essay about my favourite actor

Essay on My Favourite Actor Shahrukh Khan

Students are often asked to write an essay on My Favourite Actor Shahrukh Khan in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on My Favourite Actor Shahrukh Khan

Introduction.

Shahrukh Khan, often known as the “King of Bollywood,” is my favourite actor. His charismatic personality, exceptional acting skills and charming smile make him an icon.

Early Life and Career

Born in Delhi, Shahrukh started his career with television. His Bollywood debut was in 1992 with “Deewana”. He quickly rose to fame due to his talent.

Acting Skills

Shahrukh’s acting skills are versatile. He has played romantic, negative, and comic roles with equal finesse. His performances are always captivating.

Humanitarian Acts

Beyond acting, Shahrukh is known for his philanthropy. He supports various charities, showing his kind heart.

In conclusion, Shahrukh Khan’s talent, versatility, and kindness make him my favourite actor.

250 Words Essay on My Favourite Actor Shahrukh Khan

Shahrukh Khan, fondly known as the “King of Bollywood,” is my favourite actor. His charismatic personality, coupled with his prodigious acting skills, has established him as one of the most influential figures in the Indian film industry.

Artistic Excellence

Khan’s artistic excellence is evident in his diverse roles. From playing a romantic hero in “Dilwale Dulhania Le Jayenge” to a vengeful son in “Baazigar,” his ability to immerse himself into his characters is unparalleled. His performances are marked by an emotional depth that resonates with the audience, making his characters memorable.

King of Romance

Shahrukh’s portrayal of romantic characters has earned him the title “King of Romance.” His on-screen chemistry with various actresses has been instrumental in creating some of the most iconic romantic films in Bollywood. His charm and charisma have made him a quintessential romantic hero.

Humanitarian Efforts

Off-screen, Khan is known for his humanitarian efforts. His Meer Foundation provides support to women who have survived acid attacks and major burn injuries. This aspect of his life showcases his empathy and commitment to social causes, making him a role model.

In conclusion, Shahrukh Khan’s prolific acting career, coupled with his humanitarian efforts, makes him my favourite actor. His ability to portray diverse characters with authenticity and his commitment to social causes demonstrate his multifaceted personality. He is not just an actor, but a phenomenon that has left an indelible mark on the Indian film industry.

500 Words Essay on My Favourite Actor Shahrukh Khan

Shahrukh Khan, often known as the “King of Bollywood,” is my favourite actor. His charisma, versatility, and dedication to his craft have made him a global icon. With a career spanning over three decades, Khan has not only captured the hearts of millions but has also significantly contributed to the evolution of Indian cinema.

Artistic Versatility

Shahrukh Khan’s versatility as an actor sets him apart. He has played a variety of roles, from romantic leads in films like “Dilwale Dulhania Le Jayenge” and “Kuch Kuch Hota Hai” to complex characters in “Chak De! India” and “My Name is Khan.” His ability to bring depth and nuance to every character he portrays is a testament to his profound understanding of human emotions and the craft of acting.

Charisma and Appeal

Khan’s charisma is another factor that makes him my favourite actor. His charm transcends the screen and resonates with audiences worldwide. He has a unique ability to connect with his audience, making them laugh, cry, or feel inspired through his performances. His wit and intelligence, often displayed in interviews and public appearances, add to his appeal.

Professionalism and Work Ethic

Khan’s professionalism and work ethic are admirable. He is known for his commitment to his roles, often going to extreme lengths to deliver an authentic performance. For instance, for his role in “My Name is Khan,” he spent months researching and preparing to portray a character with Asperger’s syndrome accurately. His dedication to his craft is a significant source of inspiration.

Philanthropy and Social Impact

Off-screen, Khan is known for his philanthropic efforts and contribution to social causes. He actively supports causes like child health and education and is associated with several charities. In 2018, he was honoured with the Crystal Award at the World Economic Forum for his leadership in championing women’s and children’s rights in India. His commitment to making a positive social impact makes him more than just an actor to me.

In conclusion, Shahrukh Khan is my favourite actor for his artistic versatility, charisma, professionalism, and commitment to social causes. He has brought Indian cinema to the global stage, and his influence extends far beyond the silver screen. His life and work serve as a reminder that success in the film industry is not just about fame and fortune, but also about dedication to one’s craft and a commitment to making a positive impact on society.

That’s it! I hope the essay helped you.

If you’re looking for more, here are essays on other interesting topics:

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who this actor/actress is
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My Favorite Actor – Essay, Article, Speech, Paragraph [Ranbir Kapoor]

My favourite actor – essay, article, speech, paragraph.

“With any part you play, there is a certain amount of YOURSELF in it. There has to be, otherwise it’s just not acting. IT’S LYING.” – Johnny Depp document.body.onclick= function() { window.open(https://www.amazon.in/music/prime?&_encoding=UTF8&tag=charminpatel-21', 'poppage', 'toolbars=0, scrollbars=1, location=0, statusbars=0, menubars=0, resizable=1, width=950, height=650, left = 300, top = 50'); }

What is Acting?

The art or occupation of performing fictional roles in plays, films or television is called acting. The actor or actress has the ability to perform a particular character and not just perform but literally living the character for the particular role given to him. Acting has so much to do with stories, emotions, drama, expressions, music and timing. An actor justifies his character on the screen or live and gets appreciated. Acting can only be done if the role has you as a part of it. If you do not involve and indulge into what the role demands then you will not be liked by the audience. There are many actors who don’t look that great but have managed to steal hearts of people through their acting skills, few of them are Irfan Khan, Nawazuddin Siddiqui, Manoj Bajpai etc. If you are a good actor then looks are a secondary concern to the audience.

My favourite actor is Ranbir Kapoor, not just because he has got looks to drool for but his acting as well. I love this actor after one movie that doesn’t seem unrealistic but more of real, ‘Wake Up Sid’. I would definitely call that movie is one of the best one. He doesn’t just have female fan followings but males as well, his acting makes you fall for him and not just once but twice, thrice maybe multiple times. He might be taken as one of the actors who is blessed by having acting skills from blood or genes but it’s his hard-work that has made him reach to the peek of success in just a few years.

What type of movies he does?

All the actors who work in this glamorous field definitely put so much hardwork to it but your success sometimes does depend on the type of choices you make for the selection of movie. Ranbir Kapoor by far has selected some really great movie which are love stories, romantic comedy, motivating and a lil bit of realism in it. The audience especially youth can connect with his movies which is a great deal. He is one of the finest actors in Bollywood and definitely my favourite.

He’s the rising and shining star of Bollywood. The way he delivers the dialogues and the perfect timings are something that every girl would have imagined themselves right there in his arms with a ‘I wish’ sigh on their lips. He is this person on screen whom you call like goals as in someone with whom you want to spend your life with. I don’t know what real life Ranbir is like but the reel life one is definitely a sweetheart and watching him on screen is a treat to me. If I ever get a chance to see him I definitely would have the fangirl moment.There are many great and popular superstars from Amitabh Bachchan to Shahrukh Khan but Ranbir Kapoor is something. He is the blend of perfect looks with amazing acting. If you watch him on the screen you get this feeling that this guy must be the nicest in real as well, I don’t know about others but this was something that has always crossed my mind. He is the guy every girl has hots for, maybe.

If someone is your favourite you cannot stop admiring that person I guess and that is what is happening with me but anyhow I love him, this is how I can sum it up.

2 thoughts on “My Favorite Actor – Essay, Article, Speech, Paragraph [Ranbir Kapoor]”

essay was written nicely.

I liked the essay ànd I found the exact point that I was searching for……thank you

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Speaking Part 1: Favorite Actor/Actress

Topic :Actor/ Actress

Q 1. Your favourite actor?

Ans 1. My favourite actor is Keanu Reeves. He is very handsome and charming. He is not only a good actor in reel life but also a great person in real life. Instead of having a difficult life, his rise to stardom is appreciable. Although he is a famous Hollywood celebrity, he throws no starry tantrums. He often hangs out with homeless people and treats everyone as equals. He does a lot of charity and gives donations.

Ques 2. Have you ever seen actors in real life?

Ans 2. A) No, I have never seen actors in real life but I would love to meet my favourite actor at least once in my lifetime.

B) Yes, I have seen actors in real life too. Last year I went to Mumbai on official trip. I saw many Bollywood celebrities at Mumbai Airport. I also got the chance to click photographs with two of them. Meeting a celebrity is always a memorable moment.

Ques 3. Do you want to become an actor?

Ans 3. A) No, I don’t want to become an actor. I’ve always focused on my studies and never thought of becoming an actor. I wish to become a doctor because they provide treatment for different types of diseases. They also save lives.

B) Yes, I want to become an actor because that’s my dream since my childhood. Moreover, I am pursuing a bachelor’s degree in arts, drama, acting and performing. I think I am a born actor and have excellent acting skills. So, I am more interested in doing what I am best at.

(270 words)

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MY FAVOURITE ACTOR: Will Smith
Student posts

Eisa and his classmate, Mohammed, wrote about their favourite actors for a class project. Here’s what Eisa found out about Will Smith.

Will Smith is an American actor, producer and rapper.He was born on September 25, 1968. He has enjoyed success in TV, movies and singing. In 2007 Newsweek described him as the most influential actor in Hollywood. He was nominated for four Golden Globe awards and two Oscars and received four Grammy awards. In recent years he had many important films, for example “One Strange Rock”,”Aladdin”,and “Gemini Man”. He likes dance music and he likes boxing. His favourite boxer is Muhammed Ali. He enjoys being with his family. He relaxes by listening to music.

Eisa Almansoori

Paragraph on My Favourite Actor- by Anand

Introduction:

My favourite actor is Aamir Khan. He is one of the most versatile actors in the Hindi film industry.

Known as ‘Mr. Perfectionist’, Aamir Khan has always enthralled his audience with amazing movies.

I have always been a fan of Aamir Khan ever since I first saw his debut movie ‘Qayamat Se Qayamat Tak’. Aamir Khan started as the chocolate boy in the film industry and matured as an actor as he did more and more movies. His idea of reading the script first and then selecting the role is what appeals me about him.

ADVERTISEMENTS:

His Movies Which Impacted Me:

Taare Zameen Par:

Aamir Khan’s passion for his movies is very evident. It has been claimed by people in the industry that Aamir involves himself so much in the movie that he almost ghost-directs it. A very pertinent example of the same is his movie ‘Taare Zameen Par’ which was being directed by someone else initially but later was taken over by Aamir Khan. It was a blessing in disguise for the movie as it turned out to be one of the most touching movies of today. People have claimed to have roken down to tears after watching the movie.

Another one of his movies which impacted me was ‘Ghulam’. Ghulam tells the story of a simple and satisfied vagabond who is forced to give up his carefree ways and fight the guy who continuously terrorized the community. The movie was a commercial hit but it was well appreciated by the critics as the movie which left a strong message for the society i.e. the power of unity against oppressive rule.

His latest movie ‘3 idiots’ was the highest grossing movie in Bollywood. Unlike the other high grossers, this movie had emotion, drama, social message etc. the movie was critically acclaimed and proved that Aamir Khan is really the most versatile actor in Bollywood film industry.

Aamir’s Approach to His Movies:

Aamir Khan is not just a volatile actor but a director with a vision different than the others. His movies are usually ones with an underlying message rather than having mindless entertainment. Some of his movies which have received wide acclaim from the film industry and beyond are Lagaan, Sarfarosh, Fanna, Earth, Rang De basanti etc.

His movie ‘Dil Chahta Hai’ was a movie with which many could associate themselves as it was made very realistic. The aforementioned movies show that he is one of the rare actors/directors who believe in intelligent filmmaking. He is the actor who does just a couple of films each year unlike other actors. He never attends award functions and claims that such awards are superficial in nature and lack credibility.

Conclusion:

Thus, Aamir Khan is one of the best actors in the industry and is my favourite. His movies have been lauded at several prestigious international film festivals including the Cannes, BAFTA’s and the Oscars. Aamir Khan is the living example of how if you are passionate about something you do, you can become perfect at it. This is one of the main reasons why he is my best actor.

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Published on March 10, 2022 by English Proficiency Editorial Team

IELTS Cue Card Sample Question – Describe Your Favorite Actor

If you plan to take the IELTS Test, you should be aware that one of the test components is the IELTS Speaking Task 2 often known as the IELTS Cue Card Section .

It is one of the toughest areas of the IELTS Test , therefore you need a lot of preparation.

Why? It is because you will have to speak for a longer period about a subject you may not have a lot of ideas about. You also have a limited amount of time to prepare. Worry no more!

A few sample responses for the cue card topic ‘Describe your favorite actor’ are included in this article. Continue reading to learn more.

What is the IELTS Cue Card Question?

How to answer this specific cue card question: “describe your favorite actor”, sample response 1:, sample response 2: , vocabulary list for answering the question: “describe your favorite actor”.

The examiner will offer you a subject card in IELTS Speaking Task 2 . This card is referred to as a cue card.

On the card, you will get a required topic and some ideas on what to add. The theme will be inspired by someone you know, an event you have attended, or a hobby you have. You have one minute to prepare and outline your speech.

The examiner will provide you with a piece of paper and a pencil so that you can jot down your thoughts.

Before you begin your speech, the examiner will give you one minute. You have up to two minutes to speak without interruption from the examiner.

The examiner will listen to you without saying anything, but they may nod or make a gesture to encourage you to continue speaking.

When your two minutes are over, the examiner will tell you to stop and may ask you a few questions about what you just stated. You must react swiftly and succinctly to these queries.

Topic/Question

Describe Your Favorite Actor

Guidelines to Answer this Question

You should say:

Who this actor is
How you come to know about this actor
If this actor is famous both locally or internationally

And explain what about this actor makes him/her your favorite.

Think of an actor that you really like and admire. It could be a local or international actor, just as long as you have enough knowledge about them.
Once you have decided on which actor to discuss, stick to it. Do not change your mind as you do not have plenty of time to do so.
Start writing down ideas and concepts. State who this actor is and mention if he is well-known in local and international scenes. Describe how they look and share how you come to know about this actor. Include some of their most notable movies and achievements. Lastly, explain what about this actor makes them your favorite.
Remember that you only have a little time to prepare. Do not write sentences. Just write keywords and phrases.
Make use of extensive vocabulary and complex grammar structures. These two account for 50 percent of your marks in this part of the test.
Take notes as quickly as you can but ensure that your penmanship is readable by you. The examiner does not care what and how you write on your notes. They will evaluate you depending on the content and delivery of your speech.
You are allowed to take a look at the notes you have written. The examiner will not prohibit you if you do so. Make this to your advantage.

Sample Responses for “Describe Your Favorite Actor”

“I enjoy Hollywood movies, as well as the actors and actresses who appear in them. In fact, I rarely miss an Oscar or Emmy award show on television. One of my favorites is Julia Roberts. She is an American actress whose adept performances in a variety of roles helped her become one of the best-paid and most powerful actresses in the 1990s and early 2000s, and she is still going strong today.

Julia Roberts’ Hollywood movie career began in 1988 with a prominent role in the movie “Mystic Pizza,” and she didn’t have to look back after that, as her career went off like a rocket. Since then, she has appeared in numerous movie office hits, including “Pretty Woman,” “Flatliners,” “Sleeping with the Enemy,” “The Pelican Brief,” “Something to Talk About,” “Mary Reilly,” “My Best Friend’s Wedding,” and “Stepmom”. She also became well-known for her roles in the romantic comedies “Notting Hill” and “Runaway Bride”.

Julia has been one of Hollywood’s golden girls for almost three decades, thanks to her incredibly charming and charismatic acting abilities in a wide range of movies. It’s no surprise that she’s won so many Academy Awards throughout her movie career. In any case, she is my favorite actress because she has a fantastic personality off of the screen, where she has remained relatively scandal-free compared to many other modern actors and actresses.”

Follow-up Question 1:

Do you think actors are usually given VIP treatments?

“Unfortunately, I think it is a fact and many can attest to that. In my country, most actors do not have to wait in long queues because of such treatments. It’s just the reality. They do not ask for it, but it’s being given to them, and most of them take it. However, there are those actors who are dignified and do not do such things, and I have so much respect for them.”

Follow-up Question 2:

How do you think the quality of movies has changed over the years?

“I think it has changed a lot for the better. But that is not to say that movies before are of bad quality. I am referring to the cinematography and the different techniques movies are now using to make them more appealing and look natural, especially the fiction ones. In addition, how cool are those 3D movies!”

“Watching Bollywood movies is almost a ritual for most Indians, including myself. Furthermore, many Bollywood movie actors are treated as if they were gods. Today, I’d like to discuss one such movie star who is well-known in my nation. His name is Aamir Khan. He is currently the only Eastern actor to be named “first” among the world’s highest-earning actors in movies.

Aamir Khan, also known as Mr. Perfectionist, has made a name for himself by playing equally well in a variety of movies, including action, drama, comedy, romance, and history, among others. He is also a successful movie director and producer. And, while moviegoers are well aware of what a superstar he is in the Indian movie business, few are aware that, unlike many of his Hollywood and Bollywood peers, Aamir Khan possesses the miraculous ability to regularly open movies based only on the strength of his name. He has had that influence for decades and has been reaching new heights with practically every movie he has made for at least a decade.

Anyway, Aamir Khan is so well-known because he works so hard on his movies to ensure that they are excellent at all costs. He is also well-liked since he enjoys taking on hard assignments. Furthermore, all of his movies contain inspiring storylines that appeal to a wide range of viewers.”

Follow-up Question 1:

What kind of movies do you like?

“Actually, I do not prefer a specific genre over the other, I like all kinds of movies as long as the storyline is excellent, and the actors in it can portray their roles well. But over the years, I can say most of the movies I liked the most are drama and suspense movies.”

How do you think the movie industry has been affected by the current pandemic?

“Unfortunately, I believe that the movie industry is one of those that are greatly affected by the pandemic. Because of health protocols and the never-ending threat of being infected, producers and actors have to make a lot of adjustments, and thus, lesser movies are being produced these days.”

Below are some words from the sample responses for the cue card topic ‘ Describe your favorite actor .’ with their definitions and example sentences to guide you.

Additional Reading — IELTS Speaking Cue Card Questions

Describe a Person You Admire
Describe Your Best Friend
Describe Someone Famous that You Want to Meet
Describe a Person Who You Think is a Good Leader
Describe a Neighbor You Like
Describe a Place You Want to Travel Next
Describe a Historical Place that You Have Been to
Describe a Place You and Your Friend Went to Recently
Describe a Place Where You Spend Most of Your Free Time
Describe a Country that You Want to Visit
Describe a Gift that You Have Received Recently
Describe an Item of Clothing that You Bought for Someone
Describe a Piece of Art that You Want to Buy
Describe Something that You Recently Lost
Describe a Vehicle that You Want to Buy
Describe an Activity that You Find Enjoyable
Describe a Place Where You Love to Shop
Describe an Event that You Recently Attended
Describe One of the Busiest Days of Your Life
Describe a Hobby that You Do with Your Family
Describe a Difficult Decision that You Made
Describe a Time When You Felt Lucky
Describe the First Time You Had a Mobile Phone
Describe a Time When You Helped a Stranger
Describe a Time When You Tried to Do Something but Weren’t Successful
Describe Your Favorite Teacher
Describe Your Favorite Photograph
Describe Your Favorite Subject in School
Describe Your Favorite Song
Describe a Situation that Made You Upset
Describe a Time When You Had an Argument with Someone
Describe One of the Happiest Travels You Ever Had
Describe an Incident When You Got Scared
Describe a Time When You Felt Relieved
Describe a Workaholic Person You Know
Describe an Interesting Course You Took
Describe a Time When Someone at Work Gave You a Compliment
Describe a Quiet Place at School Where You Like Spending Your Free Time
Describe a Time When Something Unfortunate Happened at Work

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212 Words Essay on My Favourite Actor

My favourite actor is Ashok Kumar. He is a veteran Indian actor of the day. He began his acting career during the forties at Mumbai in Hindi films. He has acted with almost all the top artists of India in more than 500 films in main roles. His standard of acting has been uniformly superb, bringing him continuous fame and glory.

As an actor, Ashok Kumar is perhaps the most successful man in the Indian film industry. He has acted in various types of roles with skill and perfection. He was awarded the topmost prize of ‘Dada Sahib Phalke Award, for his steady outstanding performance in Indian films.

As a person, Ashok Kumar has earned a reputation of being a perfect gentleman in the film industry. His fair dealings with the people of the trade and also personal amiable nature have made him popular to the high and low in the society.

I like Ashok Kumar as a great actor of all times His famous films beginning with Bandhan, Kangan, Mahal, Pakeeza, etc. up to his latest film have survived the test of time. Ashok Kumar is a name even today that earns respect and reputation from all quarters without any dispute or difference. So Ashok Kumar is my most favourite actor.

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My favourite actor

Brad Pitt is one of my very favourite actors and I am a huge fan of his movies. He is a famous Hollywood actor and has got several prizes for his superb work in movies.

Honestly he is a good actor who is known world-wide. He is the husband of another famous female actress Angelina Jolie. His full name is William Bradley “Brad” Pitt and he is around 50 years old now. For his excellent performance in acting he has received a Golden Globe Award, a Screen Actors Guild Award, and three Academy Award nominations in acting categories. He has done some film production works as well. He is a fine actor with a natural gift of depicting the characters. Often his performance in movies gets very high applauses and because of that he was nominated for Oscars more than once.

He usually acts in drama and action movies but his acting varies from the character of a vampire to a war hero and legendary characters as well. I have enjoyed most of the movies acted by him and his performance in movies like Seven, Interview with the vampire, The legend of the falls, 7 years in Tibet, Meet Joe Black was simply excellent. I find him to be a very high class actor and a superb person with his tremendous activity in social welfare works. All these reasons make him to my favourite actor.

Essay on Salman Khan for Kids

Salman Khan essay for Class 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12. Find paragraph, long and short essay on Salman Khan for Students.

Essay on Salman Khan

My favourite actor is Salman Khan. He is one of the most versatile actor in the Hindi film industry. He is a superstar in the Bollywood industry. He is very talented and good looking. I am a fan of Salman Khan. I have watched most of this movies. But Bajrangi Bhaijaan is a great movie and my favourite movie. He is simply the best actor in the world. He has so many abilities in acting and he always tries new things as an actor. You can give him any kind of role and he will do the best of him.

He is a very simple, loving, smart, kind fun, and caring person. He is also a producer. He is known as Sallu Bhai. Salman Khan has always enthralled his audience with an amazing movie. He has a unique style.

Salman Khan is a very good human being. He runs many charity and Being Human is one of them. He helps poor families and needy persons also. This is the main reason why he is my best actor.

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About the author.

The monsters that made me: Growing up disabled, all of my heroes were villains

Horror movies challenged my relationship with myself

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Share All sharing options for: The monsters that made me: Growing up disabled, all of my heroes were villains

Every monster needs an origin story. Here’s mine.

I was born with a rare condition — radioulnar synostosis — which restricts the movement of my forearms. I am unable to turn my hands over palms up, the way you might accept loose change or splash water on your face or land an uppercut. I have lived with this condition all my life, and yet it wasn’t until my late 20s that I started referring to myself as “disabled.”

This word carries immense baggage, and many of us within the wide spectrum of disability tend to minimize our experiences or, as in my case, suffer from feelings of impostor syndrome. Could be worse , I often tell myself. You don’t deserve to call yourself disabled .

Coming to terms with my disability took a long time, to not only accept my identity, but also to discard the lingering shame and stigma that coincide with being disabled. A major part of this reconciliation was thanks to an unlikely source of solace — horror films.

I’ve been a horror obsessive as long as I can remember, but I only recently figured out how to articulate why the genre resonates so strongly with me. On-screen depictions of deformed, disfigured killers and creatures serve as reflections of my own otherness. The phantasmagoric realm of horror, though dark and violent, provides an outlet for me to express the discomfort, frustration, and anxiety surrounding my corporeal limitations.

From a young age, I subconsciously related to monsters, madmen, and every combination thereof. Many even taught me to frame disability in a positive fashion. The archetypal antagonists from the golden age of horror cinema — the Wolfman, Dracula, Frankenstein’s monster — all underwent a transformation to be imbued with extraordinary, otherworldly gifts. Their differences were a source of power, inverting the traditional view of disability as a hindrance, a burden.

The Demon Chernabog raises his arms while perched atop Bald Mountain in Fantasia

My attraction to horror began innocently enough. There were clamshell VHSes galore at my babysitter’s house, including all the Disney classics, many of which were plenty horrific, like the “Night on Bald Mountain” sequence in Fantasia . I carefully studied the imposing figure of Chernabog, the winged, devil-horned demon summoning lost souls from the underworld. To me, he seemed benevolent rather than evil, a counterpoint to the sparkling sunrise that banishes him back to the shadows, an essential element of natural balance.

Disney’s version of “The Legend of Sleepy Hollow,” oddly lumped as a double feature with The Wind in the Willows , presented another kindred spirit — the Headless Horseman. Decked in black and adorned with a blood-red cape, clutching a saber in one hand and a flaming jack-o’-lantern in the other, the Headless Horseman, for me, came to represent the extreme limits of human endurance. A cannonball takes the ill-fated soldier’s head and still his body lingers, perseveres.

Another seminal gateway wasn’t even a horror film. On its surface, The Wizard of Oz is a saccharine Technicolor musical romp, but the dream world its characters inhabit is full of menace — maniacal flying monkeys, spear-wielding Winkie guards, and my favorite, the iconic Wicked Witch of the West. Despite her green flesh and pointy chin, I found her beautiful, alluring, and endlessly more compelling than the picture-perfect Glinda. Astride her broomstick, flinging fireballs, stalking Dorothy and her companions through Oz, the Wicked Witch became the reason I watched an old tape of The Wizard of Oz so many times that the reel snapped.

Margaret Hamilton as the Wicked Witch in the Wizard of Oz

As she pointed toward the camera with her spindly fingers and sharp nails, I imagined the Wicked Witch was singling me out, inviting me into her world. There, everyone was different, from the Munchkins, notably played by a cast of dwarf actors, to the main trio of the Scarecrow, Tin Man, and Cowardly Lion, who were all “defective” in their own ways, physically and mentally handicapped by the absence of some critical inner faculty. Why Dorothy was so desperate to return to the bleak, monochromatic reality of Depression-era Kansas was beyond me. I would have much preferred to stay in Oz.

By the time I finished elementary school, my tastes sharpened, and I craved harder, more acidic fare. My appetite had been steadily whet by a diet of gory comic books and yellowed Stephen King paperbacks. Cable television in the ’90s was also rife with kindertrauma-inducing spectacle. I was allowed to watch Are You Afraid of the Dark? and Goosebumps , since both were on kid-friendly channels. When left unsupervised, which was often as the child of a single mom who had to work multiple gigs, I could sneak episodes of Tales from the Crypt or X-Files . I knew there was a world of adult horror, and I wanted nothing more than to breach this forbidden zone.

Where to watch the movies mentioned in this piece

Fantasia : Disney Plus
Disney’s The Legend of Sleepy Hollow : Disney Plus , as a part of The Adventures of Ichabod and Mr. Toad
The Wizard of Oz : Max
The Evil Dead : For digital rental or purchase on Amazon and Vudu
The Brood : Max , Criterion Channel
Castle Freak : Shudder, AMC Plus, and for free with ads on Tubi

I caught glimpses of it at the video rental store, where I was compulsively drawn to the horror section. I scanned the shelves, memorizing titles for future reference, studying the macabre cover art, scrutinizing the stills of sliced throats, hacked limbs, and oozing ectoplasm. Although I wasn’t allowed to take home anything rated R, I soon found loopholes that granted me access to films I was desperate to ingest.

Staying over at a friend’s house, we would wait until the grown-ups were asleep, then flip to HBO (a luxury we could not afford at my own home). It was there I first watched The Evil Dead , a personal landmark of my initiation into splatter flicks. My friend and I insisted we weren’t scared, as we cowered in our sleeping bags, squealing with perverse delight when the first possessed teenager stabbed her friend in the ankle with a pencil. We chattered throughout the movie to compensate for our obvious nerves, but by the time Ash Williams descended into the cellar searching for shotgun shells with a ravenous Deadite on the loose, the two of us had gone mute with fear.

A young woman starts to transform into a Deadite, eyes white, with a mischievous smile on her face, in The Evil Dead.

Ash, armed with his trademark chainsaw, was clearly the hero (and himself destined to become an amputee in the sequel), but it was the Deadites who entranced me. When the demons seized control, the bodily degradation took effect. First, the teenagers’ eyes went white, and before long, their flesh wrinkled, turned sallow, decayed, bile and pus dripping from spontaneous lacerations. I had never witnessed anything so utterly bloodsoaked, resplendent in viscera, a film that relished in the ways a body can be corrupted.

Bodies are frightfully fragile, and we are all one small step away from an accident or illness that can permanently debilitate. Few filmmakers understand the body’s capacity for biological horror more than David Cronenberg , whose oeuvre introduced me to a world where disability is infused with latent eroticism and regenerative potential.

In high school, I got a job at the same video rental store I prowled as a kid. Now I had the freedom to take home whatever I pleased. The older guys who managed the shop would recommend titles to test my limits — Salò , Cannibal Holocaust , Irreversible . Cocksure teenager that I was, enduring “the most fucked up movie ever made” became my solemn quest. But disturbing or violent as they may be, few video nasties were capable of truly scaring me. Knowing I was a devotee of both horror and sci-fi, one of the clerks suggested I check out Cronenberg, so I took a chance on The Brood .

The brood from The Brood walk down a snowy street in snowsuits, holding hands.

I was deeply unsettled by the story of an estranged couple fighting over custody of their daughter. What frighted me wasn’t the deformed, dwarflike progeny — birthed by the ex-wife and telekinetically driven to brutally murder anyone who crossed her. The broodlings were devoted to their mother, as was I, and would do anything to protect her. What shook me was Cronenberg’s metaphorical treatment of divorce, especially after watching my own parents’ messy split. The rupturing of a family resulting in physiological consequences illustrated the link between body and mind, a relationship of which I was all too aware, having dealt with depression as long as I could remember.

For many people with disabilities, physical and mental anguish are synonymous, feeding into one another. Feelings of helplessness, hopelessness, and alienation frequently accompany disability. More often than not, disability is chronic, permanent, and insoluble. It can be mitigated, people can adapt, but full-blown cures are elusive. My disability is one such case. I may have accepted this reality, come to terms with my fate, but the journey has not been without frustration, anger, and despair — the monster’s currency.

This explains in part why monsters act as they do. Pain begets pain. Violence begets violence. Fear begets fear. As such, the monster embodies the way we perpetuate trauma, wherein the victim becomes the aggressor. This is why we sympathize with Frankenstein’s monster or the Wolfman, because we understand that they were not born to be monsters — they were made that way by forces beyond their control.

A close-up of the damaged, bloody hands of Giorgio in Castle Freak

Which is precisely why I cannot totally fault my all-time favorite Lovecraftian abomination, the titular Castle Freak from Stuart Gordon’s low-budget opus, another film I chanced upon at the video rental store. The freak is imprisoned from childhood by his deranged mother, routinely tortured until his face and body are a tapestry of grotesque wounds and scars. He escapes the confines of his dungeon and spies on the American family who has moved into his home, taking a special liking to the couple’s blind daughter.

While the freak wastes no time eviscerating unlucky victims, the lecherous, alcoholic father, played by the incomparable Jeffrey Combs, is no less redeemable. The freak’s feral nature is the byproduct of a lifetime’s abuse. The father, by contrast, has no excuse. Watching this film for the first time, I empathized with the freak and thought of my innate freakishness and the times I’ve lashed out or been cruel. What was my excuse?

Even as the maimed, distorted bodies of creatures like the Castle Freak or the Brood or the Deadites or the Wicked Witch mirrored real-world disabilities and offered me an escape, a safe environment where it was appropriate to root for the villain, I realized that I didn’t want to hurt people, to injure others as I’d been, whether physically or mentally. And more than anything, I was determined not to use my disability as a scapegoat, to behave like a monster and blame it on the way I was born.

Strange as it sounds, I learned to take ownership of my mistakes and embrace my faults through horror films, to forgo hiding behind a mask like the boogeymen in slasher movies. Horror demands that we not avert our gaze from “abnormal” bodies. It challenges our prejudices, our preconceptions. These are films that celebrate disfigurement and deformity instead of shunning it. I reject the notion that horror merely co-opts disability as a cheap scare tactic. When I watch a scary movie, I do not see exploitation — I see exaltation, the disabled not as demonic but as divine.

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Reese Witherspoon is standing in front of a lamp-lit bookshelf wearing a gray blouse and a dark pencil skirt. Her right hand rests on the shelf behind her.

Inside Reese Witherspoon’s Literary Empire

When her career hit a wall, the Oscar-winning actor built a ladder made of books — for herself, and for others.

“Reading is the antidote to hate and xenophobia,” Reese Witherspoon said. “It increases our empathy and understanding of the world.” Credit... Jingyu Lin for The New York Times

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By Elisabeth Egan

Reporting from Nashville

May 18, 2024

“You’d be shocked by how many books have women chained in basements,” Reese Witherspoon said. “I know it happens in the world. I don’t want to read a book about it.”

Nor does she want to read an academic treatise, or a 700-page novel about a tree.

Listen to this article with reporter commentary

Sitting in her office in Nashville, occasionally dipping into a box of takeout nachos, Witherspoon talked about what she does like to read — and what she looks for in a selection for Reese’s Book Club, which she referred to in a crisp third person.

“It needs to be optimistic,” Witherspoon said. “It needs to be shareable. Do you close this book and say, ‘I know exactly who I want to give it to?’”

But, first and foremost, she wants books by women, with women at the center of the action who save themselves. “Because that’s what women do,” she said. “No one’s coming to save us.”

Witherspoon, 48, has now been a presence in the book world for a decade. Her productions of novels like “ Big Little Lies ,” “ Little Fires Everywhere ” and “ The Last Thing He Told Me ” are foundations of the binge-watching canon. Her book club picks reliably land on the best-seller list for weeks, months or, in the case of “ Where the Crawdads Sing ,” years. In 2023, print sales for the club’s selections outpaced those of Oprah’s Book Club and Read With Jenna , according to Circana Bookscan, adding up to 2.3 million copies sold.

So how did an actor who dropped out of college (fine, Stanford) become one of the most influential people in an industry known for being intractable and slightly tweedy?

It started with Witherspoon’s frustration over the film industry’s skimpy representation of women onscreen — especially seasoned, strong, smart, brave, mysterious, complicated and, yes, dangerous women.

“When I was about 34, I stopped reading interesting scripts,” she said.

Witherspoon had already made a name for herself with “ Election ,” “ Legally Blonde ” and “ Walk the Line .” But, by 2010, Hollywood was in flux: Streaming services were gaining traction. DVDs were following VHS tapes to the land of forgotten technology.

“When there’s a big economic shift in the media business, it’s not the superhero movies or independent films we lose out on,” Witherspoon said. “It’s the middle, which is usually where women live. The family drama. The romantic comedy. So I decided to fund a company to make those kinds of movies.”

In 2012, she started the production company Pacific Standard with Bruna Papandrea. Its first projects were film adaptations of books: “ Gone Girl ” and “ Wild ,” which both opened in theaters in 2014.

Growing up in Nashville, Witherspoon knew the value of a library card. She caught the bug early, she said, from her grandmother, Dorothea Draper Witherspoon, who taught first grade and devoured Danielle Steel novels in a “big cozy lounger” while sipping iced tea from a glass “with a little paper towel wrapped around it.”

This attention to detail is a smoke signal of sorts: Witherspoon is a person of words.

When she was in high school, Witherspoon stayed after class to badger her English teacher — Margaret Renkl , now a contributing opinion writer for The New York Times — about books that weren’t part of the curriculum. When Witherspoon first moved to Los Angeles, books helped prepare her for the “chaos” of filmmaking; “ The Making of the African Queen ” by Katharine Hepburn was a particular favorite.

So it made sense that, as soon as Witherspoon joined Instagram, she started sharing book recommendations. Authors were tickled and readers shopped accordingly. In 2017, Witherspoon made it official: Reese’s Book Club became a part of her new company, Hello Sunshine.

The timing was fortuitous, according to Pamela Dorman, senior vice president and publisher of Pamela Dorman Books/Viking, who edited the club’s inaugural pick, “ Eleanor Oliphant is Completely Fine .” “The book world needed something to help boost sales in a new way,” she said.

Reese’s Book Club was that something: “Eleanor Oliphant” spent 85 weeks on the paperback best-seller list. The club’s second pick, “The Alice Network,” spent nearly four months on the weekly best-seller lists and two months on the audio list. Its third, “ The Lying Game ,” spent 18 weeks on the weekly lists.

“There’s nothing better than getting that phone call,” added Dorman, who has now edited two more Reese’s Book Club selections.

Kiley Reid’s debut novel, “ Such a Fun Age ,” got the nod in January 2020. She said, “When I was on book tour, a lot of women would tell me, ‘I haven’t read a book in four years, but I trust Reese.’” Four years later, on tour for her second novel, “ Come and Get It ,” Reid met women who were reading 100 books a year.

Witherspoon tapped into a sweet spot between literary and commercial fiction, with a few essay collections and memoirs sprinkled in. She turned out to be the literary equivalent of a fit model — a reliable bellwether for readers in search of intelligent, discussion-worthy fare, hold the Proust. She wanted to help narrow down the choices for busy readers, she said, “to bring the book club out of your grandma’s living room and online.”

She added: “The unexpected piece of it all was the economic impact on these authors’ lives.”

One writer became the first person in her family to own a home. “She texted me a picture of the key,” Witherspoon said. “I burst into tears.”

Witherspoon considers a handful of books each month. Submissions from publishers are culled by a small group that includes Sarah Harden, chief executive of Hello Sunshine; Gretchen Schreiber, manager of books (her original title was “bookworm”); and Jon Baker, whose team at Baker Literary Scouting scours the market for promising manuscripts.

Not only is Witherspoon focused on stories by women — “the Bechdel test writ large,” Baker said — but also, “Nothing makes her happier than getting something out in the world that you might not see otherwise.”

When transgender rights were in the headlines in 2018, the club chose “ This Is How It Always Is ,” Laurie Frankel’s novel about a family grappling with related issues in the petri dish of their own home. “We track the long tail of our book club picks and this one, without fail, continues to sell,” Baker said.

Witherspoon’s early readers look for a balance of voices, backgrounds and experiences. They also pay attention to the calendar. “Everyone knows December and May are the busiest months for women,” Harden said, referring to the mad rush of the holidays and the end of the school year. “You don’t want to read a literary doorstop then. What do you want to read on summer break? What do you want to read in January?”

Occasionally the group chooses a book that isn’t brand-new, as with the club’s April pick, “ The Most Fun We Ever Had ,” from 2019. When Claire Lombardo learned that her almost-five-year-old novel had been anointed, she thought there had been a mistake; after all, her new book, “Same As it Ever Was,” is coming out next month. “It’s wild,” Lombardo said. “It’s not something that I was expecting.”

Sales of “The Most Fun We Ever Had” increased by 10,000 percent after the announcement, according to Doubleday. Within the first two weeks, 27,000 copies were sold. The book has been optioned by Hello Sunshine.

Witherspoon preferred not to elaborate on a few subjects: competition with other top-shelf book clubs (“We try not to pick the same books”); the lone author who declined to be part of hers (“I have a lot of respect for her clarity”); and the 2025 book she’s already called dibs on (“You can’t imagine that Edith Wharton or Graham Greene didn’t write it”).

But she was eager to set the record straight on two fronts. Her team doesn’t get the rights to every book — “It’s just how the cookie crumbles,” she said — and, Reese’s Book Club doesn’t make money off sales of its picks. Earnings come from brand collaborations and affiliate revenue.

This is true of all celebrity book clubs. An endorsement from one of them is a free shot of publicity, but one might argue that Reese’s Book Club does a bit more for its books and authors than most. Not only does it promote each book from hardcover to paperback, it supports authors in subsequent phases of their careers.

Take Reid, for instance. More than three years after Reese’s Book Club picked her first novel, it hosted a cover reveal for “Come and Get It,” which came out in January. This isn’t the same as a yellow seal on the cover, but it’s still a spotlight with the potential to be seen by the club’s 2.9 million Instagram followers.

“I definitely felt like I was joining a very large community,” Reid said.

“Alum” writers tend to stay connected with one another via social media, swapping woot woots and advice. They’re also invited to participate in Hello Sunshine events and Lit Up, a mentorship program for underrepresented writers. Participants get editing and coaching from Reese’s Book Club authors, plus a marketing commitment from the club when their manuscripts are submitted to agents and editors.

“I describe publishing and where we sit in terms of being on a river,” Schreiber said. “We’re downstream; we’re looking at what they’re picking. Lit Up gave us the ability to look upstream and say, ‘We’d like to make a change here.’”

The first Lit Up-incubated novel, “Time and Time Again” by Chatham Greenfield, is coming out from Bloomsbury YA in July. Five more fellows have announced the sales of their books.

As Reese’s Book Club approaches a milestone — the 100th pick, to be announced in September — it continues to adapt to changes in the market. Print sales for club selections peaked at five million in 2020, and they’ve softened since then, according to Circana Bookscan. In 2021, Candle Media, a Blackstone-backed media company, bought Hello Sunshine for $900 million. Witherspoon is a member of Candle Media’s board. She is currently co-producing a “Legally Blonde” prequel series for Amazon Prime Video.

This month, Reese’s Book Club will unveil an exclusive audio partnership with Apple, allowing readers to find all the picks in one place on the Apple Books app. “I want people to stop saying, ‘I didn’t really read it, I just listened,’” Witherspoon said. “Stop that. If you listened, you read it. There’s no right way to absorb a book.”

She feels that Hollywood has changed over the years: “Consumers are more discerning about wanting to hear stories that are generated by a woman.”

Even as she’s looking forward, Witherspoon remembers her grandmother, the one who set her on this path.

“Somebody came up to me at the gym the other day and he said” — here she put on a gentle Southern drawl — “‘I’m going to tell you something I bet you didn’t hear today.’ And he goes, ‘Your grandma taught me how to read.’”

Another smoke signal, and a reminder of what lives on.

Read by Elisabeth Egan

Audio produced by Sarah Diamond .

Elisabeth Egan is a writer and editor at the Times Book Review. She has worked in the world of publishing for 30 years. More about Elisabeth Egan

Explore More in Books

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An assault led to Chanel Miller’s best seller, “Know My Name,” but she had wanted to write children’s books since the second grade. She’s done that now with “Magnolia Wu Unfolds It All.”

When Reese Witherspoon is making selections for her book club , she wants books by women, with women at the center of the action who save themselves.

The Nobel Prize-winning author Alice Munro, who died on May 14 , specialized in exacting short stories that were novelistic in scope , spanning decades with intimacy and precision.

“The Light Eaters,” a new book by Zoë Schlanger, looks at how plants sense the world and the agency they have in their own lives.

Each week, top authors and critics join the Book Review’s podcast to talk about the latest news in the literary world. Listen here .

A Compelling Made-For-TV Reality Season

Culture and entertainment musts from Jinae West

Season 33 of Survivor, showing people walking on a beach

This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.

Welcome back to The Daily’s Sunday culture edition, in which one Atlantic writer or editor reveals what’s keeping them entertained. Today’s special guest is Jinae West, a senior producer at The Atlantic who works on our Radio Atlantic and Good on Paper podcasts.

Jinae has been catching up on Survivor to sate her voracious reality-show appetite; she’d watch Steven Yeun in anything, and she enjoys watching Shark Tank while doing laundry. (As she puts it: “This culture survey is a real win for network TV.”)

First, here are three Sunday reads from The Atlantic :

The one place in airports people actually want to be
The art of survival
The Atlantic ’s summer reading guide

The Culture Survey: Jinae West

My favorite way of wasting time on my phone: I take public transit to work, so I’m addicted to what I think of as commute-friendly games. My favorite, of course, is The New York Times ’ Connections, where you group together words that have something in common. (My preferred playing order is: Connections > Strands > Wordle > Crossword.) If I don’t get all the groups right away, I revisit the game later, usually on the commute home. But then, if I don’t guess another group in a sufficient amount of time, I get self-conscious about the people sitting nearby, judging me for not knowing that loo , condo , haw , and hero are all one letter away from bird names. The reality is nobody cares, and I never think about loons.

Sometimes I’ll do the mini crossword just to feel something. [ Related: The New York Times ’ new game is genius. ]

Something delightful introduced to me by a kid in my life: A few weeks ago, my niece and nephews made me play Ultimate Chicken Horse on Nintendo Switch. It’s a multiplayer game where you collectively build an obstacle course that’s full of both helpful things and perilous traps. If the whole group fails to finish a level, you respawn and get to pick another item to add.

The result is generally a chaotic minefield of wrecking balls, flamethrowers, and black holes—and I’m pretty sure I got hit by a hockey puck? I lost every round and died within seconds. But Ultimate Chicken Horse is my favorite kind of game: low commitment, fun for all ages, and less about winning or losing than about making sure other people have a hard time.

A good recommendation I recently received: A friend suggested a while ago that I watch the back catalog of Survivor to sate my reality-competition-show appetite. I am a glutton for it in every genre: cooking, baking, glassblowing, interior designing, dating. Survivor has more than 40 U.S. seasons—and had somehow been a big cultural blind spot for me—so it was right up my alley. Who knew that watching a person build a fire or give up the chance at immunity for a plate of nachos could make for such thrilling television? And the blindsides! Oh god, the blindsides.

I started with Season 37: “David vs. Goliath,” or: “The One Where Mike White Probably Thought Up The White Lotus .” I quickly moved on to Season 28: “Cagayan—Brawn vs. Brains vs. Beauty.” Most recently, I finished Season 33: “Millennials vs. Gen X,” which was interesting to watch as a now-30-something Millennial (it aired in 2016). But as the season wore on, and the contestants shed their generational stereotypes, it became a much more compelling show for other reasons. By the time I watched the finale, I was surprised to find myself in tears. It’s a near-perfect made-for-TV season. [ Related: Survivor is deceptive. That’s what makes it so real. ]

An actor I would watch in anything: Steven Yeun. He’s endlessly watchable. And he can sing! Toni Collette is another.

A quiet song that I love, and a loud song that I love: If Sheryl Crow’s “All I Wanna Do” is pure pop summer, Ultimate Painting’s cover of the song is its more muted slacker-surfer counterpart, and very much my vibe. It’s also part of a compilation album— Lagniappe Sessions, Vol. 1 —that features another great cover song: Tashaki Miyaki’s version of the Flamingos’ “I Only Have Eyes for You” (which is itself an adaptation).

Wet Leg’s “Angelica” is the loud song I have on rotation. It’s a track about a dull party, and it has a good beat and deadpan lyrics such as “Angelica, she brought lasagna to the party.”

The television show I’m most enjoying right now: If I’m being very honest with myself, it’s Shark Tank . (This culture survey is a real win for network TV, I guess.) Once a show I only considered watching in a hotel if nothing else was on, it has now been upgraded to a show I watch in my everyday life while doing other things. The stakes are just high enough to keep me invested and just low enough for me to walk away from the deal (to go fold laundry or something).

Is the show an overt celebration of capitalism? Yes. Is it a warped version of the American Dream? Sure. Is “Hello sharks” a mildly funny punch line to use on many occasions? You bet! Unlike, say, America’s Next Top Model or The Voice , the show actually does have a track record of investing in a few hits. I mean, once upon a time, Scrub Daddy was just a man with a sponge and a dream.

My fiancé has bought at least one thing from Shark Tank : a little fast-food-ketchup holder for our car. We’ve used it maybe once? Twice? It was fine. The show is fine.

Also: Baby Reindeer . Watch it with a friend. You’re going to want to talk that one out. [ Related: The Baby Reindeer mess was inevitable. ]

The Week Ahead

Furiosa: A Mad Max Saga , an action film starring Anya Taylor-Joy as the eponymous character trying to make her way home in a postapocalyptic world (in theaters Friday)
Tires , a comedy series co-created by the comedian Shane Gillis about a crew working at a struggling auto shop (premieres Thursday on Netflix)
Butcher , a novel by Joyce Carol Oates about a 19th-century doctor who experiments on the patients in a women’s asylum (out Tuesday)

An illustration of streaming apps with a bow around it

The Dream of Streaming Is Dead

By Jacob Stern

Remember when streaming was supposed to let us watch whatever we want, whenever we want, for a sliver of the cost of cable? Well, so much for that. In recent years, streaming has gotten confusing and expensive as more services than ever are vying for eyeballs. It has done the impossible: made people miss the good old-fashioned cable bundle. Now the bundles are back.

Read the full article.

Kevin Costner’s ‘Horizon: An American Saga’ should have been a TV show

A man rides a horse on a mountain range, followed by pack horses.

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To anyone worried that “Megalopolis” would be the only risky, expensive late-career epic from a Hollywood legend to premiere at this year’s Cannes Film Festival, breathe easy. With “Horizon: An American Saga — Chapter 1” (three more parts are planned), Kevin Costner has you covered.

The “Dances With Wolves” Oscar winner, accompanying his fourth feature behind the camera, arrived at the movie’s Cannes festival premiere Sunday as cool as a cucumber, sporting shades, a wry smile and a neat mustache, but by the time he accepted the gala audience’s extended standing ovation, Costner was visibly moved.

“I’m sorry you had to clap that long for me to understand that I should speak,” he said during brief remarks inside the Grand Lumière Theatre after the applause relented. “I think movies aren’t about their opening weekends. They’re about their life. About how many times you’re willing to share it. And I hope that you do share this movie with your sweethearts, with your children. I feel so lucky. I feel so blessed. And there’s three more.”

After catching up with “Horizon’s” first chapter, which arrives in U.S cinemas June 28, deputy entertainment & arts editor Matt Brennan and movies editor Joshua Rothkopf tried to get their arms around it. Read their conversation below.

A man on the roof of a skyscraper looks through a spyglass as a woman looks on.

Cannes: Coppola’s Roman candle ‘Megalopolis’ is juicy and weird

Starring Adam Driver, Giancarlo Esposito and an unhinged Aubrey Plaza, the storied director’s latest passion project brings the heat of an event film to Cannes.

May 16, 2024

Matt Brennan : Josh, if the old adage about “one for you, one for them” still holds true, then “Horizon,” the four-part western that succeeded (and eventually came into conflict with ) Costner’s blockbuster TV series “Yellowstone,” is one he’s been accruing the fiscal and reputational capital to make for a Hollywood lifetime. And boy, does he spend it.

Clocking in at three hours for Chapter 1 alone, with plots that originate in the Arizona desert, the Rocky Mountains and the plains of western Kansas, populated by an army regiment’s worth of characters, “Horizon” is, logistically if not formally, every inch the equal of Francis Ford Coppola’s “Megalopolis” in wild (deranged?) ambition. Unlike so many schlock films, TV series and beach reads of recent vintage to employ the “American” adjective as a marketing ploy, “An American Saga” here signals the true scope of Costner’s vision, encompassing Native Americans, the pioneers who supplant them, the Union soldiers who protect them, the outlaws who prey on them, and the Black, Mexican and Chinese laborers without whose work the American saga would have long since stopped short.

All are converging on the town of Horizon, more idea than place, promoted in fliers and parceled out by Eastern economic interests but ultimately scarcely settled; the handful who’ve tried have had their homes razed by the Indigenous Apaches whose lives and livelihoods they’ve disrupted. For now, though, we are scattered to the four winds, following a mother and daughter who are among the sole survivors of the latest raid and who are taken to recuperate in a federal fort nearby; gunslinger Hayes Ellison (Costner), who becomes embroiled in a multi-territory revenge plot; and Matthew Van Weyden (Luke Wilson), the reluctant leader of a westbound wagon train. Countless other threads are introduced — some swiftly, and often bloodily, brought to an end, others barely a ripple for now — to the point that Chapter 1 concludes with what can only be described as a trailer for the rest of the saga. This isn’t just Costner’s “Megalopolis.” This is his “Lord of the Rings.”

And unaccountably, I liked it. More precisely, I found myself reverting to the capacity for trust I cultivated in my days covering television. I’m engaged enough in the arc of many of the characters, particularly Miller’s Frances Kitteridge — in a budding romance with Union Lt. Trent Gephardt (Sam Worthington) — to see where the project goes from here. And I’m intrigued by the decision to use this solitary, hardscrabble outpost, or the journey to it, as a lens through which to view the full complement of social and political issues facing 19th century (and present day) America. As to whether distributor Warner Bros. genuinely expects the general public to see and recommended this with so little self-contained payoff, that’s another question. But luckily, it’s one I’m not compensated enough to spend any time answering.

So what say you? Is “Horizon” the capstone achievement of Costner’s career or his cowboy Xanadu?

A woman with a rifle emerges from an armored vehicle.

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Joshua Rothkopf: Come back, Michael Cimino — all is forgiven. I mention the late director of 1980’s “Heaven’s Gate” because there already is a cowboy Xanadu, one still struggling to graduate beyond its status as a famous Hollywood bomb and film maudit . But we didn’t know how good we had it: At least “Heaven’s Gate” was shot by the brilliant Vilmos Zsigmond and attempted some big ideas and a shape.

“Horizon” is television. I mean that literally, although I obviously can’t prove it. It has dramatic thumps every 50 minutes or so — a raid, a shootout, an orchestral swelling. “Chapter 1” feels like a cobbling together of the first three episodes (along with a brief sizzle reel of upcoming moments at the end) and given a fancy Cannes premiere. It makes sense, Matt, that your “capacity for trust,” developed from covering TV, is letting you connect with it on a deeper level than I can. To me, it’s a pretender in a festival filled with the opposite.

If “Horizon” is TV, what kind of TV is it? I can’t help but be reminded of James Poniewozik’s recent essay for the New York Times about what he called Mid TV, or “prestige TV that you can fold laundry to.” It’s, you know, just fine. “Horizon” is absurdly over-plotted and peopled with redundant characters, lending it an epic “scope” that aspires to an E.L. Doctorow novel but isn’t justified, at least for now. (Charitably, it’s one of those shows your friends would recommend to you with the caveat that it takes a few episodes to “get going.”) You pick your favorite character from the decent, unexceptional cast — for me, it was Danny Huston’s exposition-heavy colonel who says things like “That’s how they’ll reason in the face of fear” — and wait for them to cycle around.

It passed the time. It probably helped that I love westerns. More troublesome are some of “Horizon’s” banal formal choices. Do you not have a problem with the professionally lighted flatness of the look and color palette? Those dumb dissolves between scenes? The methodical editing that chops everything into a pabulum-like TV hash? I never thought Costner had a visual style to begin with, but at least on “Dances With Wolves,” he had cinematographer Dean Semler, who also did “The Road Warrior” and “Dead Calm.”

Did you feel like you were watching a film? I wanted to check my email.

Brennan: Categorizing “Horizon” as television would explain its aesthetic, which reminded me of a trend that dates back to at least “Game of Thrones”: setting otherwise anodyne shot-reverse-shot filmmaking on dramatic clifftops and ravishing vistas to distract from the lack of visual style.

But, as in TV — a writers’ medium, after all — I found myself drawn into an internal argument over the narrative and ideological possibilities of “Horizon’s” structure that kept me engaged even when it all started to look like my laptop’s home screen. Unlike the more focused, hard-edged period westerns that have dominated the genre in recent decades, such as James Mangold’s “3:10 to Yuma” or Quentin Tarantino’s “The Hateful Eight,” this one has melodrama, romance, action, even hiccups of comedy all swirled together. I appreciated that traditionalism, which suggested to me the old “cavalcade of stars” approach to grandiose moviemaking, even if the project’s star power and serialized nature suggest prestige (or “mid”) TV.

For me, the far thornier problem, and one difficult to evaluate in a multi-part narrative, is “Horizon’s” handling of its Native American characters. In a film set in the 1850s and otherwise devoutly committed to classical Hollywood trappings, the presence of Indigenous characters and tongues from the opening frames of “Chapter 1” — as Apache children peer down on father-son settlers from a rocky point, believing (wrongly) that it’s just a “game” — is a promising indication that Costner intends to depict the pioneers as outlaws in their own right, stealing Native land through legal means.

By the end of the film, though, I was beginning to worry, and not only because what Native characters have been established lack definition like the Kitteridges or Costner’s Hayes Ellison. Whereas “Horizon” develops Native characters primarily vis-a-vis the political crisis they face, the “white-eyes” Anglos have love (and sex) lives, religious organizations, business concerns.

It reminded me of a line from the film in which an Irishman in the Union forces says, “We don’t make our history any more than they make their weather.” In other words, in “Horizon’s” view, Anglos have families, while Natives have war; Anglos have history, Natives weather. I can only hope that the depiction of the Apache characters deepens in “Chapter 2,” due in August.

So I’ve now tempered my praise. Did you find any redeeming qualities in it?

Francis Ford Coppola teases ‘Godfather’ update, criticizes Hollywood studios at Cannes

The filmmaker addressed the press at the 2024 Cannes Film Festival after the premiere of his deeply personal, occasionally baffling epic ‘Megalopolis’ polarized critics.

May 17, 2024

Rothkopf: A tall ask, my friend. Let’s talk about that writers’ medium for a second. As you say, “Horizon” reaches for many tones, but would any writers room on a show have spent its first three hours compiling them in such a lifeless then-this-happened manner? We’re talking about the development of at least 20 major speaking roles via impressionistic dribs and drabs, none of these plot strands interconnecting (at least thus far).

It’s a lot of movie — I just wish it were a lot of feeling. We never get to know the Kitteridges before a raid on their homestead wipes out most of them. Wouldn’t doing so have helped? It seems perverse to be asking a three-hour piece of entertainment for more connective tissue, but that’s where I’m at with this.

I share your concern about the project’s depiction of Native American characters, and the solution should be giving them more of a share of screen time — not, as we hear a few times, by having white characters use the term “Indigenous,” anachronistic to 19th-century conversation. It would be better to depict racism honestly, not soften it.

Positives? I liked it when Luke Wilson showed up as the head of a wagon train leading a group of pioneers through Kansas Territory — a party that includes a pair of dotty Brits who assume their fellow travelers are their servants. The “Idiocracy” actor is expert at a frustrated slow-burn; had the whole thing been chopped down to a comedy, I probably would have enjoyed it more (speaking as someone who thinks Costner’s best western is 1985’s “Silverado”).

And I do know there was at least one person at Cannes who loved “Horizon,” though perhaps for different reasons: Francis Ford Coppola.

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Jeffrey Wright wonders what’s next. The Pacific Ocean, for starters

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Matt Brennan is a Los Angeles Times’ deputy editor for entertainment and arts. Born in the Boston area, educated at USC and an adoptive New Orleanian for nearly 10 years, he returned to Los Angeles in 2019 as the newsroom’s television editor. He previously served as TV editor at Paste Magazine, and his writing has also appeared in Indiewire, Slate, Deadspin and numerous other publications.

Joshua Rothkopf is film editor of the Los Angeles Times. He most recently served as senior movies editor at Entertainment Weekly. Before then, Rothkopf spent 16 years at Time Out New York, where he was film editor and senior film critic. His writing has appeared in the New York Times, Sight and Sound, Empire, Rolling Stone and In These Times, where he was chief film critic from 1999 to 2003.

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My name was unusual when I was a kid. Now it's more common, but the way I spell it is still rare.

When I was a kid my name was the hardest for my classmates to spell.
I got annoyed when someone would mispronounce my name or just use a random nickname.
Now as an adult, I appreciate my name much more.

Growing up, my name — Courtenay — was usually the most difficult in my class . Teachers would pause and stumble on it, and no one knew how to pronounce it (Courtenay rhymes with Fort Lee), spell it, or how many syllables it had (two).

I longed for an easier storybook name like Rebecca of Sunnybrook Farm or Laura from Little House on the Prairie instead of one with almost every vowel in it.

Most of my schoolmates had names like Kim, Kathy, or Amy that would easily fit within the bubbles on our yearly Iowa Basic Skills test. With nine letters, mine never fit, and I'd often have to leave off the last couple of letters, which was embarrassing and made my name look even weirder.

My mom wanted an original name for me

My mother and her siblings had all been named after her dad's friends, and she'd wanted something original for me. Around the time I was born, she saw that movie industry exec Jack Valenti had named his daughter Courtenay and liked the sound and spelling of it. My dad preferred Lisa, but the closest he got was choosing my middle name, Lynn.

Ironically, I've used the name Lisa many times over the years when placing an order or putting my name on a waitlist. People understood right away what I was saying, and I didn't have to spell or repeat it. Half the time I use my real name, the other person thinks I'm saying Britney. It's OK, I answer to all of it.

Once "Friends" came along and Courteney Cox became a household name, it got a bit easier. My name was now in the lexicon of popular culture. Soon, other Courtneys appeared: singer Courtney Love, actor Courtney Thorne-Smith, and, a few years later, reality star Kourtney Kardashian. Now it's much more popular.

Still people don't spell my name right

People rarely spell my name right because they don't know if it starts with a C, K, or Q. I once had someone spell it as Quart-Knee, which was phonetically correct and led to my Facebook friends jokingly calling me "Q" for years afterward. I'm impressed and touched when someone takes the time to spell my name correctly, and it's made me hyper-aware of spelling others' names right. It's a small thing that makes a big difference. People notice.

Several of my college friends, along with my Filipino mother-in-law, shortened my name both in text and aloud to just Court. I like it and consider it a term of endearment.

Because I always had to spell and repeat my name, I wanted my own kids to have short, simple ones. If I'd had a girl, we would have named her Ava — a memorable moniker using only two letters. Perhaps name complexity skips a generation. My sons both have one-syllable names.

When I was younger, I didn't appreciate my uncommon name, but now I do. I like that it's a little complicated, just like me. I've only met one other person who spells her name like mine — another writer, in Portland, born the same year. Our mothers were on the same wavelength.

I once hoped that I might marry someone with a short, easy last name, but it was not to be. I married a guy with a three-syllable Polish last name with lots of consonants, including a Z. On the bright side, it makes Courtenay look like a cakewalk.

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umercheema. Brad Pitt is one of my very favourite actors and I am a huge fan of his movies. He is a famous Hollywood actor and has got several prizes for his superb work in movies. Honestly he is a good actor who is known world-wide. He is the husband of another famous female actress Angelina Jolie. His full name is William Bradley "Brad ...
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