tips to start creative writing

Creativity Techniques

26+ Creative Writing Tips for Young Writers

So you want to be a writer? And not just any writer, you want to be a creative writer. The road to being a legendary storyteller won’t be easy, but with our creative writing tips for kids, you’ll be on the right track! Creative writing isn’t just about writing stories. You could write poems, graphic novels, song lyrics and even movie scripts. But there is one thing you’ll need and that is good creative writing skills.

Here are over 26 tips to improve your creative writing skills :

Read a wide range of books

When it comes to creative writing, reading is essential. Reading allows you to explore the styles of other writers and gain inspiration to improve your own writing. But don’t just limit yourself to reading only popular books or your favourites. Read all sorts of books, everything from fairytales to scary stories. Take a look at comics, short stories, novels and poetry. Just fill your heads with the knowledge and wisdom of other writers and soon you’ll be just like them!

Write about real-life events

The hardest thing about creative writing is connecting emotionally with your audience. By focusing your writing on real-life events, you know that in some way or another your readers will be able to relate. And with creative writing you don’t need to use real names or details – There are certain things you can keep private while writing about the rare details. Using real-life events is also a good way to find inspiration for your stories.

Be imaginative

Be as crazy and wild as you like with your imagination. Create your world, your own monsters , or even your own language! The more imaginative your story, the more exciting it will be to read. Remember that there are no rules on what makes a good idea in creative writing. So don’t be afraid to make stuff up!

Find your writing style

Thes best writers have a particular style about them. When you think of Roald Dahl , you know his books are going to have a sense of humour. While with Dr Seuss , you’re prepared to read some funny new words . Alternatively, when you look at R.L.Stine, you know that he is all about the horror. Think about your own writing style. Do you want to be a horror writer? Maybe someone who always writes in the first person? Will always focus your books on your culture or a particular character?

Stick to a routine

Routine is extremely important to writers. If you just write some stuff here and there, it’s likely that you’ll soon give up on writing altogether! A strict routine means that every day at a certain time you will make time to write about something, anything. Even if you’re bored or can’t think of anything, you’ll still pick up that pencil and write. Soon enough you’ll get into the habit of writing good stuff daily and this is definitely important for anyone who wants to be a professional creative writer!

Know your audience

Writing isn’t just about thinking about your own interests, it’s also about thinking about the interests of your audience. If you want to excite fellow classmates, know what they like. Do they like football , monsters or a particular video game? With that knowledge, you can create the most popular book for your target audience. A book that they can’t stop reading and will recommend to others!

Daily Exercises

To keep your creative writing skills up to scratch it is important to keep practising every day. Even if you have no inspiration. At times when your mind is blank, you should try to use tools like writing prompts , video prompts or other ways of coming up with ideas . You could even take a look at these daily writing exercises as an example. We even created a whole list of over 100 creative writing exercises to try out when you need some inspiration or ideas.

Work together with others

Everyone needs a little help now and then. We recommend joining a writing club or finding other classmates who are also interested in writing to improve your own creative writing skills. Together you can share ideas, tips and even write a story together! A good storytelling game to play in a group is the “ finish the story” game .

Get feedback

Without feedback, you’ll never be able to improve your writing. Feedback, whether good or bad is important to all writers. Good feedback gives you the motivation to carry on. While bad feedback just gives you areas to improve and adapt your writing, so you can be the best! After every piece of writing always try to get feedback from it, whether it is from friends, family, teachers or an online writing community .

Enter writing competitions

The best way to improve your creative writing is by entering all sorts of writing competitions . Whether it’s a poetry competition or short story competition, competitions let you compete against other writers and even help you get useful feedback on your writing. Most competitions even have rules to structure your writing, these rules can help you prepare for the real world of writing and getting your work published. And not only that you might even win some cool prizes!

Keep a notebook

Every writer’s best friend is their notebook. Wherever you go make sure you have a notebook handy to jot down any ideas you get on the go. Inspiration can come from anywhere , so the next time you get an idea instead of forgetting about it, write it down. You never know, this idea could become a best-selling novel in the future.

Research your ideas

So, you got a couple of ideas for short stories. The next step is to research these ideas deeper.

Researching your ideas could involve reading books similar to your ideas or going online to learn more about a particular topic. For example, if you wanted to write a book on dragons, you would want to know everything about them in history to come up with a good, relatable storyline for your book.

Create Writing Goals

How do you know if your writing is improving over time? Simple – Just create writing goals for yourself. Examples of writing goals might include, to write 100 words every day or to write 600 words by the end of next week. Whatever your goals make sure you can measure them easily. That way you’ll know if you met them or not. You might want to take a look at these bullet journal layouts for writers to help you track the progress of your writing.

Follow your passions

Writing can be tedious and many people even give up after writing a few words. The only way you can keep that fire burning is by writing about your true passions. Whatever it is you enjoy doing or love, you could just write about those things. These are the types of things you’ll enjoy researching and already know so much about, making writing a whole lot more fun!

Don’t Settle for the first draft

You finally wrote your first story. But the writing process isn’t complete yet! Now it’s time to read your story and make the all-important edits. Editing your story is more than just fixing spelling or grammar mistakes. It’s also about criticising your own work and looking for areas of improvement. For example, is the conflict strong enough? Is your opening line exciting? How can you improve your ending?

Plan before writing

Never just jump into writing your story. Always plan first! Whether this means listing down the key scenes in your story or using a storyboard template to map out these scenes. You should have an outline of your story somewhere, which you can refer to when actually writing your story. This way you won’t make basic mistakes like not having a climax in your story which builds up to your main conflict or missing crucial characters out.

It’s strange the difference it makes to read your writing out aloud compared to reading it in your head. When reading aloud you tend to notice more mistakes in your sentences or discover paragraphs which make no sense at all. You might even want to read your story aloud to your family or a group of friends to get feedback on how your story sounds.

Pace your story

Pacing is important. You don’t want to just start and then quickly jump into the main conflict because this will take all the excitement away from your conflict. And at the same time, you don’t want to give the solution away too early and this will make your conflict too easy for your characters to solve. The key is to gradually build up to your conflict by describing your characters and the many events that lead up to the main conflict. Then you might want to make the conflict more difficult for your characters by including more than one issue in your story to solve.

Think about themes

Every story has a theme or moral. Some stories are about friendship, others are about the dangers of trusting strangers. And a story can even have more than one theme. The point of a theme is to give something valuable to your readers once they have finished reading your book. In other words, to give them a life lesson, they’ll never forget!

Use dialogue carefully

Dialogue is a tricky thing to get right. Your whole story should not be made up of dialogue unless you’re writing a script. Alternatively, it can be strange to include no dialogue at all in your story. The purpose of dialogue should be to move your story forward. It should also help your readers learn more about a particular character’s personality and their relationship with other characters in your book.

One thing to avoid with dialogue is… small talk! There’s no point in writing dialogue, such as “How’s the weather?”, if your story has nothing to do with the weather. This is because it doesn’t move your story along. For more information check out this guide on how to write dialogue in a story .

Write now, edit later

Writing is a magical process. Don’t lose that magic by focusing on editing your sentences while you’re still writing your story up. Not only could this make your story sound fragmented, but you might also forget some key ideas to include in your story or take away the imagination from your writing. When it comes to creative writing, just write and come back to editing your story later.

Ask yourself questions

Always question your writing. Once done, think about any holes in your story. Is there something the reader won’t understand or needs further describing? What if your character finds another solution to solving the conflict? How about adding a new character or removing a character from your story? There are so many questions to ask and keep asking them until you feel confident about your final piece.

Create a dedicated writing space

Some kids like writing on their beds, others at the kitchen table. While this is good for beginners, going pro with your writing might require having a dedicated writing space. Some of the basics you’ll need is a desk and comfy chair, along with writing materials like pens, pencils and notebooks. But to really create an inspiring place, you could also stick some beautiful pictures, some inspiring quotes from writers and anything else that will keep you motivated and prepared.

Beware of flowery words

Vocabulary is good. It’s always exciting when you learn a new word that you have never heard before. But don’t go around plotting in complicated words into your story, unless it’s necessary to show a character’s personality. Most long words are not natural sounding, meaning your audience will have a hard time relating to your story if it’s full of complicated words from the dictionary like Xenophobia or Xylograph .

Create believable characters

Nobody’s perfect. And why should your story characters be any different? To create believable characters, you’ll need to give them some common flaws as well as some really cool strengths. Your character’s flaws can be used as a setback to why they can’t achieve their goals, while their strengths are the things that will help win over adversity. Just think about your own strengths and weaknesses and use them as inspirations for your storybook characters. You can use the Imagine Forest character creator to plan out your story characters.

Show, don’t tell

You can say that someone is nice or you can show them how that person is nice. Take the following as an example, “Katie was a nice girl.” Now compare that sentence to this, “Katie spent her weekends at the retirement home, singing to the seniors and making them laugh.”. The difference between the two sentences is huge. The first one sounds boring and you don’t really know why Katie is nice. While in the second sentence, you get the sense that Katie is nice from her actions without even using the word nice in the sentence!

Make the conflict impossible

Imagine the following scenario, you are a championship boxer who has won many medals over the year and the conflict is…Well, you got a boxing match coming up. Now that doesn’t sound so exciting! In fact, most readers won’t even care about the boxer winning the match or not!

Now imagine this scenario: You’re a poor kid from New Jersey, you barely have enough money to pay the bills. You never did any professional boxing, but you want to enter a boxing competition, so you can win and use the money to pay your bills.

The second scenario has a bigger mountain to climb. In other words, a much harder challenge to face compared to the character in the first scenario. Giving your characters an almost impossible task or conflict is essential in good story-telling.

Write powerful scenes

Scenes help build a picture in your reader’s mind without even including any actual pictures in your story. Creating powerful scenes involves more than describing the appearance of a setting, it’s also about thinking about the smell, the sounds and what your characters are feeling while they are in a particular setting. By being descriptive with your scenes, your audience can imagine themselves being right there with characters through the hard times and good times!

There’s nothing worse than an ending which leaves the reader feeling underwhelmed. You read all the way through and then it just ends in the most typical, obvious way ever! Strong endings don’t always end on a happy ending. They can end with a sad ending or a cliff-hanger. In fact, most stories actually leave the reader with more questions in their head, as they wonder what happens next. This then gives you the opportunity to create even more books to continue the story and keep your readers hooked for life (or at least for a very long time)!

Over 25 creative writing tips later and you should now be ready to master the art of creative writing! The most important tip for all you creative writers out there is to be imaginative! Without a good imagination, you’ll struggle to wow your audience with your writing skills. Do you have any more creative writing tips to share? Let us know in the comments!

Marty the wizard is the master of Imagine Forest. When he's not reading a ton of books or writing some of his own tales, he loves to be surrounded by the magical creatures that live in Imagine Forest. While living in his tree house he has devoted his time to helping children around the world with their writing skills and creativity.

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Grammar Guide

Creative Writing Tips for Beginners: 10 Top Tips

Hannah Yang

Creative writing can be a very fulfilling hobby.

Writing can help you explore deep questions, use your imagination, and express your thoughts and feelings in a healthy way.

If you want to learn creative writing, you’ve come to the right place. Read on to learn our top ten creative writing tips to help you get started.

How to Write Creatively

10 creative writing tips for beginners, how to get better at creative writing, where to find creative writing help.

Anyone can learn creative writing—all you need is a pen and paper, or your writing software of choice.

Once you’ve got your tools ready, it’s time to think of a story idea. You can draw inspiration from your own life, newspaper headlines, songs you like, or anything else around you.

If you don’t have any story ideas in mind, you can also try starting with a prompt. Here are a few creative writing prompts you can choose from:

Write about someone with a dangerous secret
Write a scene set at your favorite restaurant
Write a story about someone who wakes up with no memories, except for a single name
Write a story from the perspective of someone who isn’t human
Complete the sentence: “It was a completely normal Saturday except for…”

Pick up your pen, choose your favorite prompt, and start writing!

If you’re new to creative writing, here are ten fiction writing tips that you can try.

Tip 1: Read Widely

It’s hard to become a great musician without having heard a lot of great music.

The same is true for writing. Reading a lot of books is a great way to get inspired and to learn more about the anatomy of a story.

It’s important to read in whatever genre you want so you can understand the conventions of that genre. If you’re writing a fantasy story, for example, you should familiarize yourself with popular fantasy novels and short stories so you know what readers expect.

On the other hand, it’s just as important to read a diverse variety of books. Exposing yourself to lots of genres and authors can help you learn about different writing styles and techniques.

Tip 2: Experiment With Different Formats and Points of View

Creative writing can involve countless different formats. You can write a story that looks like a diary entry, a song, or a Charles Dickens novel.

Maybe you want to write a story in the form of a series of instructions to the reader, like a cooking recipe or a how-to manual.

Or maybe you want to write a story in the form of a confession from one character to another, in a mix of first-person and second-person POV.

Try out different styles, even ones that don’t feel like your usual writing style. Doing this experimentation early on in your creative writing journey can help you find your own voice and figure out what works best for you.

Tip 3: Take Inspiration From Many Sources

No story is written in a vacuum. Every artist takes inspiration from other works of art, and you shouldn’t feel bad about writing a story that’s inspired by your favorite book or movie.

At the same time, though, it’s important not to write a story that actually plagiarizes an existing one. Directly copying the work of other creative writers is both unethical and illegal. Plus, it’s much less fun than writing your own stories.

A good rule of thumb if you’re looking for ideas is to take inspiration from many sources rather than a single one.

For example, maybe you like the sarcastic humor of one book, the sweet romance arc of another book, and the Gothic setting of your favorite TV show. When you merge those three things together, you’ll most likely create a story that feels unique and original, even though you took inspiration from existing stories.

Tip 4: Show, Don’t Tell

The phrase “Show, don’t tell” is a popular piece of writing advice that almost every writer has heard before.

Essentially, “show, don’t tell” means that you should immerse the reader in your story through sensory details and descriptive language instead of simply summarizing the story to them.

For example, you could tell someone, “My sister’s room is messy.” That sentence conveys the facts, but the person you’re talking to probably wouldn’t be able to picture your sister’s room in their head.

On the other hand, you could say, “My sister basically uses the floor of her room as a giant laundry hamper—it’s covered with so many sweaters and scarves that I don’t even remember what color her carpet is.” This sentence gives your listener a much more specific idea of what your sister’s room looks like.

Tip 5: Write With Intention

Many newer writers put down words on the page based on what comes to mind first.

For example, let’s say you’re trying to describe a character. A new writer might note down whatever details they visualize right away, like the color of the character’s hair or the type of clothes they’re wearing.

This is a great way to write when you’re just starting out, but if you want to improve your skills, it’s important to learn how to write with intention.

Try to get in the habit of asking yourself: What details does the reader need to know and why? For example, what aspects of this character’s hair color and outfit could tell the reader something deeper about the character’s personality and motivations?

It’s also important to figure out what you want to convey emotionally. What do you want your reader to feel? Excited? Creeped out? Hopeful?

For example, you might describe a sunset as “blood-red” if you want the reader to feel creeped out, or as “glowing and bright” if you want the reader to feel hopeful.

Tip 6: Learn How to Edit

No first draft is perfect, even if you’re a seasoned writer.

Learning how to edit your work is just as important as learning how to write on a blank page. That’s how you can create a creative work you feel proud of.

One helpful tip is to try reading your work out loud. That can often help you spot places where your prose doesn’t flow.

AI-powered grammar checkers like ProWritingAid can also help you identify weaknesses in your prose and learn how to strengthen them. You can catch your grammatical mistakes, avoid unnecessary repetition, choose more evocative words, and more with our powerful tool.

Tip 7: Practice Overcoming Writer’s Block

At some point in their writing journey, every writer has reached a point where writing doesn’t feel fun anymore.

There are lots of different causes for writer’s block. You might be unsure what to write, afraid of failing, or simply burned out from writing too much.

It’s important to find ways to overcome creative blocks, so you don’t end up putting down your pen for good.

One useful technique is to change your environment. If you normally write at home, try writing in a coffee shop or in your local library.

Another technique is to try a different activity for a while. Go for a walk, take a shower, do your dishes, or try another hobby. Before long, you’ll find yourself wanting to write again.

Perhaps the most underrated method is to simply take a break from writing. Give yourself permission to stop for a while—it’s always okay to take a step back.

Tip 8: Study Writing Craft

Many new writers falsely believe that writing can’t be taught; you’re either good at it or you’re not.

But the truth is that creative writing is a craft, just like woodworking, oil painting, or ballet. You wouldn’t expect anyone to be naturally good at ballet without years of training, so why is writing any different?

One way to learn new creative writing techniques is by reading craft books . Some great books to start with include On Writing by Stephen King, Story Genius by Lisa Cron, and The Creative Writer’s Handbook by Philip K. Jason.

These books can help you learn the basics of how to write well. For example, you can learn how to construct high-quality sentences, how to avoid passive voice, and how to use poetic devices.

The more you learn, the more powerful your writing will become.

Tip 9: Invent Your Own Process

When you’re just starting out as a writer, it can be tempting to copy someone else’s writing process.

Maybe you heard an interview with a bestselling author who said you have to outline a story before you draft it. Or maybe you found out your favorite author writes 1,000 words every day, and now you think you have to write 1,000 words every day too.

But it’s important to remember that no two writers have the exact same writing process. What works best for someone else might not work for you.

There’s no right or wrong way to be a creative writer. Your job is to find a writing process that makes you feel fulfilled, productive, and inspired—and if your favorite writers don’t write the same way, that’s perfectly okay.

Tip 10: Don’t Aim for Perfection

There’s a good chance your writing is never going to be perfect. Mine definitely isn’t!

Remember that writing is about the process, not the product. Even if the final product is never perfect, the process has helped you grow as a writer—and hopefully, it’s also been a lot of fun.

You should decide what your main goal for writing is. Maybe it’s writing stories you might be able to publish someday. Maybe it’s telling stories about characters you rarely see in existing stories. Maybe it’s simply a fun new hobby.

Whatever your goal is, remember that you’re already on your way to achieving it. You don’t need to aim for perfection in order to succeed.

There’s no secret to getting better at creative writing. The process is very simple—it just takes a lot of hard work.

All you have to do is follow this two-step process:

Step 1: Write consistently
Step 2: Ask for feedback on your writing

The first step is fairly self-explanatory. Whenever you’re learning a new skill, it’s important to practice it. The more you write, the more you’ll learn about how to be a successful creative writer.

The second step is the one that receives more pushback from writers because it requires a lot of courage and vulnerability, but it’s just as important as the first step.

If you don’t get feedback, you could write every day and still never improve. That’s because most people can’t spot the weaknesses in their own stories.

You can ask for feedback from your friends, family, or writing groups. They can help you see your work from a different perspective and identify areas for improvement.

As long as you write consistently and listen to the feedback on the work you’re producing, you’ll be able to create a positive cycle where you create better and better stories over time.

If you want to improve your creative writing skills, there are numerous resources you can use to find help.

One great method is to join a writing community where you can share your work and get feedback from other writers.

You can look for free critique groups online, on websites such as Scribophile and Critique Circle. Or you can start your own group with your friends.

You can also consider joining a local writing class or retreat. Many schools and community centers offer classes and workshops you can join.

Another option is to use creative writing tools. ProWritingAid can give you AI-powered suggestions about how to improve your prose and make your writing shine.

Good luck, and happy writing!

Be confident about grammar

Check every email, essay, or story for grammar mistakes. Fix them before you press send.

Hannah Yang is a speculative fiction writer who writes about all things strange and surreal. Her work has appeared in Analog Science Fiction, Apex Magazine, The Dark, and elsewhere, and two of her stories have been finalists for the Locus Award. Her favorite hobbies include watercolor painting, playing guitar, and rock climbing. You can follow her work on hannahyang.com, or subscribe to her newsletter for publication updates.

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Writing Nestling

How To Improve Creative Writing (18 Effective Ways)

Embarking on the journey to improve one’s creative writing is like setting sail into an uncharted sea of boundless imagination and linguistic exploration.

Creative writing, a realm where words transform into vivid narratives, characters come to life, and emotions are painted across the pages, is a skill that thrives on constant growth and evolution.

In this guide, we will traverse the landscape of creative writing, delving into its various forms, mastering the craft, and unlocking the secrets to becoming a more skilled and imaginative writer.

Whether you’re a seasoned wordsmith seeking refinement or a budding writer just beginning your literary voyage, the path to improvement is a rich tapestry waiting to be woven, where inspiration knows no bounds, and storytelling becomes an art form.

So, fasten your literary seatbelt, for the journey to enhance your creative writing prowess is about to commence.

Table of Contents

How To Improve Creative Writing

To improve your creative writing skills, follow these steps:

Read Widely:

Read a diverse range of literature, including fiction, non-fiction, poetry, and different genres. This exposure will help you understand various writing styles and techniques.

Write Regularly:

Practice writing consistently. Set aside dedicated time each day or week to write. The more you write, the better you’ll become.

Expand Your Vocabulary:

Work on building a rich vocabulary. Learn new words, their meanings, and how to use them effectively in your writing.

Study Grammar and Punctuation:

A strong grasp of grammar and punctuation is essential. Review the rules and practice to avoid common mistakes.

Create a Writing Routine:

Establish a routine that works for you. Whether it’s early in the morning, late at night, or during lunch breaks, find your optimal writing time.

Outline Your Ideas:

Plan your writing in advance. Create outlines, mind maps, or notes to organize your thoughts before you start writing.

Set Writing Goals:

Define clear goals for your writing projects. Whether it’s completing a short story , novel, or a series of articles, having goals keeps you motivated.

Seek Feedback:

Share your work with peers, writing groups, or mentors. Constructive feedback helps you identify areas for improvement.

Revise and Edit:

Writing is rewriting. After you’ve completed a draft, revise and edit your work for clarity, coherence, and style.

Experiment with Style and Genre:

Don’t be afraid to try different writing styles and genres. Experimentation can help you discover your unique voice.

Read Aloud:

Reading your work aloud can help you catch errors, awkward phrasing, and improve the rhythm of your writing .

Be Observant:

Pay attention to the world around you. Observing people, places, and events can provide inspiration and authenticity to your writing.

Overcome Writer’s Block:

When you’re stuck, try free writing, brainstorming, or taking a break to refresh your creativity.

Stay Inspired:

Surround yourself with inspiring sources, whether it’s art, nature, music, or conversations. Inspiration can fuel your creativity.

Edit and Proofread:

Once you’ve completed your writing, thoroughly edit and proofread it for spelling, grammar, and punctuation errors.

Publish and Share:

Share your work through blogs, social media, or submit it to publications. Public sharing can provide valuable feedback and exposure.

Learn from Feedback:

Take feedback seriously and use it as a tool for improvement. Analyze critiques to enhance your writing skills.

Keep Learning:

Writing is an ongoing journey. Continuously seek to learn and grow as a writer by attending workshops, reading about writing, and experimenting with new techniques.

Remember, improving your creative writing skills takes time and dedication. Patience, persistence, and a willingness to learn are key to becoming a better writer.

Understanding Creative Writing

Understanding creative writing is like embarking on a journey into the boundless realm of imagination, where words become brushstrokes, painting the canvas of your mind with vivid worlds, complex characters, and emotions that dance off the page.

It’s a realm where you’re the architect of reality, bending the rules of ordinary language to conjure extraordinary stories that tickle the senses and stir the soul.

It’s about wielding the power of narrative to shape destinies, provoke thought, and make hearts skip a beat.

In the realm of creative writing, you’re both the magician and the audience, crafting spells with sentences that transport you and your readers to places unknown, unraveling mysteries, and exploring the infinite possibilities of human expression.

Different forms of creative writing

Creative writing encompasses a kaleidoscope of diverse forms, each a unique facet of the literary universe.

There’s the enchanting world of fiction, where novelists weave intricate plots and multidimensional characters that become your companions on thrilling adventures.

Poetry, a mesmerizing tapestry of words, paints vivid imagery and emotion in the concise space of a few lines.

Non-fiction is a realm of truth and authenticity, where writers illuminate reality with memoirs, essays, and journalistic narratives. Screenwriting brings storytelling to life on the silver screen, capturing the hearts and minds of audiences worldwide.

These forms are but a glimpse into the labyrinth of creative writing, where the only limit is the boundaries of one’s imagination.

Elements of creative writing

The elements of creative writing are the building blocks that breathe life into words , transforming them into vibrant stories.

At the heart of any creative work lies the intricate dance of plot, where conflicts and resolutions unfurl like a well-orchestrated symphony.

Characterization paints portraits of individuals, each with their own quirks and depths, making them unforgettable to the reader.

Setting, a crucial backdrop, provides the stage upon which these tales unfold, influencing moods and actions.

Themes thread through the narrative like a hidden river, adding depth and purpose, while style is the unique fingerprint of the author, infusing the work with their voice and perspective.

These elements, in concert, give creative writing its compelling complexity , inviting readers to embark on journeys that resonate with their hearts and minds.

Cultivating a Creative Mindset

Cultivating a creative mindset is akin to tending to the most wondrous of gardens—the garden of the imagination.

It’s about donning the gloves of curiosity and nurturing the seeds of inspiration, coaxing them to bloom into vibrant ideas that dance in the sun-dappled meadow of your thoughts.

In this garden, writer’s block withers under the warmth of persistence, and the weeds of self-doubt are plucked away with unwavering belief in your creative potential.

It’s a sanctuary where meditation and mindfulness are the water and sunlight, ensuring that the fruits of your imagination grow ripe and abundant.

In this verdant oasis, you are the creator and the caretaker, shaping the tapestry of your mind into a masterpiece of creativity that never ceases to blossom with new ideas.

Overcoming writer’s block

Overcoming writer’s block is like finding a hidden passage out of a labyrinth of your own thoughts. It’s the art of breaking free from the stranglehold of a blank page and transforming it into an open canvas.

Sometimes, the most formidable adversary is not the lack of ideas but the daunting prospect of beginning. To conquer this nemesis, one must navigate a myriad of techniques, from freewriting and brainstorming to changing the physical environment, in order to unearth the buried treasure of creativity within.

It’s a mental jigsaw puzzle where pieces of inspiration are scattered, and solving it involves patience, resilience, and sometimes simply allowing your mind to wander until it stumbles upon that elusive spark that will ignite your words.

Overcoming writer’s block isn’t just a battle won; it’s a gateway to the ever-expanding universe of storytelling, waiting to be explored with fervor and imagination.

Developing a writing routine

Developing a writing routine is akin to crafting a symphony out of the everyday humdrum. It’s the art of carving out sacred moments in the day, allowing the muse to speak amid the cacophony of life’s demands.

A writing routine is the scaffold that supports the architecture of creativity, providing the structure and discipline necessary for the magic of storytelling to flourish.

Whether it’s the first light of dawn or the stillness of midnight, these designated hours become the writer’s sanctuary, the place where the mind opens up like a treasure chest of ideas, and words flow like a river.

It’s in these moments of consistency that the craft evolves, enabling writers to hone their skills, unravel narratives, and beckon inspiration at will.

Ultimately, a writing routine is a personal ritual that weaves creativity into the fabric of daily existence, transforming the ordinary into the extraordinary, one word at a time.

Mastering the Craft

Mastering the craft of writing is like harnessing the mystical forces of language to conjure entire universes from the ink of your pen.

It’s a lifelong journey of delving into the labyrinth of words, where each sentence becomes a brushstroke, and every paragraph a brush dipped in the palette of emotions.

It’s an alchemical process, where you transmute raw ideas into literary gold, refining your art through an unending cycle of creation, revision, and relentless pursuit of perfection.

Every metaphor, every plot twist , and every character’s whisper becomes a note in the grand symphony of storytelling, where the crescendo is the moment you realize you’re not just a writer; you’re a sorcerer, weaving spells with every keystroke, capturing the hearts and minds of readers with the magic of your narrative.

Vocabulary and Language

Vocabulary and language are the enchanting threads that weave the tapestry of storytelling. A writer’s arsenal of words is akin to a painter’s palette, each word a unique hue that, when skillfully blended, creates vivid imagery and evokes powerful emotions.

A rich and varied vocabulary is the cornerstone of effective communication, allowing writers to express the nuances of thought and sentiment with precision and eloquence.

Language, on the other hand, is the vessel that carries these words, shaping the tone and rhythm of a narrative.

The beauty of this interplay lies in the writer’s ability to select the perfect word, the ideal phrase, and the most evocative metaphor, thereby sculpting a literary masterpiece that resonates with readers, captivating their senses, and transporting them to worlds of imagination and wonder.

In the realm of creative writing, vocabulary and language are the keys to unlocking the full spectrum of human experience and imagination.

Writing Techniques

Writing techniques are the chisels and brushes of the wordsmith, essential tools that sculpt and paint the narrative.

They encompass a spectrum of strategies that shape the flow and impact of a piece of writing. “Show, don’t tell” is the art of letting readers experience a story through sensory details and actions, fostering a deeper connection.

Crafting authentic dialogue breathes life into characters, allowing them to converse and reveal their personalities naturally.

The choice of point of view, whether first person, third person, or omniscient, defines the lens through which the reader perceives the tale.

These techniques, like a craftsman’s skills, enable writers to craft stories with finesse, immersing readers in vivid landscapes, relatable characters, and intricate narratives, making the written word a portal to realms of imagination and emotion.

Reading as a Writer

Reading as a writer is akin to peering behind the scenes of a magnificent stage production to witness the magic of storytelling in its purest form.

It’s a journey where the reader transforms into a literary detective, dissecting the prose, unraveling the plot, and examining the intricate brushstrokes of the author’s craft.

With each turn of the page, a writer learns the secret language of pacing, character development, and dialogue that is whispered through the text.

It’s an immersive masterclass that teaches the orchestration of tension, the symphony of foreshadowing, and the art of unveiling mysteries.

In this dual role of reader and writer, one discovers that every book is not just an escape but an invitation to the backstage, where the invisible threads of narrative manipulation are spun, inspiring the storyteller within to reach new heights and craft unforgettable tales.

Analyzing literature

Analyzing literature is akin to embarking on an archeological expedition into the layers of human expression and experience.

It’s a fascinating journey where each page holds the whispers of the past and the echoes of the author’s soul.

As one delves into the intricacies of a literary work, it’s like decoding a cryptic message, revealing the hidden treasures of symbolism, theme, and narrative structure.

Every word, sentence, and character becomes a clue in a grand puzzle, inviting you to explore the profound depths of the human psyche and society.

In the process of literary analysis, readers not only unearth the intellectual and emotional nuances of a text but also gain a profound appreciation for the artistry of the written word, for it is in these revelations that the alchemy of storytelling is unveiled, proving that literature is not merely ink on paper, but a mirror reflecting the intricate mosaic of human existence.

Learning from other authors

Learning from other authors is akin to a masterclass in the art of storytelling. It’s an exquisite journey of exploration, where you walk in the footsteps of literary giants, witnessing their genius unfold across the pages of their works.

These authors, like mentors from afar, offer invaluable lessons in character development, plot structure, and the delicate dance of language.

With each book you read, you glean insights into the diverse ways authors craft their narratives, be it the lyrical prose of one or the gripping dialogue of another.

Their stories serve as templates, guiding you in understanding the subtleties of storytelling, nurturing your creative instincts, and sparking that inner fire of inspiration.

In the pages of their books, you find not just tales, but the wisdom of those who have paved the way, ready to illuminate your path as you embark on your own journey of writing.

Building a personal library

Building a personal library is like assembling a treasury of knowledge, imagination, and soul. Each book, lovingly arranged on the shelves, is a passport to different worlds, eras, and minds.

It’s a sanctuary where you can escape the mundane and embark on an endless odyssey of exploration, enlightenment, and enchantment. Your personal library becomes a reflection of your intellectual curiosity and passions, a curated collection of stories and wisdom that have resonated with you.

Beyond the tangible beauty of bound pages, it’s a space where you can seek refuge, inspiration, and solace.

In this haven, books aren’t just inanimate objects; they are the keepers of dreams, mentors, and the compass that guides you on your own creative journey, whispering their stories and secrets, ready to be discovered anew each time you open their pages.

Research and Fact-Checking

Research and fact-checking are the unsung heroes of the writer’s craft, the secret agents who ensure that the tapestry of fiction and the canvas of non-fiction remain unblemished by errors.

Like intrepid explorers, writers embark on quests for knowledge, sifting through archives, traversing the corridors of history, and plumbing the depths of the digital ocean.

Fact-checking is the lighthouse that guards against the treacherous cliffs of misinformation, ensuring that the narratives we weave are anchored in truth.

It’s not just a scholarly pursuit; it’s the alchemy that transforms a story from mere entertainment into a portal to the worlds, cultures, and ideas it seeks to represent.

In the realm of research, writers become detectives, unearthing secrets, unmasking mysteries, and painting the scenery with the vivid strokes of authenticity.

Without this duo, the magic of storytelling would lose its luster, and readers would be adrift in a sea of uncertainty.

Importance of accuracy in creative writing

The importance of accuracy in creative writing cannot be overstated, for it is the cornerstone upon which the credibility and resonance of a narrative are built.

While creativity allows us to conjure imaginary realms and characters, these creations must find their roots in a foundation of truth.

Factual accuracy in the details of a story, whether it’s historical, scientific, or cultural, lends authenticity to the narrative, enriching the reader’s experience by making the fictional world feel tangible and relatable.

Inaccuracies can disrupt the suspension of disbelief, pulling readers out of the story, and eroding the trust they place in the author.

Moreover, for works that explore complex themes or socio-cultural issues, accuracy is paramount in promoting understanding and empathy.

By upholding the value of accuracy, creative writing can reach its full potential, becoming a powerful vessel for both entertainment and enlightenment.

Finding Your Voice

Finding your voice in the vast wilderness of creative expression is like discovering a hidden gem within your own soul.

It’s not just about words; it’s the symphony of your thoughts, your emotions, and the unique cadence of your experiences coming to life on the page. Your voice is the compass that guides you through the labyrinth of creativity, allowing you to navigate the realms of storytelling with authenticity.

It’s a fingerprint that distinguishes your work from the rest, making your narratives resonate with a singular, unforgettable resonance.

Finding your voice is not just a revelation; it’s a journey of self-discovery, an ongoing exploration of who you are and how you want to connect with the world through the magic of words.

It’s the moment when you realize that your voice, unlike any other, is the key to unlocking the hearts and minds of your readers, inviting them to explore the world as you see it and share in the emotions that define your unique narrative.

Personal style and uniqueness

Personal style and uniqueness in writing are the vibrant colors that distinguish an artist’s canvas from all others.

Your writing style is the echo of your personality , your perspective, and the experiences that shape you. It’s the idiosyncratic rhythm of your sentences, the selection of words that resonate with your soul, and the peculiar nuances that define your narrative fingerprint.

Embracing your uniqueness is not a departure from the norm but a celebration of individuality, an affirmation that your voice is unlike any other.

In a world filled with words, it’s your personal style that makes your work stand out, inviting readers to explore the world through your eyes and experience the emotions that pulse through your stories.

Your style is your signature, and your uniqueness is the spark that ignites the literary world, reminding us that in the realm of creativity, diversity is the catalyst for innovation and the source of endless inspiration.

Authenticity in storytelling

Authenticity in storytelling is the golden thread that weaves a powerful connection between the writer and the reader.

It’s the unwavering commitment to truth, not in the factual sense, but in the emotional and human sense. Authentic storytelling dares to venture into the raw, unvarnished corners of the human experience, revealing vulnerability, joys, struggles, and complexities with unapologetic honesty.

It acknowledges the imperfections of characters, the messiness of life, and the ambiguity of morality.

Authenticity in storytelling is the bridge that allows readers to see themselves in the characters and situations, to empathize, to confront their own truths, and to resonate with the essence of the narrative.

It’s a reminder that, in the world of storytelling, the most profound impact is often not achieved through escapism but through a mirror reflecting the truth of our shared humanity, inviting us to explore, understand, and embrace the beautifully imperfect mosaic of human existence.

Overcoming Challenges

Overcoming challenges is akin to harnessing the fiery spirit of a phoenix, rising from the ashes of adversity with newfound strength and resilience.

It’s the grand adventure of our lives, where obstacles are not roadblocks but stepping stones towards personal growth and transformation.

Challenges are the litmus test of character, the forge where determination is tempered, and where the human spirit finds its true mettle.

In the face of these trials, we discover untapped reserves of courage, creativity, and perseverance that we never knew existed.

Like intrepid explorers charting uncharted territories, we boldly face the unknown, seeking not just victory but self-discovery, for it is in the crucible of challenges that our true potential is revealed, and we emerge as the heroes of our own stories.

Publishing and Sharing Your Work

Publishing and sharing your work is like setting a fleet of paper boats adrift on the vast sea of human connection.

It’s the culmination of the creative journey, where words born in the depths of your imagination finally take flight, finding their way into the hearts and minds of readers around the world.

It’s not just about self-expression; it’s the bridge that unites creators with an audience eager to embark on the emotional and intellectual voyages they’ve crafted.

Sharing your work is an act of courage and vulnerability, inviting both praise and criticism, but it’s also an affirmation that your voice is worthy of being heard.

It’s the act of extending a hand to others, saying, “Come, join me on this journey,” and allowing your stories to become a part of the tapestry of the human experience.

In the realm of publishing and sharing, you become a storyteller not just for yourself but for the world, weaving connections, igniting conversations, and leaving an indelible mark on the shared narrative of humanity.

Traditional vs. self-publishing

The choice between traditional and self-publishing is a crossroads that writers often face, each path offering its own set of opportunities and challenges.

Traditional publishing, akin to the majestic gates of a literary castle, can provide the author with the validation and resources of an established publishing house, offering professional editing, cover design, and broad distribution networks.

It opens doors to bookstores and literary awards, but it also demands patience and perseverance in the face of stringent gatekeepers. Self-publishing, on the other hand, is the democratization of literature, an open road that allows authors to take the reins of their creative destiny.

It offers control and speed of publication but requires authors to take on multiple roles, from editing to marketing.

Ultimately, the decision hinges on individual goals and preferences, as each path holds the promise of sharing stories with the world, whether under the watchful eye of a traditional publisher or the entrepreneurial spirit of self-publishing.

Continuing Education

Continuing education is the compass that keeps the writer’s journey ever-advancing. It’s the symphony of growth in a world that constantly whispers new stories and knowledge.

Imagine it as an uncharted library, where each book holds the key to unlock a new realm of understanding, and each workshop or course is an invitation to dance with different writing techniques.

It’s not just about honing existing skills; it’s about unfurling new horizons and uncovering hidden treasures in the treasure chest of literary prowess.

Continuing education is the echo of the writer’s heartbeat, a reminder that the world of words is boundless and ever-evolving, and that within its embrace, the writer can continue to explore, learn, and craft stories that leave an indelible mark on the literary landscape.

Frequently Asked Questions (FAQ) about How To Improve Creative Writing

What is creative writing, and why is it important to improve this skill.

Creative writing is the art of crafting original and imaginative stories , poems, or prose. It’s important to improve this skill because it not only enhances your ability to express yourself but also unlocks the door to a world of creativity, enabling you to engage and captivate readers.

How can I overcome writer’s block and boost my creativity?

Overcoming writer’s block can be achieved through various techniques like free writing, mind mapping, or changing your writing environment. To boost creativity, consider practicing mindfulness, exploring new experiences, and cultivating a daily writing routine.

What are some effective strategies for improving my vocabulary and language skills?

Expanding your vocabulary can be done by reading widely, using a thesaurus, and playing word games. To enhance language skills, study grammar and syntax, experiment with different writing styles, and immerse yourself in literature.

What are some common writing techniques to improve the quality of my creative writing?

Common writing techniques include “show, don’t tell,” crafting compelling dialogue, and mastering point of view. These techniques help to make your storytelling more engaging and immersive.

How can I find my unique voice as a writer?

Finding your unique voice involves experimenting with different writing styles, embracing authenticity, and understanding that your individual perspective is your greatest asset. It’s about being true to yourself and your experiences.

What’s the importance of reading as a writer, and how can I analyze literature effectively?

Reading exposes you to different writing styles and genres, helping you learn and grow as a writer. Effective analysis of literature involves examining themes, characters, and symbolism, and considering the author’s use of language and narrative structure.

What are the differences between traditional publishing and self-publishing, and how do I decide which is right for me?

Traditional publishing involves working with established publishing houses, while self-publishing allows you to independently release your work. The choice depends on your goals, the level of control you want, and your willingness to handle aspects like marketing and distribution.

How can I ensure the accuracy of my work, especially when writing about real-world facts and details?

To ensure accuracy, research extensively using reliable sources, fact-check rigorously, and consider seeking feedback from experts in the field you’re writing about.

What’s the role of continuing education in improving creative writing, and where can I find resources for it?

Continuing education helps you stay updated with the latest writing trends and hone your skills . You can find resources through writing workshops, online courses, writing groups, and literary events.

How do I deal with writer’s rejection and criticism constructively, and stay motivated in my writing journey?

Dealing with rejection and criticism involves developing resilience, learning from feedback, and keeping your passion for writing alive. Staying motivated can be achieved by setting goals, celebrating small wins, and surrounding yourself with a supportive writing community.

In the realm of creative writing, the journey to improvement is an endless odyssey, an ever-evolving expedition into the limitless depths of imagination and language.

It’s a path that weaves through the intricacies of plot, character, and style, as well as the nuances of authenticity and self-expression. Whether you are a seasoned wordsmith or a budding writer, the pursuit of creative excellence is a lifelong commitment to self-discovery, growth, and storytelling.

As you navigate the labyrinth of writer’s block, craft your unique voice, and refine your skills, remember that creative writing is not merely a craft; it’s a journey of self-expression, a gateway to new worlds, and a conduit for shared experiences.

So, pen in hand and heart afire, continue to embark on this voyage, for it is through the continuous exploration of your own creative depths that you will not only improve your writing but leave an indelible mark on the world of literature.

Your story is waiting to be told, and the pen is your magic wand, the world your canvas.

Happy writing !

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Writers' Treasure

Effective writing advice for aspiring writers

Creative Writing 101

Creative writing is any form of writing which is written with the creativity of mind: fiction writing, poetry writing, creative nonfiction writing and more. The purpose is to express something, whether it be feelings, thoughts, or emotions.

Rather than only giving information or inciting the reader to make an action beneficial to the writer, creative writing is written to entertain or educate someone, to spread awareness about something or someone, or to express one’s thoughts.

There are two kinds of creative writing: good and bad, effective and ineffective. Bad, ineffective creative writing cannot make any impression on the reader. It won’t achieve its purpose.

So whether you’re a novelist, a poet, a short-story writer, an essayist, a biographer or an aspiring beginner, you want to improve your craft. The question is: how?

When you write great fiction, poetry, or nonfiction, amazing things can happen. Readers can’t put it down. The work you wrote becomes a bestseller. It becomes famous. But you have to reach to that level… first .

The best way to increase your proficiency in creative writing is to write, write compulsively, but it doesn’t mean write whatever you want. There are certain things you should know first… it helps to start with the right foot.

To do exactly that, here we have a beginners’ guide from Writers’ Treasure on the subject:

An Introduction to Creative Writing
How to Get Started in Creative Writing in Just Three Steps
Creative Writing vs. Technical Writing
Fiction Writing 101: The Elements of Stories
Poetry Writing: Forms and Terms Galore
Creative Non-Fiction: What is it?
Tips and Tricks to Improve Your Creative Writing
Common Mistakes Made by Creative Writers

For novelists: do you want to write compelling opening chapters?

Are you an aspiring novelist? Will your novel see the light of day? For that, you will need to make the first chapter of your story as compelling as possible. Otherwise, readers won’t even pick up your novel. That chapter can be the make-or-break point that decides whether your novel is published or not. It’s because good editors know how you write from the first three pages… or sometimes even from the opening lines.

To solve this problem, I created a five-part tutorial on Writing Compelling Opening Chapters . It outlines why you need to write a compelling opening chapter, my personal favourite way of beginning it, what should be told and shown in it, general dos and don’ts, and what you need to do after having written it. Check it out for more.

Need more writing tips?

Sometimes you reach that stage when you outgrow the beginner stage of writing but feel that you’re not yet an expert. If I just described you, no worries– Writers’ Treasure’s writing tips are here. Whether you want to make your writing more readable, more irresistible, more professional, we’ve got you covered. So check out our writing tips , and be on your way to fast track your success.

I offer writing, editing and proofreading , as well as website creation services. I’ve been in this field for seven years, and I know the tools of the trade. I’ve seen the directions where the writing industry is going, the changes, the new platforms. Get your work done through me, and get fast and efficient service. Get a quote .

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Introduction to Fiction Writing: The Six Elements of Fiction

Before we delve into any writing tips, let’s review the essentials of creative writing in fiction. Whether you’re writing flash fiction , short stories, or epic trilogies, most fiction stories require these six components:

Plot: the “what happens” of your story.
Characters: whose lives are we watching?
Setting: the world that the story is set in.
Point of View: from whose eyes do we see the story unfold?
Theme: the “deeper meaning” of the story, or what the story represents.
Style: how you use words to tell the story.

It’s important to recognize that all of these elements are intertwined. You can’t build the setting without writing it through a certain point of view; you can’t develop important themes with arbitrary characters, etc. We’ll get into the relationship between these elements later, but for now, let’s explore how to use each element to write fiction.

1. Fiction Writing Tip: Developing Fictional Plots

Plot is the series of causes and effects that produce the story as a whole. Because A, then B, then C—ultimately leading to the story’s climax , the result of all the story’s events and character’s decisions.

If you don’t know where to start your story, but you have a few story ideas, then start with the conflict . Some novels take their time to introduce characters or explain the world of the piece, but if the conflict that drives the story doesn’t show up within the first 15 pages, then the story loses direction quickly.

That’s not to say you have to be explicit about the conflict. In Harry Potter, Voldemort isn’t introduced as the main antagonist until later in the first book; the series’ conflict begins with the Dursley family hiding Harry from his magical talents. Let the conflict unfold naturally in the story, but start with the story’s impetus, then go from there.

2. Fiction Writing Tip: Creating Characters

Think far back to 9th grade English, and you might remember the basic types of story conflicts: man vs. nature, man vs. man, and man vs. self. The conflicts that occur within stories happen to its characters—there can be no story without its people. Sometimes, your story needs to start there: in the middle of a conversation, a disrupted routine, or simply with what makes your characters special.

There are many ways to craft characters with depth and complexity. These include writing backstory, giving characters goals and fatal flaws, and making your characters contend with complicated themes and ideas. This guide on character development will help you sort out the traits your characters need, and how to interweave those traits into the story.

3. Fiction Writing Tip: Give Life to Living Worlds

Whether your story is set on Earth or a land far, far away, your setting lives in the same way your characters do. In the same way that we read to get inside the heads of other people, we also read to escape to a world outside of our own. Consider starting the story with what makes your world live: a pulsing city, the whispered susurrus of orchards, hills that roil with unsolved mysteries, etc. Tell us where the conflict is happening, and the story will follow.

4. Fiction Writing Tip: Play With Narrative Point of View

Point of view refers to the “cameraman” of the story—the vantage point we are viewing the story through. Maybe you’re stuck starting your story because you’re trying to write it in the wrong person. There are four POVs that authors work with:

First person—the story is told from the “I” perspective, and that “I” is the protagonist.
First person peripheral—the story is told from the “I” perspective, but the “I” is not the protagonist, but someone adjacent to the protagonist. (Think: Nick Carraway, narrator of The Great Gatsby. )
Second person—the story is told from the “you” perspective. This point of view is rare, but when done effectively, it can create a sense of eeriness or a personalized piece.
Third person limited—the story is told from the “he/she/they” perspective. The narrator is not directly involved in the lives of the characters; additionally, the narrator usually writes from the perspective of one or two characters.
Third person omniscient—the story is told from the “he/she/they” perspective. The narrator is not directly involved in the lives of the characters; additionally, the narrator knows what is happening in each character’s heads and in the world at large.

If you can’t find the right words to begin your piece, consider switching up the pronouns you use and the perspective you write from. You might find that the story flows onto the page from a different point of view.

5. Fiction Writing Tip: Use the Story to Investigate Themes

Generally, the themes of the story aren’t explored until after the aforementioned elements are established, and writers don’t always know the themes of their own work until after the work is written. Still, it might help to consider the broader implications of the story you want to write. How does the conflict or story extend into a bigger picture?

Let’s revisit Harry Potter’s opening scenes. When we revisit the Dursleys preventing Harry from knowing about his true nature, several themes are established: the meaning of family, the importance of identity, and the idea of fate can all be explored here. Themes often develop organically, but it doesn’t hurt to consider the message of your story from the start.

6. Fiction Writing Tip: Experiment With Words

Style is the last of the six fiction elements, but certainly as important as the others. The words you use to tell your story, the way you structure your sentences, how you alternate between characters, and the sounds of the words you use all contribute to the mood of the work itself.

If you’re struggling to get past the first sentence, try rewriting it. Write it in 10 words or write it in 200 words; write a single word sentence; experiment with metaphors, alliteration, or onomatopoeia . Then, once you’ve found the right words, build from there, and let your first sentence guide the style and mood of the narrative.

Now, let’s take a deeper look at the craft of fiction writing. The above elements are great starting points, but to learn how to start writing fiction, we need to examine the craft of combining these elements.

Primer on the Elements of Fiction Writing

First, before we get into the craft of fiction writing, it’s important to understand the elements of fiction. You don’t need to understand everything about the craft of fiction before you start keying in ideas or planning your novel. But this primer will be something you can consult if you need clarification on any term (e.g., point of view) as you learn how to start writing fiction.

The Elements of Fiction Writing

A standard novel runs between 80,000 to 100,000 words. A short novel, going by the National Novel Writing Month , is at least 50,000. To begin with, don’t think about length—think about development. Length will come. It is true that some works lend themselves more to novellas, but if that’s the case, you don’t want to pad them to make a longer work. If you write a plot summary—that’s one option on getting started writing fiction—you will be able to get a fairly good idea about your project as to whether it lends itself to a full-blown novel.

For now, let’s think about the various elements of fiction—the building blocks.

Writing Fiction: Your Protagonist

Readers want an interesting protagonist , or main character. One that seems real, that deals with the various things in life we all deal with. If the writer makes life too simple, and doesn’t reflect the kinds of problems we all face, most readers are going to lose interest.

Don’t cheat it. Make the work honest. Do as much as you can to develop a character who is fully developed, fully real—many-sided. Complex. In Aspects of the Novel , E.M Forster called this character a “round” characte r. This character is capable of surprising us. Don’t be afraid to make your protagonist, or any of your characters, a bit contradictory. Most of us are somewhat contradictory at one time or another. The deeper you see into your protagonist, the more complex, the more believable they will be.

If a character has no depth, is merely “flat,” as Forster terms it, then we can sum this character up in a sentence: “George hates his ex-wife.” This is much too limited. Find out why. What is it that causes George to hate his ex-wife? Is it because of something she did or didn’t do? Is it because of a basic personality clash? Is it because George can’t stand a certain type of person, and he didn’t realize, until too late, that his ex-wife was really that kind of person? Imagine some moments of illumination, and you will have a much richer character than one who just hates his ex-wife.

And so… to sum up: think about fleshing out your protagonist as much as you can. Consider personality, character (or moral makeup), inclinations, proclivities, likes, dislikes, etc. What makes this character happy? What makes this character sad or frustrated? What motivates your character? Readers don’t want to know only what —they want to know why .

Usually, readers want a sympathetic character, one they can root for. Or if not that, one that is interesting in different ways. You might not find the protagonist of The Girl on the Train totally sympathetic, but she’s interesting! She’s compelling.

Here’s an article I wrote on what makes a good protagonist.

Also on clichéd characters.

Now, we’re ready for a key question: what is your protagonist’s main goal in this story? And secondly, who or what will stand in the way of your character achieving this goal?

There are two kinds of conflicts: internal and external. In some cases, characters may not be opposing an external antagonist, but be self-conflicted. Once you decide on your character’s goal, you can more easily determine the nature of the obstacles that your protagonist must overcome. There must be conflict, of course, and stories must involve movement. Things go from Phase A to Phase B to Phase C, and so on. Overall, the protagonist begins here and ends there. She isn’t the same at the end of the story as she was in the beginning. There is a character arc.

I spoke of character arc. Now let’s move on to plot, the mechanism governing the overall logic of the story. What causes the protagonist to change? What key events lead up to the final resolution?

But before we go there, let’s stop a moment and think about point of view, the lens through which the story is told.

Writing Fiction: Point of View as Lens

Is this the right protagonist for this story? Is this character the one who has the most at stake? Does this character have real potential for change? Remember, you must have change or movement—in terms of character growth—in your story. Your character should not be quite the same at the end as in the beginning. Otherwise, it’s more of a sketch.

Such a story used to be called “slice of life.” For example, what if a man thinks his job can’t get any worse—and it doesn’t? He started with a great dislike for the job, for the people he works with, just for the pay. His hate factor is 9 on a scale of 10. He doesn’t learn anything about himself either. He just realizes he’s got to get out of there. The reader knew that from page 1.

Choose a character who has a chance of undergoing change of some kind. The more complex the change, the better. Characters that change are dynamic characters , according to E. M. Forster. Characters that remain the same are static characters. Be sure your protagonist is dynamic.

Okay, an exception: Let’s say your character resists change—that can involve some sort of movement—the resisting of change.

Here’s another thing to look at on protagonists—a blog I wrote: https://elizabethspanncraig.com/writing-tips-2/creating-strong-characters-typical-challenges/

Writing Fiction: Point of View and Person

Usually when we think of point of view, we have in mind the choice of person: first, second, and third. First person provides intimacy. As readers we’re allowed into the I-narrator’s mind and heart. A story told from the first person can sometimes be highly confessional, frank, bold. Think of some of the great first-person narrators like Huck Finn and Holden Caulfield. With first person we can also create narrators that are not completely reliable, leading to dramatic irony : we as readers believe one thing while the narrator believes another. This creates some interesting tension, but be careful to make your protagonist likable, sympathetic. Or at least empathetic, someone we can relate to.

What if a novel is told in first person from the point of view of a mob hit man? As author of such a tale, you probably wouldn’t want your reader to root for this character, but you could at least make the character human and believable. With first person, your reader would be constantly in the mind of this character, so you’d need to find a way to deal with this sympathy question. First person is a good choice for many works of fiction, as long as one doesn’t confuse the I-narrator with themselves. It may be a temptation, especially in the case of fiction based on one’s own life—not that it wouldn’t be in third person narrations. But perhaps even more with a first person story: that character is me . But it’s not—it’s a fictional character.

Check out my article on writing autobiographical fiction, which appeared in The Writer magazine. https://www.writermag.com/2018/07/31/filtering-fact-through-fiction/

Third person provides more distance. With third person, you have a choice between three forms: omniscient, limited omniscient, and objective or dramatic. If you get outside of your protagonist’s mind and enter other characters’ minds, you are being omniscient or godlike. If you limit your access to your protagonist’s mind only, this is limited omniscience. Let’s consider these two forms of third-person narrators before moving on to the objective or dramatic POV.

The omniscient form is rather risky, but it is certainly used, and it can certainly serve a worthwhile function. With this form, the author knows everything that has occurred, is occurring, or will occur in a given place, or in given places, for all the characters in the story. The author can provide historical background, look into the future, and even speculate on characters and make judgments. This point of view, writers tend to feel today, is more the method of nineteenth-century fiction, and not for today. It seems like too heavy an authorial footprint. Not handled well—and it is difficult to handle well—the characters seem to be pawns of an all-knowing author.

Today’s omniscience tends to take the form of multiple points of view, sometimes alternating, sometimes in sections. An author is behind it all, but the author is effaced, not making an appearance. BUT there are notable examples of well-handled authorial omniscience–read Nobel-prize winning Jose Saramago’s Blindness as a good example.

For more help, here’s an article I wrote on the omniscient point of view for The Writer : https://www.writermag.com/improve-your-writing/fiction/omniscient-pov/

The limited omniscient form is typical of much of today’s fiction. You stick to your protagonist’s mind. You see others from the outside. Even so, you do have to be careful that you don’t get out of this point of view from time to time, and bring in things the character can’t see or observe—unless you want to stand outside this character, and therein lies the omniscience, however limited it is.

But anyway, note the difference between: “George’s smiles were very welcoming” and “George felt like his smiles were very welcoming”—see the difference? In the case of the first, we’re seeing George from the outside; in the case of the second, from the inside. It’s safer to stay within your protagonist’s perspective as much as possible and not describe them from the outside. Doing so comes off like a point-of-view shift. Yet it’s true that in some stories, the narrator will describe what the character is wearing, tell us what his hopes and dreams are, mention things he doesn’t know right now but will later—and perhaps, in rather quirky stories, the narrator will even say something like “Our hero…” This can work, and has, if you create an interesting narrative voice. But it’s certainly a risk.

The dramatic or objective point of view is one you’ll probably use from time to time, but not throughout your whole novel. Hemingway’s “Hills like White Elephants” is handled with this point of view. Mostly, with maybe one exception, all we know is what the characters say and do, as in a play. Using this point of view from time to time in a longer work can certainly create interest. You can intensify a scene sometimes with this point of view. An interesting back and forth can be accomplished, especially if the dialogue is clipped.

I’ve saved the second-person point of view for the last. I would advise you not to use this point of view for an entire work. In his short novel Bright Lights, Big City , Jay McInerney famously uses this point of view, and with some force, but it’s hard to pull off. In lesser hands, it can get old. You also cause the reader to become the character. Does the reader want to become this character? One problem with this point of view is it may seem overly arty, an attempt at sophistication. I think it’s best to choose either first or third.

Here’s an article I wrote on use of second person for The Writer magazine. Check it out if you’re interested. https://www.writermag.com/2016/11/02/second-person-pov/

Writing Fiction: Protagonist and Plot and Structure

We come now to plot, keeping in mind character. You might consider the traditional five-stage structure : exposition, rising action, crisis and climax, falling action, and resolution. Not every plot works this way, but it’s a tried-and-true structure. Certainly a number of pieces of literature you read will begin in media re s—that is, in the middle of things. Instead of beginning with standard exposition, or explanation of the condition of the protagonist’s life at the story’s starting point, the author will begin with a scene. But even so, as in Jerzy Kosiński’s famous novella Being There , which begins with a scene, we’ll still pick up the present state of the character’s life before we see something that complicates it or changes the existing equilibrium. This so-called complication can be something apparently good—like winning the lottery—or something decidedly bad—like losing a huge amount of money at the gaming tables. One thing is true in both cases: whatever has happened will cause the character to change. And so now you have to fill in the events that bring this about.

How do you do that? One way is to write a chapter outline to prevent false starts. But some writers don’t like plotting in this fashion, but want to discover as they write. If you do plot your novel in advance, do realize that as you write, you will discover a lot of things about your character that you didn’t have in mind when you first set pen to paper. Or fingers to keyboard. And so, while it’s a good idea to do some planning, do keep your options open.

Let’s think some more about plot. To have a workable plot, you need a sequence of actions or events that give the story an overall movement. This includes two elements which we’ll take up later: foreshadowing and echoing (things that prepare us for something in the future and things that remind us of what has already happened). These two elements knit a story together.

Think carefully about character motivations. Some things may happen to your character; some things your character may decide to do, however wisely or unwisely. In the revision stage, if not earlier, ask yourself: What motivates my character to act in one way or another? And ask yourself: What is the overall logic of this story? What caused my character to change? What were the various forces, whether inner or outer, that caused this change? Can I describe my character’s overall arc, from A to Z? Try to do that. Write a short paragraph. Then try to write down your summary in one sentence, called a log line in film script writing, but also a useful technique in fiction writing as well. If you write by the discovery method, you probably won’t want to do this in the midst of the drafting, but at least in the revision stage, you should consider doing so.

With a novel you may have a subplot or two. Assuming you will, you’ll need to decide how the plot and the subplot relate. Are they related enough to make one story? If you think the subplot is crucial for the telling of your tale, try to say why—in a paragraph, then in a sentence.

Here’s an article I wrote on structure for The Writer : https://www.writermag.com/improve-your-writing/revision-grammar/find-novels-structure/

Writing Fiction: Setting

Let’s move on to setting . Your novel has to take place somewhere. Where is it? Is it someplace that is particularly striking and calls for a lot of solid description? If it’s a wilderness area where your character is lost, give your reader a strong sense for the place. If it’s a factory job, and much of the story takes place at the worksite, again readers will want to feel they’re there with your character, putting in the hours. If it’s an apartment and the apartment itself isn’t related to the problems your character is having, then there’s no need to provide that much detail. Exception: If your protagonist concentrates on certain things in the apartment and begins to associate certain things about the apartment with their misery, now there’s reason to get concrete. Take a look, when you have a chance, at the short story “The Yellow Wall-Paper.” It’s not an apartment—it’s a house—but clearly the setting itself becomes important when it becomes important to the character. She reads the wallpaper as a statement about her own condition.

Here’s the URL for ”The Yellow Wall-Paper”: https://www.nlm.nih.gov/theliteratureofprescription/exhibitionAssets/digitalDocs/The-Yellow-Wall-Paper.pdf

Sometimes setting is pretty important; sometimes it’s much less important. When it doesn’t serve a purpose to describe it, don’t, other than to give the reader a sense for where the story takes place. If you provide very many details, even in a longer work like a novel, the reader will think that these details have some significance in terms of character, plot, or theme—or all three. And if they don’t, why are they there? If setting details are important, be selective. Provide a dominant impression. More on description below.

If you’re interested, here’s a blog on setting I wrote for Writers.com: https://writers.com/what-is-the-setting-of-a-story

Writing Fiction: Theme and Idea

Most literary works have a theme or idea. It’s possible to decide on this theme before you write, as you plan out your novel. But be careful here. If the theme seems imposed on the work, the novel will lose a lot of force. It will seem—and it may well be—engineered by the author much like a nonfiction piece, and lose the felt experience of the characters.

Theme must emerge from the work naturally, or at least appear to do so. Once you have a draft, you can certainly build ideas that are apparent in the work, and you can even do this while you’re generating your first draft. But watch out for overdoing it. Let the characters (what they do, what they say) and the plot (the whole storyline with its logical connections) contribute on their own to the theme. Also you can depend on metaphors, similes, and analogies to point to the theme—as long as these are not heavy-handed. Avoid authorial intrusion, authorial impositions of any kind. If you do end up creating a simile, metaphor, or analogy through rational thinking, make sure it sounds natural. That’s not easy, of course.

Writing Fiction: Handling Scenes

Keep a few things in mind about writing scenes. Not every event deserves a whole scene, maybe only a half-scene, a short interaction between characters. Scenes need to do two things: reveal character and advance plot. If a scene seems to stall out and lack interest, in the revision mode you might try using narrative summary instead (see below).

Good fiction is strongly dramatic, calling for scenes, many of them scenes with dialogue and action. Scenes need to involve conflict of some kind. If everyone is happy, that’s probably going to be a dull scene. Some scenes will be narrative, without dialogue. You need some interesting action to make these work.

Let’s consider scenes with dialogue.

The best dialogue is speech that sounds natural, and yet isn’t. Everything about fiction is an artifice, including speech. But try to make it sound real. The best way to do this is to “hear” the voices in your head and transcribe them. Take dictation. If you can do this, whole conversations will seem very real, believable. If you force what each character has to say, and plan it out too much, it will certainly sound planned out, and not real at all. Not that in the revision mode you can’t doctor up the speech here and there, but still, make sure it comes off as natural sounding.

Some things to think about when writing dialogue: people usually speak in fragments, interrupt each other, engage in pauses, follow up a question with a comment that takes the conversation off course (non sequiturs). Note these aspects of dialogue in the fiction you read.

Also, note how writers intersperse action with dialogue, setting details, and character thoughts. As far as the latter goes, though, if you’ll recall, I spoke of the dramatic point of view, which doesn’t get into a character’s mind but depends instead on what characters do and say, as in a play. You may try this point of view out in some scenes to make them really move.

One technique is to use indirect dialogue, or summary of what a character said, not in the character’s own words. For instance: Bill made it clear that he wasn’t going to the city after all. If anybody thought that, they were wrong .

Now and then you’ll come upon dialogue that doesn’t use the standard double quotes, but perhaps a single quote (this is British), or dashes, or no punctuation at all. The latter two methods create some distance from the speech. If you want to give your work a surreal quality, this certainly adds to it. It also makes it seem more interior.

One way to kill good dialogue is to make characters too obviously expository devices—that is, functioning to provide background or explanations of certain important story facts. Certainly characters can serve as expository devices, but don’t be too heavy-handed about this. Don’t force it like the following:

“We always used to go to the beach, you recall? You recall how first we would have breakfast, then take a long walk on the beach, and then we would change into our swimsuits, and spend an hour in the water. And you recall how we usually followed that with a picnic lunch, maybe an hour later.”

This sounds like the character is saying all this to fill the reader in on backstory. You’d need a motive for the utterance of all of these details—maybe sharing a memory?

But the above sounds stilted, doesn’t it?

One final word about dialogue. Watch out for dialogue tags that tell but don’t show . Here’s an example:

“Do you think that’s the case,” said Ted, hoping to hear some good news. “Not necessarily,” responded Laura, in a barky voice. “I just wish life wasn’t so difficult,” replied Ted.

If you’re going to use a tag at all—and many times you don’t need to—use “said.” Dialogue tags like the above examples can really kill the dialogue.

Writing Fiction: Writing Solid Prose

Narrative summary : As I’ve stated above, not everything will be a scene. You’ll need to write narrative summary now and then. Narrative summary telescopes time, covering a day, a week, a month, a year, or even longer. Often it will be followed up by a scene, whether a narrative scene or one with dialogue. Narrative summary can also relate how things generally went over a given period. You can write strong narrative summary if you make it specific and concrete—and dramatic. Also, if we hear the voice of the writer, it can be interesting—if the voice is compelling enough.

Exposition : It’s the first stage of the 5-stage plot structure, where things are set up prior to some sort of complication, but more generally, it’s a prose form which tells or informs. You use exposition when you get inside your character, dealing with his or her thoughts and emotions, memories, plans, dreams. This can be difficult to do well because it can come off too much like authorial “telling” instead of “showing,” and readers want to feel like they’re experiencing the world of the protagonist, not being told about this world. Still, it’s important to get inside characters, and exposition is often the right tool, along with narrative summary, if the character is remembering a sequence of events from the past.

Description : Description is a word picture, providing specific and concrete details to allow the reader to see, not just be told. Concreteness is putting the reader in the world of the five senses, what we call imagery . Some writers provide a lot of details, some only a few—just enough that the reader can imagine the rest. Consider choosing details that create a dominant impression—whether it’s a character or a place. Similes, metaphors, and analogies help readers see people and places and can make thoughts and ideas (the reflections of your character or characters) more interesting. Not that you should always make your reader see. To do so might cause an overload of images.

Check out these two articles: https://www.writermag.com/improve-your-writing/fiction/the-definitive-guide-to-show-dont-tell/ https://www.writermag.com/improve-your-writing/fiction/figurative-language-in-fiction/

Writing Fiction: Research

Some novels require research. Obviously historical novels do, but others do, too, like Sci Fi novels. Almost any novel can call for a little research. Here’s a short article I wrote for The Writer magazine on handling research materials. It’s in no way an in-depth commentary on research–but it will serve as an introduction. https://www.writermag.com/improve-your-writing/fiction/research-in-fiction/

For a blog on novel writing, check this link at Writers.com: https://writers.com/novel-writing-tips

For more articles I’ve published in The Writer , go here: https://www.writermag.com/author/jack-smith/

How to Start Writing Fiction: Take a Writing Class!

To write a story or even write a book, fiction writers need these tools first and foremost. Although there’s no comprehensive guide on how to write fiction for beginners, working with these elements of fiction will help your story bloom.

All six elements synergize to make a work of fiction, and like most works of art, the sum of these elements is greater than the individual parts. Still, you might find that you struggle with one of these elements, like maybe you’re great at writing characters but not very good with exploring setting. If this is the case, then use your strengths: use characters to explore the setting, or use style to explore themes, etc.

Getting the first draft written is the hardest part, but it deserves to be written. Once you’ve got a working draft of a story or novel and you need an extra set of eyes, the Writers.com community is here to give feedback: take a look at our upcoming courses on fiction writing, and check out our talented writing community .

Good luck, and happy writing!

I have had a story in my mind for over 15 years. I just haven’t had an idea how to start , putting it down on print just seems too confusing. After reading this article I’m even more confused but also more determined to give it a try. It has given me answers to some of my questions. Thank you !

You’ve got this, Earl!

Just reading this as I have decided to attempt a fiction work. I am terrible at writing outside of research papers and such. I have about 50 single spaced pages “written” and an entire outline. These tips are great because where I struggle it seems is drawing the reader in. My private proof reader tells me it is to much like an explanation and not enough of a story, but working on it.

first class

What is Creative Writing? A Key Piece of the Writer’s Toolbox

Not all writing is the same and there’s a type of writing that has the ability to transport, teach, and inspire others like no other.

Creative writing stands out due to its unique approach and focus on imagination. Here’s how to get started and grow as you explore the broad and beautiful world of creative writing!

What is Creative Writing?

Creative writing is a form of writing that extends beyond the bounds of regular professional, journalistic, academic, or technical forms of literature. It is characterized by its emphasis on narrative craft, character development, and the use of literary tropes or poetic techniques to express ideas in an original and imaginative way.

Creative writing can take on various forms such as:

short stories
screenplays

It’s a way for writers to express their thoughts, feelings, and ideas in a creative, often symbolic, way . It’s about using the power of words to transport readers into a world created by the writer.

5 Key Characteristics of Creative Writing

Creative writing is marked by several defining characteristics, each working to create a distinct form of expression:

1. Imagination and Creativity: Creative writing is all about harnessing your creativity and imagination to create an engaging and compelling piece of work. It allows writers to explore different scenarios, characters, and worlds that may not exist in reality.

2. Emotional Engagement: Creative writing often evokes strong emotions in the reader. It aims to make the reader feel something — whether it’s happiness, sorrow, excitement, or fear.

3. Originality: Creative writing values originality. It’s about presenting familiar things in new ways or exploring ideas that are less conventional.

4. Use of Literary Devices: Creative writing frequently employs literary devices such as metaphors, similes, personification, and others to enrich the text and convey meanings in a more subtle, layered manner.

5. Focus on Aesthetics: The beauty of language and the way words flow together is important in creative writing. The aim is to create a piece that’s not just interesting to read, but also beautiful to hear when read aloud.

Remember, creative writing is not just about producing a work of art. It’s also a means of self-expression and a way to share your perspective with the world. Whether you’re considering it as a hobby or contemplating a career in it, understanding the nature and characteristics of creative writing can help you hone your skills and create more engaging pieces .

For more insights into creative writing, check out our articles on creative writing jobs and what you can do with a creative writing degree and is a degree in creative writing worth it .

Styles of Creative Writing

To fully understand creative writing , you must be aware of the various styles involved. Creative writing explores a multitude of genres, each with its own unique characteristics and techniques.

Poetry is a form of creative writing that uses expressive language to evoke emotions and ideas. Poets often employ rhythm, rhyme, and other poetic devices to create pieces that are deeply personal and impactful. Poems can vary greatly in length, style, and subject matter, making this a versatile and dynamic form of creative writing.

Short Stories

Short stories are another common style of creative writing. These are brief narratives that typically revolve around a single event or idea. Despite their length, short stories can provide a powerful punch, using precise language and tight narrative structures to convey a complete story in a limited space.

Novels represent a longer form of narrative creative writing. They usually involve complex plots, multiple characters, and various themes. Writing a novel requires a significant investment of time and effort; however, the result can be a rich and immersive reading experience.

Screenplays

Screenplays are written works intended for the screen, be it television, film, or online platforms. They require a specific format, incorporating dialogue and visual descriptions to guide the production process. Screenwriters must also consider the practical aspects of filmmaking, making this an intricate and specialized form of creative writing.

If you’re interested in this style, understanding creative writing jobs and what you can do with a creative writing degree can provide useful insights.

Writing for the theater is another specialized form of creative writing. Plays, like screenplays, combine dialogue and action, but they also require an understanding of the unique dynamics of the theatrical stage. Playwrights must think about the live audience and the physical space of the theater when crafting their works.

Each of these styles offers unique opportunities for creativity and expression. Whether you’re drawn to the concise power of poetry, the detailed storytelling of novels, or the visual language of screenplays and plays, there’s a form of creative writing that will suit your artistic voice. The key is to explore, experiment, and find the style that resonates with you.

For those looking to spark their creativity, our article on creative writing prompts offers a wealth of ideas to get you started.

Importance of Creative Writing

Understanding what is creative writing involves recognizing its value and significance. Engaging in creative writing can provide numerous benefits – let’s take a closer look.

Developing Creativity and Imagination

Creative writing serves as a fertile ground for nurturing creativity and imagination. It encourages you to think outside the box, explore different perspectives, and create unique and original content. This leads to improved problem-solving skills and a broader worldview , both of which can be beneficial in various aspects of life.

Through creative writing, one can build entire worlds, create characters, and weave complex narratives, all of which are products of a creative mind and vivid imagination. This can be especially beneficial for those seeking creative writing jobs and what you can do with a creative writing degree .

Enhancing Communication Skills

Creative writing can also play a crucial role in honing communication skills. It demands clarity, precision, and a strong command of language. This helps to improve your vocabulary, grammar, and syntax, making it easier to express thoughts and ideas effectively .

Moreover, creative writing encourages empathy as you often need to portray a variety of characters from different backgrounds and perspectives. This leads to a better understanding of people and improved interpersonal communication skills.

Exploring Emotions and Ideas

One of the most profound aspects of creative writing is its ability to provide a safe space for exploring emotions and ideas. It serves as an outlet for thoughts and feelings , allowing you to express yourself in ways that might not be possible in everyday conversation.

Writing can be therapeutic, helping you process complex emotions, navigate difficult life events, and gain insight into your own experiences and perceptions. It can also be a means of self-discovery , helping you to understand yourself and the world around you better.

So, whether you’re a seasoned writer or just starting out, the benefits of creative writing are vast and varied. For those interested in developing their creative writing skills, check out our articles on creative writing prompts and how to teach creative writing . If you’re considering a career in this field, you might find our article on is a degree in creative writing worth it helpful.

4 Steps to Start Creative Writing

Creative writing can seem daunting to beginners, but with the right approach, anyone can start their journey into this creative field. Here are some steps to help you start creative writing .

1. Finding Inspiration

The first step in creative writing is finding inspiration . Inspiration can come from anywhere and anything. Observe the world around you, listen to conversations, explore different cultures, and delve into various topics of interest.

Reading widely can also be a significant source of inspiration. Read different types of books, articles, and blogs. Discover what resonates with you and sparks your imagination.

For structured creative prompts, visit our list of creative writing prompts to get your creative juices flowing.

Editor’s Note : When something excites or interests you, stop and take note – it could be the inspiration for your next creative writing piece.

2. Planning Your Piece

Once you have an idea, the next step is to plan your piece . Start by outlining:

the main points

Remember, this can serve as a roadmap to guide your writing process. A plan doesn’t have to be rigid. It’s a flexible guideline that can be adjusted as you delve deeper into your writing. The primary purpose is to provide direction and prevent writer’s block.

3. Writing Your First Draft

After planning your piece, you can start writing your first draft . This is where you give life to your ideas and breathe life into your characters.

Don’t worry about making it perfect in the first go. The first draft is about getting your ideas down on paper . You can always refine and polish your work later. And if you don’t have a great place to write that first draft, consider a journal for writing .

4. Editing and Revising Your Work

The final step in the creative writing process is editing and revising your work . This is where you fine-tune your piece, correct grammatical errors, and improve sentence structure and flow.

Editing is also an opportunity to enhance your storytelling . You can add more descriptive details, develop your characters further, and make sure your plot is engaging and coherent.

Remember, writing is a craft that improves with practice . Don’t be discouraged if your first few pieces don’t meet your expectations. Keep writing, keep learning, and most importantly, enjoy the creative process.

For more insights on creative writing, check out our articles on how to teach creative writing or creative writing activities for kids.

Tips to Improve Creative Writing Skills

Understanding what is creative writing is the first step. But how can one improve their creative writing skills? Here are some tips that can help.

Read Widely

Reading is a vital part of becoming a better writer. By immersing oneself in a variety of genres, styles, and authors, one can gain a richer understanding of language and storytelling techniques . Different authors have unique voices and methods of telling stories, which can serve as inspiration for your own work. So, read widely and frequently!

Practice Regularly

Like any skill, creative writing improves with practice. Consistently writing — whether it be daily, weekly, or monthly — helps develop your writing style and voice . Using creative writing prompts can be a fun way to stimulate your imagination and get the words flowing.

Attend Writing Workshops and Courses

Formal education such as workshops and courses can offer structured learning and expert guidance. These can provide invaluable insights into the world of creative writing, from understanding plot development to character creation. If you’re wondering is a degree in creative writing worth it, these classes can also give you a taste of what studying creative writing at a higher level might look like .

Joining Writing Groups and Communities

Being part of a writing community can provide motivation, constructive feedback, and a sense of camaraderie. These groups often hold regular meetings where members share their work and give each other feedback. Plus, it’s a great way to connect with others who share your passion for writing.

Seeking Feedback on Your Work

Feedback is a crucial part of improving as a writer. It offers a fresh perspective on your work, highlighting areas of strength and opportunities for improvement. Whether it’s from a writing group, a mentor, or even friends and family, constructive criticism can help refine your writing .

Start Creative Writing Today!

Remember, becoming a proficient writer takes time and patience. So, don’t be discouraged by initial challenges. Keep writing, keep learning, and most importantly, keep enjoying the process. Who knows, your passion for creative writing might even lead to creative writing jobs and what you can do with a creative writing degree .

Happy writing!

Brooks Manley

Creative Primer is a resource on all things journaling, creativity, and productivity. We’ll help you produce better ideas, get more done, and live a more effective life.

My name is Brooks. I do a ton of journaling, like to think I’m a creative (jury’s out), and spend a lot of time thinking about productivity. I hope these resources and product recommendations serve you well. Reach out if you ever want to chat or let me know about a journal I need to check out!

Here’s my favorite journal for 2024:

Gratitude Journal Prompts Mindfulness Journal Prompts Journal Prompts for Anxiety Reflective Journal Prompts Healing Journal Prompts Cognitive Behavioral Therapy Journal Prompts Mental Health Journal Prompts ASMR Journal Prompts Manifestation Journal Prompts Self-Care Journal Prompts Morning Journal Prompts Evening Journal Prompts Self-Improvement Journal Prompts Creative Writing Journal Prompts Dream Journal Prompts Relationship Journal Prompts "What If" Journal Prompts New Year Journal Prompts Shadow Work Journal Prompts Journal Prompts for Overcoming Fear Journal Prompts for Dealing with Loss Journal Prompts for Discerning and Decision Making Travel Journal Prompts Fun Journal Prompts

Inspiring Ink: Expert Tips on How to Teach Creative Writing

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Last updated on Aug 16, 2023

How to Start a Story: 10 Top Tips From Literary Editors

This post has been written with contributions from editors and authors including Tom Bromley , Fran Lebowitz , and Rebecca Heyman .

The opening lines of a story carry a lot of responsibility. They act as an invitation for someone who’s glanced at the first page of your book to either put it back down or keep reading.

To help us understand how bestselling authors open up their stories, we've asked for tips from ten of Reedsy's top professionals.

How to start a story:

1. Craft an unexpected story opening

2. start with a compelling image, 3. create interest with immediate action, 4. begin the book with a short sentence , 5. pose a question for the reader, 6. engage a sense of curiosity, 7. build a convincing world and setting, 8. do something new with your writing, 9. create tension that has room to grow, 10. capture your readers’ attention.

Some of the most memorable opening lines are ones that hook readers with something out of the ordinary. Literary editor Gareth Watkins often encourages writers to explore this in their own books.

"Think of the opening to Nineteen Eighty-Four , or Iain Banks’s, The Crow Road (It was the day my grandmother exploded ). Of course, your opening doesn’t have to be as outrageous as these but always aim for the unusual.

"In other words: think of how people will expect the book to start, then take the plot in another direction."

Example: Nineteen Eighty-Four , George Orwell

Orwell immediately alerts the reader to the fact that we're not in a normal world by deploying a single strange fact at the end of Nineteen Eighty-Four's opening sentence

It was a bright cold day in April, and the clocks were striking thirteen.

However, not all books need to start with a twist. Sometimes, all you need is a single strong image.

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Many editors will tell you to avoid exposition — the dreaded info dump — at the start of your manuscript. Editor Harrison Demchick suggests one of the best ways to avoid this is to begin with an image.

"By focusing on sensory detail right at the start — sight, sound, taste, touch, smell — and by conveying a particular, defined setting, you can immediately absorb readers within your novel's tangible world.

"Context and background will come later, but a compelling image can be a fantastic hook."

Example: Fahrenheit 451 , Ray Bradbury

The image of fire is central to Bradbury's dystopian classic. Appropriately enough, he opens his novel with a maelstrom of images comparing the fire to a snake and a symphony.

It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history.

Starting with an image requires a deft hand from the writer. This image must be compelling enough to make the reader continue turning the pages. A simpler alternative may be to throw readers into the middle of the story.

Novels that open in medias res (Latin for "in the midst of action" ) are often really effective at immediately grabbing the reader and establishing stakes and tension.

However, editor Jeanette Shaw warns that readers can become untethered without context and a central character. "If you go this route, you must be sure your opening action is compelling enough that the reader is prepared to wait for character setup later."

Example: Lord of the Flies, William Golding

This classic novel starts with a scene of young boys living on a deserted island with no adults in sight. Only later do we learn how they got there in the first place.

The boy with fair hair lowered himself down the last few feet of rock and began to pick his way toward the lagoon. Though he had taken off his school sweater and trailed it now from one hand, his grey shirt stuck to him and his hair was plastered to his forehead.

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As Polonius tells young Hamlet, brevity is the soul of wit. But for editor and literary agent Fran Lebowitz (who has represented the Bridgerton novels amongst other bestsellers), being frugal with your opening sentence can also intrigue a reader and force them to lean in: "Start with something sparse that flicks on our curiosity, above all."

Example: The Hobbit , J.R.R. Tolkien

For a man who's known for writing lengthy tomes, Tolkien opens up his novel, The Hobbit, with a simple and matter-of-fact sentence that introduces something readers had never encountered before: a hobbit.

“In a hole in the ground there lived a hobbit.”

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But sometimes, a simple question can be just as powerful as a statement.

"The reader should be looking for an answer," says Nathan Connolly , an editor and the directing publisher of Dead Ink Books.

"The opening to your novel should be a question that can only be answered by reading on. This doesn't need to be literal, or overt, it can even be poetic, or abstract, but there must be a wound that can only be healed by reading on."

Example: The Bell Jar, Sylvia Plath

While the first line of Plath's only novel doesn't end with a question mark, it certainly poses a few mysteries.

It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn't know what I was doing in New York.

What was queer and sultry about this summer? How does the narrator's story relate to the execution of Julius and Ethel Rosenberg? And does she actually not know why she's in the Big Apple? The only way to find out is to read on...

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And speaking of unanswered questions, the next tip digs deeper into this idea of intriguing openings.

For in the experience of editor Britanie Wilson , the most successful beginnings have the magnetic effect of appealing to an emotion that all readers possess: curiosity.

"Make them immediately ask of your characters: What is this place? Why are they here? What are they doing? Who is involved? Where is this going?

"If you can pique your readers' curiosity from the very first sentence, you can will them to keep reading before they even know they like your book."

Example: "Royal Beatings", Alice Munro

The first story in Munro's 1978 short story collection, Who Do You Think You Are? gives its readers an unusual phrase that instantly piques their curiosity.

Royal Beating. That was Flo's promise. You are going to get one Royal Beating.

As with the Orwell opening, the reader is presented with an unusual turn of phrase repeated several times — including in the title. By the time we're just 15-words deep into the story, we have a burning question: what is a Royal Beating?

While creating curiosity and mystery is powerful, it's important that the start of your book isn't entirely cryptic . Your opening must sustain your readers' interest in some way if you are to keep them reading through to chapter two, and reveal more and more information in the plot points to come .

Pro tip: Starting your writing with dialogue is considered a no-no by some, but can actually be a great way of achieving this effect.

"To give readers the confidence to continue reading a story they've just started, it's important to give them enough detail to know where and when a story takes place," says author and ghostwriter Tom Bromley .

"Sometimes when stories begin, there's a danger that the scenes are a little bit 'floating' — where the reader isn't given enough information to visualize what's going on. Details of location and time, when provided with enough specificity, will ground the reader and make them feel secure."

Example: The Corrections , Jonathan Franzen

This novel, set in the American Midwest, opens by instantly grounding the reader in visuals related to the when and where of the story.

The madness of an autumn prairie cold front coming through. You could feel it: something terrible was going to happen. The sun low in the sky, a minor light, a cooling star. Gust after gust of disorder. Trees restless, temperatures falling, the whole northern religion of things coming to an end. No children in the yards here. Shadows lengthened on yellowing zoysia. Red oaks and pin oaks and swamp white oaks rained acorns on houses with no mortgage. Storm windows shuddered in the empty bedrooms. And the drone and hiccup of a clothes dryer, the nasal contention of a leaf blower, the ripening of local apples in a paper bag, the smell of the gasoline with which Alfred Lambert had cleaned the paintbrush from his morning painting of the wicker love seat.

If you were to think of this opening scene in a cinematic sense, it reads like a slow montage that cuts between different images that set up the tone and atmosphere of the piece. Note how the first sentence describes the wind — a classic piece of literary imagery that almost always signifies the same thing: that change is a'coming.

Avoiding clichés is something that should always be avoided. And in the experience of Thalia Suzuma , and editor who has worked with authors ranging from David Baldacci to Ken Follett, clichés can be avoided with some simple, unusual choices:

"Consider these two lines:

1) I'm sitting writing this at my desk.

2) I write this sitting in the kitchen sink.

"Which line makes you want to read on? I'd hazard a guess that it's probably the sentence about being perched at a sink — the opening line to one of my favorite novels, I Capture the Castle by Dodie Smith.

"Say something in your first few sentences that hasn't often been said before! A brief line laden with foreboding and heavy with what has not been said often works well, too."

Example: Jane Eyre , Charlotte Brontë

Opening a book by talking about the weather is just about as clichéd as things come. ( It was a dark and stormy night... ) But in the opening paragraph of Jane Eyre, we are presented with an image of cold weather — but filtered through the eyes of its title character.

There was no possibility of taking a walk that day.

More importantly than discovering the weather in chapter one, we learn something about the narrator: that she is a woman of absolutes.

Again, the weather is used to create a sense of foreboding — a perfect segue into our next tip.

Openings should be intense, but for editor Rebecca Heyman , that doesn’t necessarily mean loud or explosive .

"So many authors are keen to start with a literal bang — something going up in flames, or a car accident, or some other catastrophe. But recall that even a smoldering fire can burn your hand; draw us in like moths to the flame, but don’t let the bonfire rage so fierce we can’t get close."

Example: All The Light We Cannot See, Anthony Doerr

Remember what we said about winds signifying change? In the opening chapter of Anthony Doerr's novel set around the Second World War, we open with a description of the wind, bringing with it a literal message of change:

At dusk they pour from the sky. They blow across the ramparts, turn cartwheels over rooftops, flutter into the ravines between houses. Entire streets swirl with them, flashing white against the cobbles. Urgent message to the inhabitants of this town, they say. Depart immediately to open country.

This image we're presented with is almost playful (turning cartwheels, fluttering into ravines), making the message the pamphlets bear even more insidious.

For the final tip of this post, we give you what is perhaps the cardinal rule of starting a story...

You want your reader to be swept up in the story— for its entirety, but especially at the beginning, says editor Anne McPeak:

"This is your chance to intoxicate your reader and convince them that they can’t not read on. This doesn’t mean your story needs drama, or fireworks, or shocking material; what your story really needs is close attention to language, tone, and pacing.

"Dazzle your reader from the start, and they will willingly take your hand for the ride."

Example: Fortress of Solitude , Jonathan Lethem

Centering on the lives of two friends in Brooklyn and spanning decades, Lethem's novel opens with an everyday image — of girls rollerskating on the sidewalk — and filters it through the eyes of a narrator, who interprets the scene in quite an arresting fashion that's bound to capture the reader's attention:

Like a match struck in a darkened room:

Two white girls in flannel nightgowns and red vinyl roller skates with white laces, tracing tentative circles on a cracked blue slate sidewalk at seven o'clock on an evening in July.

The girls murmured rhymes, were murmured rhymes, their gauzy, sky-pink hair streaming like it had never once been cut.

Establishing best practices for starting a story can be tricky because, as Nathan Connolly says, “Fiction should, by nature, seek to defy, redefine or expand beyond rules." It should not be an author’s goal to emulate the words or tastes of another person while writing a novel.

However, many well-loved novels share a thread of commonality when it comes to their first few lines — such as a question, a brief to-the-point line, or in the middle of action. While there’s no hard rule for what works, these are guidelines you can follow when determining how to hook readers down your story’s path.

26 responses

Paynes says:

04/01/2017 – 21:13

"Years ago, down in the Amazon, Santiago set me up. He said, 'Lives are stories told over and over. The good ones keep getting better. Think about that, Daniel. And while you're at it, think about thinking. We learn best by thinking, just as fish breathe by drinking.' He said this very matter-of-factly. Then he asked me, 'Don't they?' He asked me this when he was about to die." "Santiago and the Drinking Party" by Clay Morgan That's one of my favorite beginnings.

↪️ Reedsy replied:

09/01/2017 – 16:48

This is really great because I actually did sit and think for a few moments about the line "lives are stories told over and over." So mission accomplished! Thanks for the contribution, Paynes!

Nathan Van Coops says:

06/01/2017 – 14:26

"There was a boy called Eustace Clarence Scrubb, and he almost deserved it." --C.S. Lewis- The Voyage of the Dawn Treader.

06/01/2017 – 14:36

Haha, that's a good one, Nathan!

Tripehound says:

07/01/2017 – 12:33

The Dodie Smith sentence - she's not sitting at the sink. She's sitting in the sink.

07/01/2017 – 16:56

Ah, good catch, thanks! We've edited accordingly.

RanaShubair says:

07/01/2017 – 16:16

The ideas are great. I find number 1 and number 9 most appealing to me. And thanks for the book examples you included- this helped me look them up and put them on my reading list.

07/01/2017 – 16:57

Glad you like it, Rana!

Carol Pearson says:

08/01/2017 – 20:01

"There are gods in Alabama: Jack Daniel's, high school quarterbacks, trucks, big tits, and also Jesus. I left one back there myself, back in Possett. I kicked it under the kudzu and left it to the roaches." Gods in Alabama by Joshilyn Jackson. Stunning.

09/01/2017 – 16:45

That is definitely unique — it's not "once upon a time", that's for sure :) Thanks for the comment Carol!

↪️ Carol Pearson replied:

09/01/2017 – 17:14

ha! no indeed. And the book delivered, too. Compelling from start to finish. Great read!

Rock Higgins says:

17/01/2017 – 17:08

"I am doomed to remember a boy with a wrecked voice – not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother’s death, but because he is the reason I believe in God; I am a Christian because of Owen Meany." John Irving, A Prayer for Owen Meany It is the whole 600+ page novel in a sentence, that takes 600+ pages to unpack.

17/01/2017 – 17:18

Wow, great one, Rock! You know an author really knows their story when they're able to condense 600 pages of it into a single sentence. Thanks for the quote :)

polfilmblog says:

24/02/2017 – 22:08

Venomous python? Really? "with this great python spitting its venomous kerosene upon the world," The only thing I get from this opening is that the author royally fucked it up. Pythons are constrictors of course. Most everyone knows that.

↪️ Elizabeth replied:

19/11/2019 – 08:01

Well, shoot! And Mr. Bradbury seemed to have such promise. I'm sure if he was still among the living you could teach him a thing or two. About snakes, anyway.

Dennis Fleming says:

24/07/2017 – 21:52

"Not wanting to arouse Vishnu in case he hadn't died yet, Mrs. Asrani tiptoed down to the third step above the landing on which he lived, teakettle in hand." The Death of Vishnu by Manil Suri

Astoria Eincaster says:

17/10/2017 – 19:57

I don't see anything strange and unexpected with 1984's opening sentence. Thirteen o'clock is basically 1 pm. In Europe the clock goes from 0 to 23. So 1:15 pm for example will be 13:15, 3:45 pm will be 15:45, while 4 am would be simply 4 o'clock. I don't know about other continents, but I'm sure about Europe, as I live there. And where does 1984 take part? In London, you ignorant Americans! Just stop citing 1984 as an example of an unexpected opening. Seriously, this is not the first post about types of book openings where I see 1984 mentioned. Its first sentence is not and it wasn't supposed to be strange, although some ignorant hacks still think it is.

17/10/2017 – 20:06

Analog clocks do not generally include the number "13." So while it is not strange for it to be thirteen o'clock, it remains a strange image for the hand of a clock to "strike thirteen," and I don't believe anyone aside from George Orwell ever said or wrote "the clock strikes thirteen." In 1984, the clock "strikes thirteen", as we can later surmise, because this is a military state and they use military time. So this opening is not only unexpected, it sets the mood for the rest of the book. Ah, and most of Reedsy's team is based in Europe, by the way, so the "ignorant American" argument doesn't really stand with us — sorry!

↪️ 4kidsandacat replied:

24/07/2018 – 11:09

Keep in mind, Orwell wrote this story in 1948, long before digital clocks were in common use. Thirteen o'clock doesn't sound strange today, but it may well have at the time.

↪️ Doug McNett replied:

19/04/2020 – 13:32

I completely agree with you. I am American, but when I first read those lines I thought nothing of it as to me they were referring to military time,

Diane Callahan says:

30/01/2018 – 16:11

Loved this article! I found it through your Novel Revision course. I'm pleased to see that your editors picked many of the same first lines I discussed in my YouTube video on the topic: https://www.youtube.com/watch?v=bm9trk8xRpg&t=2s Patrick Ness’s "The Knife of Never Letting Go" hooked me right away by opening with a strong narrative voice and humor: “The first thing you find out when yer dog learns to talk is that dogs don’t got nothing much to say.”

Evelyn Sinclair says:

11/03/2018 – 16:42

"Master was a little crazy: he had spent too many years reding books overseas, talked to himself in his office,did not always return greetings and had too much hair." Opening sentence from 'Half a Yellow Sun' definitely hooked me in to this story.

Candace says:

03/08/2019 – 01:56

Yeah. I know. You guys are going to read about how I died in agony, and you're going to be like, "Wow! That sounds cool, Magnus! Can I die in agony too?" - Magnus Chase and the Gods of Asgard: The Sword of Summer by Rick Riordan One of my favorite opening lines of all time.

↪️ Yvonne replied:

08/08/2019 – 02:01

That is indeed an awesome line! Thanks so much for the quote (and the book rec).

Alice says:

19/09/2019 – 19:20

My favorite line is from Charles Dickens "a Tale of two Cities" It was the best of times, it was the worst of times.

Elizabeth says:

19/11/2019 – 08:18

“We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.” "Fear and Loathing in Las Vegas" by Hunter S Thompson. Okay, technically it's a classic HST hybrid - part semi-autobiography and part novel. But still one of the greatest beginnings I've ever had the pleasure of reading.

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Jerz's Literacy Weblog (est. 1999)

Short story tips: 10 hacks to improve your creative writing.

Jerz > Writing > General Creative Writing Tips [ Poetry | Fiction ]

Writing short stories means beginning as close to the climax as possible — everything else is a distraction. A novel can take a more meandering path, but should still start with a scene that sets the tone for the whole book.

A short story conserves characters and scenes, typically by focusing on just one conflict , and drives towards a sudden, unexpected revelation. Go easy on the exposition and talky backstory — your reader doesn’t need to know everything that you know about your characters.

Get Started : Emergency Tips
Write a Catchy First Paragraph
Develop Your Characters
Choose a Point of View
Write Meaningful Dialogue
Use Setting and Context
Set up the Plot
Create Conflict and Tension
Build to a Crisis or a Climax
Deliver a Resolution

1. Get Started: Emergency Tips

Do you have a short story assignment due tomorrow morning ? The rest of this document covers longer-term strategies, but if you are in a pinch, these emergency tips should help. Good luck!

When the story begins , what morally significant action has your protagonist taken towards that goal ? (Your protagonist should already have made a conscious choice, good or bad, that drives the rest of the story.)
What obstacles must the protagonist overcome in order to reach the goal? (Simply having a rival is not that interesting. Yes, Harry Potter defeats Voldemort, but first he has to mature into a leader with the moral clarity and teamwork skills necessary to defeat Voldemort. A short story can’t possibly tackle that kind of character development, but a character who faces internal obstacles and must negotiate messy moral trade-offs is more dramatically interesting than the hero in the white hat who has to use the right weapon to defeat the villain in the black hat.)
What unexpected consequences — directly related to the protagonist’s goal-oriented actions — ramp up the emotional energy of the story? (Will the unexpected consequences force your protagonist to make yet another choice, leading to still more consequences? How does your protagonist change over the course of the story?)

Omit travel scenes. (Save words. “Later, at the office…”)
Omit scenes where character A tells character B exactly what we just saw happening to character A. (Omit redundancy. Focus on advancing your story. “As I filled Slim in on what I had just seen in the saloon, he dropped his show of apathy and his fingers clutched at his revolver.”)
Facial expressions of a first-person narrator. (Narrators in stories aren’t looking at video being live-streamed from a floating drone that follows them around everywhere, so they can’t report “A smile lit my face” or “My eyes darkened.” See Writing Dialogue .)
At the climax , what morally significant choice does your protagonist make? (Your reader should care about the protagonist’s decision, and ideally shouldn’t see it coming.)

An effective short story (or poem ) does not simply record or express the author’s feelings; rather, it generates feelings in the reader. (See “ Show, Don’t (Just) Tell .”)

Drawing on your own real-life experiences, such as winning the big game, bouncing back after an illness or injury, or dealing with the death of a loved one, are attractive choices for students who are looking for a “personal essay” topic. But simply listing the emotions you experienced (“It was exciting,” “I’ll never forget how heart-broken I felt,” “I miss her so much I’ll never the same without her”) is not the same thing as generating emotions for your readers to experience.

For those of you who are looking for more long-term writing strategies , here are some additional ideas.

Keep a notebook. To R. V. Cassill, notebooks are “incubators,” a place to begin with overheard conversation, expressive phrases, images, ideas, and interpretations on the world around you.
Write on a regular, daily basis. Sit down and compose sentences for a couple of hours every day — even if you don’t feel like it.
Collect stories from everyone you meet. Keep the amazing, the unusual, the strange, the irrational stories you hear and use them for your own purposes. Study them for the underlying meaning and apply them to your understanding of the human condition.

Read, Read, Read

Read a LOT of Chekhov. Then re-read it. Read Raymond Carver, Earnest Hemingway, Alice Munro, and Tobias Wolff. If you don’t have time to read all of these authors, stick to Chekhov. He will teach you more than any writing teacher or workshop ever could. -Allyson Goldin, UWEC Asst. Professor of Creative Writing

2. Write a Catchy First Paragraph

In today’s fast-moving world, the first sentence of your narrative should catch your reader’s attention with the unusual, the unexpected, an action, or a conflict . Begin with tension and immediacy. Remember that short stories need to start close to their end.

“It is important to understand the basic elements of fiction writing before you consider how to put everything together. This process is comparable to producing something delectable in the kitchen–any ingredient that you put into your bowl of dough impacts your finished loaf of bread. To create a perfect loaf, you must balance ingredients baked for the correct amount of time and enhanced with the right polishing glaze.” -Laurel Yourke

3. Developing Characters

Your job, as a writer of short fiction–whatever your beliefs–is to put complex personalities on stage and let them strut and fret their brief hour. Perhaps the sound and fury they make will signify something that has more than passing value–that will, in Chekhov’s words, “make [man] see what he is like.” – Rick Demarnus

In order to develop a living, breathing, multi-faceted character, it is important to know way more about the character than you will ever use in the story . Here is a partial list of character details to help you get started.

Name Age Job Ethnicity Appearance Residence Pets Religion Hobbies Single or married? Children? Temperament Favorite color Friends Favorite foods Drinking patterns Phobias Faults Something hated? Secrets? Strong memories? Any illnesses? Nervous gestures? Sleep patterns

Imagining all these details will help you get to know your character, but your reader probably won’t need to know much more than the most important things in four areas :

Appearance. Gives your reader a visual understanding of the character.
Action. Show the reader what kind of person your character is, by describing actions rather than simply listing adjectives.
Speech. Develop the character as a person — don’t merely have your character announce important plot details.
Thought. Bring the reader into your character’s mind, to show them your character’s unexpressed memories, fears, and hopes.

For example, let’s say I want to develop a college student persona for a short story that I am writing. What do I know about her?

Her name is Jen, short for Jennifer Mary Johnson . She is 21 years old . She is a fair-skinned Norwegian with blue eyes , long, curly red hair , and is 5 feet 6 inches tall . Contrary to the stereotype about redheads, she is actually easygoing and rather shy . She loves cats and has two of them named Bailey and Allie. She is a technical writing major with a minor in biology. Jen plays the piano and is an amateur photographer . She lives in the dorms at the University of Wisconsin-Eau Claire. She eats pizza every day for lunch and loves Red Rose tea . She cracks her knuckles when she is nervous. Her mother just committed suicide.

4. Choose a Point of View

Point of view is the narration of the story from the perspective of first, second, or third person . As a writer, you need to determine who is going to tell the story and how much information is available for the narrator to reveal in the short story. The narrator can be directly involved in the action subjectively, or the narrator might only report the action objectively.

Yourke on point of view:

First Person. “Unites narrator and reader through a series of secrets” when they enter one character’s perceptions. However, it can “lead to telling ” and limits readers connections to other characters in the short story.
Second Person. “Puts readers within the actual scene so that readers confront possibilities directly.” However, it is important to place your characters “in a tangible environment” so you don’t “omit the details readers need for clarity.”
Third Person Omniscient. Allows you to explore all of the characters’ thoughts and motivations. Transitions are extremely important as you move from character to character.
Third Person Limited. “Offers the intimacy of one character’s perceptions.” However, the writer must “deal with character absence from particular scenes.”

5. Write Meaningful Dialogue

Make your readers hear the pauses between the sentences. Let them see characters lean forward, fidget with their cuticles, avert their eyes, uncross their legs . – Jerome Stern

Dialogue is what your characters say to each other (or to themselves).

Each speaker gets his/her own paragraph , and the paragraph includes whatever you wish to say about what the character is doing when speaking. (See: “ Quotation Marks: Using Them in Dialogue “.)

Write Meaningful Dialogue Labels

“John asked nervously” is an example of “telling.” The author could write “John asked very nervously” or “John asked so nervously that his voice was shaking,” and it still wouldn’t make the story any more effective.

How can the author convey John’s state of mind, without coming right out and telling the reader about it? By inference. That is, mention a detail that conjures up in the reader’s mind the image of a nervous person.

6. Use Setting and Context

Setting moves readers most when it contributes to an organic whole. So close your eyes and picture your characters within desert, jungle, or suburb–whichever setting shaped them. Imagining this helps balance location and characterization. Right from the start, view your characters inhabiting a distinct place. – – Laurel Yourke

Setting includes the time, location, context, and atmosphere where the plot takes place.

Remember to combine setting with characterization and plot .
Include enough detail to let your readers picture the scene but only details that actually add something to the story. (For example, do not describe Mary locking the front door, walking across the yard, opening the garage door, putting air in her bicycle tires, getting on her bicycle–none of these details matter except that she rode out of the driveway without looking down the street.)
Use two or more senses in your descriptions of setting.

7. Set Up the Plot

Plot is what happens, the storyline, the action. Jerome Stern says it is how you set up the situation, where the turning points of the story are, and what the characters do at the end of the story.

A plot is a series of events deliberately arranged so as to reveal their dramatic, thematic, and emotional significance. – Janet Burroway

Understanding these story elements for developing actions and their end results will help you plot your next short story.

Explosion or “Hook.” A thrilling, gripping, stirring event or problem that grabs the reader’s attention right away.
Conflict. A character versus the internal self or an external something or someone.
Exposition. Background information required for seeing the characters in context.
Complication. One or more problems that keep a character from their intended goal.
Transition. Image, symbol, dialogue, that joins paragraphs and scenes together.
Flashback. Remembering something that happened before the short story takes place.
Climax. When the rising action of the story reaches the peak.
Falling Action. Releasing the action of the story after the climax.
Resolution. When the internal or external conflict is resolved.

Brainstorming. If you are having trouble deciding on a plot, try brainstorming. Suppose you have a protagonist whose husband comes home one day and says he doesn’t love her any more and he is leaving. What are actions that can result from this situation?

She becomes a workaholic.
Their children are unhappy.
Their children want to live with their dad.
She moves to another city.
She gets a new job.
They sell the house.
She meets a psychiatrist and falls in love.
He comes back and she accepts him.
He comes back and she doesn’t accept him.
She commits suicide.
He commits suicide.
She moves in with her parents.

The next step is to select one action from the list and brainstorm another list from that particular action.

8. Create Conflict and Tension

Conflict is the fundamental element of fiction, fundamental because in literature only trouble is interesting. It takes trouble to turn the great themes of life into a story: birth, love, sex, work, and death. – Janet Burroway

Conflict produces tension that makes the story begin. Tension is created by opposition between the character or characters and internal or external forces or conditions. By balancing the opposing forces of the conflict, you keep readers glued to the pages wondering how the story will end.

Possible Conflicts Include:

The protagonist against another individual
The protagonist against nature (or technology)
The protagonist against society
The protagonist against God
The protagonist against himself or herself.

Yourke’s Conflict Checklist

Mystery. Explain just enough to tease readers. Never give everything away.
Empowerment. Give both sides options.
Progression. Keep intensifying the number and type of obstacles the protagonist faces.
Causality. Hold fictional characters more accountable than real people. Characters who make mistakes frequently pay, and, at least in fiction, commendable folks often reap rewards.
Surprise. Provide sufficient complexity to prevent readers predicting events too far in advance.
Empathy. Encourage reader identification with characters and scenarios that pleasantly or (unpleasantly) resonate with their own sweet dreams (or night sweats).
Insight. Reveal something about human nature.
Universality. Present a struggle that most readers find meaningful, even if the details of that struggle reflect a unique place and time.
High Stakes. Convince readers that the outcome matters because someone they care about could lose something precious. Trivial clashes often produce trivial fiction.

9. Build to a Crisis or Climax

This is the turning point of the story –the most exciting or dramatic moment.

The crisis may be a recognition, a decision, or a resolution. The character understands what hasn’t been seen before, or realizes what must be done, or finally decides to do it. It’s when the worm turns. Timing is crucial. If the crisis occurs too early, readers will expect still another turning point. If it occurs too late, readers will get impatient–the character will seem rather thick.- Jerome Stern

Jane Burroway says that the crisis “must always be presented as a scene. It is “the moment” the reader has been waiting for. In Cinderella’s case, “the payoff is when the slipper fits.”

While a good story needs a crisis, a random event such as a car crash or a sudden illness is simply an emergency –unless it somehow involves a conflict that makes the reader care about the characters (see: “ Crisis vs. Conflict “).

10. Find a Resolution

The solution to the conflict . In short fiction, it is difficult to provide a complete resolution and you often need to just show that characters are beginning to change in some way or starting to see things differently.

Yourke examines some of the options for ending a story.

Open. Readers determine the meaning. Brendan’s eyes looked away from the priest and up to the mountains.
Resolved. Clear-cut outcome. While John watched in despair, Helen loaded up the car with her belongings and drove away.
They were driving their 1964 Chevrolet Impala down the highway while the wind blew through their hair.
Her father drove up in a new 1964 Chevrolet Impala, a replacement for the one that burned up.
Monologue. Character comments. I wish Tom could have known Sister Dalbec’s prickly guidance before the dust devils of Sin City battered his soul.
Dialogue. Characters converse.
Literal Image. Setting or aspect of setting resolves the plot. The aqueducts were empty now and the sun was shining once more.
Symbolic Image. Details represent a meaning beyond the literal one. Looking up at the sky, I saw a cloud cross the shimmering blue sky above us as we stood in the morning heat of Sin City.

Got Writer’s Block?

The Writer’s Block Comprehensive Web site that offers solutions to beating writer’s block such as various exercises (not necessarily physical), advice from prolific writers, and how to know if you really have writer’s block.

Overcoming Writer’s Block Precise, short list of ways to start writing again.

Learn through Schooling Some online colleges and universities offer creative writing courses. Look for ones that offer creative writing courses that cover the plot and structure of short stories.

Regular access to an instructor who is a published author, and a peer group that is motivated to read your drafts, might just be the extra motivation you need to develop your own skills.
If you are counting on the credits transferring to help you complete an academic program, check with your university registrar.

Dec. 2002 — submitted by Kathy Kennedy, UWEC Senior (for Jerz’s Advanced Technical Writing class) Jan 2003 — edited by Jamie Dalbesio, UWEC Senior (for an independent study project with Jerz) May 2003 — edited by Jerz and posted at Seton Hill University Jan 2007 — ongoing edits by Jerz May 2008 — reformatted Sep 2010 — tweaked Writer’s Block section Mar 2011 — reformatted and further tweaked Jun 2017 — minor editing. Are “Keds” still a recognizable brand of kids shoes? Feb 2019 — Removed “Keds” reference, beefed up the “bad” shoes example; tweaked formatting.

Show, Don’t (Just) Tell Don’t just tell me your brother is funny… show me what he says and does, and let me decide whether I want to laugh. To convince your readers, show , don’t just tell them what you want them to know. There. I’ve just told you something. Pretty boring, huh? Now, let me show you…
Short Stories: Developing Ideas for Short Fiction A short story is tight — there is no room for long exposition, there are no subplots to explore, and by the end of the story there should be no loose ends to tie up. End right at the climax, so that the reader has to imagine how a life-changing event will affect the protagonist.
Creative Writing Forum Have a story you’d like to share? Looking for feedback? Feel free to post in this creative writing forum.
Technical Writing: What is It? Technical writing is the presentation of information that helps the reader solve a particular problem. Scientific and technical communicators write, design, and/or edit proposals, reports, instruction manuals, web pages, lab reports, newsletters, and many other kinds of professional documents.
Usability Testing: 8 Quick Tips for Designing Tests If you already have a prototype and you want to conduct a usability test, and you’re eager to learn how to make the most of your opportunity to learn from your users, then this document is for you. Keep…
Quotations: Integrating them in MLA-Style Papers The MLA-style in-text citation is a highly compressed format, designed to preserve the smooth flow of your own ideas (without letting the outside material take over your whole paper). A proper MLA inline citation uses just the author’s last name and the page number (or line number), separated by a space (not a comma).
Titles for Web Pages: In-Context and Out-of-Context Most writers know the value of an informative title, but many beginning web authors don’t know that each web page needs two kinds of titles. The in-context (IC) title always sits at the top of a page, with the rest…
Active and Passive Verbs Active verbs form more efficient and more powerful sentences than passive verbs. This document will teach you why and how to prefer active verbs. * The subject of an active sentence performs the action of the verb: “I throw the ball.” * The subject of a passive sentence is still the main character of the sentence, but something else performs the action: “The ball is thrown by me.”
Blurbs: Writing Previews of Web Pages On the Web, blurbs are compressed summaries of what the user will find on the other end of a hyperlink. Good blurbs don’t harangue (“Click here!”) or tease (“Learn ten great tips!”). You’re reading a blurb now. If it helps you decide whether to click the link, it’s done its job.
MLA Style: Step-By-Step Instructions for Formatting MLA Papers Need to write a paper in MLA format? This step-by-step includes images showing how to use MS-Word to create the title block, page layout, and works cited list.
Writing Effective E-Mail: Top 10 Tips People decide to read or trash e-mails in seconds. From the subject line to the closing, offer a focused, scannable message that puts your reader’s needs first.

Archived discussion of “Short Stories: 10 Tips for Creative Writers”

852 thoughts on “ Short Story Tips: 10 Hacks to Improve Your Creative Writing ”

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gorgeous gorgeous girls struggle to write short stories

bro what LMAOOOO

Wow. This was super helpful. I’m a writer myself and this was all very fun to read for me.

This really helped, Thank you

Thanks so much for this very informative article! It was exactly what I looking for today. These hacks will definitely help me to become a more creative writer online. Thanks for sharing :)

This is really helpful

i want to make an story

Could someone answer what was they made them a memorable?

Great job on theses tips. These will be with me for generations.

wow i love this

fishman is here to go fishing yeah yeah

Yes this is pretty cool, cool

Such helpful tips. Thank you.

ok yall, I need help with a school assignment.I have to write a story abouth anything and I don’t know how to start, can someone tell me how to start a story.

IDK, right here on this page I’ve put my “emergency tips,” which is the best advice I have to offer.

You have to come up yourself with what it is your protagonist wants and all the other details. One theory is “write what you know,” so that if you are a cancer survivor or grew up in a military family or you spend time around horses or at steel mills or playing basketball, then it makes sense to write a story that includes the details you already know.

Great writers steal. Find a story that you like, and mix it up to make it your own.

Pls help me I’m about to write a book the title “school day “help me with some content an stories. Thanks

i can tell you how to

Daniel thanks for insightful tips

hey anybody interested? to make a movie on me

Professional have to do that, plus you aren’t famous and nobody can reallly make a documentary on someone who hasn’t even shown their face on here

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So amazed by the info and help of this site. Well done to you all and thank you for furthering my knowledge of writing! Thank you again and great work!

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Some great tips and advice here. I’ve been reading several websites about advancing ones creative writing career. Some blogs, websites and forum’s offer very different views on self-publishing. I’ve noticed websites and publishers with authority in the industry, strongly argue that a serious writer should not enter into self-publishing. This can be damaging and seen as vanity. What are your views on this? Thanks!!

Thank you so much! These tips are awesome. I’m planning on writing a short book and this cleared up a lot of what I needed.

I am happy. It’s Give me good information and tips about how to write a short stories.

Based on how many times I had to say, “OMG, that’s so truuuue!”, this one’s a really great article. Worth the read!

I am a compassionate interested person wanting to engage in writing i have always had this itch if you like to write stories from the early twenties in my life this itch to write has always been there about stories that the average person can relate to and therefore become an interested reader , however , i am now at a point in my life that i am in a position to put more time into learning the craft of writing stories that have a mixture of fiction and fact and that i may also write a memoir because that is the one thing i know will be interesting . Kind regards Mark

Quite helpful ideas. The site is shown on html though, is it right? Creative writing techniques are helpful ways to write, but more important thing is to acquire a writing habit.

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Very educative Thanks

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this is ssoo cool le epic le epic

hey, hope everyone is copacetic. have been trying to improve my writing but still don’t see any improvement in my struggle, is there anyone who help me to overcome my this issue, hope you people will help me because most of you have experience. keen to write as good story writter and also interested in writing novels but suffering from writing. help me

I am elated that I have come across this.

way of navegating around. The concept of a short story is that something goes wrong and the character must fix it, even if it is a Utopian world. There has to be something that goes wrong or has been wrong the entire time. Examples of this is that the authority that everyone trustic began putting random people in prison. Another would be that everyone relies on th main character for protection becuase he or she has a special ability but the main character doesnt know how to use this ability.

oh great. it’s NAVIGATING, by the way.

I make typographical errors, too.

I am mark thank you

Gave me a really good help …… thanks a lot

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thanks so much! its verry help full.

I have a love story which is inspired every people like any age in human life but skill is concurrence and disburse with sparrow and peacock animals situation and also crow life…… I just want to know the right concern person email ID to send the story details and further I suggest a song like tital song & stage show song, said song.

Thanks & regards Dhananjay bathe

now this is epic

Thank you Kanye very cool

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hey who are u cool?

this is so very cool i cannot believe it

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Mary became a workaholic which made her.children unhappy.so they went to live with their dad. Then Mary moves to another city and got a new job. Her ex-husband and Mary agreed to sell their old house. Mary then met a psychiatrist and fell in love with him. But then her ex-husband came back to her and she accepted him back- at first – but then rejected him.

So she committed suicide. Then her ex-husband commited suicide. Her parents buried her corpse in the basement.

I dont think this form of the making a character really helps. First off, people dont like characters who are strong and can do anything, they like characters that have weaknesses that slow them down such as being blind or not being able to walk. They idea must be something that uses this weakness. The character must also be or become more capable of doing things towards the end. Such as if they couldnt see, they would develop a way of navegating around. The concept of a short story is that something goes wrong and the character must fix it, even if it is a Utopian world. There has to be something that goes wrong or has been wrong the entire time. Examples of this is that the authority that everyone trustic began putting random people in prison. Another would be that everyone relies on th main character for protection becuase he or she has a special ability but the main character doesnt know how to use this ability.

Hope this helps anyone that is still confused!

Re #7: 1. Your quote by Burroway should be Janet Burroway not Jane. Fact-checking us vital. 2. Story elemrnts for developing actions and their end results should be Exposition, not explosion. As it stands this is false and misleading information that will trip many unsuspecting/new writers up.

Thanks for noting the typo — I fixed it. I am not sure that exposition is, by its nature, very hooking, so I’m leaving that as is.

I really like and value this page, I my self a middle school-er found it helpful w/ saying that i already new all the tips, but alas it was still a great reminder. Also remember to keep you sentence, punctuation and dialog varied. This will help keep the reader interested

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Just about to create a short story and it has been a while, great advice to get me back in the mood.

Would love to write short stories but just can’t get myself started. Needing an affordable directed course with assignments and deadlines and tutorial comment feedback. OU looks good but WAY beyond my means. Have plenty of ideas and have read copiously (and still am). This site particularly helpful, thank you. Ray

It is all quite informative.

Filled with error Syed.

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With creative writing, as with any kind of writing, your reader is your most important consideration. You need to know and understand whom you’re writing for if you’re to do a good job of keeping them interested. Thanks for sharing a great post.

I think you should think about what your characters very well and not try to change things about them.

I have my english term exam tmrw and these tips have givn me a good idea of short story writing~though I m good at writing but short story was not my speciality… So, thanx for these excellent tips… You r jst gr8!!!

A good writeup. Love it.

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Great! Thanks so much! This will help me in my Creative Writing class I am taking this summer!

Terrible advice

To what, exactly, are you referring Tyler?

Dennis you’re the writer now?

I did assign the topic and format to a student in my technical writing class, I served as the student’s client, and I have been updating and maintaining this document since 2002.

Noice? Ohhh Marilyn

Really helpful

Elated??? Look at # 7 haha shd commits duicide but moves back with parents lol Also re resolution lol. Conflict is resolve not resolved lol. These are jyst drongos copying and plagiarising other peoples’ work and not getting it right.

It was informative and educating.

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RT @Chris_Oldham: Need a hand polishing up your short story? Try these emergency tips! https://t.co/5XrFzKU5rH #amwriting https://t.co/Dgfb…

Need a hand polishing up your short story? Try these emergency tips! https://t.co/5XrFzKU5rH #amwriting https://t.co/DgfbrqAotX

10 ways to improve your short stories. https://t.co/UJMpkku02Y #writing #amwriting #shortstory

cannot read so much but i think its good for the ones who have so much time to read.

The blank page is not taunting me any more, thank you. PS have you ever read Amanda McKittrick Ros – the greatest worst writer who ever lived? I think she should be added to every creative writing curriculum.

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You spelt a couple of words wrong mate

It’s possible. If you spotted any errors, I’d welcome specific notes. Which words?

Ur dumb Rohan

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RT @carolinezoids: Looking for #shortStory tips, I found this great article by @DennisJerz: 10 ways to improve your #creativeWriting: https…

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8 Tips for Getting Started With Creative Writing
Action: In creative writing, action should occur for a reason—characters' actions should be based on their motivations, their points of view, and their previous choices. A protagonist's actions should always propel them toward their main goal in a way that is related to the plot events at hand. A character's goals affect their character ...
Creative Writing: 8 Fun Ways to Get Started
2. Start journaling your days. Another easy way to get started with creative writing is to keep a journal. We're not talking about an hour-by-hour account of your day, but journaling as a way to express yourself without filters and find your 'voice in writing'. If you're unsure what to journal about, think of any daily experiences that ...
How to Become a Better Writer: 20 Hacks and Tips
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26+ Creative Writing Tips for Beginners ️
Simple - Just create writing goals for yourself. Examples of writing goals might include, to write 100 words every day or to write 600 words by the end of next week. Whatever your goals make sure you can measure them easily. That way you'll know if you met them or not.
Creative Writing Tips for Beginners: 10 Top Tips
Pick up your pen, choose your favorite prompt, and start writing! 10 Creative Writing Tips for Beginners. If you're new to creative writing, here are ten fiction writing tips that you can try. Tip 1: Read Widely. It's hard to become a great musician without having heard a lot of great music. The same is true for writing.
The Ultimate Guide to Creative Writing
4 Forms of Creative Writing. While there are really no bounds to what creative writing can be, there are four main buckets it falls into. 1. Fiction. Fiction is work that describes imaginary events, places, or people. This can include novels, short stories, or even flash fiction. 2. Creative Nonfiction. Creative nonfiction is about telling true ...
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Continuously seek to learn and grow as a writer by attending workshops, reading about writing, and experimenting with new techniques. Remember, improving your creative writing skills takes time and dedication. Patience, persistence, and a willingness to learn are key to becoming a better writer.
20 Writing Tips to Help You Improve Your Craft Today
Don't dilute your story with adverb-y sentences — get down to business and tell us what the characters are doing. 15. Get rid of distractions. Yes, this is probably one of the hardest writing tips to follow — especially for those of us who enjoy working from noisy coffee shops and taking frequent Netflix breaks.
Creative Writing 101: A Beginner's Guide to Creative Writing
Creative Writing 101. Creative writing is any form of writing which is written with the creativity of mind: fiction writing, poetry writing, creative nonfiction writing and more. The purpose is to express something, whether it be feelings, thoughts, or emotions. Rather than only giving information or inciting the reader to make an action ...
Essential Creative Writing Tips and Techniques
When you start writing routinely, in a 'comfortable' place, creative writing becomes natural. Even when you're out of ideas experiencing writer's block, you have to practice the habit of writing stuff daily—just write some fluff if you're bored. 6. Know your audience.
How to Start Writing Fiction: The 6 Core Elements
Let the conflict unfold naturally in the story, but start with the story's impetus, then go from there. 2. Fiction Writing Tip: Creating Characters. Think far back to 9th grade English, and you might remember the basic types of story conflicts: man vs. nature, man vs. man, and man vs. self.
What is Creative Writing? A Key Piece of the Writer's Toolbox
4 Steps to Start Creative Writing. Creative writing can seem daunting to beginners, but with the right approach, anyone can start their journey into this creative field. Here are some steps to help you start creative writing. 1. Finding Inspiration. The first step in creative writing is finding inspiration. Inspiration can come from anywhere ...
How to Boost Creativity and Improve Your Creative Writing
A creative writer strives to tell unique stories in a distinctive voice. Yet with all the fiction writing already out there in the world, it can be hard to feel that your work is legitimately creative compared to the competition. You could be a first-time writer completing in a high school creative writing course, a hobbyist working on your ...
14 Creative Writing Tips (Plus 5 Jobs in This Career Field)
14 creative writing tips Here are some creative writing tips to help you with your next project: 1. Read often Most writers are also avid readers. Reading regularly can help you build your vocabulary, discover new writing techniques and explore different genres. ... Start with a compelling piece of dialogue. Use juxtaposition to create unusual ...
How to Start a Story: 10 Top Tips From Literary Editors
8. Do something new with your writing. 9. Create tension that has room to grow. 10. Capture your readers' attention. 1. Craft an unexpected story opening. Some of the most memorable opening lines are ones that hook readers with something out of the ordinary.
Short Story Tips: 10 Hacks to Improve Your Creative Writing
2. Write a Catchy First Paragraph. In today's fast-moving world, the first sentence of your narrative should catch your reader's attention with the unusual, the unexpected, an action, or a conflict. Begin with tension and immediacy. Remember that short stories need to start close to their end.
18 Writing Tips That'll Actually Make You a Better Writer
But it's vital. Learn More: Proofreading: 7 Editing Tips That'll Make You a Better Writer in 2024 will show you how to proofread and edit like a pro. And if you need some tools to help you fix your writing, Grammarly and the Hemingway App are two good grammar checker options. 4. Supercharge Your Subheads.
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Want to try Creative Writing? Whether your ambition is to become a novelist, or just to get started and get some short stories out there, get inspiration and...
Welcome to the Purdue Online Writing Lab
The Online Writing Lab at Purdue University houses writing resources and instructional material, and we provide these as a free service of the Writing Lab at Purdue. Students, members of the community, and users worldwide will find information to assist with many writing projects.
Advice for Starting a Writer's Life
Photo by Sammie Chaffin on Unsplash. This past weekend, The New York Times T Magazine dedicated the issue to "How To Begin A Creative Life." It's a marvelous treasure trove of inspiration and insight. Lots of artists of all mediums and disciplines chimed in, and, during the course of reading it, you feel like you're hanging out with your people, talking about one of the most important ...