dulce et decorum est essay example

Dulce et Decorum Est Summary & Analysis by Wilfred Owen

• Line-by-Line Explanation & Analysis
• Poetic Devices
• Vocabulary & References
• Form, Meter, & Rhyme Scheme
• Line-by-Line Explanations

"Dulce et Decorum Est" is a poem by the English poet Wilfred Owen. Like most of Owen's work, it was written between August 1917 and September 1918, while he was fighting in World War 1. Owen is known for his wrenching descriptions of suffering in war. In "Dulce et Decorum Est," he illustrates the brutal everyday struggle of a company of soldiers, focuses on the story of one soldier's agonizing death, and discusses the trauma that this event left behind. He uses a quotation from the Roman poet Horace to highlight the difference between the glorious image of war (spread by those not actually fighting in it) and war's horrifying reality.

• Read the full text of “Dulce et Decorum Est”

The Full Text of “Dulce et Decorum Est”

1 Bent double, like old beggars under sacks,

2 Knock-kneed, coughing like hags, we cursed through sludge,

3 Till on the haunting flares we turned our backs,

4 And towards our distant rest began to trudge.

5 Men marched asleep. Many had lost their boots,

6 But limped on, blood-shod. All went lame; all blind;

7 Drunk with fatigue; deaf even to the hoots

8 Of gas-shells dropping softly behind.

9 Gas! GAS! Quick, boys!—An ecstasy of fumbling

10 Fitting the clumsy helmets just in time,

11 But someone still was yelling out and stumbling

12 And flound’ring like a man in fire or lime.—

13 Dim through the misty panes and thick green light,

14 As under a green sea, I saw him drowning.

15 In all my dreams before my helpless sight,

16 He plunges at me, guttering, choking, drowning.

17 If in some smothering dreams, you too could pace

18 Behind the wagon that we flung him in,

19 And watch the white eyes writhing in his face,

20 His hanging face, like a devil’s sick of sin;

21 If you could hear, at every jolt, the blood

22 Come gargling from the froth-corrupted lungs,

23 Obscene as cancer, bitter as the cud

24 Of vile, incurable sores on innocent tongues,—

25 My friend, you would not tell with such high zest

26 To children ardent for some desperate glory,

27 The old Lie: Dulce et decorum est

28 Pro patria mori .

“Dulce et Decorum Est” Summary

“dulce et decorum est” themes.

The Horror and Trauma of War

• See where this theme is active in the poem.

The Enduring Myth that War is Glorious

Line-by-line explanation & analysis of “dulce et decorum est”.

Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs, And towards our distant rest began to trudge.

Men marched asleep. Many had lost their boots, But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of gas-shells dropping softly behind.

Gas! GAS! Quick, boys!—An ecstasy of fumbling Fitting the clumsy helmets just in time,

Lines 11-14

But someone still was yelling out and stumbling And flound’ring like a man in fire or lime.— Dim through the misty panes and thick green light, As under a green sea, I saw him drowning.

Lines 15-16

In all my dreams before my helpless sight, He plunges at me, guttering, choking, drowning.

Lines 17-20

If in some smothering dreams, you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin;

Lines 21-24

If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,—

Lines 25-28

My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori .

“Dulce et Decorum Est” Symbols

The Dying Soldier

• See where this symbol appears in the poem.

“Dulce et Decorum Est” Poetic Devices & Figurative Language

• See where this poetic device appears in the poem.

“Dulce et Decorum Est” Vocabulary

Select any word below to get its definition in the context of the poem. The words are listed in the order in which they appear in the poem.

• Knock-kneed
• Haunting flares
• Flound'ring
• Froth-corrupted
• See where this vocabulary word appears in the poem.

Form, Meter, & Rhyme Scheme of “Dulce et Decorum Est”

Rhyme scheme, “dulce et decorum est” speaker, “dulce et decorum est” setting, literary and historical context of “dulce et decorum est”, more “dulce et decorum est” resources, external resources.

Biography of Wilfred Owen — A detailed biographical sketch of Wilfred Owen's life, including analysis of his work.

An Overview of Chemical Warfare — A concise historical account of the development of chemical weapons, with detailed descriptions of the poison gases used in WWI.

Listen to "Dulce et Decorum Est" — A recording of "Dulce et Decorum Est," provided by the Poetry Foundation.

Representing the Great War — The Norton Anthology's overview of literary representation of World War I, with accompanying texts. This includes two of Jessie Pope's patriotic poems, as well as poems by Siegfried Sassoon and others and various contemporary illustrations. It also suggests many additional resources for exploration.

Horace, Ode 3.2 — One translation of the Horace ode that the lines "Dulce et Decorum Est" originally appear in. 

Digital Archive of Owen's Life and Work — An archive of scanned documents from Owen's life and work, including his letters, as well as several handwritten drafts of "Dulce et Decorum Est" and other poems.

The White Feather — A brief personal essay about the treatment of conscientious objectors in WWI-era Britain.

LitCharts on Other Poems by Wilfred Owen

Anthem for Doomed Youth

Mental Cases

Spring Offensive

Strange Meeting

The Next War

Ask LitCharts AI: The answer to your questions

Dulce et Decorum Est 101: Summary, Analysis, & Questions and Answers

“Dulce et Decorum Est” by Wilfred Owen concentrates on the shocking details of events soldiers came through in World War I. Owen recalls the war realities by showing readers the soldiers’ urgency when faced with death.

If you’re stuck with writing a paper on the poem, you’re in the right place! Below, you will find the Dulce et Decorum Est analysis, summary, answers to the most common questions. And don’t forget to check our free essay examples .

Let’s start!

• Literary Devices
• Language: Meter, Rhythm, Rhyme Scheme, Tone
• Essay Ideas
• Questions and Answers

Dulce Et Decorum Est: Summary

The author paints a group of marching soldiers in a muddy landscape. The soldiers are tired and sick. They are coughing like older adults, and their knees are shaking. Besides, they are far from the fighting spirit. Some of them walk like they seem to be sleeping. Some even lost their boots, and their feet are bleeding.

At the same time, they carry heavy packs while going away from light flares, used by the German army to spot an enemy by lighting up the territory. Their destination is a distant camp.

Soldiers are worn out physically and mentally. Their perception is clouded as if they were drunk. They can hardly recognize an impending threat.

Suddenly, one from the group warns about a gas attack so that soldiers can put on their protecting helmets. Everyone manages to do it on time, except for one soldier. The author saw his suffering and agony.

The soldier death reminded Owen of someone caught in fire or lime, used to blind the enemy in ancient times. He compares this terrible scene with drowning in the ocean, not underwater, but in the air full of poisonous gas.

Then, the reader is brought into the author’s post-war reality. Even years later, Owen did not escape the picture of yelling and dying in front of his eyes comrade-in-arms.

After sharing his grievous experience, the author turns to the readers and states a straightforward thing. It lies in the fact that if they took his boots and walked a mile, they would never have said to their children the war is glorious.

The author recalls marching behind a wagon with a dying wrecked-face soldier, who reminds of someone passing away from cancer or other diseases. Such memories dispel an “old lie” that dying for one’s country is sweet and fitting.

Dulce Et Decorum Est: Literary Analysis

We approach the literary analysis of the Dulce Et Decorum Est. You will understand the poem’s themes, the literary devices the author used, and the poem’s language.

Let’s go!

Dulce Et Decorum Est: Theme

The author illustrates the relationship between reality and heroic ideals. He does it via two central themes: patriotism and its false glory and horrors of war .

The poem’s title and final lines, “Dulce et Decorum Est,” are from Horace’s Ode 3.2 . The bar is a Latin equivalent for “It is sweet and fitting to die for one’s country.” It echoes powerfully in the hearts of the young, showing only the heroic and romantic side of patriotic death and other sacrifices “for good.”

In reality, it’s far from that. The author argues such a way of war glorification, calling it an “old Lie.” Each horror depicted from the “on-site” shatters the enduring myth that the war is glorious.

Line by line, the poem shows how terrible and horrifying the war experience is. One thing is clear: if the reader could see and feel all the author’s horror, they would not talk so zealously about patriotism and the delights of war.

All the above is bolstered by the third theme: the traumatic war’s impact on humans . In this context, possible terrible emotional or physical pains will not get better with time. The lasting effects of war trauma barely level out all the arrogance and glory of war.

Dulce Et Decorum Est: Literary Devices

Now, we will stop on Dulce Et Decorum Est literary devices. To express the main idea, the author used several poetic techniques, including:

Let’s explore Dulce Et Decorum’s literary devices and look at a few examples of their application.

The author successfully uses many similes to make the terror visible. Thanks to them, it is easier for readers to perceive the pain, horrific images, and agony.

One of the examples is in the very beginning: “ like old beggars under sacks ” — soldiers are shown not as brave mighty heroes, but as the homeless and weak tramps who beg for a living.

Here is the list of other same-purpose phrases: “ coughing like hags ,” “ like a devil’s sick of sin ,” “ obscene as cancer ,” “ like a man in fire or lime ,” “ as under a green sea ,” and “ bitter as the cud .”

Dulce et Decorum Es is so literal that it has only a single metaphor . It is used in the poem to make vivid imagery of the soldiers’ physical state. The metaphors are the compelling phrases, namely, “ drunk with fatigue ” and “ deaf even to the hoots .”

We have already touched a bit upon the symbolic elements in the poem’s imagery. Symbolism pictures the WWI experience like a nightmare rather than a real-life event.

The first symbolic element author introduces a green sea in which one of the soldiers “dies” after a gas attack, as he could not put on a mask on time. It can be explained by what Owen saw then: a gas fog through the mask glass.

Using this symbol in pair with the verb “drowning” transmits the painful and cruel way the soldier died. Besides, it builds the link between drowning in the ocean and gas suffocation. It is easier for readers to imagine the terrible feeling of lacking enough oxygen underwater.

The irony shows up in the poem’s very beginning. First, the reader sees the title Dulce et Decorum Est, meaning the poem will show how great it is to fight for the homeland. The first line is opposite to something glorious and sweet.

Reading more into the poem opens up terrifying things about war gradually. The author uses irony to express the violence, making the phrase in the title an illusion.

Along with irony and other poetic techniques, the author uses oxymorons . Two contradictory words used together make an oxymoron.

In phrase “ To children ardent for some desperate glory ,” the initially negative “ desperate ” word is combined with the joyous “ glory .” Another oxymoron is “ An ecstasy of fumbling ,” where the opposing state of extreme happiness combines with an awkward way of doing something.

With oxymorons, Owen produces a dramatic effect. The poem forces the reader to stop and think about the whole complexity of war and man’s place in it.

Dulce Et Decorum Est Language: Meter, Rhythm, Rhyme Scheme, Tone

The language of the poem Dulce Et Decorum Est is composed of several poetic devices, including meter, rhythm, rhyme scheme, and tone. Let’s describe each of them:

• Meter. The poem is composed of five-syllable pairs. Each pair’s first syllable is unstressed, and the second is stressed. The Dulce Et Decorum Est meter pattern is iambic pentameter.
• Rhythm. Combined with other techniques, the poem’s somber rhythm expresses imagery. The words themselves are rumbling. They collide to paint a horrific picture of the field where soldiers march. What is more, it is evocative of the rhythm of the heart.
• Rhyme scheme. Although the poem’s meter is rather complex, the rhyme pattern is simple. The rhyme scheme in Dulce Et Decorum Est is ABABCDCD. The author manages with simple words and no more than double rhyme sounds repetition.
• Tone. The poem’s tone is bitter, angry, and critical. The trauma and self-recrimination heat the speaker’s voice. That’s why he so accurately conveys all the fears and horrors he endured. Along with the angry tone, the ironically used “my friend” addressing those supporting an “old lie” impacts them more intensely.

Now, we move on to the poem’s setting.

Dulce Et Decorum Est: Setting

Owen does not give the exact setting location, but it is clear from the context that the action takes place in 1917 winter in France.

What is this context?

The poem is written during Wilfred Owen’s actual WWI experience . Here when he wrote letters with stories of the dying soldier.

Besides, there are elements in the poem, which serve as a clue to understanding the setting.

The most evident is green chlorine gas, deployed by the German army since 1915, and “clumsy helmets” or gas masks, used as gas attacks responsive measure.

Gas shells and flares are also WWI-specific elements. Soldiers never used them before.

The setting breaks into the past and present in terms of the author. After two stanzas, we shift to his indeterminate present in the past. It shows us that his horrors did not leave him even in the postwar peacetime.

Dulce Et Decorum Est Essay Ideas

Now that you have explored the poem analysis, it’s time to write the Dulce et Decorum Est analysis essay. We gathered 15 essay topic ideas to make things simple. Please, pick any from the list:

• Dulce Et Decorum Est poem figurative language
• Dulce Et Decorum Est poem literary devices
• Irony in poem Dulce Et Decorum Est
• Symbolism in poem Dulce Et Decorum Est
• What is the theme of the poem Dulce Et Decorum Est?
• How does Wilfred Owen describe the horrors of war in the poem Dulce Et Decorum Est?
• The brutality of war in the poem Dulce Et Decorum Est
• How does Wilfred Owen convey the human costs of war in the poem Dulce Et Decorum Est?
• Illustration of First World War in the poem Dulce Et Decorum Est by Wilfred Owen
• Literary devices and themes in Dulce Et Decorum Est
• Dulce Et Decorum Est: is it charming to die for one’s country?
• Why was Dulce Et Decorum Est written: literary and historical context?
• What is the Dulce Et Decorum Est message?
• The portrayal of death in Dulce Et Decorum Est by Wilfred Owen
• Depiction of tragedies of war in the poem Dulce Et Decorum Est

If the topics are not enough and you still have any questions, we suggest you check out an example of a ready-made Dulce et Decorum Est and The Things they Carried: Compare & Contrast Essay .

To help you finally delve into the topic, we gathered the most frequently asked questions and comprehensive answers to them below.

Dulce Et Decorum Est: Questions and Answers

Below you will find comprehensive Dulce et Decorum Est questions and answers.

Who Wrote Dulce Et Decorum Est?

Dulce et Decorum Est was written by Wilfred Edward Salter Owen , an English soldier, and poet. He was born on 18 March 1893 near Oswestry in Shropshire. Among the First World War poets, he was almost the leading one.

At the time he lived, ideas and themes he erased in his poetry were in contrast to the perception of war by the public. As ideas of anti-militarism developed, his poems became increasingly recognized. Here are several examples: “ Anthem for Doomed Youth ,” “ Strange Meeting ,” “ Insensibility ,” and “ Spring Offensive .” All of them were published posthumously.

On 4 November, at the age of 25, Owen was killed while leading his men across the Sambre and Oise Canal.

When Was Dulce Et Decorum Est Written?

Like most of Wilfred Owen’s works, Dulce et Decorum Est was written between August 1917 and September 1918. At that time, Owen was fighting in the First World War. Most likely, it was written in 1917 when he was at the Craiglockhart War Hospital near Edinburgh.

What Does Dulce Et Decorum Est Mean?

Dulce et Decorum Est is a citation from the Roman poet Horace’s Ode 3.2. The literal meaning of it is “it’s sweet and fitting to die for one’s country.”

The author aims at deconstructing this myth. In the last stanza, he calls it an “old lie.”

Owen successfully showed the difference between the horrifying reality of war and its glorious image, usually spread by those not even fighting in it.

What Is Dulce Et Decorum Est About?

Originally written as a personal letter, Owen later decided to appeal to a broader audience of all war supporters. The poem is highly emotional, making it one of the most popular condemnations of the war.

Dulce et Decorum Est begins with an image of weary soldiers walking from the front lines through thick mud. Then, there is a gas attack, in which one of the soldiers dies.

What Happened in the Poem Dulce et Decorum Est?

The poem tells us the story of a group of soldiers, “ drunk with fatigue ,” forced to make their way “through the mud” to take shelter from the explosive shells that fall on their rear.

Then gas shells fell around them. The soldiers rushed to put on their gas masks. In a rush, one of them is caught gassed. The author sees him “screaming again and stumbling.” Then, he sees him yelling in agony as he is drowning in the green sea.

When the attack was over, they proceeded on their way, but their mate was in the wagon, with white eyes and coughing up blood.

Who Is the Speaker in the Poem Dulce et Decorum Est?

The poem, composed of 28 free iambic pentameters, lets us hear the voice of the poet himself . Owen appears here as a soldier with a deep incurable emotional trauma left after the war and its horrifying events.

Why Was Dulce Et Decorum Est Written?

Discussing war horrors in the abstract does not require much effort. Owen managed to depict those horrors in a specifically devastating way. What’s more, he shows in the poem that every aspect of war is terrible. Starting from a soldier’s daily life, continuing to the death in an attack, and postwar traumatized body and mind.

The author is very disappointed with the war. A reader can see it in the last few lines of the last stanza.

How Does Dulce et Decorum Est Make the Reader Feel?

The way the author uses language to put the audience inside the events helps them understand the terrible experience of awful aspects of war.

What Is the Message of Dulce et Decorum Est?

The central tension lies between the reality of the war and the government’s portrayal of war. They paint it as sweet and fitting to die for your homeland. The message that Owen conveys is the reality of the cruel and horrific war.

Why Is Dulce Et Decorum Est Important?

The poem lies genre of protest poetry because it shows the horror and reality of war, specifically the First World War. Dulce et Decorum Est sets this horror against how war is so often glorified.

• Wilfred Owen’s “Dulce et Decorum Est” — English Emory
• Horace, Ode 3.2 
• Biography of Wilfred Owen
• Wilfred Owen: Biography & War Poet
• Digital Archive of Owen’s Life and Work 
• Wilfred Owen’s Dulce et Decorum est: Summary & Analysis
• Dr. Santanu Das explores the manuscript for Wilfred Owen’s “Dulce et Decorum est” Video on the British Library’s World War I website
• Ian McMillan asks if “Dulce et Decorum est” has distorted our view of WWI Video on the BBC’s iWonder website
• Manuscript version of ‘Dulce et Decorum Est’ The Poetry Manuscripts of Wilfred Owen on the British Library’s website
• Listen to “Dulce et Decorum Est” 
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Dulce Et Decorum Est, Essay Example

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The history of human civilization was characterized with more occasions of war and conflict rather than peace and stability. While war remains an inevitable feature of human reality, its perception changes with time. In the Ancient times, it was essential for the survival of one tribe over another, securing access to the resources. In the Middle Ages and the epoch of Romanticism, the war was idealized through the idealistic images of patriotism and servitude to one’s country, protecting the loved ones and demonstration of one’s manliness and maturity. However, with the introduction of the total war into human history, the emphasis in the perception of war has changed towards the reflection of its ugliness and inhuman nature. The aim of this paper is to explore how different types of art literary memoir, visual images and a piece of poetry managed to create strong anti-war narratives. In this regard, Remarque’s “All Quiet On the Western Front,” Otto Dix’s “Der Krieg”/“War” and Wilfred Owen’s “Dulce et Decorum Est” are analyzed. The central thesis of this paper is that all three works of art demonstrated the anti-war narrative through humanization of the war and demonstration its ruinous impact on human body and soul conditioned by its dirty, bloody and monstrous nature. Thus, all three authors demonstrate the reality of war and its idealistic perception used for the achievement of political goals.

Remarque’s “All Quiet On the Western Front” tells a story of a young soldier Paul Baumer, who together with twenty other class mates joined the German Army during the World War I, due to the patriotic inspirations introduced by their teacher. The story is told from the day-to-day experiences of soldiers, the lack of supplies, injuries, cold, dirt and death. The author pays attention to the change of physical and psychological state of a soldier during war demonstrated in the exact cases of Paul and his friends, how Paul loses connection with the civil life at home, cannot feel anything human anymore and how an attempt to return to his creative origins gets him killed at the end of the story (Remarque 1987).

The anti-war narrative is, first of all, demonstrated through the personification of the soldiers and the impact of war experience on the individual human lives. To achieve this Remarque uses the main character as a narrator of the story. It is aimed to create a psychological bond between Paul (his feelings, sufferings) and the reader. Remarque combine’s narrator’s perspective, point of view technique together with the detailed description of individual physical and emotional conditions in order to make the target audience feel like being there at war. For instance, he writes: “ inside the gas-mask my head booms and roars – it is nigh bursting; my lungs are tight, they breathe always the same hot, used-up air, and the veins on my temples are swollen ” (Remarque 1987, 70). This description makes the reader feel like he is the one suffocating and separated by the gas-mask from death. Thus, the primary means of creating the anti-war narrative is through making personal to the audience through the connection to the narrator and his feelings.

Another essential element of creating the anti-war narrative is making death more palpable, demonstrating its ugliness and bloody nature instead of the idealized valor of the epic days. In this regard, Remarque creates the images of bloody, painful and dirty death without any meaning or dignity in it. Describing one of the injured, the author writes: “ we lay the hip bare; it is one mass of mincemeat and bone splinters. The joint has been hit. This lad won’t walk anymore ” (Remarque 1987, 71). This description shows the severity of war to the individual human being, the person that lost an ordinary pleasure of full functioning and living a normal life. It is the deprivation of humanity in the injured, and their perception as the lost cause by the other make death and injury so gruesome at the event of war. The same idea was demonstrated by Dix and Owen. In the series of his paintings, Dix demonstrated battlefield not as epic fights of valor but as field full of pieces of human corps, insides, blood and pieces of bones on various stages of decomposition combined with dehumanized images of the survivals. In this case, just as Remarque, Dix shows the ugliness of death at war and how it mutilates the memory of the dead and scars the living, which he demonstrated by drawing the survivals pale and ghostlike, for surviving the war, the remain nothing but ghosts of themselves. While Remarque describes injuries and dead bodies in simplified means to an end matter, which is aimed at objectification of human bodies at war, Owen uses detailed description of human suffering in a more philosophical way: “ and watched the white eyes writhing in his face, his hanging face, like a devil’s sick of sin; if you could hear, at every jolt, the blood come gargling from the froth-corrupted lungs, obscene as cancer, bitter as cud ” (Owen 1918).

Except for the description of the ugliness of death, the anti-war narrative is also created through the demonstration of the new technologies of warfare that have no honor in killing enemies but remains a simple tool of annihilation. Aforementioned Owen’s description demonstrates the death from a gas attack that has not dignity in its use, only the achievement of the final objective – killing the enemy. In his works, Dix outlined this shift in war and its inhuman nature through the drawing of survivals wearing gas-masks and showing the dead bodies with facial erosions and other signs of chemical weapon use. Remarque writes that the condition of the soldiers effected by chlorine gas “ is hopeless, they choke to death with haemorrhages and suffocation ” (Remarque1987, 131). This type of death on the war is far from the idealized Arthurian epic valor of swords and tactical warfare used by various armies to recruit soldiers. The three authors showed that the total war had nothing to do with the honor of dying; it was just a massacre and tragedy of humanity.

Another element of the anti-war narrative was the demonstration of the cheapness of human life and the lack of support or responsibility of the higher command for the lower-rank soldiers.  The best example of this is how on various occasions Remarque shows that senior officers did not bother even to train new recruits, which inevitably resulted in their high death rate. They were basically left on their own to survive: “ Some of them in a shell hole took off their masks too soon; they did not know that the gas lies longest in the hollows; when they saw others on top without masks they pulled theirs off too and swallowed enough to scorch their lungs ” (Remarque 1987, 131). Furthermore, individual life is of little value at war. It does not matter for the commander; it surely does not matter for political decision-makers that start wars. Remarque showed it on a few more occasions. In a symbolical sense, it was shown in the pair of boots that Katczinsky took off a dead soldier’s body. These boots were transferred from one friend of Paul to another after the death of each of them. These boots symbolize the cheapness of human life at war, where a pair of boots was more costly, and lived longer that people who could use those boots. The absence of the value of human life at war was also demonstrated in the last paragraph of the novel. While Paul, who was the corner stone of the narration and the key connection with the reader, dies, for the war he was fighting it was of no importance, in the military report it was “ All Quiet on the Western Front ” (Remarque 1987, 296).

Regarding the transference of the written text into a film, there are certain themes and concepts that can be more vivid in the film format. In this regard, the imagery of the ugliness and bloody nature of warfare can be better demonstrated through the film, since a film can enhance visualization of the war and its horrors. Thus, explicit graphic images of dead bodies and physical human suffering can be easier transferred by the means of film. On the other hand, the reflection of the psychological change of people under the influence of the war is better achieved through the original text, since it makes the experience more intimate. In terms of the impact of the visualization of the film on one’s understanding of the historical period, the film might be probably more helpful since it pays more detailed to the tools of that time, technological advancement, ammunition, uniform, since it all should be authentic. On the other hand, the book does not need to describe all of these details and concentrates on human experience.

Overall, from all mentioned above it can be concluded that the anti-war narrative developed by Remarque, Dix and Owen is based on making war closer to one’s personal perception. The humanization of war is achieved through the personification of soldiers and making their experiences sensible by the readers. Other elements of the anti-war narrative include the palpable sense of death and human sufferings; devaluation of human life; the lack of unity among different ranks of soldiers and the ugliness of death from new chemical weapons that deprived battlefield death of any valor or meaning. Thus, irrespective of the type of the art, the anti-war narrative was based on the same concept – demonstrating the reality of war in all its embodiments.

Bibliography

Owen, Wilfred. 1918. “Dulce Et Decorum Est.” The War Poetry Website . Accessed March 30, 2015.  http://www.warpoetry.co.uk/owen1.html.

Remarque, Erich Maria. 1987. All Quiet on the Western Front . New York: Fawset Books.

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A Short Analysis of Wilfred Owen’s ‘Dulce et Decorum Est’

By Dr Oliver Tearle

‘Dulce et Decorum Est’ or, to give the phrase in full: Dulce et decorum est pro patria mori , Latin for ‘it is sweet and fitting to die for one’s country’ ( patria is where we get our word ‘patriotic’ from). The phrase originated in the Roman poet Horace, but in ‘Dulce et Decorum Est’, Wilfred Owen (1893-1918) famously rejects this idea.

For Owen, who had experienced the horrors of trench warfare and a gas attack, there was nothing sweet, and nothing fitting, about giving one’s life for one’s country. Focusing in particular on one moment in the First World War, when Owen and his platoon are attacked with poison gas, ‘Dulce et Decorum Est’ is a studied analysis of suffering and perhaps the most famous anti-war poem ever written.

Dulce et Decorum Est

Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs, And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots, But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of gas-shells dropping softly behind.

Gas! GAS! Quick, boys!—An ecstasy of fumbling Fitting the clumsy helmets just in time, But someone still was yelling out and stumbling And flound’ring like a man in fire or lime.— Dim through the misty panes and thick green light, As under a green sea, I saw him drowning.

In all my dreams before my helpless sight, He plunges at me, guttering, choking, drowning.

If in some smothering dreams, you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,— My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori .

‘Dulce et Decorum Est’: background

In October 1917, Wilfred Owen wrote to his mother from Craiglockhart Hospital: ‘Here is a gas poem, done yesterday……..the famous Latin tag (from Horace, Odes) means of course it is sweet and meet to die for one’s country. Sweet! and decorous!’

Although he drafted the poem that October, the surviving drafts of ‘Dulce et Decorum Est’ show that Owen revised and revisited it on several occasions thereafter, before his death the following November – one week before the Armistice.

Although he wrote all his poetry while he was still a young man – he died aged just 25, like the poet he so admired, John Keats – Wilfred Owen was a master of form and metre, although the extent to which ‘Dulce et Decorum Est’ is carefully structured is not necessarily apparent from reading it (and certainly not from hearing it read aloud).

‘Dulce et Decorum Est’: form

The first two stanzas, comprising eight lines and six lines respectively, form a traditional 14-line sonnet, with an octave (eight-line section) and sestet (six-line section).

The line break after the fourteenth line only brings this home: there’s a pause, and then we find ourselves returning to the word ‘drowning’, locked in it, fixating on that word, ‘drowning’ to describe the helpless state of the poor soldier suffocating from poison gas. The helplessness, of course, is Owen’s too, being unable to do anything for his falling comrade: all we can do is watch in horror.

‘Dulce et Decorum Est’: imagery

The imagery is as striking and memorable as the structure, though a little more explicit: the first stanza bombards us with a series of similes for the exhausted men trudging through mud (‘like old beggars’, ‘coughing like hags’) and more direct metaphors (‘blood-shod’ suggesting feet caked in blood, implying trench-foot and cut legs; with ‘shod’ putting us in mind of horses, perhaps being used to plough a very different kind of muddy field; and ‘drunk with fatigue’ bitterly reminding us that this isn’t some sort of beer-fuelled jolly, a bunch of friends out for a night on the town).

Then we are shocked by the double cry of ‘Gas! GAS!’ at the beginning of the second stanza, with the two successive heavy stresses grabbing our attention, much as the cry from one soldier to his comrades is designed to – and they all fumble for their masks, struggling to put them in place to protect them against the deadly gas attack.

Even after he physically witnessed the soldier dying from the effects of the poison gas, Owen cannot forget it: it haunts his dreams, a recurring nightmare. The recurrence of the word ‘drowning’ neatly conveys this.

In that final stanza, Owen turns what until now has been a descriptive poem into a piece of anti-war propaganda, responding with brilliant irony to the patriotic poets such as Jessie Pope (whom Owen specifically has in mind here), who wrote jingoistic doggerel that encouraged young men to enlist and ‘do their bit for king and country’.

‘Dulce et Decorum Est’: further analysis

If in some smothering dreams, you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin …

If people like Pope, Owen argues, addressing her directly (‘If in some smothering dreams you too could pace…’), could witness what he has witnessed, and were forced to relive it in their dreams and waking thoughts every day and night, they would not in all good conscience be able to write such pro-war poetry, knowing they were encouraging more men to share the horrific fate of the soldier Owen had seen killed.

Jessie Pope and her ilk would not be able to feed the ‘Old Lie’, Dulce et decorum est pro patria mori , to impressionable young men (some of them so young they are still ‘children’: it’s worth remembering that some boys lied about their age so they could join up) who are ‘ardent for some desperate glory’.

‘Dulce et Decorum Est’ is a fine example of Owen’s superb craftsmanship as a poet: young he may have been, and valuable as his poetry is as a window onto the horrors of the First World War, in the last analysis the reason we value his response to the horrific events he witnessed is that he put them across in such emotive but controlled language, using imagery at once true and effective.

As he put it in the draft preface he wrote for his poems: ‘My subject is War, and the pity of War. The poetry is in the pity.’

Image (top): Wilfred Owen (author unknown: image taken from 1920 edition of  Poems of Wilfred Owen ),  Wikimedia Commons . Image (bottom): John Singer Sargent,  Gassed , via Wikimedia Commons .

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8 thoughts on “A Short Analysis of Wilfred Owen’s ‘Dulce et Decorum Est’”

• Pingback: 10 Classic Wilfred Owen Poems Everyone Should Read | Interesting Literature
• Pingback: The Best War Poems Everyone Should Read | Interesting Literature

Excellent analysis of a great poem.

Thank you :)

Wilfred Owen is one of the many talented war poets that inspired me to love literature!

Good piece here on a powerful poem. And I still think ‘Disabled’ is his best…

• Pingback: Sunday Post – 11th March, 2018 | Brainfluff

A very good analysis of one of my favourite poems. Arguably the best of any war poet.

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Dulce et Decorum Est

by Wilfred Owen

Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs, And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots, But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of gas-shells dropping softly behind. Gas! GAS! Quick, boys!—An ecstasy of fumbling Fitting the clumsy helmets just in time, But someone still was yelling out and stumbling And flound’ring like a man in fire or lime.— Dim through the misty panes and thick green light, As under a green sea, I saw him drowning. In all my dreams before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams, you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,— My friend , you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.

Summary of Dulce et Decorum Est

•   Popularity: “ Dulce et Decorum Est” is a famous anti-war poem by Wilfred Owen. It was first published in 1920. The poem presents strong criticism of the war and its aftermath. The poet details the horrors of the gas warfare during WW1, and the miserable plight of the soldiers caught in it makes up the major point of the argument of the poet. Since its publication, the poem has won immense popularity on account of the presentation of the brutalities of war.
• “Dulce et Decorum Est” as Criticism on War: As this poem is written in the context of war, the poet describes the gruesome experiences of war. As a soldier in the WW1, he experienced the sufferings of the war and its pains. By depicting the death and destruction caused by the war, he declares that war is not a heroic deed. Many innocent souls are lost for the sake of their country. He considers war as a devil’s work that brings violence, destruction, and ruination to the people. In the first part of the poem, he tells about a specific war-related past event. The tired, limping and wounded soldiers are returning from the battlefield when there is a gas attack, and the speaker observes the helplessness of coughing, choking and dying soldiers. He seems immoveable from the incident when he watches a soldier succumbing to the deadly gas. Later, this image of the floundering soldier constantly haunts him. The second part of the poem further illustrates the pathetic and frenzied events of the war. What enchants the readers is the lifelike images of traumatic incidents demonstrated by the poet to explain the inhumanity of war.
• Major Themes of “Dulce et Decorum Est” : Death and horrors of war are the major themes of the poem. The poet incorporates these themes with the help of appropriate imagery . He says that those who have lived these miserable moments will never glorify war. He negates the glorious description of the war by presenting the brutal graphic realities of the battlefield. These themes are foregrounded in powerful phrases such as “like old beggars under sacks,” “haunting flares”, “blood-shod”,” guttering, choking, drowning” just to show that the poem depicts this universal thematic idea.

Analysis of the Literary Devices used in “Dulce et Decorum Est”

literary devices are used to bring richness and clarity to the texts. The writers and poets use them to make their texts appealing and meaningful. Owen has also employed some literary devices in this poem to present the mind-disturbing pictures of the war. The analysis of some of the literary devices used in this poem has been discussed below.

• Alliteration : Alliteration is the use of the same consonant sounds in the same line such as the sound of /s/ in “ But someone still was yelling out and stumbling” and /w/ sound in “And watch the white eyes writhing in his face.
• Simile : Simile is a figure of speech used to compare something with something else to describe an object or a person. Owen has used many self-explanatory similes in this poem such as,” Bent double, like old beggars under sacks”, “Knock-kneed, coughing like hags”, “like a man in fire or lime” and “like a devil’s sick of sin.”
• Metaphor : There is only one metaphor used in this poem. It is used in line seven of the poem, “ Drunk with fatigue; deaf even to the hoots.” It presents the physical state of the men.
• Onomatopoeia : It refers to the words which imitate the natural sounds of the things. Owen has used the words “hoot”, “knock” and “gargling” in the poem to imitate sounds.
• Consonance : Consonance is the repetition of consonant sounds in the same line such as the /r/ sound in “Come gargling from the froth-corrupted lungs.”
• Synecdoche : It is a figure of speech in which a part is made to represent the whole. For example, the word “sight” in the second stanza represents the speaker.
• Imagery : Imagery is used to make the readers perceive things with their five senses. Owen has successfully used a lot of imageries to create a horrific picture of war, pain, and The following phrases show the effective use of imagery as he says, “old beggars under sacks”, “had lost their boots”, “His hanging face, like a devil’s sick of sin” and “white eyes.”
• Assonance : Assonance is the repetition of vowel sounds in the same line such as /o/ sound in “Of vile, incurable sores on innocent tongues.”

The careful glimpse of literary analysis shows that the poet has skilfully projected his war experiences under cover of these literary devices. The appropriate use of the devices has made this poem a thought-provoking piece for the readers.

Analysis of Poetic Devices in “Dulce et Decorum Est”

Poetic and literary devices are the same, but a few are used only in poetry. Here is the analysis of some of the poetic devices used in this poem.

• Structure: The poem is a combination of two sonnets. In the first sonnet , the poet describes his experiences of the war whereas in the second sonnet he becomes analytic and attempts to correct the outlook of others about the war.
• Sonnet : A sonnet is a fourteen-line poem in which a single idea floats throughout the poem.
• Rhyme Scheme : The whole poem follows the ABAB, CDCD rhyme scheme in iambic pentameter .
• Iambic Pentameter : It is a type of meter consisting of five iambs . The poem comprises iambic pentameter such as, “Bent Dou ble, like old beg gars un der ”

Quotes to be Used

• These lines can be used when describing the awful situation of the people facing droughts , illness or diseases.

“Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge.”

• These lines can be used when narrating any personal experience of pain or depression.

“Dim through the misty panes and thick green light, As under a green sea, I saw him drowning.”

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The Way Dulce et Decorum Est Represents Soldier's Voice

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• Topic: Dulce Et Decorum Est , Literature Review , Wilfred Owen

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