romeo and juliet romeo essay

114 Romeo and Juliet Essay Titles & Examples

Looking for Romeo and Juliet essay titles? The world’s most tragic story is worth writing about!

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🖤 romeo and juliet essay prompts.

• 🏆 Best Romeo and Juliet Essay Examples

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🎭 easy titles for romeo and juliet essays, 👍 exciting romeo and juliet title ideas, ❓ romeo and juliet essay questions.

Romeo and Juliet is probably the most famous tragedy by William Shakespeare. It is a story of two young lovers whose deaths reconcile their feuding families. Whether you are assigned an argumentative, persuasive, or analytical essay on this piece of literature, this article will answer all your questions. Below you’ll find Romeo and Juliet essay examples, thesis ideas, and paper topics.

• “Romeo and Juliet”: character analysis
• What role does the setting play in “Romeo and Juliet”?
• “Romeo and Juliet” and antique tradition of tragic love stories
• Theme of love in “Romeo and Juliet”
• What role does the theme of fate play in “Romeo and Juliet”?
• “Romeo and Juliet”: dramatic structure analysis
• Analyze the balcony scene in “Romeo and Juliet”
• “Romeo and Juliet”: feminist criticism
• The most famous adaptations of “Romeo and Juliet”
• “Romeo and Juliet” in the world culture

Keep reading to learn the key points you can use to write a successful paper.

• Original Italian Tale vs. Shakespeare’s Tragedy

The story described in Shakespeare’s tragedy is based on the Italian tale that was translated into English in the sixteenth century. Original version represents situations and lines from Romeo and Juliet lives.

Shakespeare added a few more main characters: Mercutio, Paris, and Tybalt. Numerous researches state that Shakespeare used three sources to write his tragedy: a novella Giulietta e Romeo by Matteo Bandello, written in 1554; a story Il Novellio, by Masuccio Salernitano; and the Historia Novellamente Ritrovata di Due Nobili Amanti, written by Luigi Da Porto.

You can learn more about these novels to find out similarities and differences between primary sources and Shakespeare’s work

• Love and Fate in Romeo and Juliet

If you’re going to write Romeo and Juliet essay on fate, read this paragraph. Fate is the fundamental concept of the plot. It makes us look at Romeo and Juliet affair as a single tragedy.

At the same time, another core element of the story is love. From the very beginning of the drama, you will clearly understand that the story will end in tragedy.

Shakespeare shows us the value of fate events.

However, love remains a crucial thematic element. The roles of Nurse, Paris, and Romeo show us a physical attraction, sympathy, and romantic affection while being the embodiment of love. Analyze what type of love is represented by each character in your essay. Explain, what do you think real love is.

• Value and Duality in Romeo and Juliet

Among the central idea to consider for your Romeo and Juliet essay titles is an issue of value and duality. Shakespeare actively uses duality in his tragedy by representing the deaths of Romeo and Juliet as reasons of tragedy in Verona, which brought new order to the city.

Friar Laurence also reveals ambiguity when he helped Romeo and thus forced young lovers to suffer in the end. The decision to marry couple had a reason to end the conflict between Montague and Capulets.

Romeo and Juliet’s example discloses happiness and blame brought by key episodes and change in society. In your writing, you may analyze how the effect of adoration had influenced Romeo, Juliet, and other people lives.

• Masculinity in Romeo and Juliet

A lot of Romeo and Juliet essay examples analyze the role of gender and masculinity in the tragedy. Mercutio is shown as a classic example of a real man: active, brave citizen.

He is a person of action. On the other hand, Romeo is described as a boy who seeks for love. Romeo and Juliet love thrown into quarreling world.

You can analyze the reasons why Romeo fights and kills Paris when finding him near Juliet body.

Covering all of the points mentioned above will help you to produce an outstanding Romeo and Juliet essay. Check the samples below to get inspiration and more ideas that you can use in your own paper.

🏆 Best Romeo and Juliet Topic Ideas & Essay Examples

• Different Types of Love Portrayed in Shakespeare’s Romeo and Juliet Term Paper In regards to this communication, the issue of romantic love between Romeo and Juliet is highlighted7. The concept of true love is no where to be seen in Romeo and Juliet’s relationship.
• William Shakespeare “Romeo and Juliet” and “A Midsummer Night’s Dream” This paper examines romantic love as the source of joy and fulfillment in “Romeo and Juliet” and “A Midsummer Night’s Dream”. Love is the source of pain and suffering in “A Midsummer Night’s Dream”.
• Symbolism and Foreshadowing in “Romeo and Juliet” The love of Juliet to Romeo at the early stages is described as the “bud love, expected to grow into a beauteous flower” when the two meet later.
• The Portrayal of Fate in “Romeo and Juliet” Thus, the play Romeo and Juliet demonstrates that fate is the invisible, unavoidable force behind the entirety of the human experience.
• The Renaissance Time During Romeo and Juliet Men and women performed different roles in the household; the man was responsible for farming while the woman took care of the poultry and dairy. In the upper-class, marriages were arranged and the parents chose […]
• Romeo and Juliet’s Analysis and Comparison With the Film Romeo Must Die It can be concluded that, in the case of the original Romeo and Juliet, the main heroes are dying, but their families reconcile.
• Analysis of the Play ‘Romeo and Juliet’ Another interesting scene of the production that makes it real understanding of the authors work is the casting of the romantic love between Romeo and Juliet, the physical love of the nurse and the contractual […]
• Breaking the Rules: Romeo and Juliet’s Quest for Independence Finally, the death of Romeo and Juliet puts an end to their love and is powerful enough to reconcile their feuding families.
• William Shakespeare’s “Romeo and Juliet” in Baz Luhrmann’s Interpretation The fragility of love in this work is contrasted with its hardness – it can be compared in quality and beauty to a cut diamond.
• Shakespeare’s Romeo and Juliet: Act 1 Scene 4 Review In this speech alone we see Mercutio in direct opposition to all of the characters in Romeo and Juliet while at the same time we are provided an alternate point of view to the ideals […]
• “Romeo and Juliet” by William Shakespeare: Play’s Concept In Romeo and Juliet, the development of characters eventually led to the tragedy of the main characters. The love of Romeo and Juliet is a remarkable love as they have to undergo many obstacles to […]
• Forbidden Love in Romeo and Juliet by Shakespeare From Freud’s perspective, the characters’ problems can be perceived as the result of a conflict between their superego, id and ego.
• “Romeo and Juliet” and “The Winter’s Tale” Comparison Because of the importance of the role of plants and trees in the two abovementioned plays, it would be reasonable to consider each of the plays in detail.
• Franco Zeffirelli’s “Romeo and Juliet” Adaptation As the plot of the play develops and the reader gets more involved in the reading of the play, the constant need to read the stage directions has a disruptive effect on the reader’s interaction […]
• Analysis of “Romeo and Juliet” Directed by Simon Godwin The actors played in the theater without an audience, and the shooting itself took two and a half weeks, but also due to the director’s attempt to combine the action on the theater stage and […]
• Friar Lawrence in “Romeo and Juliet” by Shakespeare The strengths of such friendships can be seen in the way Friar Laurence accepts and anticipates Romeo’s actions, showing that he is ready to hear him as a friend not as a priest, “Doth couch […]
• Romeo and Juliet: Analysis of Play Being a tragedy, the story narrates the challenges two lovers, Romeo and Juliet, go through due to the enmity between their respective families. For example, the story of Juliet and Romeo presents a romantic and […]
• Love and Sadness in the First Act of “Romeo and Juliet” The love story of Romeo and Juliet is well known to most people, but one might forget that Romeo was initially not in love with Juliet; he met her later.
• Carlo Carlea’s Film “Romeo and Juliet” The new adaptation of my play generally made a controversial impression: the actors look suitable for their roles, but the internal theme of the play seems to be not so profoundly got.
• “Romeo and Juliet” Staged in Greek Style According to the analysis, it is evident that even though the story, plot, and characters stay the same, the change in the style of “Romeo and Juliet” will have a significant difference from the original […]
• Personality and Maturity in the Romeo and Juliet Play by W. Shakespeare While this idea is not always true in specific cases, it can be assumed to be true in the case of Romeo and Juliet because of the ways in which they act.
• Oh Tae-Suk’s Romeo and Juliet Oh Tae-suk is a South-Korean playwright and director, well-known for his masterful portrayal of modern Korean life and the use of the elements of the traditional Korean theater in his plays.
• What Shapes More Lovers’ “Story of Romeo and Juliet?” In Romeo and Juliet, love is the central theme of the tragedy, and the images of the protagonists are mostly shaped by the relationships and challenges they had to face.
• Nurse and Friar Laurence in Shakespeare’s “Romeo and Juliet” The way Friar Laurence supported Romeo and Juliet to get Married, The way the Nurse is opposing in her regards of Romeo and Paris, When Friar Laurence clandestinely married them, the way the Nurse is […]
• Character Analysis of Shakespeare’s “Romeo and Juliet” The Renaissance in Italy was a time in which historians and writers were most active, sparking a new wave of literacy in the Italian world, said to be the father of Renaissance Europe.
• “Analysis of Causes of Tragic Fate in Romeo and Juliet Based on Shakespeare’s View of Fate” by Jie Li The article is easy to read and makes a compelling case for the reasons that precipitated the tragedy in Shakespeare’s Romeo and Juliet.
• “Romeo and Juliet”: Play and Film Preminger et al.claim that poetry is to be educative and pleasurable and both versions of “Romeo and Juliet” meet this criterion regardless of the fact that they had to appeal to the audience of a […]
• Romeo and Juliet: The Twentieth Century This is the first scene of the play. In the mean time, Capulet learns that Juliet has fallen in love with Romeo, and he is infuriated with the behavior of her daughter.
• Relationships Among Individuals in Shakespeare’s Plays The events that take place in Athens are symbolic in the sense that they represent the sequence of events during the day whereas the events in the forest represent the dream like circumstances.
• The Saga as Old as Time: Romeo and Juliet, Vampire Style Basing partially on the plot of Romeo and Juliet story and partially on the problems that modern teenagers face, The Twilight Saga offers a number of issues that are quite topical nowadays, such as the […]
• The Interpretation of William Shakespeare’s “Romeo and Juliet” by Baz Luhrmann and Franco Zeffirelli
• The Irresponsibility of Friar Laurence in William Shakespeare’s “Romeo and Juliet”
• The Key Elements of Aristotle’s Unity of Action Theory in “Romeo and Juliet” by William Shakespeare
• The Love of Young Lovers in “Romeo and Juliet” by William Shakespeare
• The Lack of a Real Loving Connection Between Juliet and Her Own Parents in “Romeo and Juliet” by William Shakespeare
• The Language of Love and Death in “Romeo and Juliet” by William Shakespeare
• The Life-Changing Decisions During the Teen Years in “Romeo and Juliet” by William Shakespeare
• Central Themes of Violence and Conflict in “Romeo and Juliet” by William Shakespeare
• The Origins of the Archetypal Themes Present in Shakespeare’s “Romeo and Juliet”
• The Passionate Hatred of Tybalt and the Theme of Revenge in “Romeo and Juliet” by William Shakespeare
• The Perceptions of Love and the Use of Language and Structure in “Romeo and Juliet” by William Shakespeare
• The True Meaning and Experience of Love in “Romeo and Juliet” by William Shakespeare
• The Relationship Between Parents and Children Presented in William Shakespeare’s “Romeo and Juliet”
• The Theme of People Being in Unusual Circumstances in Shakespeare’s “Romeo and Juliet”
• The Responsible for the Deaths of the Lovers in “Romeo and Juliet” by William Shakespeare
• The Role of Fate and Coincidence in William Shakespeare’s “Romeo and Juliet”
• Comparing the Characters of Tybalt and Mercutio in William Shakespeare’s “Romeo and Juliet”
• The Role and Representation of the Nurse in William Shakespeare’s “Romeo and Juliet”
• The Significance of Mercutio in William Shakespeare’s “Romeo and Juliet”
• The Tragic Ending of a Pair of Star Crossed Lovers in Shakespeare’s “Romeo and Juliet”
• The Underlying Theme and Message in William Shakespeare’s “Romeo and Juliet”
• The Unselfish Character of Benvolio in “Romeo and Juliet” by William Shakespeare
• True Love in “Romeo and Juliet” by William Shakespeare
• The Use of Dramatic Irony and Other Literary Elements in “Romeo and Juliet” by William Shakespeare
• Young Love and Human Nature in “Romeo and Juliet” by William Shakespeare
• The Suicidal Instinct Depicted in “Romeo and Juliet” by William Shakespeare
• The Various Types of Love in the Tragedy of “Romeo and Juliet” by William Shakespeare
• The World of True Love in William Shakespeare’s “Romeo and Juliet”
• The Young Lovers in the Play “Romeo and Juliet” by William Shakespeare
• Timeless Appeal of William Shakespeare’s “Romeo and Juliet” and Leonard Bernstein’s “West Side Story”
• Tragic Love in Movie Adaptations of Shakespeare’s “Romeo and Juliet” and “Othello”
• Transformation of Juliet in Shakespeare’s Tragedy of “Romeo and Juliet”
• The Use of Oppositions to Create Conflict in “Romeo and Juliet” by William Shakespeare
• Two Against the Whole World: “Romeo and Juliet” by William Shakespeare
• The Use of Language to Convey Strong Emotion in Shakespeare’s “Romeo and Juliet”
• Violence and Conflict in William Shakespeare’s “Romeo and Juliet”
• The Volatile Mixture of Love and Hate in William Shakespeare’s “Romeo and Juliet”
• The Use of Verbal, Situational, and Dramatic Irony in William Shakespeare’s Play “Romeo and Juliet”
• Shakespeare’s Reflections on Love in the Play “Romeo and Juliet”
• The Importance of Act Three Scene One in “Romeo and Juliet” by William Shakespeare
• The Use of Sonnets in “Romeo and Juliet” by William Shakespeare
• William Shakespeare’s Use of Death to Create Tension in “Romeo and Juliet”
• The Themes of Love and Madness in William Shakespeare’s “Macbeth” and “Romeo and Juliet”
• The Use of Imagery in the Play “Romeo and Juliet” by William Shakespeare
• How Does Shakespeare Create a Sense of Tragedy in the Final Scene of “Romeo and Juliet”?
• Are Romeo and Juliet Responsible for Their Deaths?
• How Does Shakespeare Create Drama and Tension in “Romeo and Juliet”?
• Why Does Shakespeare Create Sympathy for “Romeo and Juliet”?
• Is “Romeo and Juliet” Relevant to Modern Life?
• How Does Shakespeare Create a Dramatic Conclusion in Act Five Scene Three of “Romeo and Juliet”?
• How Are Adults Presented in “Romeo and Juliet”?
• How Are the Main Themes Presented in the Opening Sequence of Baz Luhrman’s Film “Romeo and Juliet”?
• Does “Romeo and Juliet” Deserve to Be Considered Pop Culture in the Elizabethan Era?
• Why Does “Romeo and Juliet” Attract Teenagers?
• How Did Shakespeare Introduce the Characters of “Romeo and Juliet”?
• How Does Act One Scene One Provide an Effective Opening to “Romeo and Juliet”?
• How Did Hate Cause Major Events in “Romeo and Juliet”?
• How Does Bas Luhrman’s Staging of Key Scenes “Romeo and Juliet”?
• Did Baz Luhrmann Manage to Gain Sympathy for “Romeo and Juliet” and Interest a Modern Audience?
• How Does Baz Lurhmann Make “Romeo and Juliet” More Accessible to a Modern Audience?
• How Does Conflict Manifest Itself in “Romeo and Juliet”?
• How Does Fate Affect “Romeo and Juliet”?
• Why Did Fate Lead to the Tragic Conclusion of “Romeo and Juliet”?
• How Does Lord Capulet Change Through the Course of the Play “Romeo and Juliet”?
• Why Does Love Change Romeo and Juliet’s Life?
• How Do Shakespeare Introduce Romeo and Juliet’s Relationship?
• Did Romeo and Juliet Ever Have Control Over What Happened to Them or Was It All Fate?
• How Does Shakespeare Make Romeo and Juliet Dramatically Effective?
• How Do Juliet’s Decisions Affect Her Growth and Her Relationships in “Romeo and Juliet”?
• How Does Shakespeare Portray Ambiguity in the Play “Romeo and Juliet”?
• How Are the Relationships in “Romeo and Juliet” Represented and Developed?
• Does the Film “Romeo and Juliet” Have the Same Dramatic Impact on the Audience as the Original Play?
• How Does Shakespeare Portray Love in “Romeo and Juliet”?
• How Does Shakespeare Present Conflict at the Start of “Romeo and Juliet”?
• Chicago (A-D)
• Chicago (N-B)

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Romeo and Juliet

William shakespeare, ask litcharts ai: the answer to your questions.

Welcome to the LitCharts study guide on William Shakespeare's Romeo and Juliet . Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.

Romeo and Juliet: Introduction

Romeo and juliet: plot summary, romeo and juliet: detailed summary & analysis, romeo and juliet: themes, romeo and juliet: quotes, romeo and juliet: characters, romeo and juliet: symbols, romeo and juliet: literary devices, romeo and juliet: quizzes, romeo and juliet: theme wheel, brief biography of william shakespeare.

Historical Context of Romeo and Juliet

Other books related to romeo and juliet.

• Full Title: Romeo and Juliet
• When Written: Likely 1591-1595
• Where Written: London, England
• When Published: “Bad quarto” (incomplete manuscript) printed in 1597; Second, more complete quarto printed in 1599; First folio, with clarifications and corrections, printed in 1623
• Literary Period: Renaissance
• Genre: Tragic play
• Setting: Verona, Italy
• Climax: Mistakenly believing that Juliet is dead, Romeo kills himself on her funeral bier by drinking poison. Juliet wakes up, finds Romeo dead, and fatally stabs herself with his dagger.
• Antagonist: Capulet, Lady Capulet, Montague, Lady Montague, Tybalt

Extra Credit for Romeo and Juliet

Tourist Trap. Casa di Giulietta, a 12-century villa in Verona, is located just off the Via Capello (the possible origin of the anglicized surname “Capulet”) and has become a major tourist attraction over the years because of its distinctive balcony. The house, purchased by the city of Verona in 1905 from private holdings, has been transformed into a kind of museum dedicated to the history of Romeo and Juliet , where tourists can view set pieces from some of the major film adaptations of the play and even leave letters to their loved ones. Never mind that “the balcony scene,” one of the most famous scenes in English literature, may never have existed—the word “balcony” never appears in the play, and balconies were not an architectural feature of Shakespeare’s England—tourists flock from all over to glimpse Juliet’s famous veranda.

Love Language. While much of Shakespeare’s later work is written in a combination of verse and prose (used mostly to offer distinction between social classes, with nobility speaking in verse and commoners speaking in prose), Romeo and Juliet is notable for its heady blend of poetic forms. The play’s prologue is written in the form of a sonnet, while most of the dialogue adheres strictly to the rhythm of iambic pentameter. Romeo and Juliet alter their cadences when speaking to each another, using more casual, naturalistic speech. When they talk about other potential lovers, such as Rosaline and Paris, their speech is much more formal (to reflect the emotional falsity of those dalliances.) Friar Laurence speaks largely in sermons and aphorisms, while the nurse speaks in blank verse.

Romeo and Juliet William Shakespeare

Romeo and Juliet essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Romeo and Juliet by William Shakespeare.

Romeo and Juliet Material

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Romeo and Juliet Essays

Unity in shakespeare's tragedies chris hadfield, romeo and juliet.

Separating qualities common to one 'set' or 'type' of Shakespeare's plays which are not common to the plays as a whole is a difficult task: it would no doubt be possible to find evidence of any feature uniting 'the Tragedies' within any of...

Fate in Romeo and Juliet Sarah Fiorio

The concept of fate functions as a central theme in Shakespeare's Romeo and Juliet. In the opening prologue of the play, the Chorus informs the audience that Romeo and Juliet are "Star ñ cross'd Lovers" (Prologue l.6). In other words, the Chorus...

Romeo and Juliet: Under the Guise of Love Jena McLaughlin

Shakespeare's Romeo and Juliet explains love through the use of three different kinds of love: unrequited love between Romeo and Rosaline, true love between Romeo and Juliet, and cynical love from Mercutio and the Nurse. The use of common, era...

The Apothecary's Greater Significance in Romeo and Juliet Jory Anna Nagel

From the bawdy Mercutio to the gentle Juliet, the characters in Shakespeare's Romeo and Juliet are colorful, but purposeful. Even the most obscure characters reflect Shakespeare's calculations in the development of key themes throughout the play....

Romeo and Juliet: Two Worlds Anonymous

A major theme in the play Romeo and Juliet is the contrast between the two worlds: real and unreal. In order for true love between the star-crossed lovers to survive, it must exist in both. Romeo lives in the unreal world for the majority of the...

Religious Language and Concepts in Romeo and Juliet August Trevor Sutton

The epistle of Saint John unequivocally states, “Love comes from God” (1 John 4:7). This statement not only explains the source of love but it also provides a means to understand both love and God. If love is from God, then an understanding of...

Appropriating Shakespeare’s Romeo and Juliet Casey Bassett

In the 1997 film, Romeo + Juliet, Baz Luhrmann has attempted to take the original play by William Shakespeare, and create an appropriation of it for today. He takes what we value about the text: the themes, evocative language and poetry, the...

A Celebration of the Minor Characters in Romeo and Juliet Samantha Thomas

In his play Romeo and Juliet , Shakespeare puts his minor characters to good use. Romeo’s friend Mercutio and Juliet’s nurse are both characters that are not considered the main focus of the play, but nevertheless play a crucial role in the lives...

Media Sensationalism in Baz Luhrmann's William Shakespeare's Romeo & Juliet Anonymous

"You're television incarnate, Diana: indifferent to suffering; insensitive to joy. All of life is reduced to the common rubble of banality. War, murder, death are all the same to you as bottles of beer. And the daily business of life is a corrupt...

Passionate Language in Romeo and Juliet Julia Kelly

Romeo and Juliet is rife with the powerful contrasting passions of Love and Hate. Since this work is a drama, Shakespeare has chosen to convey these emotions through characters’ language. This essay will examine how dialogue is used to demonstrate...

Ambiguous Portrayal of Juliet's Womanhood Anonymous College

In Act 4 Scene 1 of Romeo and Juliet, Friar Lawrence, Paris, and Juliet converse about the upcoming marriage of Juliet and Paris. In the scene, Juliet’s new identity of an independent woman is forged through her vigor in dealing with Paris and the...

A Foreshadowing Conversation in Romeo and Juliet Anonymous College

In Romeo and Juliet, many ironic situations foreshadowing their doomed result. In the passage where Tybalt and Capulet debate at the masquerade feast, there are many lines that directly foreshadow two important components of the play: Romeo’s...

The Use of Religious Imagery in Romeo and Juliet Alexandra Best College

Throughout Romeo and Juliet, Shakespeare makes heavy use of religious imagery, especially when concerned with the young couple. This imagery serves two purposes in the play. It underlines the purity of Romeo and Juliet’s love by associating it...

Romeo's Impulsiveness in Romeo and Juliet Anonymous 11th Grade

In Romeo and Juliet by William Shakespeare, star-crossed lovers Romeo and Juliet are doomed from the start, and the audience is aware of this from the prologue. “From forth the fatal loins of these two foes a pair of star-crossed lovers take their...

The Seed of Failure in Romeo and Juliet Michael Luo 9th Grade

Novelist Napoleon Hill once wrote, “Think twice before you speak, because your words and influence will plant the seed of either success or failure in another.” His opinion compels people to reconsider and reflect on the consequences and effects...

Are You My Mother? An Analysis of Juliet's Nurse Hayley Eadie 9th Grade

Most modern children grow up listening to their mothers tell fairytales and other fictional stories, but what did they do before the time of Sleeping Beauty and Snow White? In earlier centuries, it was not uncommon for care of small children to be...

Performances and Metatheatre in Marlowe’s Faustus Lea Dokter College

The theatrical device of performing a play within another play has been employed for centuries, most notably in European theatre and literature (Fisher and Greiden xi). The play within a play “describes a strategy for constructing play texts that...

Shakespeare’s presentation of Benvolio and Mercutio and the contrasting effects they have on Romeo. Amy Allison 10th Grade

Shakespeare uses a great number of linguistic and structural devices throughout his play ‘Romeo and Juliet’ in order to portray the characters and their relationships with one another. In this essay I will explore and analyse the effects and...

The Gift of Free Will Anonymous College

Dutch humanist and scholar Erasmus defines free will as “a power of the human will by which man may be able to direct himself towards or turn away from what leads to eternal salvation” (Erasmus 6). Many literary works of the Renaissance debate the...

Mercutio in Two Romeo and Juliet Films Molly Elizabeth Pinder 9th Grade

Many film adaptations of William Shakespeare’s classic tragedy of “star-crossed lovers” have been made, both in the original setting and more modern ones (Shakespeare Prologue. 6). Two movies that exemplify this are Franco Zeffirelli’s Romeo and...

Symbolism of Nature in German Realism: The Uncertain Omnipresence Anonymous College

Nature is an important feature of poetic realism, an offshoot of German realism in the late 19th century. Gottfried Keller, the author of the novel Romeo und Julia auf dem Dorfe (Romeo and Juliet in the Village), is a Swiss writer who belongs to...

Dark and Light, Romeo and Juliet Anonymous 9th Grade

The Bible states “God saw light was good, and he separated the light from darkness.” Though light and dark are separated in Romeo in Juliet , they have entirely different connotations. The presence of light turns the characters belligerent, while...

The Use of Literary Devices to Create Humor in Romeo and Juliet Olivia Xie 11th Grade

In dark and dire situations, humor is often needed to lighten the atmosphere in order to ensure sanity. This proves to be very true in William Shakespeare’s tragic play, Romeo and Juliet. As the plot of the play continues to develop, tragic and...

Deceit in Romeo and Juliet Anonymous 9th Grade

As French writer Luc de Clapiers said, “The art of pleasing is the art of deception.” William Shakespeare, an artist of words, employed deceit and trickery in his stories to make them complex and engrossing. Deceit is a subject not often spoken...

Romeo And Juliet Essay for Students and Children

500+ words essay on romeo and juliet.

Romeo and Juliet is the most famous love tragedy written by William Shakespeare. This is a story of love and fate. Furthermore, the basis of this tragic love story is the Old Italian tale translated into English in the sixteenth century. The story is about two young star-crossed lovers whose death results in reconcile between their feuding families. Moreover, Romeo and Juliet is among the most frequently performed plays by Shakespeare .

Lessons of Love from Romeo and Juliet

First of all, Romeo and Juliet teach us that love is blind. Romeo and Juliet belonged to two influential families. Furthermore, these two families were engaged in a big feud among themselves. However, against all odds, Romeo and Juliet find each other and fall in love. Most noteworthy, they are blind to the fact that they are from rival families. They strive to be together in spite of the threat of hate between their families.

Another important lesson is that love brings out the best in us. Most noteworthy, Romeo and Juliet were very different characters by the end of the story than in the beginning. Romeo was suffering from depression before he met Juliet. Furthermore, Juliet was an innocent timid girl. Juliet was forced into marriage against her will by her parents. After falling in love, the personalities of these characters changed in positive ways. Romeo becomes a deeply passionate lover and Juliet becomes a confident woman.

Life without love is certainly not worth living. Later in the story, Romeo learns that his beloved Juliet is dead. At this moment Romeo felt a heart-shattering moment. Romeo then gets extremely sad and drinks poison. However, Juliet was alive and wakes up to see Romeo dead. Juliet then immediately decides to kill herself due to this massive heartbreak. Hence, both lovers believed that life without love is not worth living.

Get the huge list of more than 500 Essay Topics and Ideas

Legacy of Romeo and Juliet

Romeo and Juliet is one of Shakespeare’s most popular plays. Furthermore, the play was very popular even in Shakespeare’s lifetime. Scholar Gary Taylor believes it as the sixth most popular of Shakespeare’s plays. Moreover, Sir William Davenant of the Duke’s Company staged Romeo and Juliet in 1662. The earliest production of Romeo and Juliet was in North America on 23 March 1730.

There were professional performances of Romeo and Juliet in the mid-19th century. In 19th century America, probably the most elaborate productions of Romeo and Juliet took place. The first professional performance of the play in Japan seems to be George Crichton Miln’s company’s production in 1890. In the 20th century, Romeo and Juliet became the second most popular play behind Hamlet.

There have been at least 24 operas based on Romeo and Juliet. The best-known ballet version of this play is Prokofiev’s Romeo and Juliet. Most noteworthy, Romeo and Juliet have a huge impact on literature. Romeo and Juliet made romance as a worthy topic for tragedy. Before Romeo and Juliet, romantic tragedy was certainly unthinkable.

Romeo and Juliet are probably the most popular romantic fictional characters. They have been an inspiration for lovers around the world for centuries. Most noteworthy, the story depicts the struggle of the couple against a patriarchal society. People will always consider Romeo and Juliet as archetypal young lovers.

Q1 State any one lesson of love from Romeo and Juliet?

A1 One lesson of love from Romeo and Juliet is that love brings out the best in us.

Q2 What makes Romeo and Juliet unique in literature?

A2 Romeo and Juliet made romance as a worthy topic for tragedy. This is what makes it unique.

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Romeo and Juliet

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Student Prompt: Write a short (1-3 paragraph) response using one of the below bulleted outlines. Cite details from the play over the course of your response that serve as examples and support.

1. Mercutio has many clever and joking lines. He often wants to cheer up Romeo and make others laugh.

• How does the tone of the play change when Mercutio is killed? ( topic sentence )
• How do events in the rest of the play show that Mercutio’s death is an important turning point in the plot? Name at least three events and use details from the text to support your ideas.
• Finally, discuss in your concluding sentence or sentences how Mercutio’s death connects to the theme of feuds and rivalry .

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2. Consider the setting of the famous balcony scene and the placement and movement of the characters throughout it.

• What might Shakespeare have been suggesting with the use of the balcony, symbolically? ( topic sentence )

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Romeo and Juliet - Entire Play

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The prologue of Romeo and Juliet calls the title characters “star-crossed lovers”—and the stars do seem to conspire against these young lovers.

Romeo is a Montague, and Juliet a Capulet. Their families are enmeshed in a feud, but the moment they meet—when Romeo and his friends attend a party at Juliet’s house in disguise—the two fall in love and quickly decide that they want to be married.

A friar secretly marries them, hoping to end the feud. Romeo and his companions almost immediately encounter Juliet’s cousin Tybalt, who challenges Romeo. When Romeo refuses to fight, Romeo’s friend Mercutio accepts the challenge and is killed. Romeo then kills Tybalt and is banished. He spends that night with Juliet and then leaves for Mantua.

Juliet’s father forces her into a marriage with Count Paris. To avoid this marriage, Juliet takes a potion, given her by the friar, that makes her appear dead. The friar will send Romeo word to be at her family tomb when she awakes. The plan goes awry, and Romeo learns instead that she is dead. In the tomb, Romeo kills himself. Juliet wakes, sees his body, and commits suicide. Their deaths appear finally to end the feud.

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Romeo and Juliet’s Enemies with their Family

This essay about why Juliet wishes for Romeo to discard his surname in Shakespeare’s “Romeo and Juliet” explores the deep-seated issues of identity and familial conflict. Juliet’s desire for Romeo to renounce his Montague name underscores the burdens of historical feuds and societal expectations that threaten their love. Her plea reflects a critique of how names, as symbols of inherited roles, can dictate personal destiny and perpetuate conflict. By questioning the significance of names, Juliet exhibits a maturity that challenges the foundations of social identity and structure, advocating for a world where personal relationships transcend familial affiliations. This examination reveals her wish not just as a romantic ideal but as a profound commentary on identity, autonomy, and the oppressive nature of social constructs.

How it works

In William Shakespeare’s timeless play “Romeo and Juliet,” the young Juliet Capulet finds herself entangled in a passionate but forbidden love with Romeo Montague. The narrative unfurls a dramatic tapestry of romance and tragedy, deeply rooted in the feuding dynamics between their respective families. A pivotal moment in this narrative occurs when Juliet famously contemplates the significance of names, expressing a wish for Romeo to cast off his surname. This plea, “What’s in a name? That which we call a rose by any other name would smell as sweet,” is not merely a romantic expression but also a profound reflection on identity and social conflict.

Juliet’s desire for Romeo to have a different name is driven by the harsh reality of their familial feud. The names “Montague” and “Capulet” carry with them a heavy weight of historical animosity and social expectation. For Juliet, Romeo’s name symbolizes all the societal constraints and dangers their love must endure. By wishing away his name, Juliet is effectively seeking to strip away the external conflicts that threaten their relationship. Her plea underscores the play’s exploration of how personal identities are often overshadowed by inherited conflicts and how these legacies dictate the terms of individual actions and desires.

Moreover, Juliet’s wish reflects her acute awareness of the power of names as symbols of inherited roles and rivalries. In her view, if Romeo were to shed his Montague identity, he could be freed from the burdens and expectations that come with it. This reflects a longing for a world where personal love is not inhibited by social affiliations and where individuals can define themselves independent of their families. Juliet’s contemplation about names is a critical evaluation of how deeply societal structures can penetrate personal lives, suggesting a yearning for a reality governed by personal integrity and affection rather than historical vendetta.

Additionally, this scene highlights Juliet’s maturity and philosophical depth. Her reflection on names and their arbitrary yet powerful role in shaping destiny showcases her intellectual and emotional growth. She engages in a form of introspection that is rare for women of her age and social standing during Shakespeare’s time. By questioning the significance of Romeo’s name, Juliet challenges the very foundations of social identity and structure, articulating a radical desire for autonomy and self-definition beyond familial definitions.

In conclusion, Juliet’s desire for Romeo to abandon his name is a multifaceted expression of resistance against the inherited social strife that defines her world. It is a plea for individuality and a testament to the power of personal love over social dictates. Through this longing, Shakespeare not only crafts a narrative of tragic romance but also poses profound questions about identity, conflict, and the possibility of transcending entrenched social divides. Juliet’s meditation on Romeo’s name serves as a poignant critique of how deeply societal conflicts can infiltrate personal relationships, and her yearning for change resonates as a timeless echo of defiance against oppressive social structures.

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[INTERVIEW] Matthew Bourne's raw, unconventional ballet 'Romeo and Juliet' to hit Seoul in May

M atthew Bourne, a British choreographer famous for his unconventional and innovative reimaginings of classical ballet works, will bring “Romeo and Juliet” to surprise Korean fans. It has been five years since his company last performed "Swan Lake" in Korea in 2019.

Bourne's ballet, premiered in 2019 by New Adventures, explores themes of love, loss and identity. His modern rendition of Shakespeare’s classic is set in the Verona Institute — a fictional place where young people are incarcerated. Within the stark walls of the institute segregating males and females, Romeo, a rebellious newcomer, and Juliet, a brilliant teen yearning for freedom, find solace in each other despite the watchful eyes of the authorities.

He said, as most stories he reinterprets are very much loved, he tries to give people all the feelings and events that they expect from that story but just differently. His past productions, including the all-male "Swan Lake" and the vampire-inspired "Sleeping Beauty," have garnered critical acclaim for their innovative storytelling and captivating performances.

“I don’t see the point of just doing tame versions of things all the time. It’s dull for the audiences too. I think audiences want to be challenged a little and to have some surprises along the way,” Bourne said during a recent email interview with The Korea Times, raising expectations for his upcoming show.

"Romeo and Juliet" has been done by taking the Shakespeare out of Shakespeare in a dance production, he says. “As I'm working in non-verbal storytelling, the Shakespeare in a way has already gone. I mean the words of Shakespeare, the story is still there somewhat, but it did make me very brave about changing the piece into something that was very much this new adventures version of 'Romeo and Juliet.'"

Based on Sergei Prokofiev's (1891-1953) incredible ballet score, he created a project that focused on both young dancers and young creatives in other fields. “To make this ultimate first-love story about young people, listening to what they had to say and to be inspired by their talents and their particular viewpoint. 'Romeo and Juliet' [is] for, and about, a new generation,” he said.

To this end, Bourne cast mostly young dancers at the start of their careers. “I wanted to work with young people and to really listen to what was important to them. I wanted that fresh approach and the energy and insight into today’s world that only young people can bring.”

His work explores issues faced by the younger generation, such as drug trauma, depression, abuse and sexual identity, which may come as another big surprise for conventional ballet fans.

“Some people can be surprised to see these issues portrayed in a dance production. Subjects such as these are regularly explored in film, TV drama and plays. It’s true that, at times, our Romeo and Juliet is not an easy watch, particularly around Juliet’s harrowing story, but I do feel that it’s important to face the realities of the story we are telling and its tragic outcome,” he said, adding that he is proud that they could tackle these issues in the show.

"It will come as no surprise that our story does not end well. It is ugly, bloody, messy and raw, but no less gut-wrenchingly heart-breaking than any version of this story, perhaps even more so.”

The choreographer's favorite scene is the “balcony duet” which includes the “longest-ever kiss” as it is the first moment his characters are truly free to express their genuine selves.

“When young people fall in love, it is very lusty and they cannot keep their hands off each other. I wanted to capture that youthful excitement so that the audiences remember what it was like for them as teenagers to fall in love for the first time," he said.

“It’s awkward at times, uninhibited, full of the excitement of exploration and discovery. Rather than the usual sweet peck on the cheek or lips, we set ourselves the choreographically challenging task of creating the longest ever continuous kiss in dance history! Locked in a moment that neither of them wants to end."

Bourne's modern ballet “Romeo and Juliet” will be staged at LG Arts Center from May 8 to 19.

'Romeo and Juliet' to be final production for BalletMet's artistic director

Next weekend, BalletMet’s season -finale performances of “Romeo and Juliet” is to feature one departing artistic director, one retiring ballerina and two star-crossed lovers.

The ballet − based on Shakespeare’s play about two young people whose intense affection for each other is complicated by their warring families − is the last production overseen by outgoing Artistic Director Edwaard Liang.

Liang, who has led BalletMet since 2013, is leaving the company this summer to lead the Washington Ballet in the nation’s capital. The performances are also to be among the last given by Caitlin Valentine, who appears as Juliet.

Related entertainment article: Broadway in Columbus announces its 2024-25 season, including 'Hamilton,' 'MJ the Musical'

The 38-year-old dancer, a member of BalletMet since 2014, has announced her retirement from the stage. The Dispatch recently caught up with Liang and several cast members about a production sure to be rife with emotion − both because of what happens onstage and all the change taking place offstage.

When and where will “Romeo and Juliet” be performed?

BalletMet is to perform “Romeo and Juliet” at the Ohio Theatre, 39 E. State St. Performances are scheduled to take place at 8 p.m. April 26, 2 and 8 p.m. April 27 and 2 p.m. April 28.

A dress rehearsal that is open to the public is scheduled to be performed at 11 a.m. April 26.

How much do tickets cost?

For most performances, tickets range from $38.50 to $180.30. For the dress rehearsal April 26, the price is $36.40. Tickets are available for purchase by visiting balletmet.org .

Who plays the lead roles?

In most performances, Miguel Anaya is to appear as Romeo and Valentine as Juliet. For the 8 p.m. performance April 27, David Ward and Sophie Miklosovic are to dance the roles.

What sets “Romeo and Juliet” apart?

Unlike many full-length story ballets, “Romeo and Juliet” is anchored in a realistic scenario − namely, the intense romance between the two lead characters.

“(The dancers) don’t have to be a nymph (as in) ‘Les Sylphides,’” said Liang, who choreographed the production, which runs about two hours and 15 minutes.

“They don’t have to be in this sort of ‘Cinderella’-story caricature. They are real human characters... They are asked to dig deep inside their bodies and their souls to tell a story of love (and) tragedy.”

Valentine praised the character development in the ballet. “At the start of the ballet, (Juliet) is a young, naïve girl, and she really matures into this woman who is facing real, traumatic things happening to her,” Valentine said.

How big is the production?

With a huge cast of supporting characters, “Romeo and Juliet” rivals any BalletMet production in terms of sheer scale. Key supporting roles include Tybalt (danced by Austin Powers or Cooper Verona) and Mercutio (danced by Leiland Charles or Alvin Tovstogray).

Other characters include citizens of Verona, ballroom guests, monks, villagers, urchins, servants and more. In addition to BalletMet’s professional dancers, BalletMet Academy students, trainees and guestdancers also appear.

“It’s a ballet that really galvanizes the company together,” Liang said. “There is no small role... It takes the whole company to tell the story, and no one feels like wallpaper.”

Anaya said that it is a particularly fun production to dance. “The swordfights are really fun; the pas de deux are fun,” Anaya said. “I think it’s a great, great production.”

What about the score?

“Romeo and Juliet” boasts a majestic, sometimes explosive score by Russian composer Sergei Prokofiev. In recent years, BalletMet − which prior to the pandemic, collaborated with theColumbus Symphony each year for “The Nutcracker” − has increasingly relied on prerecorded music, but for “Romeo and Juliet,” the troupe is to be accompanied by the Columbus Symphony.

The Prokofiev score is to be performed by the symphony under the baton of conductor Rossen Milanov, the symphony’s music director (whose contract with the organization was just extended through 2028).

“I’m really excited to have Rossen conduct the CSO,” Liang said. “He’s a brilliant ballet conductor.”

Liang said that live music makes ballet an even more “ephemeral” art. “Everything is of the moment,” Liang said. “It forces all of us to connect with each other to produce this production.”

The dancers appreciate the difference between live and prerecorded music. “You can feel the music connecting with you,” Anaya said. “You can feel all the instruments.”

Why is Caitlin Valentine leaving BalletMet?

Valentine − a standout dancer at BalletMet who, during her decade with the company, has appeared in ballets by George Balanchine, Jerome Robbins and Liang, among many others − is to retire at the close of this season.

The dancer decided last fall that it might be time to move on − and her decision was spurred on by the knowledge that the season would close with “Romeo and Juliet.”

“I’ve always wanted to retire to Juliet,” Valentine said. “I saw that as a sign. We’re finishing the season with ‘Romeo and Juliet,’ it’s Edwaard’s (version of) ‘Romeo and Juliet,’ which I absolutely love... It just felt like it’s the right moment for me, and I would be able to say goodbye with this amazing ballet with live music.”

Liang, who hired Valentine, called the dancer “the epitome of a ballerina.”

“I could not be more grateful to her that she decided to place her career in this company and my hands,” Liang said. “She will be sorely missed onstage, but her impact will be long-lasting.”

Anaya, her partner onstage this weekend, saluted his colleague. “She helped me with ‘Romeo and Juliet’ so much,” Anaya said. “This is our job, but when I dance with her, it is not a job. It’s like real life.”

Valentine said she intends to remain in Columbus and possibly pursue teaching dance. “I can’t wait to actually sit in the audience and watch the shows,” she said.

More: Opera Columbus announces its 2024-25 season schedule

How does the company feel about Liang’s departure?

Liang, who plans to move to the Washington, D.C., area with his husband the first week of May, leaves behind a company he helped transform.

Not only did Liang choreograph countless ballets during his tenure, he programmed major works by iconic choreographers, like Balanchine and Robbins, as well as bracing new dances by contemporary choreographers, like Gustavo Ramirez Sansano.

He also chose most of the dancers presently in the company.

“I will miss Edwaard Liang every day in the studio,” said Anaya, 30. “I danced in Cuba for two years, danced at Washington Ballet for one year and danced with Edwaard Liang for 10 years. It’s (almost) all my career with Edwaard... and I’ve grown so much.”

Liang, who has been leading rehearsals for “Romeo and Juliet” for about six weeks, hasn’t had time to reflect on his departure just yet.

“I’m not really letting myself think about it,” he said. “It probably will hit me afterwards.”

Liang said he does plan to come back to Columbus to help BalletMet stage choreographer Ulysses Dove’s “Red Angels” next season − by which time the next artistic director should be named.

“(Liang) has set up BalletMet so well, that when whoever comes in as the new artistic director, they will have an amazing group of dancers to work with, great rep to already play with,” Valentine said.

“Edwaard provided all of that for everyone here.”

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Stream These 10 Movies Before They Leave Netflix in May

Magic Mike’s finale, M. Night Shyamalan’s patient with 23 personalities, Baz Luhrmann’s “Gatsby” and a copstravaganza with a serious coda after the belly laughs.

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By Jason Bailey

Two markedly different Adam Sandler vehicles are among the noteworthy titles departing Netflix in May, along with an unsung family treat, a pair of crisp psychological thrillers and the other dark sitcom from the co-star of “It’s Always Sunny in Philadelphia.” (Dates indicate the final day a title is available.)

‘Magic Mike’s Last Dance’ (May 1)

Stream it here .

As anyone who’s seen “Ocean’s Twelve” can tell you, Steven Soderbergh is not a director willing to repeat himself — even when making a sequel to one of his hits. After serving only as cinematographer and editor on the first “ Magic Mike ” follow-up, 2015’s “ Magic Mike XXL ,” Soderbergh returned to the director’s chair for the third and final story of “Magic Mike” Lane, a charismatic and likable exotic dancer played by Channing Tatum (and a character loosely inspired by his own early years). This time around, he takes up with “Max” Mendoza (Salma Hayek Pinault), a wealthy socialite who hires him to choreograph a dance extravaganza at her husband’s theater in London. The camaraderie of the first two films is missing (Mike’s fellow dancers are consigned to cameos), but Soderbergh and Tatum clearly relish the opportunity to turn the climactic production into a full-scale movie musical, which is executed with wit, grace and genuine eroticism.

‘Uncut Gems’ (May 8)

Adam Sandler turns in his finest film performance to date as Howard Ratner, an inveterate gambler, serial adulterer and perpetual hustler who owns a jewelry store in the Diamond District of Manhattan. We meet him in mid-crisis, already way over his head in gambling debts and familial trouble, and watch him sink to rock bottom — but it’s a pleasurable experience, thanks to the relentless energy and controlled chaos of the directors Josh and Benny Safdie (“Good Time”). Their films are visceral, less concerned with intricate plotting than the sheer experiences of their protagonists; the result is a movie that is somehow both wildly entertaining and a cinematic anxiety attack.

‘The Boxtrolls’ (May 22)

Disney and Pixar may get all the attention and Illumination may make all the money, but Laika is one of the most reliable purveyors of family entertainment, quietly turning out gorgeous, heartfelt and engaging stop-motion animated features from its headquarters in Oregon. This 2014 fantasy comedy is one of their best, telling the charming story of a kid named Eggs (voiced by Isaac Hempstead Wright), who was raised by the title characters, a group of cheerfully grotesque, trash-collecting trolls. The directors Graham Annable and Anthony Stacchi have a blast creating this strange, intricately detailed world (it’s set in the late 19th century, in the fictional land of Norvenia), and the impressive cast of voice talents — including Richard Ayoade, Toni Collette, Elle Fanning, Nick Frost, Jared Harris, Ben Kingsley, Tracy Morgan and Simon Pegg — clearly came to play.

‘Boyz N The Hood’ (May 31)

John Singleton became the first African American to be nominated for the best director Oscar (and the youngest, beating even Orson Welles by two years) for this, his debut feature. He made it fresh out of USC film school, based on his experiences, and those of his friends, growing up in Los Angeles surrounded by poverty, crime and police brutality. “Boyz” wasn’t just Singleton’s introduction; it was also the breakthrough film for Cuba Gooding Jr., Ice Cube and Morris Chestnut, who starred as the three young friends on very different paths after high school, as well as Angela Bassett, Regina King and Nia Long in supporting roles. But the 1991 film’s most powerful presence is Laurence Fishburne as Furious Styles, the single father desperate to keep his son on the right course.

‘The Great Gatsby’ (May 31)

The director Baz Luhrmann proved he could modernize and, in doing so, reinvigorate a classic text (assisted by Leonardo DiCaprio) with his 1996 interpretation “Romeo and Juliet”; he took another, even bigger swing with this 2013 interpretation of F. Scott Fitzgerald’s beloved novel. Not all of his notions land — home viewing thankfully removes the original release’s headache-inducing 3-D, though the dubious hip-hop needle drops remain. Yet none are off-putting enough to upset the sturdiness of the faithful screenplay and the marvelous performances, particularly Carey Mulligan’s fragile Daisy, Joel Edgerton’s blowhard Tom and, especially, DiCaprio’s complex work in the title role.

‘Happy Gilmore’ (May 31)

This month’s other Adam Sandler recommendation is of a decidedly more lowbrow vintage. After the surprise success of his solo starring debut, the unapologetically juvenile “Billy Madison” (1995), this “Saturday Night Live” sensation teamed up again with his friend and writing partner Tim Herlihy to tell the story of a short-fused would-be hockey player who turns his whiz-bang slap shot into a powerful long drive on the golf course. Christopher McDonald is a delightful villain, Julie Bowen is a game romantic lead and Carl Weathers charms as an Apollo Creed-style mentor while Bob Barker, as himself, gives us one of the most memorable comedy scenes of the era.

‘Lakeview Terrace’ (May 31)

The 1992 thriller “Unlawful Entry” asked a provocative question: What would you do if you were stalked by a cop? This 2008 riff from the director Neil LaBute lights an additional stick of dynamite by throwing in the element of race, as the cop in question is a Black officer (played, with precision and menace, by Samuel L. Jackson), targeting his neighbors (Patrick Wilson and Kerry Washington) primarily because they’re an interracial couple. Throw in the extra baggage of the location — he’s an Los Angeles Police Department officer — and you’ve got a social thriller that’s both thought-provoking and genuinely chilling.

‘The Mick’: Seasons 1-2 (May 31)

Kaitlin Olson kept herself mighty busy circa 2017-2018, not only as a co-star of the long-running “It’s Always Sunny in Philadelphia,” but also starring in and executive-producing two seasons of this Fox sitcom. Olson is Mickey Molng, a minor-league con artist who finds herself in charge of her spoiled nieces and nephews when her rich sister gets into trouble with the law. It’s an ideal vehicle for Olson, who gets the space to carve out a new character without sacrificing the anything-goes spirit and cheerful vulgarity that makes her work on “Sunny” so memorable.

‘The Other Guys’ (May 31)

There are, it would seem, two Adam McKays: the guy behind such broad, goofy, Will Ferrell-fronted comedies as “Anchorman” and “Step Brothers,” and the serious social satirist who directed “The Big Short” and “Don’t Look Up.” This 2010 hit is the hinge point between them. Ferrell and Mark Wahlberg star as the title characters, pencil-pushing desk jockeys of the New York Police Department who are forced to step up when the department’s superstars (Samuel L. Jackson and Dwayne Johnson, better known as the Rock, sending up their images with aplomb) are, in the film’s funniest scene, relieved of duty. For most of the running time, “The Other Guys” both satirizes and indulges in the tropes of the buddy cop action comedy, as our heroes investigate the shady finances of a billionaire investor (Steve Coogan), but in the closing credits, McKay gets serious, using this fictional story to shine a light on the considerable misdeeds that led to the then-recent housing and financial crises. It’s an unexpected turn, but an effective one, and our first hint that the filmmaker had more on his mind than fart jokes.

‘Split’ (May 31)

M. Night Shyamalan wrote, produced and directed this 2016 hit psychological thriller, which gave Anya Taylor-Joy one of her first big breaks, and James McAvoy the kind of role most actors would give their eyeteeth for. He stars as Kevin Wendell Crumb, whose dissociative identity disorder has resulted in 23 distinct personalities fighting for space in his head; the quirks and triggers of those personalities are of particular interest to Taylor-Joy’s Casey, one of three teenage girls he’s kidnapped. McAvoy is spectacular in the role, and Shyamalan’s taut direction makes for a gripping if unnerving viewing experience.

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