, entertainment).

• The authors of research articles will often state very clearly in the abstract and in the introduction to their work what they are investigating, often with sentences that say something like this: "In this article we provide a new framework for analyzing X and argue that it is superior to previous methods because of reason A and reason B."
• For creative works, you may not have an explicit statement from the author or creator about their purpose, but you can often infer one from the context the work occupies. For example, if you were examining the movie The Shining, you might argue that the filmmaker Stanley Kubrick's goal is to call attention to the poor treatment of Native Americans because of the strong Native American themes present in the movie. You could then present the reasons why you think that in the rest of the essay.

• For example, if you were writing about The Shining, you could summarize the main points this way: "Stanley Kubrick uses strong symbolism, such as the placement of the movie's hotel on an Indian burial ground, the naming of the hotel "Overlook," and the constant presence of Native American artwork and representation, to call viewers' attention to America's treatment of Native Americans in history."

• For a research article, you will probably want to focus your thesis on whether the research and discussion supported the authors' claims. You may also wish to critique the research methodology, if there are obvious flaws present.
• For creative works, consider what you believe the author or creator's goal was in making the work, and then present your assessment of whether or not they achieved that goal.

Writing the 3 Body Paragraphs

• If you have three clear points about your work, you can organize each paragraph by point. For example, if you are analyzing a painting, you might critique the painter’s use of color, light, and composition, devoting a paragraph to each topic.
• If you have more than three points about your work, you can organize each paragraph thematically. For example, if you are critiquing a movie and want to talk about its treatment of women, its screenwriting, its pacing, its use of color and framing, and its acting, you might think about the broader categories that these points fall into, such as “production” (pacing, color and framing, screenwriting), “social commentary” (treatment of women), and “performance” (acting).
• Alternatively, you could organize your critique by “strengths” and “weaknesses.” The aim of a critique is not merely to criticize, but to point out what the creator or author has done well and what s/he has not.

• For example, if you are critiquing a song, you could consider how the beat or tone of the music supports or detracts from the lyrics.
• For a research article or a media item, you may want to consider questions such as how the data was gathered in an experiment, or what method a journalist used to discover information.

• Does the author use primary sources (e.g., historical documents, interviews, etc.)? Secondary sources? Quantitative data? Qualitative data? Are these sources appropriate for the argument?
• Has evidence been presented fairly, without distortion or selectivity?
• Does the argument proceed logically from the evidence used?

• If the work is a creative work, consider whether it presents its ideas in an original or interesting way. You can also consider whether it engages with key concepts or ideas in popular culture or society.
• If the work is a research article, you can consider whether the work enhances your understanding of a particular theory or idea in its discipline. Research articles often include a section on “further research” where they discuss the contributions their research has made and what future contributions they hope to make.

Writing the Conclusion Paragraph and References

Sample Critiques

Community Q&A

• Before you begin writing, take notes while you are watching or reading the subject of your critique. Keep to mind certain aspects such as how it made you feel. What was your first impression? With deeper examination, what is your overall opinion? How did you come to this opinion? Thanks Helpful 0 Not Helpful 0
• While the 5-paragraph form can work very well to help you organize your ideas, some instructors do not allow this type of essay. Be sure that you understand the assignment. If you’re not sure whether a 5-paragraph format is acceptable to your teacher, ask! Thanks Helpful 0 Not Helpful 0

• Avoid using first and second person pronouns such as, “you”, “your”, “I”, “my”, or “mine.” State your opinion objectively for a more credible approach. Thanks Helpful 39 Not Helpful 14

You Might Also Like

• ↑ https://www.indeed.com/career-advice/career-development/how-to-write-a-critique
• ↑ https://writingcenter.uagc.edu/writing-article-critique
• ↑ https://www.citewrite.qut.edu.au/write/writing-well/critique.html
• ↑ http://www.writing.utoronto.ca/advice/specific-types-of-writing/book-review
• ↑ https://www.hunter.cuny.edu/rwc/handouts/the-writing-process-1/invention/Writing-a-Critique
• ↑ https://writingcenter.unc.edu/esl/resources/writing-critiques/

About This Article

To write a 5-paragraph critique, provide the basic information about the work you're critiquing in the first paragraph, including the author, when it was published, and what its key themes are. Then, conclude this paragraph with a statement of your opinion of the work. Next, identify 3 central positive or negative issues in the work and write a paragraph about each one. For example, you could focus on the color, light, and composition of a painting. In the final paragraph, state your overall assessment of the work, and give reasons to back it up. For tips on how to take notes on the piece your critiquing, read on! Did this summary help you? Yes No

• Send fan mail to authors

Reader Success Stories

Lura Norton

Feb 7, 2017

Did this article help you?

Ahmed Misry

Sep 30, 2017

Celia Seecharan

Feb 11, 2017

Sep 23, 2017

Lusady Taylor

Jul 28, 2016

Featured Articles

Trending Articles

Watch Articles

• Terms of Use
• Privacy Policy
• Do Not Sell or Share My Info
• Not Selling Info

wikiHow Tech Help Pro:

Level up your tech skills and stay ahead of the curve

• Undergraduate Programs
• Majors & Minors
• Academic Catalog & Courses
• Goshen Core
• Global Education
• Adult & Continuing Studies
• Nursing (RN to BSN)
• Business Management (BS)
• Communication (BS)
• Social Work (BS)
• Transition to Interpreting
• Transition to Teaching
• English Learners License
• Graduate Programs
• Business Administration (MBA)
• Environmental Education (MA)
• Nursing (MS, FNP Track)
• Master of Social Work (MSW)
• Doctor of Nursing Practice (DNP)
• Online Programs
• Costs & Financial Aid
• Scholarships
• Net Price Calculator
• International Students
• Transfer Students
• Admitted Students
• Committed Students
• Financial Aid
• Student Life
• Health & Safety
• Dining Services
• Clubs & Activities
• Spiritual Life
• Mission, Vision & Values
• Quick Facts
• Leadership & Governance
• Faith Identity
• Diversity, Equity & Inclusion
• Sustainability
• Community Engagement
• Where We Are
• Map & Directions
• City of Goshen
• Virtual Visit
• Alumni Directory
• Transcripts
• The Bulletin
• Homecoming Weekend
• Parents of Prospective Students
• Parents of Current Students
• Current Students
• Registrar's Office
• Accounting Office
• Faculty & Staff
• Human Resources
• Department Forms
• Quick Links
• Event Calendar
• News & Events
• Events Calendar
• Latest News
• GC in the News
• Social Media Directory
• Alumni Magazine
• Photo Albums
• Current Blogs
• President's
• Ecuador SST
• Tanzania SST
• Music Center
• E-Subscribe
• Live Streams
• Cross Country
• Track and Field
• GoLeafs.net
• Live Stream
• Online Store
• Rec-Fitness Center
• Intramurals

Essay Critique Guidelines

Whenever you read an essay, use the following questions to guide your response.

First, keep in mind that, although you may not be a writing expert, you are THE reader of this essay and your response is a valid one . I have found that almost every reader, regardless of experience, can identify the primary strength and weakness in an essay, although their method of describing those issues may be different. The author will welcome your response and your ability to explain your reaction in a new way. Although the author is not required to, and really shouldn’t, respond to everything you say, he or she will take your comments seriously and consider how the essays has enlightened or confused you. Therefore, comment freely, although respectfully. Keep in mind that it is better to begin by noting the strengths of the essay before pointing out the areas that need improvement. I would always include a personal response to questions like the following: What about the essay most connects with your experience? Moves you? Provokes you? Entertains you?

So that is how to respond. So how do you critique? For every essay, regardless of the mode, consider the broad categories of content, organization, style, and correctness.

• Content : Consider the topic (its appropriateness and interest for the assignment as well as a clear focus suitable to essay length) and the way the topic is developed (clarity sufficiency of its argument, its scope, subcategories, amount and type of examples, anecdotes, evidence, etc.).
• Organization : Consider how the essay is introduced and concluded (especially looking for a “frame” to the essay, where the intro and conclusion refer to the same idea), whether the thesis is located in the most helpful place (direct or implied), how the essay is structured, whether the order or extent of development is successful, as well as how individual paragraphs are organized (clear topic sentences, appropriate and concrete evidence, logical organization of evidence).
• Style : Style can refer to the overall style of an essay: whether the tone is appropriate (humorous, serious, reflective, satirical, etc.), whether you use sufficient and appropriate variety (factual, analytical, evaluative, reflective), whether you use sufficient creativity. Style can also refer to the style of individual sentences: whether you use a variety of sentences styles and lengths, whether sentences are worded clearly, and whether word choice is interesting and appropriate.

Rolling around in the bottom of the drawer, Tim found the missing earring. [certainly the earring was rolling, not Tim!]

You could also easily tell that the following sentence actually contains two sentences that need punctuation between them:

The new manager instituted several new procedures some were impractical. [You need to add punctuation (period) after “procedures” and capitalize “some.”]

Further Directions for Specific Assignments

Below are more detailed questions to consider when responding to individual types of essays. First, make sure that you have reviewed the description of the essay mode in the Essay Assignment Guidelines. Use at least one or two of these when responding to an essay. Do not simply answer yes or no; offer specific evidence from the text and elaborate on the reasons behind your answer.

Personal Essay Critique:

• Does the writer have a clear but understated purpose to the essay?
• Does it avoid being overly moralistic or heavy-handed?
• Does the essay contain suspense or tension that is resolved in some way?
• Do you have any suggestions for organizing the essay, such as focusing in on one event rather than many, providing more background, turning explanation into action, etc.?
• Does the essay make good use of concrete description, anecdote, and dialogue?
• Does the essay help you to feel the emotions rather than just describe the emotions of the author?
• Does the essay reveal a significant aspect of the writer’s personality?
• Does the writer seem authentic?
• Is this a passionate piece? Is it creative?

Critical Review Critique

• Does a direct thesis convey both the subject and the reviewer’s value judgment?
• Does the review provide a summary or description to help you experience the film, music, event, etc.? Note places where the author provides too much or too little detail.
• Does the essay clearly identify relevant criteria for evaluation? Are they appropriate, believable, and consistent?
• Are any important features of the reviewed subject omitted?
• Logos (logic, content) : Does the essay provide sufficient, relevant, and interesting details and examples to adequately inform and entertain?
• Ethos (author) : Does the author’s judgment seem sound and convincing?
• Pathos (emotional appeals) : Does the author responsibly and effectively utilize emotional appeals to the audience?
• Does the author include adequate reference to the opposition and respond to that opposition appropriately?

Information Essay Critique : The questions posed about an informative essay will vary, depending on the purpose and strategy of the essay. The SMGW suggests evaluating for the following issues:

• Is topic clearly explained and sufficiently focused?
• Does the content fit the audience?
• Is it organized effectively?
• Are definitions clear?
• Are other strategies (classification, comparison/contrast, analysis) used effectively?
• Are sources used sufficiently, effectively, and appropriately?

You might also assess the following criteria:

• Does the author utilize vivid detail, interesting examples, and lively language?
• Does the essay avoid emphasizing judgment over explanation?
• Does the essay have a clear focus or implied thesis?

Comparison/Contrast Essay Critique

• Is the purpose for a comparison or contrast evident and convincing?
• Does the essay identify significant and parallel characteristics for comparison?
• Does the author adequately explain, analyze, or reflect on the comparison or contrast?
• Does the author provide appropriate transitions words to indicate comparison and contrast?
• Is the treatment of each side of the comparison or contrast in balance?
• Does the essay provide sufficient, relevant, and interesting details?

Feature Article Critique

• Does this article interest you? Do you think it will interest the intended audience? Can you suggest ways to increase interest?
• Can you tell what the “angle” or implied thesis is? Does the author avoid editorial judgment on the subject while still keeping the purpose clear?
• Has the writer done sufficient research? What questions have gone unasked or unanswered? Whose point of view or what information would add further to the completeness of the feature?
• Is the subject presented vividly with sensory images, graphic detail, and figurative language? Do you have suggestions of details or images to include?
• Does the writer use an appropriate mixture of anecdote, quotation, description, and explanation? Would more or less of one of these improve the essay?
• Are the beginning and ending paragraphs interesting and appropriate for the specific audience? Consider the need for a “lead sentence” if intended for a newspaper.

Documented Argument Critique

• Is the thesis clear, argumentative, and effective? Why or why not?
• Are the topic and thesis are reasonable for the assignment, audience, and context of the essay?
• Does the author define his or her terms and provide sufficient background information? What ideas or terms are undefined or inadequately explained?
• Is the thesis supported by clear reasons? Are the reasons clearly worded and supported sufficiently?
• Do the reasons fit logically together and are they placed in the right order?
• Does the author adequately address the opposition? What is another opposing argument he/she should or could have addressed?
• Has the author done adequate research?
• Are the works cited adequately introduced and explained before citing from them?
• Does the paper contain an appropriate blend of well-placed quotations within a context of the author’s own words and paraphrases from other sources?
• Is the writer clearly in charge, naturally introducing and interacting with sources rather than merely reporting on them?
• Do you find the argument convincing? What might you add or omit?

Business Writing Critique

• Does the memo begin with the most important information?
• Does the memo build rapport by involving the reader in opening paragraph?
• Does the memo provide sufficient, relevant, and interesting details? Is it focused and brief?
• Does the memo focus each paragraph on one idea?
• Is the memo informed, accurate, demonstrating the author’s grasp of the situation?
• Is the final paragraph calling for a specific action? Is it brief? Does it build good will?
• Is the memo form correct, with concise subject line, initialed name, correct spacing?
• Is the information arranged (indentations and numbering) in a way that makes it easy to skim and still get central information?

Cover letter

• Does the first paragraph identify who the author is, briefly state why he/she is writing, and refer to how he/she found out about the job?
• Does the second paragraph highlight specific strengths, special abilities, or features of the résumé to be noted?
• Does the third paragraph make a specific request of the reader or address what action is to be taken?
• Does the letter provide sufficient, relevant, and interesting details to make the request convincing?
• Is the letter brief and focused? What elements could be eliminated?
• Does the writer achieve his or her purpose? Does it make you want to consider the résumé more carefully?
• Is the tone of the letter courteous without being too formal, relaxed without being too familiar?
• Is the letter’s form appropriate (heading, spacing, greeting, salutation)? Is the letter addressed to a specific person rather than a general “Dear Madam/Sir”?
• Does the résumé contain the necessary features for the position (name/address, position desired, education, work experience, achievements, relevant personal information, references)?
• Does the résumé contain only essential, relevant information for the position required?
• Does the résumé emphasize the applicant’s strengths?
• Does the résumé emphasize what is unique about this person’s experience? Does it demonstrate a common interest or ability (leadership, teaching experience, dedication, creativity, etc.)?
• What additional information might you like to have about this applicant?
• If you were leading an interview based on this résumé, what are two questions you might ask?
• Does the résumé look neat (appropriate spacing, clear headings, good quality paper)?
• Is the résumé easy to read?
• Is the information presented as concisely as possible?
• Are the elements of each section of the résumé presented in a parallel format and style (begin w/ active verbs, put date in consistent place, use of parallelism for elements, consistent underlining or italics)?

How to Write a Critical Essay

Hill Street Studios / Getty Images

• An Introduction to Punctuation

Olivia Valdes was the Associate Editorial Director for ThoughtCo. She worked with Dotdash Meredith from 2017 to 2021.

• B.A., American Studies, Yale University

A critical essay is a form of academic writing that analyzes, interprets, and/or evaluates a text. In a critical essay, an author makes a claim about how particular ideas or themes are conveyed in a text, then supports that claim with evidence from primary and/or secondary sources.

In casual conversation, we often associate the word "critical" with a negative perspective. However, in the context of a critical essay, the word "critical" simply means discerning and analytical. Critical essays analyze and evaluate the meaning and significance of a text, rather than making a judgment about its content or quality.

What Makes an Essay "Critical"? 

Imagine you've just watched the movie "Willy Wonka and the Chocolate Factory." If you were chatting with friends in the movie theater lobby, you might say something like, "Charlie was so lucky to find a Golden Ticket. That ticket changed his life." A friend might reply, "Yeah, but Willy Wonka shouldn't have let those raucous kids into his chocolate factory in the first place. They caused a big mess."

These comments make for an enjoyable conversation, but they do not belong in a critical essay. Why? Because they respond to (and pass judgment on) the raw content of the movie, rather than analyzing its themes or how the director conveyed those themes.

On the other hand, a critical essay about "Willy Wonka and the Chocolate Factory" might take the following topic as its thesis: "In 'Willy Wonka and the Chocolate Factory,' director Mel Stuart intertwines money and morality through his depiction of children: the angelic appearance of Charlie Bucket, a good-hearted boy of modest means, is sharply contrasted against the physically grotesque portrayal of the wealthy, and thus immoral, children."

This thesis includes a claim about the themes of the film, what the director seems to be saying about those themes, and what techniques the director employs in order to communicate his message. In addition, this thesis is both supportable  and  disputable using evidence from the film itself, which means it's a strong central argument for a critical essay .

Characteristics of a Critical Essay

Critical essays are written across many academic disciplines and can have wide-ranging textual subjects: films, novels, poetry, video games, visual art, and more. However, despite their diverse subject matter, all critical essays share the following characteristics.

• Central claim . All critical essays contain a central claim about the text. This argument is typically expressed at the beginning of the essay in a thesis statement , then supported with evidence in each body paragraph. Some critical essays bolster their argument even further by including potential counterarguments, then using evidence to dispute them.
• Evidence . The central claim of a critical essay must be supported by evidence. In many critical essays, most of the evidence comes in the form of textual support: particular details from the text (dialogue, descriptions, word choice, structure, imagery, et cetera) that bolster the argument. Critical essays may also include evidence from secondary sources, often scholarly works that support or strengthen the main argument.
• Conclusion . After making a claim and supporting it with evidence, critical essays offer a succinct conclusion. The conclusion summarizes the trajectory of the essay's argument and emphasizes the essays' most important insights.

Tips for Writing a Critical Essay

Writing a critical essay requires rigorous analysis and a meticulous argument-building process. If you're struggling with a critical essay assignment, these tips will help you get started.

• Practice active reading strategies . These strategies for staying focused and retaining information will help you identify specific details in the text that will serve as evidence for your main argument. Active reading is an essential skill, especially if you're writing a critical essay for a literature class.
• Read example essays . If you're unfamiliar with critical essays as a form, writing one is going to be extremely challenging. Before you dive into the writing process, read a variety of published critical essays, paying careful attention to their structure and writing style. (As always, remember that paraphrasing an author's ideas without proper attribution is a form of plagiarism .)
• Resist the urge to summarize . Critical essays should consist of your own analysis and interpretation of a text, not a summary of the text in general. If you find yourself writing lengthy plot or character descriptions, pause and consider whether these summaries are in the service of your main argument or whether they are simply taking up space.
• An Introduction to Academic Writing
• Definition and Examples of Analysis in Composition
• How to Write a Good Thesis Statement
• The Ultimate Guide to the 5-Paragraph Essay
• How To Write an Essay
• Critical Analysis in Composition
• Tips on How to Write an Argumentative Essay
• What an Essay Is and How to Write One
• How to Write and Format an MBA Essay
• Higher Level Thinking: Synthesis in Bloom's Taxonomy
• How To Write a Top-Scoring ACT Essay for the Enhanced Writing Test
• What Is a Critique in Composition?
• How to Structure an Essay
• How to Write a Solid Thesis Statement
• How to Write a Response Paper
• Writing a History Book Review

• Share full article

Advertisement

The Baffling Theme of This Year’s Met Gala

By Anna Marks

Opinion Staff Editor

On Monday night, a select group of celebrities and fashion designers mounted the steps of the Metropolitan Museum of Art, presenting a litany of costumes for the public to devour. The Met Gala is an annual spectacle of celebrity that raises money for the museum’s Costume Institute , which works to preserve fashion history.

The night’s enduring power can largely be chalked up to the way guests interpret its themed dress code, which changes every year. At its most brilliant, a theme might inspire absurd, campy or daring interpretations by clever designers. At its most exhausting, it inspires famous people to perform vacuous social commentary while attending an event where a ticket reportedly costs as much as $75,000 . In either case, the commentary the theme provokes gives the gala its enduring cultural relevance.

This year’s theme is “The Garden of Time,” based on J.G. Ballard’s dystopian short story about a count who, for a time, prevents a mob from destroying his villa and the works of culture it contains. The story is an allegory warning about the consequences of keeping art out of public view. The most generous reading of the story in the context of the Met Gala is probably that the Costume Institute, by giving art to the masses instead of hiding it away in a place only the wealthy inhabit, averts Ballard’s dystopia.

But there’s also an unfortunate irony in choosing this particular story. Ballard implicitly criticizes the wealthy count’s distance from the public, but the gala essentially celebrates the counts among us.

High culture is available to the public largely because the wealthy, charitably, make it so. But the nature of this gala, with its emphasis on extolling the captivating virtues of celebrity, leaves me wondering whether the event’s organizers misread the story’s critique or were simply blind to it. For a less generous interpretation of the story appears to mock the culture-consuming public.

Consider the greatest threat to the count’s rarefied life: the teeming people, described as struggling laborers and soldiers, who unthinkingly defile his cultural artifacts at the end of the story. Is that how the party’s organizers see the ordinary museum patrons and tourists who will fill the institute’s halls after the cameras are gone?

I hope the organizers simply didn’t think hard enough about the implications of their chosen story. But if they did, they would do well to remember that art, even high fashion, endures because a mass audience witnesses and appends meaning to it.